Robin Talley – Author Interview

As I mentioned last week, a series of fortunate events led to me receiving a copy of Robin Talley’s debut novel LIES WE TELL OURSELVES. I posted a review over on The Great Noveling Adventure blog and promised an interview with the author herself this week. And here it is!

(Stay tuned after the interview for your chance to win a copy of this outstanding book.)

First, an introduction.

The Book

LIES WE TELL OURSELVES written by Robin TalleyLWTO-200x300

Published by: Harlequin Teen

Release Date: September 30, 2014

Genres: Historical Fiction, YA, LGBT

Plot Summary:

In 1959 Virginia, the lives of two girls on opposite sides of the battle for civil rights will be changed forever.

Sarah Dunbar is one of the first black students to attend the previously all-white Jefferson High School. An honors student at her old school, she is put into remedial classes, spit on and tormented daily.

Linda Hairston is the daughter of one of the town’s most vocal opponents of school integration. She has been taught all her life that the races should be kept “separate but equal.”

Forced to work together on a school project, Sarah and Linda must confront harsh truths about race, power and how they really feel about one another. (Summary from author’s website.)

The Interview

Valerie Lawson: What was the inspiration for this project?

photo by Courtney Rae Rawls via author website
photo by Courtney Rae Rawls via author website

Robin Talley: The idea for Lies We Tell Ourselves started with my parents. They were both teenagers when their schools were integrated in the 1960s. They used to tell me stories about that time when I was growing up, but I never really understood what a big deal it was until I was older and knew a little more about the Civil Rights Movement.

It struck me as a good potential setting for a novel, but I was still conscious of the fact that I didn’t know much about what school desegregation had actually been like for the black students who were on the front lines of that battle. I wanted to explore their experiences. I immersed myself in research, and not long after that, a 17-year-old closeted lesbian named Sarah Dunbar entered my mind as my protagonist for a fictional story about the integration experience.

VL: Starting with your parents’ history, what a great idea. And I love how Sarah emerged from all of the elements coming together.

I’ve always been fascinated with the Civil Rights Era and thought I understood it, but reading about school integration from a teen’s POV was so enlightening, so terrifying. I’d never really thought about their day-to-day lives. Your book did a fantastic job showing the opposing views of the times and how turbulent, yet delicate this step in the struggle really was, and how the children bore the weight of it.

Tell us about your experience writing this story from the two different perspectives, from Sarah and Linda’s POV.

RT: Both Sarah and Linda’s POVs were incredibly difficult to write. I’ve never experienced anything like what these characters go through, so I had to do a lot of deep POV exercises to try to imagine what the world looked like from their perspectives. There are also a lot of discarded drafts of Lies We Tell Ourselves from when I was learning to work with these characters and get into their heads.

Linda was much harder to write than Sarah. Sarah is very different from me, but at least her view of the world was based on rational facts. Linda has a warped view based on a dangerous, elaborate fantasy created by generations of people who spent a lifetime brainwashing her, basically. So to try to contort my brain into being able to talk in Linda’s voice ― well, let’s just say I didn’t realize exactly how big a task I was taking on when I first had the idea to make her a POV character.

 

VL: Writing a character like Linda had to be quite daunting, and yet, you nailed her voice. She wasn’t a caricature. Those POV exercises really worked! I, for one, am glad you took on that big task.

You did a massive amount of research for this book – reading memoirs, newspaper articles, watching recordings of oral histories, 50s film clips, etc. What surprised you the most about what you discovered?

RT: I can’t believe I didn’t know this before I started researching this book ― I can’t believe it isn’t taught in every school everywhere ― but there’s a public school system in Prince Edward County, Virginia, that shut down completely for five years to prevent integration. So if you were, say, ten when the schools closed, you missed out on getting a public education from age ten to age fifteen.

Kids in that time had to either go to private school somehow ― of course, this was relatively easy for the white students, since the county opened up an all-white private school paid for with taxpayer money, so it was cheap or free to attend ― or move to another school district (at their own expense), or just try to do the best they could by reading books at home or gathering together with friends to study. This period is a horrific stain on the history of my state and my entire country, and I think everyone needs to know about it.

VL: That is so crazy! The lengths the segregationists went to  – wow! I thought the school being shut down for a semester in the book was insane.

I absolutely love the complexity added to your story with Sarah and Linda’s relationship. It brought the struggle of the past – so raw and angry – right up to the present and reminded us that we are still fighting this fight of discrimination, today.

