Archive for the ‘SCBWI’ Category

Doug Solter is a delightful addition to our local SCBWI family and he has to be the hardest working author on the self-publishing front. I read all his notices about the daily word counts he pushes to achieve after a long day at work and I see him all the time on the Twitter chats interacting and encouraging his fellow writers. So when Doug asked if I’d liked to be a part of his cover reveal, I didn’t hesitate.

There’s also a giveaway for those paying attention, so make sure you’re one of them!

ABOUT THE AUTHOR

doug-solter

 

Growing up in Oklahoma, Doug Solter began writing screenplays in 1998 and became a 2001 semi-finalist in the Academy of Motion Pictures Arts and Sciences’Nicholl Fellowships in Screenwriting. His script Father Figure was one of 129 scripts left from 5,489 entries. Doug made the switch to writing young adult novels in 2008. Doug is also a member of the Society of Children’s Book Writers and Illustrators. Doug respects cats, loves the mountains, and one time walked the streets of Barcelona with a smile on his face.

 

ABOUT RIVALS

Eighteen-year-old Samantha Sutton is back for a new racing season in Formula One. The hot new racing star of Wolert Porsche has everything she wants. An awesome team. An awesome car. And the perfect boy. But her optimism sinks when her boss steals arch-rival Emilio Ronaldo away from Ferrari and makes the jerk her team’s number-one driver.

Stressing about Emilio, Samantha struggles with her new public life as a teen sports star. Finding time to be the best girlfriend to Manny proves more and more difficult. It also doesn’t help that Manny’s ex-girlfriend Hanna shows up. The girl treated at a mental hospital for poisoning his grandmother’s dog.

The pressure on Samantha becomes unbearable. Paranoia, mistrust, and jealousy take over. She lashes out at everyone as the world seems determined to bring her down.

Can Samantha rise above it all and win the world championship? Or will this be the end of everything she’s worked so hard for?

This novel is the sequel to Skid which is available for free download in either eBook or Audiobook form when you sign up to the author’s free email list.

 

RIVALS RELEASE DATE

Tuesday, September, 23rd

 

EXCERPT FROM RIVALS:

“Are you ready to meet your new teammate?” Benito asks.

            Not really.

            Outside the main garage, the three of us take the little sidewalk that leads to the scenic overlook near the back of the office building. The overlook is this cozy spot with chairs and benches. Lots of Wolert Porsche employees walk over here to have lunch or to take a break from work to stare at the pretty view of the deep valley and the pointy tops of the Alps surrounding it.

            A slight breeze runs up the valley and smacks the side of the mountain we’re on. The sun spreads Emilio Ronaldo’s shadow over the molded-stone pavement as he leans against the wood safety rails that prevent people from falling over the steep drop.

            I join him along the rail.

            Emilio takes a long drag from a cigar, blowing out a large plume of smoke. He tucks his hand inside his sport coat and pulls out another cigar. “Do you smoke?”

            “Seriously? You’re offering me a cigar?” I ask.

            “They’re very good. Very strong. Grow hair on your chest.” Emilio grins.

            Yeah, right. Smoking a cigar is a macho-guy thing. They need it to feel like men. Hmm. I wonder if little-old me is intimidating him again. The same girl who made him flinch during that race at Spa. That would be awesome if I’m getting under his skin.

            Emilio slips the cigar back into his coat. “But if you don’t feel adventurous I understand.”

            Wait a second. Is he saying I’m too timid? That I can’t handle a cigar just because I’m a girl?

            “I’d love a cigar,” I say, acting like it’s no big deal.

            Emilio pulls out the cigar. I snatch it and place it in my mouth. The foreign object lays heavy on my tongue and feels like I have a wad of paper stuffed in my mouth.

            “You need to cut off the end first.”

            “I know that.” I pull the cigar out and notice the round end that isn’t cut off. I bite into that and rip it off with my teeth. I taste flakes of pure tobacco on my tongue and it’s like ash and it’s disgusting and I spit it all over the stones at my feet.

            Emilio smiles and holds up some rectangular-looking tool with a round hole in it. “I have a cutter. You don’t have to bite the end off.”

            Now I feel like an idiot. Emilio must be enjoying this. Another genius plan to embarrass and humiliate me. Too late to stop now. I hold out the cigar and he cuts off the end. I put the cigar back in my mouth.

            Emilio takes out a lighter and flicks. The flame licks the end of my cigar. “You must inhale to draw the flame in and light the tobacco.”

            I breathe in and smoke fills my lungs.

            Oh My God! I cough hard and bend over, belching smoke from my mouth like a dragon. I feel my eyes watering. A definite sign my body is yelling. What the hell are you doing to me, Samantha?

            Enjoying my discomfort, Emilio inhales his cigar, the end of which glows bright red. Like a demon.

            I take another drag on the cigar and my lungs belch out the foul smoke again. But I try to stand casual. Like the smoke doesn’t bother me.

