I met Brenda Maier through our local SCBWI Oklahoma chapter, and I’ve been thrilled to watch her grow as an author. It’s such a pleasure to help her celebrate the debut of her very first picture book.
As a young child, Brenda had a grand total of six books; consequently, she spent her summers walking to the local library to get more. Now she spends her summers driving her own children to the local library, where you may find her in a corner with a stack of picture books. If she’s not there, she’s probably at a bookstore, adding to her much-larger-than-six-books collection.
Brenda lives in Oklahoma with her husband and their five children, who provide endless inspiration for more stories. She also works with gifted children at a large, local school district.
Before the interview, let’s learn more about Brenda’s debut picture book:
In this retelling of THE LITTLE RED HEN, Ruby wants to build a fort, but her big brothers refuse to help her. When the boys see the finished product, they really want to play in it, but it’s too late to do anything about it. Or is it?
Maier’s publisher describes this book as “one of those multi-layered gems” in this YouTube video.
Valerie Lawson: Congratulations on your debut picture book, Brenda! I’m so excited to see this book published.
What inspired the idea for this story?
Brenda Maier: Thanks for inviting me to chat, Valerie.
My children inspired this idea. A few years ago, my youngest son was four, and he was in a The Little Red Hen phase; consequently, that story was on repeat in my mind.
One day I put him down for nap and went to check on the other kids in the back yard. They’d found some boards and lattice. Guess what they’d made? So the classic tale and my own kids’ ingenuity kind of converged that day, and I began thinking about a girl building a fort instead of a hen baking bread.
VL: Isn’t it exciting how our experiences can mesh together like that?
I just love the illustrations by Sonia Sánchez. What was it like seeing your words come to life for the first time? Is that how you had imagined them?
BM: I can’t say enough about Sonia’s beautiful art. Her unique style complements the text beautifully. The details keep me looking for new things. She has such a grasp of the characters, and she brought them to life in such a way that I can’t imagine them ever being anything other than what they are now. It’s like they’re real to me, and her illustrations are a big reason for that.
VL: You work full time as a teacher and have five children at home. Talk about your writing routine. As in, where do you find the time to enjoy a moment’s peace, let alone find time to sit down and write?
BM: Kids will find you no matter where you are, and kids always come first. Therefore, I avoid this situation entirely by escaping for Panera at least a couple of times a month to write.
I write more regularly during the summer, when I can get up early and work for a few hours, but during the school year I have to be content to do the best I can. I might write before everyone wakes up, before I fall asleep at night, or even during my lunch break.
If it’s important to you, you will find a way to do it.
VL: Very true. You have to find that time to write anywhere you can.
As a debut author, what’s the best piece of advice you can pass on to fellow authors working in the pre-published phase?
BM: You should read. Reading helps you internalize so many things about stories—pacing, rhythm, page turns.
VL: What has been your favorite book to read/book you’ve been most excited about over the past year?
BM: I don’t know if I can only pick one. At this moment, I would have to say it’s a tie between two YA novels: Angie Thomas’ The Hate You Give and John Green’s Turtles All the Way Down. As different as they are, I appreciated the perspectives they both made me feel privy to.
You don’t want me to get started on favorite picture books.
VL: I love that you read widely – not just picture books! That’s so important.
What’s next for you? What are you currently working on?
BM: The Little Red Fort comes out in Spanish this June. A second book, Peeping Beauty, will be released next February from Aladdin, a Simon & Schuster imprint.
Peeping Beauty is a tale of chicks who resort to creative problem solving when their sibling won’t come out of the egg. It’s not a retelling, but it does give a subtle nod to the classic Sleeping Beauty.
VL: That sounds like another great story!
Thank you so much for joining us, today, Brenda. It’s been such a pleasure talking with you!
Gaye Sanders is one of the local talents from our SCBWI OK group whose debut picture book, THE SURVIVOR TREE, is coming out this week. I’m delighted she’s stopped by to talk with us about it.
Gaye has been teaching elementary children for over 30 years and is currently a fourth-grade teacher in Mustang, Oklahoma, a suburb of Oklahoma City.
She is an active member of the Oklahoma Region of SCBWI and will assume the monumental role of Assistant Regional Advisor this coming December. We’re excited to have you on board!