Did you have that lofty goal in mind when you started out or did this evolve throughout your writing process?

 

RT: I didn’t really have any lofty goals during the writing itself. I just thought it would be an interesting story to explore. From the initial kernel of the idea, I wondered what it would be like to be on the front lines of a very public social justice battle like school integration, while also dealing with a much more private struggle ― because in 1959, sexual orientation was not discussed out in the open. So I wanted to take on that conflict and explore what it would’ve been like for a teenager dealing with a very normal teenage issue ― sexuality ― while also dealing with something that’s much bigger than any one person, the Civil Rights Movement.

VL: You wrote such a phenomenal debut book, do you have any tips for aspiring writers?

 

RT: Read everything you can get your hands on, both fiction and nonfiction. Read books that are in the genre you want to write in, for sure, but also read newspapers and magazines, read memoirs and essay collections, read Wikipedia articles about people you know nothing about and places you’ve never imagined living. You’ve got two goals here ― to learn how other people write, and to step outside your comfort zone and learn about lives that aren’t like yours. Both are essential to writing!

VL: Totally agree! I get on my soapbox about reading all the time. I like that additional part – “learn about lives that aren’t like yours”. I haven’t heard that before. Great advice.

What was the worst job you ever had while going to school?

RT: I worked at Kmart one summer in college, in the sporting goods section. I sold guns and hunting licenses. No one ever believes me when I tell them this.

VL: Ha! That sounds dreadful. I’d have died of boredom. 

What are you currently working on?

RT: I’m editing my next book, Unbreakable (though the title may change). It’s coming out in fall 2015 from Harlequin Teen and it’s a contemporary realistic story about two college freshmen ― a so-committed-they’re-practically-married high school couple who are determined to make their relationship work despite the distance. Gretchen is starting at NYU, and she identifies as a lesbian; Toni, who’s starting at Harvard, identifies as genderqueer.

VL: Oh, wonderful! A new book!

What has been your favorite book to read/book you’ve been most excited about over the past year?

 

RT: Oh, there are so many! Can I cheat and talk about a book that’s coming out next year? The Weight of Feathers by Anna-Marie McLemore is a truly astonishing magical realism romance. It’s a Romeo and Juliet story about the son and daughter of two rival families of traveling performers, and the writing and the complex characters will take your breath away. It’s so rich with description and depth ― it’s basically an oil painting in the form of a YA novel. Look for it in 2015!

 

VL: “…it’s basically an oil painting in the form of a YA novel.” I love that description. Sold. And now, my anticipated TBR can grow some more. Will definitely keep an eye out for that one.

What would be your dream assignment/what would you most like to write about?

 

RT: I’d love to write about two teenage girls who are highly competitive athletes (think Olympic level) and are trying to balance their careers with a romance. I don’t think I could do it, though ― I’m not athletic at all so the physical stuff would just be too hard to describe accurately. I hope someone else writes that story, though!

VL: Sounds intriguing. Maybe someone out there will be inspired to write it for us.

Robin, thank you so much for joining us! Your book is amazing and I look forward to the next one, UNBREAKABLE, coming out next year.

Learn more about Robin Talley here.

Follow Robin on Twitter here.

Follow Robin on Facebook here.

Follow Robin on Tumblr here.

You can order your own copy of Robin Talley’s book LIES WE TELL OURSELVES here:

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The Giveaway

You can enter for a chance to win a hardback copy of LIES WE TELL OURSELVES by either visiting The Great Noveling Adventure blog post where I reviewed Robin’s book or by clicking directly on the Rafflecopter link below. Entry to the contest is open to until November 30th. Good luck!

Win hardback copy of Lies We Tell Ourselves
Enter to win hardback copy of Lies We Tell Ourselves

ENTER HERE!!!  ➤➤➤ Robin Talley Rafflecopter giveaway

CONGRATULATIONS TO RHONDA LOMAZOW!

She won the hardback copy of LIES WE TELL OURSELVES.

Anna Myers TUMBLEWEED BABY – The Interview & Book Giveaway

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Next up in the series celebrating fantastic local SCBWI talent, I give you the dynamic Anna Myers. Anna is my first repeat interviewee on the blog, so she’s a pro at answering in-depth questions. I’m so happy to have her back!