            “I would like to begin,” Emilio says. “By mentioning that our past grievances should be left in the past. We are both competitors. We both fight to win. But starting today, we will be teammates. Do you understand? When both of us do well, the team does well. The team will always matter more than one driver. I look forward to working with you. Not against you.” Emilio takes a moment for a puff on his cigar. “What is your opinion on that?”

            My opinion? Someone actually wants to hear my opinion? It’s a mountain of cow puke. That’s my opinion. This is still my team and Emilio is not going to come in here and take it away. All this crap about team this and team that. It’s only to put a pacifier in my mouth so I won’t complain. Be the good little girl, Samantha. Play nice and get along with the boy who stole your place on the team.

             I puff the cigar and cough. Jeez. That’s what this cigar is. It’s a pacifier. Make baby Samantha shut up.

             I take the cigar out of my mouth.

            “Is it too strong?” Emilio asks.

            This guy can read people crazy-well. He read me like a book right before our final race at Spa. Emilio detects weakness in others like a hawk drifting over a limp sheep, patiently waiting for it to fall over before attacking.

            I won’t let him read me ever again.

            “I agree. We so got into it last year and it was insane.” I use my sweet girlie voice that fools most guys. “And there were times I actually wanted to kill you. Like that time at your home in Brazil?”

            “I remember,” he says. “I mentioned something about how you could never win the world championship.”

            “Because I was a woman and didn’t have the killer instinct or something like that.”

            Whoa. Easy, Samantha. Don’t lose it. Stay under control. Do not let Emilio beat you.

            “Yes. Something like that,” Emilio says, his voice quieter. “You proved me wrong. The way you hunted me those last few laps at Spa. You were ruthless. Unyielding. You chased me down like a cunning animal that had learned patience and the art of intimidation. My observations please you?”

            Crap. He caught me smiling.

            “It was impressive. We are teammates now so I can mention this. You are not some female racer who shows off her body more than her racing skills. You are quite different.”

            If that’s his version of a compliment, I guess I’ll take it.

 

COVER REVEAL

Now that we’ve built up plenty of anticipation, without any further ado, here it is…

 

rivals_large

 

Jealousy is a powerful emotion, it can destroy even good people.

 

I hope you’ve enjoyed being a part of this reveal. For participating, you can enter the Giveaway below to win either a signed copy of RIVALS, SKID 2 or a signed copy of the first book, SKID. Simply click on the link and follow the directions.

Learn more about Doug Solter here.

Follow Doug on Twitter here.

➤ ➤ ➤ ENTER GIVEAWAY HERE!!! a Rafflecopter giveaway

 

SCBWI OK Logo

Our SCBWI Oklahoma fall events keep getting more exciting every year. Just when you thought we couldn’t top last year’s Agents’ Day, along comes this year’s Fall Retreat. You pay one fee and attend as much or as little as you’d like, but trust me, this will be so packed full of literary goodness, you’ll want to be there for the whole thing.

OKLAHOMA 2014 FALL RETREAT
Three Days of Workshops and Speakers
September 26-28, 2014
Friday: 9:00 am – 8:30 pm
Saturday 9:00 am – 8:00 pm
Sunday 10:00 am – 1:00 pm

Best Western Motor Lodge, Stroud, Oklahoma
Exactly between Oklahoma City and Tulsa

LIMITED TO 90 Participants (AND ALREADY HALF-FULL!!!)


REGISTER NOW

The Speakers
Brett Duquette – Editor, Sterling Publishing

Brett Duquette

 

Tracy Daniels – Founder of Media Masters

 Tracy Daniels

 

Minju Chang – Agent, BookStop Literary Agency

 minju_chang

 

Christa Heschke – Agent, McIntosh and Otis, Inc.

Christa Heschke

 

The Workshop begins on Friday with the basics.

Want to brush up on core skills? Getting started on your writing  journey? Not sure where to begin? This will cover everything you need. You’ll get to choose from several sessions and pick the ones that are just right for you. Here are some of the topics for the Friday craft sessions:

        • Creating Graphic Novels
        • Picture Books that Sell
        • Romance/Friendship in MG and YA
        • Query Letters
        • Writing Nonfiction
        • Creating Easy Readers
        • Successful School Visits
        • Unusual Techniques for Developing Character
        • The Real Difference in First and Third Person POV
        • More than Pronoun Use
        • Plotting That Works
        • Digging Deeply Enough for Story Ideas
        • Using Acting Techniques in Writing
        • World Building Elements for All Genres
        • Showing Character
        • Proportion Issues
        • Lessons for Beginners

- PLUS: A Creative Coach will give tips for conquering
procrastination and self-sabotage.

Doesn’t that look great?

Saturday and Sunday the guest speakers will give in-depth talks on various subjects like voice, publicity and promotion, and much more.

There will be manuscript critiques and editor/agent pitches available as well.

For details – and to register for the workshop – head on over to the SCBWI OK website.