Gaye was in Oklahoma City on April 19, 1995, when the Alfred P. Murrah Federal Building was bombed, killing 168 people, 19 of whom were children under the age of six. Every year she makes sure to share the historic story of the Oklahoma City bombing with her students.
Before the interview, let’s take a closer look at Gaye’s book:
*A portion of all books sales will go to the Oklahoma City National Memorial and Museum in downtown Oklahoma City.
A family plants an American elm on the Oklahoma prairie just as the city is taking root—and the little tree grows as Oklahoma City grows until 9:02 a.m. on April 19, 1995, the day America fell silent at the hands of one of its own.
As rubble from the Alfred P. Murrah Building in Oklahoma City, Oklahoma, is cleared, the charred tree—its branches tattered and filled with evidence—faces calls that it be cut down. The only obstacle: a few people who marvel that, like them, it is still there at all.
The next spring when the first new leaf appears proving the tree is alive, word spreads like a prairie wildfire through the city and the world. And the tree, now a beacon of hope and strength, is given a new name: The Survivor Tree. (Plot summary from author’s website.)
Valerie Lawson: What was the inspiration for this book?
Gaye Sanders: When you are a writer, you rotate between writing, editing, and revising. But you are also, at all times, thinking about what your next story will be.
Many times, we choose the story we are writing. We may get a spark of an idea, and work to develop it into a full story. But sometimes, in those rare moments, a story finds us.
Almost four years ago, on a visit to New York City, my sister and I got to experience the 9-11 Memorial. During our visit to the gift shop, I discovered a book about the 9-11 Survivor Tree. Until that moment, I had not realized they had a survivor tree.
Their tree has a much different story than ours. It was recovered from some of the rubble and replanted, nursed back to health and transplanted to the grounds when the memorial was finished.
I decided to buy that book, and then find the book about our Survivor Tree. I came home and began to look for one, and that was when I discovered there wasn’t one.
There needed to be. That idea sat on my heart for a couple of years. The seed of the idea planted itself there, and wouldn’t go away. And, I knew that a story had found me. A story that needed to be told.
VL: How fascinating! From one survivor tree to another. Love it!
This is a very emotional story still for many Oklahomans, did you find this a difficult thing to translate into a picture book format?
GS: I think that turning it into a picture book softened the subject matter. There were a lot of hard details that have been omitted, because they simply aren’t appropriate for the age group. But through the entire story of the tree, the bombing, and the healing afterwards, the theme is love conquers hate and hope can bring you through even the darkest times. Along with the promise that we will never forget.
VL: You tell this story from the perspective of the Survivor Tree at the Oklahoma City National Memorial, located on the site of the Murrah Federal Building bombing, what were the benefits/challenges to using a tree as your main character?
GS: Writing a book about this subject for children presented its own set of challenges. The story needs to be told, but in a more delicate manner, so as not to scare them about our world. I wrote my first version in third person, but it didn’t have the heart I wanted it to.
As writers, we often gain inspiration for our works from other books or pieces of literature. I reread The Giving Tree by Shel Silverstein. And even though that book is set in third person, that’s when it hit me. The tree needed to tell this story.
When I changed the point of view, I knew it was the right thing to do.
VL: Ah! THE GIVING TREE! Another tree giving your story inspiration. Let’s hear it for the trees!
You were able to visit the Memorial archives for your research, what was that experience like?
GS: The Oklahoma City National Memorial was more than helpful in allowing my research. I was honored to spend an entire day in the archives, going through photos, evidence lists, FBI notes, and more. It was a crucial part of the research. But, you can’t research something like this without feeling it from the very depths of your soul.
I lived here when this awful travesty occurred, I knew people who lost family members, and I knew others who survived. So, needless to say, I have shed more than my share of tears through this journey.
VL: Tell us about your writing journey. How did you begin to write books for children?
GS: I began thinking about writing for children over ten years ago. Having been around children’s literature basically my entire life, I thought I knew all I needed to know to write my own books.
I knew absolutely nothing about what I was doing, or how the publishing industry works.
It wasn’t until I joined SCBWI that I learned enough to really begin writing. It has been such a great journey, and I would not be where I am today without this amazing organization. And tribe. I have made lifelong friends, and I feel like the luckiest girl in the world.
VL: Woohoo! Yay, SCBWI! Best thing I ever did for my writing, too.