Anna is stopping by to tell us all about her latest book, TUMBLEWEED BABY, which was just released this month. It is her 20th book. It is also her first picture book. (Stay tuned! At the end of this post, Anna is giving away a copy of her book.) There’s quite a difference between writing picture books and writing historical fiction novels – like her story set during the Tulsa race riots in TULSA BURNING or the one where she created a fictional character that existed during the time of Abraham Lincoln in ASSASIN.

But don’t take my word for it.

Before we get to the Q&A, let’s learn more about Anna’s debut picture book. One could say that this is the tall tale of how Anna herself came into the fold of her own large family. For those of us who know Anna and have had the pleasure of watching this story’s evolution, it is such a delight to see this become a living, breathing picture book.

The Book Tumbleweed Baby 2

TUMBLEWEED BABY written by Anna Myers, illustrated by Charles Vess

Published by: Abrams Books for Young Readers

Release date: October 7, 2014

Genres: Picture Book

A large, loving family in the 1930s Dust Bowl finds a “tumbleweed baby”—a wild baby—in the plains near their cozy farm home. The baby’s new siblings discover the ways she fits and doesn’t fit into the family, ultimately deciding that her wildness makes her one of them. The rhythm and voice of the text make this feel like a classic tall tale, and it pairs perfectly with the dreamy, warm art from master illustrator Charles Vess. (Plot summary from Goodreads.)

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The Fabulous Kirkus Review

KIRKUS REVIEW

A family gets a new addition in a tall-tale sort of way.

The Upagainstit family (say it out loud) has five children in their “falling-apart house.” Coming home from school one day, they discover a baby in a tumbleweed, and they promptly bring her home. “She’s a wild-all-over baby,” says the “littlest-of-all girl,” and she is, with hair down to her little naked ankles. Tumbleweed Baby does not take well to bathing or to sleeping, although she is very enthusiastic about dinner—messily so. The next morning, the littlest-of-all girl is still insistent that the family cannot keep her, although the “biggish boy,” the “not-so-big girl” and all the other siblings find ways that they can help to do so. When Tumbleweed Baby kisses Papa’s cheek, it’s all over but finding the right name for her. Much later, the littlest-of-all girl shares a secret that will not surprise adult readers and will probably delight the younger ones. Myers’ consistently idiosyncratic nomenclature is charming, as is her matter-of-fact tone. Vess does the most expressive hair—each Upagainstit has distinctive locks, but none more so than Tumbleweed Baby’s. As usual, his color and line are expressive and rich while staying within a gently rainbowed palette.

An adoption story, a feral child story, a foundling story, a child-of-difference story—perhaps any and all of these; certainly wise and full of delight. (Picture book. 4-8)

The Interview
Anna Addressing the troops at the SCBWI OK 2014 fall retreat.
Anna addressing the troops at the SCBWI OK 2014 fall retreat.

Valerie Lawson: What was the inspiration for this book?

Anna Myers: I was born in west Texas, and my big brother always told me that he found me in a tumbleweed.

VL: And I bet for years, you actually believed him. Aren’t older brothers wonderful?

After writing 19 novels, what was the biggest challenge of writing a picture book? How did you go about learning to write a picture book?

AM: Getting a story down to picture-book length is hard. I had some help from writing buddies during the writing. One friend told me I didn’t leave enough to the illustrator in my first draft.

Another friend gave me an idea for the ending.

VL: That was a surprising thing to learn about picture book writing, that you needed to leave part of the story out so the illustrator could fill it in.

What surprised you most working in this different medium?

AM: I am surprised how excited I am about this book. Only my very first book made me more excited. I love having my words turned into such beautiful pictures.

VL: Working in a different medium invigorated you, that’s so wonderful. We should all strive to remember to keep trying new things.

Tell us about the difference between how you imagined the illustrations and how they turned out. What did you learn about the art of illustration?

AM: If I had been choosing illustrations, I would probably have chosen bright colors and a cherub-like baby. Neither of those would have been right for the story. Charles Vess knew what colors went with the story and how the characters in a tall tale should look. I learned writers should have nothing to do with the illustrations.

VL: And what gorgeous illustrations – those southwest landscapes! Vess really knows how to evoke a mood.

Tell us about your story of the Tumbleweed Baby.