UPDATE: On July 24, 2014, NewsOK wrote an excellent article on our conference which really gives a complete picture of what to expect. Great information.

 

Questions and Contacts:

- Anna Myers: amyers_author@yahoo.com
– Helen Newton: helennewton@cox.nt

 

The very first person I met through SCBWI was Barbara Lowell. She epitomizes the spirit of our SCBWI Oklahoma group – open and generous and willing to help anyone who asks. I am so grateful that she was the first to make a permanent impression on me. We met at one of the fall conferences, my first ever to attend. How lucky was I that she also soon became one of my very first critique partners, as well? I’m happy to say that she is still my critique partner to this day. We’ve both learned so much from when we started out as newbie writers, making typical mistakes and writing awful stories. Our whole group has grown and we have all come a long way from those stumbling beginnings. Barbara has fantastic suggestions that help me take my stories in much better directions, and even though she swears she could never write something so long herself, I’m not so sure she couldn’t if that’s where her passion led her. Fortunately for us, she loves writing dynamic and intriguing picture book biographies. I adore Barbara’s writing and have felt it a privilege to be a part of so many of her great stories. I’m so happy that the first of these has finally found its way to publication.

GEORGE FERRIS WHAT A WHEEL
Grosset & Dunlap. June 26, 2014.

 

George Ferris Book

 

George Ferris, ever confident, didn’t know that the 1893 Chicago World’s Fair would make him famous, but when engineers were challenged to build something unique and original, he knew he was the person to create it. George had to convince the fair officials, find the money and design and build an amusement wheel that could hold 2,160 people at the same time, something no one had ever done before.

 The Interview

 

Barbara was kind enough to stop by my blog to answer a few questions about her writing process and how she came to be the writer she is today. And she’s also donated not one, but two of her books for a fantastic giveaway! (I told you she was generous.) More details on that later. First, the questions!

Barbara Author PhotoValerie Lawson: What was the inspiration for this story? What made you want to tell it?

Barbara Lowell: My husband was reading Devil in the White City by Erik Larson about the 1893 Chicago World’s Fair. What amazed him most was that George Ferris had built an amusement wheel with train-sized cars that could hold 2,160 people at the same time.

As soon as he finished the book, I read it. Those two details and George’s confidence that despite overwhelming odds, he could and would build his wheel inspired me to write his story as a nonfiction picture book.

I also loved how Mrs. Ferris absolutely believed in George. She rode in one of the six cars mounted on the wheel for a second trial trip. The glass for the windows hadn’t been installed. When the car she was riding in reached the top of the wheel, 264 feet, she stood on her chair and cheered.

 

VL: I loved those details about the story. What devotion his wife had to test such a contraption. Mrs. Ferris must have been quite a character herself.

I was surprised by the sheer size of this first Ferris Wheel – so big that each car could hold a 40-piece marching band. Would you ever ride in a Ferris Wheel that big?

BL: I might try the new High Roller in Las Vegas. It is twice the height of George Ferris’s wheel, but holds 1,120 passengers verses George Ferris’s 2,160. 

 

VL: A book of this type requires an extensive amount of research. What is your writing process? How do you start a project like this?

BL: I love history, especially American history and researching is fun. There are many interesting stories to find that are not well-known. I try to research the person or story I am writing about as thoroughly as I can. Since I learned about George Ferris’s wheel in Devil in the White City, I first looked at Erik Larson’s sources. His sources that I couldn’t find in the Tulsa library system, I either found at the University of Tulsa or bought online.

One that I consulted over and over is Norman Anderson’s impeccably researched book Ferris Wheels. I researched the sources used for every book I read and dug deeper and deeper. I was able to find at the NOAA website that the lowest recorded temperature in Chicago in January 1893 was -16. I look for as many primary sources as I can – books written by and interviews conducted with the subject of my book, original documents and artifacts. I found an interview with George Ferris from 1893 – that was a great find. When I was unable to locate the answer to a question I had about George Ferris, I contacted the Chicago Historical Society.

 

VL: That is very diligent researching. It must have been amazing to read George Ferris’s own words and then incorporate that into your story.

Who were your childhood heroes and role models? What drew you to them?

BL: From the time I was in third grade, I loved reading biographies, especially about people I could learn from. My favorite autobiography was Helen Keller’s The Story of My Life. I read many books about Eleanor Roosevelt and Theodore Roosevelt. All three subjects faced enormous challenges with great courage. I still read lots of biographies and nonfiction history.

 

VL: I have such a strong memory of learning about Helen Keller, too. I thought she was amazing. 

When did you know you wanted to be a writer? When did you start pursuing that seriously?

BL: I knew when I was a child that I wanted to be a writer, but I never tried seriously to become one until my daughter started high school. I thought, now I have the time to work on this and it maybe now or never.

I tried on my own, but I was going nowhere until the wonderful Oklahoma writer, Anna Myers started the SCBWI Oklahoma Schmoozes (writers and illustrators meetings.) I attended the meetings and conferences, took online classes and joined a critique group. I began to learn how to write for children and continue every day to learn and improve. This is a tough business and the support of my fellow writers has given me the strength to pursue my writing goals.