Tell us something about your childhood. As a young kid, what was the worst trouble you ever got into?
GS: I was one of those kids who really didn’t get in trouble much. Probably the biggest trouble was staying out too long on my bicycle.
Until I was a Senior in High School. I got my first “licks” with two months of high school left to go, because two of my friends and I told our bookkeeping teacher we were going to the library, when all along we were planning to go get cinnamon rolls in the cafeteria.
Yep. Got caught and got paddled.
VL: Oh, no! First time out and caught!
What was the scariest thing that you ever experienced as a kid?
GS: I grew up in a small, sheltered town. Probably the scariest thing was when my older sister, a friend of mine, and I were all at home alone one night, and heard a tap on the window. It was a peeping Tom! In Fritch, America!
The scariest moment in my childhood was probably the assassination of President Kennedy. I’ll never forget the moment they broke in on “As the World Turns” (I wasn’t in school yet) and Walter Cronkite announced that the President had been shot. The world stopped. And even though I was only five, I knew that our world had changed overnight.
VL: Wow. That was life-changing. Even at five.
What has been your favorite book to read/book you’ve been most excited about over the past year?
GS: That’s such a hard question, and there’s no way I can narrow it down to one. So, here are my top three of the year:
And, believe it or not, I had never read The Outsiders by S.E. Hinton before this year.
Every one of these touched me deeply, and were un-put-downable.
VL: Absolutely loved THE CROSSOVER. So, so good! Of course, I blazed through THE OUTSIDERS when I read it a long time ago. Wouldn’t mind reading it again. The 50th anniversary edition just came out! I’m just now starting to read Jen Latham’s book. I’ve been so looking forward to it!
What’s next for you? What are you currently working on?
GS: I am currently in the trenches of Pitch Wars. For those of you who don’t know what that is, go to www.pitchwars.org. It’s a fabulous process, where you submit to be matched with a mentor. You work with them for two months to get your manuscript ready for the agent round. My current WIP is called HURRICANE HARPER. It’s a contemporary fiction, middle grade set in coastal Mississippi.
In the editing lulls for Pitch Wars, I’ve started outlining my next one. It has a title right now of “1972”. It’s historical fiction with an alternate set of events, set in Washington D.C. Let’s just say it has something to do with a certain wiretapping activity that occurred that year.
And, I have a couple of ideas for picture books to follow up The Survivor Tree. They both have a connection to things that are tied to the Oklahoma City National Memorial.
VL: That all sounds fascinating! And good luck with Pitch Wars, Gaye! We’ll be routing for you!
Thanks so much for joining us. It’s been a pleasure talking with you.
For those who are interested and who live within traveling distance, Gaye is having a book launch for THE SURVIVOR TREE on Saturday, November 4th, from 1-3pm at the Oklahoma City National Memorial and Museum. The event will be held under the Survivor Tree, weather permitting. The book launch will move inside the foyer of the museum store in the event of inclement weather.
I’m so happy to be interviewing the delightful Kim Ventrella, today. Kim is an SCBWI Oklahoma region member I’m just getting to know, and I’ve been dying to ask her some in-depth questions. Like what’s behind her extensive skeleton collection? How much does her dog, Hera, actually help her writing process? And more importantly, what inspired her highly anticipated debut novel, SKELETON TREE, which comes out this month?
Let’s find out.
Kim lives in Oklahoma City with her faithful furry companion, Hera. She moonlights as a children’s librarian when she’s not writing books, fighting crime, or killing houseplants. (I’m beginning to think her bio has been padded. That houseplants thing is a little far-fetched, if you ask me.)
She has been know to actually seek out places where skeletons dwell. To even pose for pictures with them, and dress them up in fancy hats and wigs. Some might call that weird, I call that amazing! How else would we get such an awesome-looking book?
Before the interview, let’s take a closer look at Kim’s book:
Twelve-year-old Stanly knows the bone growing in his yard is a little weird, but that’s okay, because now he’ll have the perfect photo to submit to the Young Discoverer’s Competition. With such a unique find, he’s sure to win the grand prize.
But, oddly, the bone doesn’t appear in any photos. Even stranger, it seems to be growing into a full skeleton…one that only children can see.
