Archive for the ‘Conferences’ Category

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It’s my turn to post over at the newly relaunched group blog, The Great Noveling Adventure. Since we now have set themes for each day, this is List of 5 Friday. I decided to give everyone a sneak peak at my top five favorite things I learned from the SCBWI LA Summer Conference. For those of you following along with my series of posts here, it’s a nice preview into some of the things I’ll be sharing more in-depth on this blog, coming very soon.

TweetDon’t forget that I’m also hosting AM #sprints every weekday morning on Twitter @Novel_Adventure. Join me if you need some motivation to get started or if you just need some companionship as you work on your own great novel.

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There was a very lively Editors’ Panel this year, and the discussion was all about what you should have in your manuscript and what you shouldn’t. The dynamic panel included:

Alessandra Balzer, VP and Co-Publisher at Balzer + Bray, an imprint of HarperCollins Children’s Books

Mary Lee Donovan, Editorial Director at Candlewick Press

Allyn Johnston, VP and Publisher of Beach Lane Books, a San Diego-based imprint of Simon & Schuster

Wendy Loggia, Executive Editor at Delacorte Press/Random House Children’s Books

Lucia Monfried, Senior Editor at Dial Books for Young Readers

Dinah Stevenson, VP and Publisher of Clarion Books, a small imprint of Houghton Mifflin Harcourt

Julie Strauss Gabel, VP and Publisher of Dutton Children’s Books, an imprint of Penguin Young Readers

 

Editors Panel w/Lin Oliver moderating. Pic from Official SCBWI Conference Blog

Editors Panel w/Lin Oliver moderating. Pic from Official SCBWI Conference Blog

 

 

The first question addressed to the panel asked for one good thing they looked for in a manuscript.

Overwhelmingly, the answer was voice.

Mary Lee Donovan expanded on this: Voice is what you bring to your manuscript automatically. Don’t try to imitate, or echo another writer or style. Make sure you are writing authentically as yourself so your voice comes through. “If you are writing authentically, you are writing in your voice.”

Allyn Johnston added that she wanted the unexpected; something that gives her goosebumps. And no elaborate cover letters, for her. She would rather you spend more time developing your manuscript.

Lucia Monfried said, “Originality. It’s a rare quality that grabs you.”

Dinah Stevenson said she’d like to see a beginning, “Not only an invitation into the story, but something that contains the seeds of the ending, so it sets up a satisfying journey.”

Julie Strauss Gabel echoed the importance of voice, and then mentioned for her personally, she’s very attentive to fit. As in fit for her imprint and for her as an editor. And she said this isn’t just a surface fit, it’s about that unique one-on-one relationship. Never write to general masses or trends. From your voice to your manuscript, you have to be able to stand by it. “I’m looking for something I can champion.”

Others echoed this and the importance of diligent research before submitting. Suggesting writers look over editors’ lists, read interviews, and find other useful information that is available on the internet.

Alessandra Balzar, Mary Lee Donovan, and Allyn Johnston. (pic from Official SCBWI conference Blog)

Alessandra Balzer, Mary Lee Donovan, and Allyn Johnston. (pic from Official SCBWI conference Blog)

 

Second question asked editors to discuss things they did not want to see in manuscript submissions.

Allyn Johnston said, “Don’t be weird.”  Don’t send your manuscript inside a green plastic fish (which she held up for all to see) or with a satin eye patch.

Boring manuscripts was another common theme.

Alessandra Bray added that she sees some writers, in an effort not to be boring, overload the start their manuscript with so much action or sex drama that it is overwhelming. She suggested we as writers should, “introduce us to your characters” and leave out the “dark and stormy night bits”.

Wendy Loggia gave this insight on how to know if you have a boring manuscript: If only you get excited about your work, it’s probably boring. When you practice pitches, if others show interest, that’s good. If not, that’s bad.

Julie Strauss Gabel added that If she doesn’t get engaged or see the voice or if it’s pedestrian, she’s out. She then said that the very best stories come from very personal places. Always think about why this story has to be told.

Allyn Johnston, Wendy Loggia, and Lucia Monfried (pic from Official SCBWI conference blog.)

Allyn Johnston, Wendy Loggia, and Lucia Monfried (pic from Official SCBWI conference blog.)

Dinah Stevenson and Julie Strauss Gabel (pic from Official SCBWI conference blog.)