 

VL: You are so right! The need for support cannot be emphasized enough. I may have given up long ago if not for my SCBWI family.

Tell me about the most memorable adventures you had with your friends outside of school.

BL: I loved the summer. I lived in a neighborhood with lots of children. We spent our summers dreaming up adventures and then acted them out. A friend’s father helped build sets for a local theater group and one day he brought home a full-size Conestoga wagon. We had a great time traveling out west in our imaginations. One summer we set up our own outdoor laundry and went around the neighborhood asking for things to wash. We played all kinds of outdoor games. There was so much to do that every day seemed to last forever. I loved being a kid and that’s why I like writing for them.

 

VL: Wow! A real Conestoga wagon? You kids must have had a field day with that. I think I would have wanted to camp out in it. Maybe sleep under the stars like a cowboy. I loved being a kid, too. I think you may have something there. 

What are you currently working on?

BL: I finished researching a picture book biography, and I am working on the first draft. I have also recently worked on the first picture book I ever wrote and have rewritten it, not just revised it, for about the sixth time. I think I have finally made it work – but I have thought that before. I also have a new idea for a picture book biography and will start my research by reading the subject’s autobiography. I hope I can find a great story arc there.

 

VL: I can’t wait to take a peek at it. :)

What are some of your favorite books for kids?

BL: I think I can agree with almost every fan of YA – The Fault in Our Stars by John Green. I also love his book An Abundance of Katherines. I recently read Kathi Appelt’s latest middle grade novel The True Blue Scouts of Sugar Man Swamp and her book The Underneath is one of my favorites. Karen Cushman, Laurie Halse Anderson and Anna Myers write some of my favorite historical fiction novels.

My favorite book period is To Kill a Mockingbird. I have a huge collection of picture book biographies and historical fiction picture books. My two favorites are Deborah Hopkinson’s Apples to Oregon and Patrick McDonnell’s Me…Jane (Jane Goodall.) I think his is the best picture book biography written. I also like all of Barbara Kerley’s biographies and one of my new favorites is On a Beam of Light (Albert Einstein) by Jennifer Berne.

 

VL: There were some favorites of mine there and some new ones I need to read. Great suggestions.

What has been the best part of being a writer?

BL: Becoming friends with children’s writers. I absolutely love spending time with them and being part of this close community.

Thank you for inviting me to your blog!

Thank you so much for being here, Barbara. And I hope to have you back very soon!

Learn more about Barbara Lowell here.

BUY THE BOOK:

indiebound

 bn-24h-80amazon

 

The Giveaway

 

And now for the fabulous giveaway!

Barbara has generously donated two hardback editions of her new book GEORGE FERRIS WHAT A WHEEL. So there will be TWO WINNERS! This contest is open to everyone. The contest will run through July 18th and you can enter once a day. Good Luck! The winners can now been seen when you click on the giveaway site. Congratulations!

 

ENTER HERE!!!  ➤➤➤ Barbara Lowell Rafflecopter giveaway

Let’s dive right into Part Two, shall we?

Melissa Manlove2Following lunch, the dynamic Melissa Manlove, Editor at Chronicle Books stepped up to the stage and treated us to a talk about reading first pages like a pro. In the first page, editors can see how effective your use of language is. To read like an editor, she emphasized the importance of close reading, which is very different than reading for pleasure. When you close read something, you break down to elements and look at the construction of a story; you see what really makes it work.

For example, in the first page of Kate Messner’s OVER AND UNDER THE SNOW, the word choices not only dictate the cadence of the story, they evoke the mood of winter. See here in the very first lines:

Over the snow I glide. Into the woods, frosted fresh and white.

Over the snow, a flash of fur – a red squirrel disappears down a crack.

The end of the first line becomes a bit of a tongue twister, which slows you down as you read. The images of frosted and fresh and white evoke the wintery mood. Melissa mentioned that Messner also purposely chose words that together would mimic the feel of skis moving along the snow. THAT is paying attention to what works on more than one level in your story. And that is all just in the first line!

When discussing a good use of rhyme, Melissa gave the example of Liz Garton Scanlon’s book ALL THE WORLD. There is a great deal of cadence and structure, which is repeated. The author is showing she knows what she’s doing with structure in these first stanzas and it shows.

Rock, stone, pebble, sand,

Body, shoulder, arm, hand,

A moat to dig, a shell to keep -

All the world is large and deep.

 

Hive, bee, wings, hum,

Husk, cob, corn, yum,

Tomato blossom, fruit so red -

All the world’s a garden bed.

This is a goodnight book and in these type of stories, you want structure with a calming flow. Melissa went on to say that one of the reasons that many editors beg off rhyming manuscripts at the behest of their therapists is because most manuscripts they see only bother with rhyming the very last words in a line. While syntax is importance, it’s tough to make it sound natural if you don’t make it work in context with the entire story and take the overall RHYTHM of the story into account as well.

