It’s Writing Wednesday over at The Great Noveling Adventure and I am so excited about today’s post! The idea for this craft post came to me a few months ago when yet, again, I was having a discussion about reading and why it was important for writers to be well-read.
Cue the excuses from some novice writer why they didn’t read/couldn’t read.
Cue my head exploding.
How could I get my fellow newbie writers to understand, to maybe see from a different perspective, how reading was not detrimental but essential to their growth?
This post entitled Variations of the Mona Lisa (Why Studying the Masters is NOT an Exercise in Futility) is my love letter to them, my misguided peers.
Here’s a preview:
I consider myself to be a fairly open-minded individual. I understand that mine is not the only opinion on any given subject and that each person brings a different perspective to a discussion, shaped by their own unique life experiences. I’ve never met anyone that didn’t have something to teach me or that didn’t have an interesting story to tell.
That being said, there are some hot button topics that will put my strong sense of open-mindedness to its ultimate test. One of those issues is whether or not a writer needs to read books (and read a LOT of books) in order to be a good writer. Want to see me bend over backwards to restrain myself from mentally body-checking someone? Let me hear someone say, “I’m afraid I’ll take on another author’s style if I read too much” or “I don’t have time to read.”
Flames. Flames will shoot out of my eyes.
To demonstrate why these and other asinine arguments just don’t cut it, I thought I’d turn to another art form to demonstrate how studying your craft by studying the masters of your medium – which is what reading IS for writers – can not only lead to you mastering your craft, but it can also lead to you discovering your own artistic voice.
To read the full post, click here.