Dinah Stevenson and Julie Strauss Gabel (pic from Official SCBWI conference blog.)

 

 

 

 

 

 

 

 

 

 

Third question asked each editor to discuss what they looked for in a fresh, snappy manuscript.

Many reflected on ideas of craftsmanship and dealing with a writer who understood story structure. An emphasis on educating ourselves as writers was expressed over and over. Too many manuscripts come in that read like first drafts. Writers are not taking enough time to edit.

Lucia Monfried stated, ” There’s no speeding up how to get better as writers. Take your time; learn your craft.”

Dinah Stevenson said that a manuscript screams out first draft when a writer has thrown in everything and the kitchen sink. “Craft means making choices. It’s part of the process.”

Wendy Loggia added that she looks at the overall structure of the manuscript. Paragraph structure, sentence breaks, chapter endings, etc. “I love to step in and make suggestions, but it’s great when I can tell that a writer has an idea of how they want the manuscript to look.”

Allyn Johnston said, “When I’m in the hands of a professional, I can relax.” She then shared a quote from Mem Fox to share what she’s looking for: “When the emotional temperature of the reader has changed through the experience.”

Julie Strauss Gabel expressed ‘sharability’ as something she looks for. “Word of mouth is the key to this business. We’re here because we care about who is going to read this book.”

Alessandra Balzar said she wanted to see a hook – that thing that makes a manuscript fresh, unique. “What hook really means is the ability for the book to stand out.” What’s going to make someone say, ‘Oh, you have to read this book.’ – and that book is yours?”

Allyn Johnston and Mary Lee Donovan both commented on wanting books that fulfilled this golden moment when they become a reader. When they let go of the editor part of themselves and just enjoy the story. That is the golden moment and that’s when they know they’ve found something special.

Overall, a fabulous panel with lots of great insights and pearls of wisdom from these experts in the field of publishing.

 

 

 

 

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This week has been incredibly busy with the relaunch of my group blog, The Great Noveling Adventure, and hosting all those AM writing sprints, but what fun! I’m going to continue doing them as it gets me up and writing every day. I didn’t want September to start without beginning my LA conference recap posts, so here’s the first one. I had hoped to bring back some extra signed copies of some books, but due to another sold-out conference, this one with record-breaking attendance, the bookstore was pretty picked over by the time I got around to it. Still, I think I may just have something up my sleeve to give away later in the month.

MEG ROSOFF SPEAKS ON IMAGINATION

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Meg Rosoff, author of Printz Award book HOW I LIVE NOW and THERE IS NO DOG, opened the conference with her keynote entitled “Warning: Peter Rabbit May be Hazardous to Your Health” where she discussed how some psychologists and other “experts” were telling parents not to allow their children to read fairy tales. Why? Because fairy tales were dangerous.

Yes, dangerous.

They teach children an unrealistic view of the world. She quoted from an unnerving number of sources, which stated things like this jewel of wisdom:

“Even fairy tales, the ones we all love, with wizards or princesses turning into frogs or whatever it was. There’s a very interesting reason why a prince could not turn into a frog – it’s statistically too improbable.”(This was from a Telegraph article.)

Who can argue with such logic?

In Rosoff’s opinion, they were all missing the point. Imagination is not a dangerous thing for a child to develop, in fact, it is essential. To prove her point, she began her talk with a retelling of GOLIDLOCKS AND THE THREE BEARS and she gave it a realistic bent, as these experts would have us do.

(Me paraphrasing extensively.) She entered a house, actually it was a cave. And instead of finding three bowls of porridge what she actually found were three rotting rabbit carcasses. “This is disgusting,” she said.

She went to lie down after this, but instead of beds, there were piles of leaves mixed with bear excrement. When the bears came home, they growled at her – “if they could speak a language, it would probably be French-Canadian” – and then they disemboweled her and ate her.

The End.

Not exactly warm and fuzzy. And quite nauseating, to boot. But hey, it’s more realistic, and according to the “experts”. exactly what children, today, need in their stories. Can you imagine a childhood devoid of imagination? A world where children grow up learning only to think in rational ways? THAT is a truly terrifying tale.

When her own child went off to college and shared fears of not being as good or as smart as the other kids in the physics department, how_i_live_now_3-125x200this is what Meg said to her:

“You may not ever be a genius, but you read books. You know about plot, character, stories. You know about letting your unconscious mind follow things to new conclusions. Reading books strengthens imagination and lateral thinking. A good scientist needs imagination. Reading books may even make you a GREAT scientist.”