Melissa also said that mastering these skills, like all other skills, takes practice. Hoping to get it write like a bolt out of the blue isn’t the greatest plan. Writers may have to come up with a thousand mediocre ideas before they find that one great story. Then she said something that struck a chord with everyone:

Your brain is a machine made for generating ideas. Inspiration can feel electric, but lightning doesn’t strike the person laying in a sunny field, it strikes the person habitually cranking at the generator.

(Thank you to Gayleen Rabakukk for helping with the accuracy of that quote.)

There were so many other things she shared that were fantastic, I could blather on all day her talk alone. I suggest doing some close reading and practice writing of your own.

Melissa’s book recommendations: OVER AND UNDER THE SNOW by Kate Messner, CARNIVORES  by Aaron Reynolds, ALL THE WORLD by Liz Garton Scanlon, SKIPPYJON JONES by Judy Schachner, IT’S A TIGER by David LaRochelle, GOODNIGHT GOODNIGHT CONSTRUCTION SITE by Sherri Duskey Rinker, ON A BEAM OF LIGHT by Jennifer Berne,  and SWAN by Laurel Snyder (Fall release 2014)

Follow Melissa on Twitter.

 

Next up was the vivacious Kristin Miller-Vincent, Associate Agent, D4EO Literary Agency who talked about how to keep it fresh, get it fresh, and deliver it fresh. (Sounds like a pizza delivery commercial Kristin Miller Vincentwhen I say like that. She was much more eloquent.)

Fresh is hard to define. “We don’t know what it is, but we know it when we see it.”

So how can you bring fresh ideas to your stories?

  • Engage with the world and find truths that would make great fiction – find inspiration in the unusual things you come across that fascinate you. She gave an example of a strange statistic about the number of people hospitalized each year while taking down their Christmas trees in the nude.
  • Figure out what ISN’T actually out there – in pitch for the book,  THE EIGHTH DAY, it was described as there is a secret eighth day of the week, sandwiched between Wednesday and Thursday, with roots tracing back to Aurthrian legend.
  • Put a new spin on an old tale – reimagine a fairy tale or tell an old story from a different point of view. CINDER is a cyborg Cinderella story set in outerspace.

Those are just a few ideas as far as the plot are concerned, but what about voice?

Fresh voices are created are when authors know their characters well enough that they can let go of their own egos and let their characters use them as a vessel to tell the story.

Don’t get in the way of your narrative voice.

(Another speaker suggestion for delving deep into your characters – I’m sensing a theme.)

Kristin ended with discussing the critical mindset. You should welcome criticism and also be critical of your own work. Continue to question and wonder about ideas and the world around you.

There’s no room for complacency in publishing! You can do it!

Kristin’s book recommendations: PETE THE CAT by Eric Litwin, THIS IS NOT MY HAT by Jon Klassen, THE GIRL OF FIRE AND THORNS by Rae Carson, THE EIGHTH DAY by Diane K Salerni, CINDER by Marissa Meyer, SCARLET by A.C. Gaughen.

Follow Kristin on Twitter.

 

Liza KaplanOur final speaker of the day was Liza Kaplan, Editor with Philomel Books, Penguin Group and she talked to us about tension.

A novel thrives on tension and drama, but the thing that makes a novel un-put-downable is the TENSION.

There are different types of tension:

DRAMATIC – those filled with situational difficulties, the most general tensions, romantical “will they or won’t they?” tensions

ENVIRONMENTAL – throughout the story the reader wonders if the character will survive. ex: BETWEEN SHADES OF GREY

WORLD-BUILDING – use of a forcible task or inescapable danger, very literally life and death situations. ex: HUNGER GAMES

THEMATIC – universal issues like love, freedom, free will, life and death, fighting for love at the cost of life. ex: 13 REASONS WHY

You should vary your use of the types of tension within your story. Remember that two opposing forces prolong uncertainty and delay resolution to keep up the tension. The faster we get to a resolution of a problem, the more comfort we feel. Make your readers wait for the resolution.

But tension isn’t the only thing needed for a great story. The stakes have to matter; the main character has to risk something big. And the higher, more demanding the stakes, the more tension you create.

Your novel should be like an emotional roller coaster. Your job is to be an emotional manipulator to your readers.

What helps create a visceral reading experience is making the reader care. If your character has stakes where s/she is personally invested, so will your reader.

Liza’s book recommendations: THE FIFTH WAVE by Rick Yancey, ELEANOR & PARK by Rainbow Rowell, BEAUTY QUEENS by Libba Bray, WONDER by R. J. Palacio, THE BOOK THIEF by Markus Zusak, AMELIA ANN IS DEAD AND GONE by Kat Rosenfield, 13 REASONS WHY by Jay Asher, HUNGER GAMES by Suzanne Collins, BETWEEN SHADES OF GREY by Ruta Sepetys

Follow Liza on Twitter.