There’s just one person who doesn’t find any of this weird–Stanly’s little sister. Mischievous Miren adopts the skeleton as a friend, and soon, the two become inseparable playmates.
When Miren starts to grow sick, Stanly suspects that the skeleton is responsible and does everything in his power to drive the creature away. However, Miren is desperate not to lose her friend, forcing Stanly to question everything he’s ever believed about life, love, and the mysterious forces that connect us. (Plot summary from Goodreads.)
Valerie Lawson: Your debut novel, SKELETON TREE, has such an intriguing premise, what sparked the idea for this story?
Kim Ventrella: I wondered what would happen if a boy discovered a finger bone growing in his backyard. The story evolved from there, becoming much more than I had anticipated.
VL: What a great beginning. I can’t wait to read where the story goes from there!
I absolutely love the book trailer for THE SKELETON TREE, what can you tell us about it? (You can view the book trailer below.)
KV: Artist Jerry Bennett and Filmmaker Zac Davis did an amazing job putting together the trailer. I had gone to see their award-winning short film, Even in Death, and after that I knew they would be perfect for the job. It captures just the right mix of wonder, spookiness and whimsy.
VL: You seem more than fascinated (dare we say obsessed?) with skeletons – I love following your hashtag #skeletonspotting, by the way – where did this deep interest in skeletons come from?
KV: I don’t know if it’s a deep interest (ha!), but I have always been fascinated with the macabre. Scary stories are a great way to confront monsters in a safe environment. Readers can learn from the character’s journey that it’s possible to overcome those spooky skeletons we all have in our closets.
VL: So true! Better to tackle them in the pages of fiction than in real life. (Checks closet for skeletons.)
Your story tackles the difficult subject of death, one not many adults are comfortable dealing with. Talk about why you thought it important to address this issue in a children’s book.
KV: My grandfather passed away suddenly not long before I started Skeleton Tree. I didn’t initially intend for it to be a book about death, but that was just how the story unfolded. It became a sort of canvas on which I could put forward my own vision of how Death could look, if we chose to experience it through a different lens.
I wanted to create a Death full of meaning, beauty, friendship and understanding. I strongly believe that books are one of the best ways for children to make sense of the world around them, to experience tough topics in a safe space, and that includes dealing with death.
VL: How beautiful. That’s quite an homage to your grandfather, too. I just love that.
What were some of your biggest fears as a kid? Were you ever afraid of the dark, of anything under your bed or in your closet?
KV: I was very scared of ghosts in particular when I was a child, which is perhaps why I embraced the macabre. I used to have night terrors, night paralysis and visual disturbances (i.e. I very vividly ‘saw’ ghosts on several occasions as a child).
For me, reading scary stories has always been the equivalent of performing a big Riddikulus spell on those creepy real-life monsters. Seeing others triumph over evil, whether it’s watching Buffy the Vampire Slayer or reading Roald Dahl, gives me confidence that I can also defeat the big baddies out there.
VL: Wow! Very in touch with your spooky side, even as a kid. Destined to write this genre! I love that seeing others conquer their fears in books gave you courage, too. Books are so powerful!
You discussed in a post recently that you like to begin writing a story by thinking about its emotional catharsis and working back from there. That’s almost like starting at the ending and working your way back to the beginning. I love this idea. Can you expand on this?
KV: My writing style has changed and continues to change a ton. I always used to write completely organically, with no plotting ahead of time, like with Skeleton Tree. Now that I have to send off proposals for stories before I start writing (for the most part), I’ve started thinking more strategically.
In the end, the important aspect of a story for me is what emotional impact readers will feel after they turn the last page. Has the book changed the way they see the world? Has the character’s journey taught them something about themselves?
Starting with that in mind can speed up the process, but it’s not always possible, because sometimes you can reach a more powerful conclusion if your destination is unplanned.
VL: Excellent advice, to focus on the emotional impact.
Your dog Hera features prominently in your Instagram posts, how does she factor into your writing process? (I have heard tale that you like to write in her dog bed.)
KV: Yes, I wrote Skeleton Tree sitting in a dog bed, while Hera sat on the couch behind me looking over my shoulder. I now have an office chair, ha!, but my dog is still a big help. I even mention her in the acknowledgements of my book. She’s sweet, silly and scared of everything, but most of all she’s the perfect co-writer.