Imagination is essential to great thinkers, to creative minds. It’s not something one should outgrow or overcome.

“Imagination and the ability to tell a story will make anyone better at anything, with the possible exception of politicians and accountants.”

Reading about the fantastical, the improbable, allows kids to imagine the what ifs. It’s our job as writers is to try to understand the world and take risks to write the strongest, fiercest, most subversive tales. This means not being afraid to engage with the darker parts of ourselves. That’s where some of the really important stuff can happen. Break the rules, be subversive. Write a book no one else may want to read.

In one review after her second book, it said, “Meg Rosoff is the queen of weird.” She took it as a compliment.

“Imagination is very dangerous. It can change the world. And that’s why we write.”

Learn more about Meg Rosoff here.

Follow Meg on Twitter here.

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Things have been moving at a break-neck pace ever since I returned from the SCBWI LA Summer conference earlier this month. My less-than part-time job has picked up substantially and the group blog I participate in is coming back from vacation next week with a bang – all new format, a few changes to the line-up, and one hell of a fabulous contest with a gazillion prizes, including books and critiques! (Details on that coming very soon.) Not to mention squeezing in all the important revising that must continue. And I haven’t even talked about our Fall Retreat that’s (ack!) in just a few weeks.

Despite all of the chaotic activity, I really wanted to get started with my yearly conference-inspired blog posts. To tease you all a bit with what I have in mind, I thought I’d start with some of my favorite quotes from this year’s event.

 

“Imagination and the ability to tell a story will make anyone better at anything, with the possible exception of politicians and accountants.”

- Meg Rosoff

“Craft means making choices. It’s part of the process.”

-Dinah Stevenson

“Teletubbies, better than a valium.”

-Judy Schachner

“There’s no such thing as writer’s block; you’re just editing too early.”

-Stephen Chbosky

“When stealing from real life, there’s a process of subtraction.”

-Maggie Stiefvater

“Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth…Children are game for anything. I throw them hard words and they backhand them across the net.”

- Megan McDonald reciting from famous E.B. White quote

“You never again love a book the way you do as a child.”

-Linda Sue Park

 “I’ve always struggled with my own smallness.”

-Sharon Flake

“Being an artist is the way you live your life.”

-Tomie de Paolo

“I was brave in my writing in a way that I wasn’t in my life.”

-Judy Blume

Yes! Judy freakin’ Blume! Her talk was the perfect way to end the conference, I have to say. I actually teared up just watching her cross the stage to the podium. LOVE HER!!! She’s so freakin’ adorable and moving and everything you imagine that you just want to hug her to pieces and then stuff the pieces into your mouth. Too weird? Sorry. But it’s Judy freakin’ Blume!

Snapping out of my fangirl fog, let’s get back to the quotes for just a second. See if you can guess how these fantastic little tidbits will play out as blog posts in the weeks ahead as I dole out the jewels of wisdom I received on my journey out west. Until then, I leave you with some vacation pics. Enjoy!

 

Me and my lovely critique partner Barbara Lowell at the PALS event where she just about sold out of her first book! Love her!

Me and my lovely critique partner Barbara Lowell (remember when I did an interview with her on the blog?) at the PALS event where she just about sold out of her first book! Love her! (Probably didn’t hurt that Bonnie Bader used her book as an example during one of her talks. Impressive, no?)

 

Insanely gorgeous art installation/wall of plant life at the mall across the street.

Insanely gorgeous art installation/wall of plant life at the mall across the street.

 

 

The Jerry Bennett allowing me to admire him for a moment as we both show our excitement for Stephen Chbosky's keynote.

The Jerry Bennett allowing me to admire him for a moment as we both show our excitement for Stephen Chbosky’s keynote. I have a sad update for all of  you Jerry fans – he has had a facial hair accident of unknown origin and is currently beardless. It’s shocking to all of us, but we’ll should try to help him through this sad, trying time.

 

And then I got to admire Stephen Chbosky for a moment where he told me story about how nervous he was accepting an award right after Bill Clinton spoke - "Yeah I wasn't as good."

And then I got to admire Stephen Chbosky for a moment where he told me story about how nervous he was speaking at an awards show right after Bill Clinton spoke – “Yeah, I wasn’t as good,” he said.