After our brains were full to bursting with information, we wrapped things up with an informal dinner at a local barbecue place where everyone could unwind and mingle. Here are a few pictures from the end of the day. It was such a fantastic conference. I can’t wait for the next one.

SCBWI Group 2014

Last weekend there was a convergence of the sublime in Oklahoma City as the SCBWI Oklahoma chapter held its annual Spring conference. Great company, great speakers, great weather. Ah! I had so much fun and my brain was crammed with so many good ideas, it took me all week to process everything. And as two of my manuscripts were chosen for top speaker picks at the very beginning of the day, I did have to struggle at times to stay focused on being present, to listen and take notes, instead of sprinting down the revision tunnel express.

First speaker of the day was the lovely Tricia Lawrence, an associate agent with the Erin Murphy Literary Agency.

Tricia LawrenceI do apologize for missing out on most of Tricia’s talk as my face-to-face critiques were scheduled during this time. I did get to speak with Tricia during the weekend and I gleaned information about her talk from those who were able to hear her talk. First of all, I loved Tricia right from the start as we both share Pacific Northwest roots. I spent some of my formative years in her neck of the woods and I still hold a special place in my heart for that part of the country. (A friend of mine swears this is why I don’t sound like I’m from around here, even though I’ve lived in Oklahoma almost without interruption since I was about four.) Tricia talked at length about how her career path was guided by the need to stay on the West Coast. She spent years working as a freelance editor among other things before breaking into the agenting side of the business. Lucky for us, her stars aligned at the right moment when she came to the Erin Murphy Literary Agency.

During her talk, Tricia discussed how important it was to really get to know your characters before you start writing, to sit down and have therapy sessions with them. Put them on the couch and get them to spill their guts. She said they may not want to open up at first, they may much rather run outside and ride bikes or go play video games, so you have to keep digging. Ask them about their biggest fears, their most hidden secrets, what they want more than anything. Keep asking until they crack; until you know your characters inside and out. Hey, therapy isn’t easy, folks.

It was a very stimulating talk that got several writers thinking of ideas all weekend. At least, I’ve never heard so many people eager to go into therapy. As a big proponent of self-exploration, I love this idea. I plan on putting my main character through some serious couch time starting this week.

Tricia, like all of the speakers, mentioned some books that showed great examples of the ideas she wished to convey. All of the speakers mentioned how important reading was to the craft of being a writer. I know I say it all the time, but it never hurts to remind you guys that the professionals say it as well. You gotta READ!!!

Tricia’s book recommendations: THE FAULT IN OUR STARS by John Green, GRAVE MERCY by Robin LaFevers

Follow Tricia on Twitter.

Next to present was the spunky and adorable Colleen AF Venable, Art and Design Editor at MacMillan’s First Second Books and author in her own right with her fabulous GUINEA PIG, PET SHOP Colleen AF VenablePRIVATE EYE graphic novel series. When she made the conscious decision to have her main character – a female guinea pig named Sasspants – NOT be drawn with over exaggerated eyelashes or a big bow to show her gender, “Because guinea pigs don’t have giant eye lashes or wear bows in nature”, I wanted to bow down at her feet or jump up and scream, “YES!” (I’m a huge believer in realistic role models for girls, obviously.)

Colleen took us all to school on graphic novels and taught us about what they were and were not. Simply put, graphic novels are defined thusly:

Visual story-telling using sequential images.

Well, gee, that could be anything, you might say. I mean, I’ve seen some picture books that might even qualify by that definition. And you would be correct. Still, they are NOT all about tightly-clad radiated people with superpowers. (Not that there is anything wrong with those kinds of graphic novels.) Here are some examples of graphics novels that may surprise you:

 

Monster EndPigeon

flotsam

The Arrival

 

 

 

 

 


Friends with Boys

RapunzelLaikaTo DanceLone Wolf

 

 

 

 

 

 

bk_floraLewis and clarkSmileGiants BewareHereville

 

 

 

 

 

It was such an enlightening talk and I must say, it made converts out of many of the participants. What struck me most was how many non-artists have written graphic novels: Shannon Hale, Neil Gaiman, Kate DiCamillo, Jane Yolen, Cecil Castellucci, Holly Black, and don’t forget Stan Lee, (totally not an artist!). Rainbow Rowell, author of ELEANOR & PARK, has a graphic novel series in the works with First Second Books right now. How exciting is that?

Colleen discussed how you can add an extra layers of depth to your story with the visuals in graphic novels. Even by just manipulating the layout of the panels and how you use the spacing between the panels – the gutters – you can create completely different pacing styles to the story, similar to how traditional writers use sentence and paragraph structure. Fascinating. She suggested that if you were interested getting started in graphics novels, as a writer, you should read lots of plays and comics to help you get the flow of graphic novels. Script writing especially can aid in learning to think more visually about how you tell your story.