VL: Who were your childhood heroes/role models?
KV: I don’t know about role models, but I was obsessed with Billy the Kid, Al Capone and Charlie Chaplin. I also loved Agatha Christie’s famous detective, Hercule Poirot, and his sidekick, Hastings. The Addams Family was another huge favorite, as were Shel Silverstein and Roald Dahl.
VL: What a wonderfully eclectic collection! I’m also a huge Agatha Christie fan! I read so many of her books when I was a kid.
What has been your favorite book to read/book you’ve been most excited about over the past year?
KV: I love The Poet’s Dog by Patricia MacLachlan. It’s a sad, happy, heartfelt story about a poet who lives in a cabin in the woods with his dog. It’s practically my life story.
VL: Beautiful cover. Thanks for recommending it. 🙂
And thank you so much for joining us, today, Kim! It’s been such a pleasure talking with you and getting to know you better!
And now for your viewing pleasure…
The official book trailer for Skeleton Tree!
Local talents Jerry Bennett and Zac Davis created this trailer for Kim. They both worked on the award-winning short film, Even in Death. Jerry is an amazing comic book artist and illustrator who’s done work for companies like Marvel, Lucasfilm, and Topps. Zac Davis is a filmmaker and program director for Invisible Layers productions, a pre-employment program for young adults on the autism spectrum with an interest in film, video production, or animation.
Enjoy the trailer!
Don’t forget to pre-order Kim’s book SKELETON TREE! It releases on September 26th!
I’m so excited to be talking with her, today, about her latest book in the series.
Tracey grew up with a love of Grimm’s fairy tales and has wanted to write since she was three years old. She was inspired to write for kids after reading Rosa Guy’s “The Friends”.
She worked as an elementary teacher before entering the world of publishing in the education market. She later moved into editing nonfiction books for kids. Now, as well as being an amazing author of books for kids, she is also a freelance editor for publishers and individual clients.
Tracey’s debut novel, ANGEL’S GRACE, a YA contemporary novel, was named one of the 100 best books for reading and sharing by the NYC librarians.
Her first Middle Grade novel, THE JUMBIES, was a Junior Library Guild Selection, a New York Public Libraries Staff Pick, one of Brightly’s Best Kids Books of 2015, a We Need Diverse Books “Must Read,” and named to Bank Street’s Best Books of 2016.
Tracey is a contributor to the outstanding blog The Brown Bookshelf that pushes awareness of the myriad of African American voices writing and illustrating for young readers. The American Library Association selected The Brown Bookshelf as a Great Website for Kids.
Before the interview, let’s learn more about Tracey’s latest book:
The sequel to the highly praised novel The Jumbies takes Corinne and her friends on another spine-tingling adventure under the sea.
Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven’t exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne.
To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D’Leau, the dangerous jumbie who rules the sea. But Mama D’Leau’s help comes with a price. Corinne and her friends Dru, Bouki, and Malik must travel with mermaids across the ocean to the shores of Ghana to fetch a powerful object for Mama D’Leau. The only thing more perilous than Corinne’s adventures across the sea is the foe that waits for her back home.
With its action-packed storytelling, diverse characters, and inventive twists on Caribbean and West African mythology and fairy tales, Rise of the Jumbies will appeal to readers of A Snicker of Magic, A Tale Dark and Grimm, and Where the Mountain Meets the Moon.
This book has already garnered rave reviews:
Kirkus starred review
“A stirring and mystical tale sure to keep readers thinking past the final page.”
“Young readers are probably familiar with Greek myths, thanks to Rick Riordan, and other enduring European classics, so this series with twists on Caribbean (particularly Haitian and Trinidadian) and West African tales is a welcome change.”
School Library Journal starred review
“The novelty of the fantasy elements, the complex characters, and the superb world-building combine in a tale well worth reading, both as a sequel and a stand-alone . . . A stellar recommendation for fans of edgy fantasy such as Aaron Starmer’s ‘The Riverman Trilogy’ or Adam Gidwitz’s ‘A Tale Dark and Grimm’ series, and, of course, fans of the first book.”
I’m so excited to read this book! The first one was so wonderful, and looking at these reviews, I have high hopes for this next one.