AM: On their way home from school, five siblings find a baby in a tumbleweed. The smallest girl declares that the baby is a “wild-all-over baby” and that they should

put her back. They take her home. The baby is indeed wild. The question is whether or not the family can keep such a baby. Of course, they do keep her, and the story

ends with a surprise revealed by the girl who used to be the smallest.

VL: Your use of language is just so playful and perfect for the setting, like the Upagainsit family. I love it. 

What are you currently working on?

AM: I am revising Trashy Women, a book for adults about three teachers who form a garbage company to supplement their teaching income. I thought the book was

finished, but I don’t want it to be a pretty good book. I want it to be the best book I can make it.

VL: I’m so excited about TRASHY WOMEN! I’m glad you’re working on it. And it’s your first novel for adults, too. More playing with new mediums.

What has been your favorite book to read/book you’ve been most excited about over the past year?

AM: I think my favorite book this year has been The Book Thief. 

I have also read lots of books written for adults and have loved all of the books by Alice Hoffman.

VL: THE BOOK THIEF is just wonderful, isn’t it? And I do like Alice Hoffman. I’ve read about four of her adult novels. I didn’t even realize until recently that she wrote teen novels, too.

What would be your dream assignment/what would you most like to write about?

AM: I would like to write another picture book, but I have to find the right story. The idea for a picture book needs to be unique.

VL: Thank you stopping by, Anna, and for sharing TUMBLEWEED BABY with us. We wish her a very successful journey.

For those of you lucky enough to be within driving distance of the Oklahoma City area, Anna is having her book launch party, today, at Best of Books in EdmondThe fun starts at 5:30pm, where I’ve heard tale that there will be a readers’ theatre, answers to weedy questions, and refreshments with tumbleweed tea. Meet Anna and pick up an autographed copy of her book.

For those not so lucky, you can still order your own copy here:

indieboundbn-24h-80amazon

 

 

Learn more about Anna Myers here.

Follow Anna on Facebook here.

The Book Giveaway

Anna has graciously donated a copy of TUMBLEWEED BABY to giveaway here on the blog. To enter, simply click on the link below and follow the instructions. Contest is open to everyone! Deadline for entering is Tuesday, October 28th.

Tumbleweed Baby 2
Win a hardback copy of Tumbleweed Baby by Anna Myers

ENTER HERE!!!  ➤➤➤ Anna Myers Rafflecopter giveaway

CONGRATULATIONS TO STEPHANIE THEBAN!

She won the the autographed copy of Tumbleweed Baby!

What I Learned at the SCBWI LA Summer Conference – Part 4: Maggie Stiefvater Character Thief

 

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photo courtesy of Official SCBWI Conference Blog, photo by Marquita Hockaday
photo courtesy of Official SCBWI Conference Blog, photo by Marquita Hockaday

Maggie Stiefvater (or steve·otter, as she pronounced it) author of the NY Times best-selling SHIVER series gave an excellent workshop on character at the SCBWI LA Conference. Her novel THE SCORPIO RACES was a Michael L Printz Honor book. Her most recent series is THE RAVEN CYCLE.

She’s also a Character Thief.

This came about because she discovered that she could not create anything unique from scratch, the least of which was a believable character that could actually walk and breathe on their own. To create her own unique characters, she has to start with real, live human hearts. She moves on to create what she calls people portraits. Using her background as an equestrian portrait artist, moving on to people just made sense.

She wanted to create characters that you’d still be able to recognize as Stiefvater characters, not unlike pointing out master painters’ pieces, just from their style, from across a gallery floor.

Before she tells you how she creates her characters, she tells you some basic rules. Although she’s not big on rules herself, she did know the rules first. If you break the rules after you know them, then it’s experimenting.

Character Rules

  1. The narrator should be the character who shifts the plot the most.
  2. The narrator should also be the one who changes the most – a more intriguing character is one where the change is both internally and externally symbiotic.
  3. Characters have to be sympathetic/relatable – Maggie doesn’t actually believe in this rule, herself. She feels you should understand the motives of your characters, but you don’t have to agree with their choices.
  4. Writing as if you are the character – it’s bad writing to write self into a character. Especially if it’s accidental or if you’re having a character deal with a problem you yourself are facing at that moment. Ex: “When I’m angry, how do I react?” You should be wondering, “When my character is angry, how does my character react?” However Maggie also disagrees with this rule to a degree– if you accidentally do this, it’s bad, if you do it on purpose, then you’re creating a portrait of yourself.