 

 

Me and some more of our Oklahoma group, Brenda Maier and Catren Perks-Lamb at the Golden Kite Luncheon.

Me and some more of our delightful Oklahoma group, Brenda Maier and Catren Perks-Lamb at the Golden Kite Luncheon.

 

A beautiful night in LA.

A beautiful night in LA. Can’t wait for next year!

 

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Our SCBWI Oklahoma fall events keep getting more exciting every year. Just when you thought we couldn’t top last year’s Agents’ Day, along comes this year’s Fall Retreat. You pay one fee and attend as much or as little as you’d like, but trust me, this will be so packed full of literary goodness, you’ll want to be there for the whole thing.

OKLAHOMA 2014 FALL RETREAT
Three Days of Workshops and Speakers
September 26-28, 2014
Friday: 9:00 am – 8:30 pm
Saturday 9:00 am – 8:00 pm
Sunday 10:00 am – 1:00 pm

Best Western Motor Lodge, Stroud, Oklahoma
Exactly between Oklahoma City and Tulsa

LIMITED TO 90 Participants (AND ALREADY HALF-FULL!!!)


REGISTER NOW

The Speakers
Brett Duquette – Editor, Sterling Publishing

Brett Duquette

 

Tracy Daniels – Founder of Media Masters

 Tracy Daniels

 

Minju Chang – Agent, BookStop Literary Agency

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Christa Heschke – Agent, McIntosh and Otis, Inc.

Christa Heschke

 

The Workshop begins on Friday with the basics.

Want to brush up on core skills? Getting started on your writing  journey? Not sure where to begin? This will cover everything you need. You’ll get to choose from several sessions and pick the ones that are just right for you. Here are some of the topics for the Friday craft sessions:

        • Creating Graphic Novels
        • Picture Books that Sell
        • Romance/Friendship in MG and YA
        • Query Letters
        • Writing Nonfiction
        • Creating Easy Readers
        • Successful School Visits
        • Unusual Techniques for Developing Character
        • The Real Difference in First and Third Person POV
        • More than Pronoun Use
        • Plotting That Works
        • Digging Deeply Enough for Story Ideas
        • Using Acting Techniques in Writing
        • World Building Elements for All Genres
        • Showing Character
        • Proportion Issues
        • Lessons for Beginners

- PLUS: A Creative Coach will give tips for conquering
procrastination and self-sabotage.

Doesn’t that look great?

Saturday and Sunday the guest speakers will give in-depth talks on various subjects like voice, publicity and promotion, and much more.

There will be manuscript critiques and editor/agent pitches available as well.

For details – and to register for the workshop – head on over to the SCBWI OK website.

UPDATE: On July 24, 2014, NewsOK wrote an excellent article on our conference which really gives a complete picture of what to expect. Great information.

 

Questions and Contacts:

- Anna Myers: amyers_author@yahoo.com
– Helen Newton: helennewton@cox.nt

 

Let’s dive right into Part Two, shall we?

Melissa Manlove2Following lunch, the dynamic Melissa Manlove, Editor at Chronicle Books stepped up to the stage and treated us to a talk about reading first pages like a pro. In the first page, editors can see how effective your use of language is. To read like an editor, she emphasized the importance of close reading, which is very different than reading for pleasure. When you close read something, you break down to elements and look at the construction of a story; you see what really makes it work.

For example, in the first page of Kate Messner’s OVER AND UNDER THE SNOW, the word choices not only dictate the cadence of the story, they evoke the mood of winter. See here in the very first lines:

Over the snow I glide. Into the woods, frosted fresh and white.

Over the snow, a flash of fur – a red squirrel disappears down a crack.

The end of the first line becomes a bit of a tongue twister, which slows you down as you read. The images of frosted and fresh and white evoke the wintery mood. Melissa mentioned that Messner also purposely chose words that together would mimic the feel of skis moving along the snow. THAT is paying attention to what works on more than one level in your story. And that is all just in the first line!

When discussing a good use of rhyme, Melissa gave the example of Liz Garton Scanlon’s book ALL THE WORLD. There is a great deal of cadence and structure, which is repeated. The author is showing she knows what she’s doing with structure in these first stanzas and it shows.

Rock, stone, pebble, sand,

Body, shoulder, arm, hand,

A moat to dig, a shell to keep -

All the world is large and deep.