Valerie Lawson: I absolutely fell in love with THE JUMBIES, your first middle grade novel. From the fantastic cast of characters to that lush, vibrant setting, you make the Caribbean come alive. What made you want to tell this story?
Tracey Baptiste: I’d always wanted this story as a kid. I grew up on Grimm’s fairy tales, and wanted to see a jumbie story in an actual book, but there weren’t any.
I also wanted my children to know about jumbies. They knew a little, but got really interested when I started telling them about what I was writing. It was wonderful to pass on that bit of culture to them because they were so receptive.
VL: So wonderful that you’re passing on these stories.
I love the gorgeous mermaids on the cover for your next story, RISE OF THE JUMBIES. Does this give some hints about what’s in store for Corinne and her friends, what more can you tell us?
TB: Yes! The mermaids were actually the creatures that were the most compelling for me in this story because they lay out a very complicated statement that I wanted to make about enslaved people, forced assimilation, and losing/finding one’s culture.
It’s a difficult thing to try to discuss with children, so the mermaids were very helpful in bearing that out in the story. This is really separate from Corinne’s story. In the main story arc, the mermaids are there to transport Corinne and her friends on a quest.
VL: You spooked us into not wanting to go alone into the woods in your first book, looks like your next book might do the same for the ocean. Is this Jaws with a twist for kids?
TB: In the first one, most of the scary stuff happens on land, and in this one most of the scary stuff happens in the sea, but the fear factor comes almost entirely from jumbies. A shark appears, but only very briefly.
VL: Ha! Those jumbies are indeed more frightening than a shark!
You pull no punches when putting your characters through difficult situations and having them face scary creatures, what’s the scariest nightmare you ever had as a kid?
TB: I had a recurring nightmare where I was running down a dark hallway with someone following me, but I was moving molasses-slow so I knew I would be caught. I always woke up before that happened, though.
VL: Yikes! I always hate when I can’t move fast enough in dreams. Good thing you woke up in time.
THE JUMBIES series is a departure from your debut YA novel and your non-fiction writing, talk about the creative process for bringing these books to life. How was it different from your previous writing?
TB: My first novel, ANGEL’S GRACE, was really an exercise in seeing if I could finish an entire novel. I had tried and abandoned novels before, but I was determined to finish this one. Making it a mystery was a bit of a trick, because mysteries have a structure built in. You have to get to the “what/who/how” that closes the story.
Writing nonfiction is very different because it’s a matter of stringing together the available information into something that has appeal, but that doesn’t have bias. It’s like putting together a puzzle where you have to actively go out, find, and verify each of the pieces.
VL: Writing the second novel in a series is always a challenge, how was the process different/more difficult than the first? Did you write the first book as a series in mind?
TB: I had an idea for a second book when I wrote the first one, but it wasn’t bought as a series, so I didn’t give a lot of thought to what would come next. Then when they asked for a sequel, I struggled to make things fit, maintain the continuity of the story, and still up the ante. It was very, very difficult.
I tooled around with THE JUMBIES for about 9 years before I finally sold it, and I had 9 months to write RISE. Even coming up with the title was rough. It came down to the day before the sequel was announced, and we were still going back and forth on possible titles.
VL: I think good titles are so difficult. That really came down to the wire!
Corinne and her friends have many memorable, and scary, adventures while battling the Jumbies, what’s the most memorable adventure from your childhood?
TB: The dad of one of my best friends was a captain of the MV Tobago, a ferry that went between Trinidad and Tobago, and one week he took us on board and we got to have some adventures in Tobago where we were pretty much by ourselves for a week. (Her dad was nearby, but we had a wide rein.) We were 14 and there were…some shenanigans…
VL: Hmm…sounds like a story’s in there somewhere. 🙂
What’s been your favorite book to read/book you’ve been most excited about over the past year?
TB: I loved THE GIRL WHO DRANK THE MOON by Kelly Barnhill, which rightly won the Newbery. It’s a modern classic fairy tale (my favorite) but also delves into the idea of people who create and maintain their own power through lies.
I was also very excited about TWO NAOMIS by Olugbemisola Rhuday-Perkovich and Audrey Vernick, which is a sweet story in two voices about girls who are dealing with their parents dating each other, and being thrust into each other’s lives.
VL: I absolutely adore the cover of THE GIRL WHO DRANK THE MOON! I put that on my must-read list just for that. I will definitely add TWO NAOMIS to that list, too.