 

How she steals characters is she begins with first impressions – like how you meet a person for the first time in real life. What you first notice about them.

Look past the first observations; look for something that contradicts your idea of who you think that person is. “Look at the moment when you change your mind about a character.”

She’s not a fan of character questionnaires – they don’t really tell you anything important about them. What they physically look like is mostly irrelevant. Doesn’t tell you WHY.

Character interviews can be helpful for voice. “I learn about my characters by moving them through the plot. I may throw out the first 10,000 words because I’m just using them to get to know the characters.”

Everything should be a character. This includes the setting, which can even have its own character arc. The forest in THE RAVEN CYCLE series, for instance, is a distinct character. It is sentient and plays a vital role in the series. The weather/setting arc in SCORPIO RACES mirrors the character arcs.

You want to lie as little as possible when creating your characters. The more fantastical you settings, the more realistic your characters should be.

Villains often have very clear motivations. Most people aren’t like this – not as clear-cut. For villains, whatever they want in life gets in the way of what the protagonist wants.

I had a chance to get a book signed by Maggie at the end of the conference, and true to her artistic roots, she had a little something extra for her fans who bought SINNER, the stand-alone companion to the SHIVER series. An original Stiefvater artwork book cover. Sweet, right?

Learn more about Maggie Stiefvater here.

Follow Maggie on Twitter here.

Follow Maggie on Tumblr here.

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What I Learned at the SCBWI LA Summer Conference – Part 3: The Perks of Being Stephen Chbosky, with a Superb Side Order of Jay Asher

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Stephen Chbosky PicStephen Chbosky wrote and directed the feature film adaptation of his novel PERKS OF BEING A WALLFLOWER. That’s quite an impressive feat. He also gave an exceptional keynote address, giving away his top tips on how to write your own timeless classic, at this year’s SCBWI LA Conference.

Before that, I sat in on a breakout session he did with Jay Asher, author of 13 REASONS WHY. Their talk dealt with how to write realistic page turners. I thoroughly enjoyed getting to hear what these men had to say.

Chbosky stated his background was more screenplay-based and that he learned more about the page turn from watching Buffy the Vampire Slayer (created by Joss Whedon) and reading Alex Cross books (by James Patterson) than anything else. “It’s all about what happened or what happens next.”

Asher pointed out that his novel, 13 REASONS WHY, had a plot-driven suspense, while Chbosky’s PERKS was more character-driven suspense. Chbosky Jay Asher picstated that he wanted the reader looking in the wrong direction so he waited to introduce elements to allow the reader to make assumptions or ask questions. Take Charlie’s teacher, for instance. He waited to introduce the teacher’s girlfriend to allow the reader to question the teacher’s motives towards Charlie. What’s the relationship here? Is the teacher gay? What’s going to happen to Charlie?

Asher added to this with a quote from Stephen King: “Making the reader guess.” Involving the reader in solving the mystery – making them guess the clues – keeps them reading, keeps them excited. As Asher was writing his book, he was thinking of how he was going to get the reader to guess the clues.

Chbosky said, “And that’s why he’s (Asher’s) so great. He’s making us write his books as we go along.”

Asher said another way to keep the reader turning the page is to write as clean as possible. He wrote 13 REASONS WHY so that the reader would not be able to put it down. He was afraid if they did, they would stop reading it. So, he kept the chapters short, with each leading into the next, and he created micro-mysteries that kept the suspense building along the way that did not allow the reader to come out of the story. He even made his character names easy to pronounce so readers wouldn’t stumble over them as they read.

Chbosky discussed that one of Charlie’s micro-mysteries is what’s going to happen with the sister when she gets hit and Charlie is asked not to tell. Chbosky stated that it’s important to get your readers invested in the well-being of every character. “If you can make your readers care about all of your characters – from the biggest to the smallest – that’s a major accomplishment.”

Moving on to Chbosky’s keynote, he started by pronouncing that, “The next generation of classics are literally in this room.”

He discussed the rejections he received for PERKS OF BEING A WALLFLOWER. It took him 70 pages of writing awful stuff, just to get a fantastic title. As he was writing this awful beginning that wasn’t working, he asked out loud, “Why?” The answer he heard in his head was, “Guess that’s what happens when you’re a wallflower.” He scrapped everything, but the title and started again.