 

Hive, bee, wings, hum,

Husk, cob, corn, yum,

Tomato blossom, fruit so red -

All the world’s a garden bed.

This is a goodnight book and in these type of stories, you want structure with a calming flow. Melissa went on to say that one of the reasons that many editors beg off rhyming manuscripts at the behest of their therapists is because most manuscripts they see only bother with rhyming the very last words in a line. While syntax is importance, it’s tough to make it sound natural if you don’t make it work in context with the entire story and take the overall RHYTHM of the story into account as well.

Melissa also said that mastering these skills, like all other skills, takes practice. Hoping to get it write like a bolt out of the blue isn’t the greatest plan. Writers may have to come up with a thousand mediocre ideas before they find that one great story. Then she said something that struck a chord with everyone:

Your brain is a machine made for generating ideas. Inspiration can feel electric, but lightning doesn’t strike the person laying in a sunny field, it strikes the person habitually cranking at the generator.

(Thank you to Gayleen Rabakukk for helping with the accuracy of that quote.)

There were so many other things she shared that were fantastic, I could blather on all day her talk alone. I suggest doing some close reading and practice writing of your own.

Melissa’s book recommendations: OVER AND UNDER THE SNOW by Kate Messner, CARNIVORES  by Aaron Reynolds, ALL THE WORLD by Liz Garton Scanlon, SKIPPYJON JONES by Judy Schachner, IT’S A TIGER by David LaRochelle, GOODNIGHT GOODNIGHT CONSTRUCTION SITE by Sherri Duskey Rinker, ON A BEAM OF LIGHT by Jennifer Berne,  and SWAN by Laurel Snyder (Fall release 2014)

Follow Melissa on Twitter.

 

Next up was the vivacious Kristin Miller-Vincent, Associate Agent, D4EO Literary Agency who talked about how to keep it fresh, get it fresh, and deliver it fresh. (Sounds like a pizza delivery commercial Kristin Miller Vincentwhen I say like that. She was much more eloquent.)

Fresh is hard to define. “We don’t know what it is, but we know it when we see it.”

So how can you bring fresh ideas to your stories?

  • Engage with the world and find truths that would make great fiction – find inspiration in the unusual things you come across that fascinate you. She gave an example of a strange statistic about the number of people hospitalized each year while taking down their Christmas trees in the nude.
  • Figure out what ISN’T actually out there – in pitch for the book,  THE EIGHTH DAY, it was described as there is a secret eighth day of the week, sandwiched between Wednesday and Thursday, with roots tracing back to Aurthrian legend.
  • Put a new spin on an old tale – reimagine a fairy tale or tell an old story from a different point of view. CINDER is a cyborg Cinderella story set in outerspace.

Those are just a few ideas as far as the plot are concerned, but what about voice?

Fresh voices are created are when authors know their characters well enough that they can let go of their own egos and let their characters use them as a vessel to tell the story.

Don’t get in the way of your narrative voice.

(Another speaker suggestion for delving deep into your characters – I’m sensing a theme.)

Kristin ended with discussing the critical mindset. You should welcome criticism and also be critical of your own work. Continue to question and wonder about ideas and the world around you.

There’s no room for complacency in publishing! You can do it!

Kristin’s book recommendations: PETE THE CAT by Eric Litwin, THIS IS NOT MY HAT by Jon Klassen, THE GIRL OF FIRE AND THORNS by Rae Carson, THE EIGHTH DAY by Diane K Salerni, CINDER by Marissa Meyer, SCARLET by A.C. Gaughen.

Follow Kristin on Twitter.

 

Liza KaplanOur final speaker of the day was Liza Kaplan, Editor with Philomel Books, Penguin Group and she talked to us about tension.

A novel thrives on tension and drama, but the thing that makes a novel un-put-downable is the TENSION.

There are different types of tension:

DRAMATIC – those filled with situational difficulties, the most general tensions, romantical “will they or won’t they?” tensions

ENVIRONMENTAL – throughout the story the reader wonders if the character will survive. ex: BETWEEN SHADES OF GREY

WORLD-BUILDING – use of a forcible task or inescapable danger, very literally life and death situations. ex: HUNGER GAMES

THEMATIC – universal issues like love, freedom, free will, life and death, fighting for love at the cost of life. ex: 13 REASONS WHY

You should vary your use of the types of tension within your story. Remember that two opposing forces prolong uncertainty and delay resolution to keep up the tension. The faster we get to a resolution of a problem, the more comfort we feel. Make your readers wait for the resolution.