Colleen gave us a comprehensive reading list hand out (another perk of coming to such a fabulous conference), broken down by age groups, so I won’t list all of her recommendations here. Some of them are pictured above. I will list others she mentioned by name.

Colleen’s book recommendations: AMERICAN BORN CHINESE by Gene Luen Yang, BENNY AND PENNY by Geoffrey Hayes, SMILE by Raina Telgemeier, SCOTT PILGRIM VS THE WORLD by Bryan Lee O’Malley, THE PLAIN JANES by Cecil Castellucci, OWLY by Andy Runton, BABY MOUSE by Jennifer Holm and Matthew Holm, ROBOT DREAMS by Sara Varon, ZITA THE SPACEGIRL by Ben Hatke

Learn more about Colleen here.

Follow Colleen on Twitter.

Andrew HarwellAndrew Harwell, Editor with HarperCollins came back to Oklahoma for a second time after doing such an amazing job for us at our Novel Revision Retreat back in 2012, and was christened an honorary Oklahoman. (That’s just how it goes, if you come back, we claim you as one of our own. Our list of these lucky conference alumni is steadily growing – Laurent Linn, Krista Moreno, Alexandra Penfold, all honorary Oklahomans.)

Andrew wanted to talk about something new this go around, so he delved into how the family dynamics in Middle Grade and Young Adult writing help to create richer characters. Strong central families are common in all the stories he is drawn to. He said that when he gives an elevator pitch for a book, he realized that he always begins by discussing the relationships first. No matter what kind of story you’re writing, whether it’s a fantasy, mystery, paranormal or whatever, you have to get the reader to care about the characters first, right? In order to do that that we have to get to know the character, and what better way to do that than by using the family. After all, Andrew asked us to think about this:

You are most yourself around your family.

Who else sees us at our most vulnerable? When we are exhausted, pushed to the limits, cramped in a minivan for hours on a road trip to Aunt Bonnies’s with nothing to do but listen to each other breathe and your brothers won’t stop farting or touching your side of the seat? Oh yeah. You really get to know a person in those circumstances.

There are all kinds of families. You have to ask yourself what your character’s family history is before you begin your story. This is your character’s beginning, after all. No matter how much of this history you decide to show, YOU as the writer need to know it. Knowing whether or not your MC is friends with everyone in his family (or not) or whether your MC is supported or misunderstood at home will determine how s/he interacts with the world at large. It will also add more emotional depth to your story.

Andrew showed examples from many different books to highlight the different ways that family dynamics can create amazing stories. Whether you use these dynamics to create empathy, as in THE HUNGER GAMES (whose heart didn’t break when Katniss volunteered to go into the death match in her sister’s place?) or to create conflict as in FANGIRL (what does it mean when your twin sister doesn’t want to be your roommate?) or to create a villain in the family as in THE GOLDEN COMPASS (Does Lyra’s mother love her or is she evil through and through?) bringing family dynamics into play can be the best thing for your character and your story.

Andrew’s book recommendations: PLEASE IGNORE VERA DIETZ by A.S. King, THE HUNGER GAMES by Suzanne Collins, PANIC by Lauren Oliver, IF I STAY by Gayle Foreman, CASE FILE 13 by J. Scott Savage, WONDER by R.J. Palacio, SEA OF SHADOWS by Kelley Armstrong, ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE by Benjamin Alire Saenz, FANGIRL by Rainbow Rowell, THE JUPITER PIRATES HUNT FOR THE HYDRA by Jason Fry, REALITY BOY by A.S. King, THE GOLDEN COMPASS by Philip Pullman, ASYLUM by Madeleine Roux, ALMOST SUPER by Marion Jensen, UNDER THE NEVER SKY by Veronica Rossi, THE HARRY POTTER SERIES by J.K. Rowling, MOCKINGBIRD by Kathryne Erskine, THE FAULT IN OUR STARS by John Green, I CAPTURE THE CASTLE by Dodie Smith, TENDER MORSELS by Margo Lanagan, ELEANOR & PARK by Rainbow Rowell, PENNY DREADFUL by Laurel Snyder, ONE CRAZY SUMMER by Rita Williams-Garcia

Follow Andrew on Twitter.

Can you believe how much sage wisdom was imparted in this morning session alone?

It knocked my socks off.

After an entertaining lunch where I hosted a table with Tricia Lawrence, who was ever so gracious with her precious time and insights. I met some new writers, one was attending her very first SCBWI conference and was so enthusiastic about everything, it was delightful to see. There were so many writers there with teaching backgrounds at my table; I may have been the only one without a teaching degree. After lunch, and a brief (and humorous) commercial for our Fall Retreat, we returned for our remaining three speakers.

Stay tuned for PART TWO to hear what they had to bestow on our eager minds…

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To say that I had a positive experience at our SCBWI OK spring conference would be quite the understatement. One of the first things that happened before our speakers took the stage was the winners of the face-to-face critiques were announced. Each speaker chooses two manuscripts from their selections and those lucky souls get to sit down and discuss their writing for ten whole, uninterrupted minutes. I had not one, but two separate manuscripts chosen.