This was the first step in his journey to writing a timeless classic. There are three steps to follow:

  1. Find your Great Idea – He discussed how creative types have difficulty recognizing what’s beautiful or transcendent in themselves. How we as writers don’t always recognize the great ideas we have inside us. That’s why when you’re trying to find your great story, you should write down every idea you have and then share that list of ideas with the people closest to you, who genuinely want you to succeed. Everyone who reads the list will gravitate towards one or two ideas.
  2. Find the Right Genre – There’s one that fits you and your story. Don’t worry about what’s popular. Find what matches your need to tell your great idea.
  3. Study the Classics – Do this to spur you on, to challenge yourself. Because, what the hell, you’re gonna die; you might as well go for it.

Besides these three rules, he encouraged everyone to live a life that challenges you every single day. Find what’s beautiful in yourself. Find the story you’re meant to write. He calls it, “Fuck the market.”

Then take the time to make it great. “There’s no such thing as writer’s block; you’re just editing too early.”

He ended with this: “Books change lives. Books save lives. Books change the world.”

I had an opportunity to meet with Stephen Chbosky shortly after his keynote and have him sign his book for me. He was charming and dynamic. And told me a short, self-deprecating anecdote about having to give a speech shortly after President Clinton at an awards ceremony where he didn’t come off as well. Nothing intimidating about that situation.  His speech was amazing and made us feel, if just for a moment, like we were all infinite.

And then I got to admire Stephen Chbosky for a moment where he told me story about how nervous he was accepting an award right after Bill Clinton spoke - "Yeah I wasn't as good."

Learn more about Stephen Chbosky here.

Follow Stephen on Twitter here.

What I Learned at the SCBWI LA Conference – Part 1 Meg Rosoff, the Queen of Weird and Champion of the Imagination

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This week has been incredibly busy with the relaunch of my group blog, The Great Noveling Adventure, and hosting all those AM writing sprints, but what fun! I’m going to continue doing them as it gets me up and writing every day. I didn’t want September to start without beginning my LA conference recap posts, so here’s the first one. I had hoped to bring back some extra signed copies of some books, but due to another sold-out conference, this one with record-breaking attendance, the bookstore was pretty picked over by the time I got around to it. Still, I think I may just have something up my sleeve to give away later in the month.

MEG ROSOFF SPEAKS ON IMAGINATION

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Meg Rosoff, author of Printz Award book HOW I LIVE NOW and THERE IS NO DOG, opened the conference with her keynote entitled “Warning: Peter Rabbit May be Hazardous to Your Health” where she discussed how some psychologists and other “experts” were telling parents not to allow their children to read fairy tales. Why? Because fairy tales were dangerous.

Yes, dangerous.

They teach children an unrealistic view of the world. She quoted from an unnerving number of sources, which stated things like this jewel of wisdom:

“Even fairy tales, the ones we all love, with wizards or princesses turning into frogs or whatever it was. There’s a very interesting reason why a prince could not turn into a frog – it’s statistically too improbable.”(This was from a Telegraph article.)

Who can argue with such logic?

In Rosoff’s opinion, they were all missing the point. Imagination is not a dangerous thing for a child to develop, in fact, it is essential. To prove her point, she began her talk with a retelling of GOLIDLOCKS AND THE THREE BEARS and she gave it a realistic bent, as these experts would have us do.

(Me paraphrasing extensively.) She entered a house, actually it was a cave. And instead of finding three bowls of porridge what she actually found were three rotting rabbit carcasses. “This is disgusting,” she said.

She went to lie down after this, but instead of beds, there were piles of leaves mixed with bear excrement. When the bears came home, they growled at her – “if they could speak a language, it would probably be French-Canadian” – and then they disemboweled her and ate her.

The End.

Not exactly warm and fuzzy. And quite nauseating, to boot. But hey, it’s more realistic, and according to the “experts”. exactly what children, today, need in their stories. Can you imagine a childhood devoid of imagination? A world where children grow up learning only to think in rational ways? THAT is a truly terrifying tale.

When her own child went off to college and shared fears of not being as good or as smart as the other kids in the physics department, how_i_live_now_3-125x200this is what Meg said to her:

“You may not ever be a genius, but you read books. You know about plot, character, stories. You know about letting your unconscious mind follow things to new conclusions. Reading books strengthens imagination and lateral thinking. A good scientist needs imagination. Reading books may even make you a GREAT scientist.”