But tension isn’t the only thing needed for a great story. The stakes have to matter; the main character has to risk something big. And the higher, more demanding the stakes, the more tension you create.

Your novel should be like an emotional roller coaster. Your job is to be an emotional manipulator to your readers.

What helps create a visceral reading experience is making the reader care. If your character has stakes where s/she is personally invested, so will your reader.

Liza’s book recommendations: THE FIFTH WAVE by Rick Yancey, ELEANOR & PARK by Rainbow Rowell, BEAUTY QUEENS by Libba Bray, WONDER by R. J. Palacio, THE BOOK THIEF by Markus Zusak, AMELIA ANN IS DEAD AND GONE by Kat Rosenfield, 13 REASONS WHY by Jay Asher, HUNGER GAMES by Suzanne Collins, BETWEEN SHADES OF GREY by Ruta Sepetys

Follow Liza on Twitter.

After our brains were full to bursting with information, we wrapped things up with an informal dinner at a local barbecue place where everyone could unwind and mingle. Here are a few pictures from the end of the day. It was such a fantastic conference. I can’t wait for the next one.

SCBWI Group 2014

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Why did mention that I was feeling about 65% back to normal  – ALMOST FREAKING HEALTHY!!! – on my last #writemotivation check in? It must’ve sounded too much like a brag or something because the gods of health decided to slap me with one more wave of the sickness. Of the dreaded sinus infection variety.

Blech!

Oh yeah, but they couldn’t let me be completely done with that lingering cough that kept me from ever getting a good night’s sleep. You know, the one that started at the beginning of February? So the was fun. Brain exploding with sinus pain while still coughing until I wanted to take a power drill to my head and open up some breathing holes. I am so done with coughing, sneezing, aching, etc. I think I’ve eaten my own body weight in cough drops this year already. I loathe the taste of tea and honey after the oceans I’ve consumed. I’ve blown through so many boxes of tissues I should replant a small forest on the next Earth Day to decrease my carbon footprint.

Godfather Gif

This week, I’m throwing caution to the wind and stating that I’m over the worst of everything. I may have sacrificed a pomegranate in the light of a full moon while singing a medley of Justin Bieber and Miley Cyrus tunes. I think that appeased the gods of health. Either that, or they were afraid I’d sing again. Either way, my voice has finally returned to normal and I haven’t had to take any cold medication for several days. No more Emma Stone voice, but I’m grateful that things can start returning to normal.

This month always brings so much more promise. March, don’t tell February, but I like you more. Our SCBWI OK spring conference is at the end of the month and it’s always fantastic. This year it’s in Oklahoma City so I get to run away from home for the weekend and spend it with my favorite writing friends. It’ll be a smorgasbord of literary goodness and I can’t wait to gorge myself.

In the midst of all this healing and fruit sacrificing, I have finally been able to get back to the work of writing and related things. Let’s take a look at this month’s goals to see the damage progress made thus far.

Here are my #writemotivation goals:

  1. Make progress on new YA project (Pretty Vacant) including plotting out new story arc and starting on first draft with word count goal of 30K. The smallest of starts, but progress has begun. I am so excited about this project, I can’t even tell you. The only hint I’ll give this early is that it will deal with gender politics and the riot grrrl movement.
  2. Submit first YA manuscript to at least 15 agents. Two is better than zero but far from my goal. Need to ramp this up next week with more submissions sent out.
  3. Read at least 6 books this month. (I’m a little behind on my yearly reading goal already!) Three books finished already and another one halfway done. Looks like IMG_20140315_221040there’s one goal I will actually make. What’s really surprising is I just finished reading my first YA book of the year, and it was phenomenal. WINTERGIRLS by Laurie Halse Anderson. It was a little more special because it was my copy I had autographed in LA this past summer. I love Laurie Halse Anderson and not just because she write so damn well.
  4. Get back into exercise routine slowly – at least three times week. This was the most painful goal to accomplish. After not exercising for over a month, I did manage  to go for a walk three times. My pace was horribly slow, and I felt like death after the first two times, but goal accomplished. yay. (hack, pant, moan.) I have no idea when I’ll even attempt to get back on the elliptical.

How are your goals coming along this month?

Do you have any exciting spring break/writing conference plans in your immediate future?