That was a first.

I was beyond thrilled, beyond honored. (Thankfully I was not beyond speech.)

The two speakers who chose my MG and YA manuscripts were both so fantastic. They gave me insightful suggestions that fit right along my vision for each story – neither thought I had to scrap the entire thing a rewrite either as, say, a paranormal/historical dystopian/time-travel piece. I can’t wait to get back to revising. Is it any wonder I had such a hard time concentrating on the rest of the conference? Once I made my way back into the main room, I did my best to stay focused. The speakers were all so brilliant, so diverse and amazing. It was just an all-around wonderful day. A recap of the rest of the conference will be coming later this week.

For now, let’s take the final look at this month’s #writemotivation goals:

  1. Make progress on new YA project (Pretty Vacant) including plotting out new story arc and starting on first draft with word count goal of 30K. I fell short by 10K, but this story did get off to a good start. I’m happy with the progress made.
  2. Submit first YA manuscript to at least 15 agents. Only sent out to about one-third. Lame, lame, lame.
  3. Read at least 6 books this month. Done! By the skin of my teeth. (That is a weird saying.) Good thing I brought some more books home from the conference; I was almost out – ha ha ha! I can’t even say that with a straight face.
  4. Get back into exercise routine slowly – at least three times week. No comment. (I did dance on stage during the conference while killing time before a bit, but I’m not sure that really counts. And sorry for those who saw that. For some reason, having my back turned made me think I was invisible.)

I hope you all had a productive March.

I am one of the few NOT participating in the A to Z challenge during April. (A themed blog post every day all month long? Those guys are crazy.) I will however, be setting more #writemotivation goals since I have some serious (and exciting) work to do.

If you want to join in all the fun, pop on over and sign up for #WriteMotivation April! 

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Why did mention that I was feeling about 65% back to normal  – ALMOST FREAKING HEALTHY!!! – on my last #writemotivation check in? It must’ve sounded too much like a brag or something because the gods of health decided to slap me with one more wave of the sickness. Of the dreaded sinus infection variety.

Blech!

Oh yeah, but they couldn’t let me be completely done with that lingering cough that kept me from ever getting a good night’s sleep. You know, the one that started at the beginning of February? So the was fun. Brain exploding with sinus pain while still coughing until I wanted to take a power drill to my head and open up some breathing holes. I am so done with coughing, sneezing, aching, etc. I think I’ve eaten my own body weight in cough drops this year already. I loathe the taste of tea and honey after the oceans I’ve consumed. I’ve blown through so many boxes of tissues I should replant a small forest on the next Earth Day to decrease my carbon footprint.

Godfather Gif

This week, I’m throwing caution to the wind and stating that I’m over the worst of everything. I may have sacrificed a pomegranate in the light of a full moon while singing a medley of Justin Bieber and Miley Cyrus tunes. I think that appeased the gods of health. Either that, or they were afraid I’d sing again. Either way, my voice has finally returned to normal and I haven’t had to take any cold medication for several days. No more Emma Stone voice, but I’m grateful that things can start returning to normal.

This month always brings so much more promise. March, don’t tell February, but I like you more. Our SCBWI OK spring conference is at the end of the month and it’s always fantastic. This year it’s in Oklahoma City so I get to run away from home for the weekend and spend it with my favorite writing friends. It’ll be a smorgasbord of literary goodness and I can’t wait to gorge myself.

In the midst of all this healing and fruit sacrificing, I have finally been able to get back to the work of writing and related things. Let’s take a look at this month’s goals to see the damage progress made thus far.

Here are my #writemotivation goals:

  1. Make progress on new YA project (Pretty Vacant) including plotting out new story arc and starting on first draft with word count goal of 30K. The smallest of starts, but progress has begun. I am so excited about this project, I can’t even tell you. The only hint I’ll give this early is that it will deal with gender politics and the riot grrrl movement.
  2. Submit first YA manuscript to at least 15 agents. Two is better than zero but far from my goal. Need to ramp this up next week with more submissions sent out.
  3. Read at least 6 books this month. (I’m a little behind on my yearly reading goal already!) Three books finished already and another one halfway done. Looks like IMG_20140315_221040there’s one goal I will actually make. What’s really surprising is I just finished reading my first YA book of the year, and it was phenomenal. WINTERGIRLS by Laurie Halse Anderson. It was a little more special because it was my copy I had autographed in LA this past summer. I love Laurie Halse Anderson and not just because she write so damn well.
  4. Get back into exercise routine slowly – at least three times week. This was the most painful goal to accomplish. After not exercising for over a month, I did manage  to go for a walk three times. My pace was horribly slow, and I felt like death after the first two times, but goal accomplished. yay. (hack, pant, moan.) I have no idea when I’ll even attempt to get back on the elliptical.

How are your goals coming along this month?

Do you have any exciting spring break/writing conference plans in your immediate future?