Imagination is essential to great thinkers, to creative minds. It’s not something one should outgrow or overcome.

“Imagination and the ability to tell a story will make anyone better at anything, with the possible exception of politicians and accountants.”

Reading about the fantastical, the improbable, allows kids to imagine the what ifs. It’s our job as writers is to try to understand the world and take risks to write the strongest, fiercest, most subversive tales. This means not being afraid to engage with the darker parts of ourselves. That’s where some of the really important stuff can happen. Break the rules, be subversive. Write a book no one else may want to read.

In one review after her second book, it said, “Meg Rosoff is the queen of weird.” She took it as a compliment.

“Imagination is very dangerous. It can change the world. And that’s why we write.”

Learn more about Meg Rosoff here.

Follow Meg on Twitter here.

My Favorite Quotes and Some Pics from this Year’s SCBWI LA Summer Conference

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Things have been moving at a break-neck pace ever since I returned from the SCBWI LA Summer conference earlier this month. My less-than part-time job has picked up substantially and the group blog I participate in is coming back from vacation next week with a bang – all new format, a few changes to the line-up, and one hell of a fabulous contest with a gazillion prizes, including books and critiques! (Details on that coming very soon.) Not to mention squeezing in all the important revising that must continue. And I haven’t even talked about our Fall Retreat that’s (ack!) in just a few weeks.

Despite all of the chaotic activity, I really wanted to get started with my yearly conference-inspired blog posts. To tease you all a bit with what I have in mind, I thought I’d start with some of my favorite quotes from this year’s event.

 

“Imagination and the ability to tell a story will make anyone better at anything, with the possible exception of politicians and accountants.”

- Meg Rosoff

“Craft means making choices. It’s part of the process.”

-Dinah Stevenson

“Teletubbies, better than a valium.”

-Judy Schachner

“There’s no such thing as writer’s block; you’re just editing too early.”

-Stephen Chbosky

“When stealing from real life, there’s a process of subtraction.”

-Maggie Stiefvater

“Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth…Children are game for anything. I throw them hard words and they backhand them across the net.”

- Megan McDonald reciting from famous E.B. White quote

“You never again love a book the way you do as a child.”

-Linda Sue Park

 “I’ve always struggled with my own smallness.”

-Sharon Flake

“Being an artist is the way you live your life.”

-Tomie de Paolo

“I was brave in my writing in a way that I wasn’t in my life.”

-Judy Blume

Yes! Judy freakin’ Blume! Her talk was the perfect way to end the conference, I have to say. I actually teared up just watching her cross the stage to the podium. LOVE HER!!! She’s so freakin’ adorable and moving and everything you imagine that you just want to hug her to pieces and then stuff the pieces into your mouth. Too weird? Sorry. But it’s Judy freakin’ Blume!

Snapping out of my fangirl fog, let’s get back to the quotes for just a second. See if you can guess how these fantastic little tidbits will play out as blog posts in the weeks ahead as I dole out the jewels of wisdom I received on my journey out west. Until then, I leave you with some vacation pics. Enjoy!

 

Me and my lovely critique partner Barbara Lowell at the PALS event where she just about sold out of her first book! Love her!
Me and my lovely critique partner Barbara Lowell (remember when I did an interview with her on the blog?) at the PALS event where she just about sold out of her first book! Love her! (Probably didn’t hurt that Bonnie Bader used her book as an example during one of her talks. Impressive, no?)

 

Insanely gorgeous art installation/wall of plant life at the mall across the street.
Insanely gorgeous art installation/wall of plant life at the mall across the street.

 

 

The Jerry Bennett allowing me to admire him for a moment as we both show our excitement for Stephen Chbosky's keynote.
The Jerry Bennett allowing me to admire him for a moment as we both show our excitement for Stephen Chbosky’s keynote. I have a sad update for all of  you Jerry fans – he has had a facial hair accident of unknown origin and is currently beardless. It’s shocking to all of us, but we’ll should try to help him through this sad, trying time.

 

And then I got to admire Stephen Chbosky for a moment where he told me story about how nervous he was accepting an award right after Bill Clinton spoke - "Yeah I wasn't as good."
And then I got to admire Stephen Chbosky for a moment where he told me story about how nervous he was speaking at an awards show right after Bill Clinton spoke – “Yeah, I wasn’t as good,” he said.

