Sara will be discussing the topic of humor in writing. “Humor draws in and hooks readers, and it keeps them engaged!” In her talk, she will discuss different types of humor and how you can apply them to your own manuscripts.
In her work as Executive Editor at HarperCollins Children’s Books, Sara focuses on fiction and nonfiction in the picture book, middle grade, and young adult categories.
Previously she was an Editor at Simon Pulse, an imprint of Simon & Schuster. Sara has worked with New York Times bestselling author Abbi Glines, National Book Award finalist Deb Caletti, Jennifer Echols, Julie Cross, Aaron Karo, and Martina Boone, among others. She also received her Master of Science in journalism from Northwestern University. You can sometimes find Sara eating takeout and reading on the couch. You can always find her online at www.sarasargent.wordpress.com and on Twitter and Instagram @Sara_Sargent. Sara lives in Brooklyn.
Valerie Lawson: Sara, thank you so much for doing this interview. It’s a pleasure to speak with you, today.
What makes a story an evergreen? What gives it staying power?
Sara Sargent: I’ve always wanted to edit books for the same reason I want to read them: for escapism. I love getting lost in a story, getting wrapped up in characters and their struggles. So, to me, a story with emotional heft and amazing characters will be perennial. It’s important to allow the reader to see the human experience reflected back at them from the pages of your book, to let them get entangled in the emotions and the drama.
We’ve all had that experience where a book “doesn’t hold up,” where we re-read a novel we loved as kids and are no longer sure what we loved about it. Sometimes we grow up or move on or mature, and a story doesn’t have the staying power it used to. But, to me, all that matters is whether we connected with it emotionally at one point in time. For a book to be successful, it needs to find its mark and connect. Regardless of whether that happens when we’re 5 or 50, and whether it remains true always.
VL: Emotional connection with amazing characters – yes, that describes all my favorite stories. I must say, the idea of connections changing as we age is very intriguing. Our life experiences change, why shouldn’t our experience of a story change?
What hooks you when you’re reading a manuscript? What doesn’t?
SS: I like to tell writers that, no matter what genre they’re writing, they are all mystery writers. Because you have to think like a mystery writer to plot an interesting book. For me, that advice comes from a personal place of loving twists and turns and surprises. What hooks me—and keeps me reading—is not knowing what’s coming next, whether that’s in the actual plot or for character development or with a romance.
VL: Fascinating idea! I love a good mystery.
You’ve mentioned that lack of character development is one major reason you might reject a project. What are some others?
SS: Weak world-building, especially in fantasy, is a tough sell for me. I am happy to edit fantasy projects and work with authors to improve their world-building and to help them transfer the wonderful images in their heads to the page. But, if the logic of the world doesn’t hang together, and there are strange twists or turns that feel aimless—I am likely to pass.
Also, when it comes to realistic contemporary novels, I love evergreen tropes that resonate time and time again. But I do not like stories that feel too similar to others I’ve read or edited. With the realistic genre, I need fresh and new and different for me to want to buy it.
VL: With your focus on social media and digital platforms, what can you tell authors and illustrators about the importance of online time?
SS: Pick one platform—Facebook, Twitter, Instagram, Vine, Tumblr, blogging—and really commit to it. There is no point in spreading yourself thin and trying to be active on every social network known to humankind. Develop an authentic and genuine presence for one profile, and then focus your energy there. Getting people to connect strongly with you in one space is amazing, even if it feels limited. That’s how you start building your brand.
VL: NOT spreading yourself thin? I’m so on board. It’s so easy to overdo it and leave no time for real writing.
We often hear the advice to research before you submit your work, what’s the most important thing writers and illustrators need to know before they submit to you?
SS: It’s important to know what an editor likes, and it’s important to know what she’s acquired. But what’s even better is to recognize what she likes and what she’s acquired, and get to the next level of thinking. Which is to say: send me something with the essence of what I love and have already edited, but with a new twist or take—that’s the best way to go.
Sending me a manuscript and saying “I’m sending this to you because you acquired a book just like it, so I know you will love it!” is not the way to go. Show me that you recognize why your book is a fit for me, because you know I love the genre but also because I’ve never acquired anything like it before.
VL: Excellent advice. Well said.
Thank you for sharing your thoughts with us, today, Sara. They have been very enlightening. I look forward to hearing your talk at our conference!
Learn more about Sara and read her Acquisitions Wish List here.
**Sara does not accept unsolicited manuscripts, however conference attendees will be permitted to submit to her for a limited time.
This is an excellent reason to come see her speak at our conference in Oklahoma City on April 16th!
For more details on our 2016 SCBWI OK Spring Conference or to register online, CLICK HERE.
I hope to see you there!