 

 

Me and some more of our Oklahoma group, Brenda Maier and Catren Perks-Lamb at the Golden Kite Luncheon.
Me and some more of our delightful Oklahoma group, Brenda Maier and Catren Perks-Lamb at the Golden Kite Luncheon.

 

A beautiful night in LA.
A beautiful night in LA. Can’t wait for next year!

Book Review – Lost Sun by Tessa Grafton

13021366This is a fantastic YA urban fantasy story that sets Norse gods in contemporary America. Throw in a teenaged berserker, a seethkona, and a few trolls, and other mythical creatures that are not-so-mythical and you’ve got yourself one heck of an adventure in the making. I finished reading this book about a month ago and I still think about it. That is always the sign of a good story to me. I won this book in a blog contest giveaway. It was actually my first ebook win, too. Woohoo! I hadn’t had the pleasure of reading a book by Ms. Gratton before, so this book was one of those total surprises. I just opened it up and gave it a shot.

It was amazing!

The mix of Norse gods functioning within the present day political structure was fascinating and Gratton makes the balance work. The characters at the center – what fantastic emotional connection! That to me is always the crux of what makes or breaks a story and Gratton is a master at this. The whole struggle Soren goes through with suppressing his berserker rage to avoid the fate of his father and Astrid tempting him to give in to it – ah!

Love, love, love this!

A berserker as a teen character? How apropos is that? What teenager can’t relate to warring with their own emotions? The difference with Soren is that if he even gives into his rage once, he feels that his life will be over. He’ll end up just like his father; losing complete control and killing innocent people. His father was finally taken out by a SWAT team. Soren is a pariah at school, with other students steering clear of him. The mark of the berserker on his face – the tattoo of a spear – is a warning to others of his potentially volatile nature.

And then Astrid arrives. She can’t seem to stay away. Astrid is just as well written and poignant. She dreams about Soren and needs him to help her on her quest.

SOREN BEARSKIN

Haunted by unpredictable berserker rage, he distances himself from other students at school.

ASTRID GLYN

A prophet by blood, she dreams the weave of fate and sees Soren changing the futures.

BALDUR THE BEAUTIFUL

The most popular god in the States disappears in front of TV cameras, and the country erupts in chaos.

THE DESTINY IS SET.

Astrid and Soren must save Baldur. But in saving a god, will Soren destroy himself…and everything he holds dear? (Plot summary from author’s website.)

This unlikely trio set off together on quite an adventure and the chemistry between them is just brilliant. I absolutely loved Baldur’s character as well. I’d say so much more about this beautiful storyline, but SPOILERS! Here’s an excerpt from the very beginning of the book to get you hooked and make you want to rush out and get your own copy:

My mom used to say that in the United States of Asgard, you can feel the moments when the threads of destiny knot together, to push you or pull you or crush you. But only if you’re paying attention.

It was a game we played during long afternoons in the van, distracting ourselves from Dad’s empty seat. Mom would point out a sign as we drove past – WELCOME TO COLORADA, THE CENTENNIAL KINGSGATE, bright green against a gray backdrop of mountains – and she’d ask, “Here, Soren? Do you feel the threads tightening around you?”

I would put my fingers to my chest where Dad used to say the berserker fever stirred. “No,” I’d say, “nothing yet.”

And Mom always replied, “Good.”

We both dreaded the day Dad’s curse would flicker to life in me.

LEAVING WESTPORT CITY – COME AGAIN!

“I hope it wasn’t back there, little man!”

“No, Mom, I doubt it.”

CANTUCKEE: HOME OF BLUEGRASS

“Soren, do you hear the clacking loom of fate?”

“I couldn’t hear anything over the banjos.”

But I have felt it, four times now.

When I was eight years old, standing in a neon-lit shopping mall, and my ears began to ring. My breath thinned out and I ran.

Again five years later, when Mom stopped the van for gas and we happened to be across the road from a militia station. The sun was just barely too bright, cutting across my cheek. I knew what I was supposed to do.

Six months ago, I was in the dining hall about to take a long drink of honey soda when the air around me turned cold. I had time to get to my bedroom before this jagged hot fever began to burn.

And today.

I could not stop reading this book.

Book 2, THE STRANGE MAID, comes out next month and if you read Book 1, you will be waiting in line for the new book’s release. I guarantee it. I can’t wait for the next book.

Strange-Maid-Final-Cvr-medium-198x300

Learn more about Tessa Gratton here.

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