What would your dream assignment be? What would you most like to write about?
TB: I have so many things floating around in my brain. I’d by happy if people would just allow me to keep writing and they would read it. But I’m most excited to write books that have a heavy science base. I quite like science and math, and I think it would be fun to come up with a story that gets geeky kids (like me when I was a kid) excited.
VL: Geeky is right up my alley! Sounds fun!
Tell us what’s coming up next for you? What are you currently working on?
TB: I’m working on another nonfiction book that uncovers some parts of history that have been absent in our culture and in our educational offerings. (I’m still at heart, a teacher, so I can’t help thinking about what kids are doing in the classroom.)
There’s not much I can say about it now because I’ve only just begun researching, and the fun of researching is you never know what’s going to turn up.
VL: We will definitely keep an eye out for your future projects.
Thank you so much for joining us, today, Tracey. It’s been such a pleasure talking with you!
And remember, you can pre-order Tracey’s new book RISE OF THE JUMBIES. It releases on September 19th!
I have the pleasure of knowing Gwendolyn Hooks as part of our close-knit tribe of SCBWI Oklahoma members. She works tirelessly to perfect her craft until her work shines, and she has such a beautiful soul. All of which comes through in her writing. I just love her.
The road to publication for her latest book, TINY STITCHES: The Life of Medical Pioneer Vivien Thomas, was a long one. Some of us who have witnessed the progress of this journey are so thrilled to see this beautiful story finally come to light.
One lucky reader will win a signed copy! So stay tuned!
She was born in Savannah, Georgia. Her father was in the Air Force, so Gwen and her family moved a lot when she was a child. Her first stop in every new city was the local library where she got her new library card. Gwen now lives in Oklahoma City, Oklahoma, with her husband and their three children.
Gwendolyn blogs on The Brown Bookshelf to push awareness of the myriad of African American voices writing and illustrating for young readers. The American Library Association selected The Brown Bookshelf as a Great Website for Kids.
Before the interview, let’s learn more about Gwen’s latest book:
Vivien Thomas’s greatest dream was to attend college to study medicine. But after the stock market crashed in 1929, Vivien lost all his savings. Then he heard about a job opening at the Vanderbilt University medical school under the supervision of Dr. Alfred Blalock. Vivien knew that the all-white school would never admit him as a student, but he hoped working there meant he was getting closer to his dream.
As Dr. Blalock’s research assistant, Vivien learned surgical techniques. In 1943, Vivien was asked to help Dr. Helen Taussig find a cure for children with a specific heart defect. After months of experimenting, Vivien developed a procedure that was used for the first successful open-heart surgery on a child. Afterward, Dr. Blalock and Dr. Taussig announced their innovative new surgical technique, the Blalock-Taussig shunt. Vivien’s name did not appear in the report.
Overcoming racism and resistance from his colleagues, Vivien ushered in a new era of medicine—children’s heart surgery. This book is the compelling story of this incredible pioneer in medicine.
This book has already garnered rave reviews:
Booklist STAR review
“It is the work Thomas achieved, however, in spite of these enormous challenges, that will pique reader interest as they learn about his design of tiny operating tools and his role guiding surgeons through neonatal operations. Bootman’s lifelike watercolor illustrations beautifully and vividly evoke the carpentry shop, research labs, and the auditorium where, years later, Thomas was finally honored for his work and appointed to the faculty at Johns Hopkins.”
“. . . a rousing tribute to a man unjustly forgotten.”
I can’t wait to read this book! And the illustrations are just gorgeous.
Valerie Lawson: What inspired you to tell the story of Vivien Thomas?
Gwendolyn Hooks: Thank goodness I have generous and talented writer friends and Anna Myers fits into that category. She called one night and in an explosive voice she said, “I just watched a movie about the man who saved my grandson’s life!”
Whaaat? Was all I could sputter.
The movie, Something the Lord Made, was the story of Vivien Thomas. Anna ended the conversation with, “You need to write a children’s book about him.” I watched the movie, too—several times. I kept thinking, why didn’t I know about him. There are probably plenty of kids who don’t know his story. After a lot of encouragement from Anna, I took on the project and I am so glad she called me that night!
VL: What a gift! And maybe a pretty big challenge. Good thing she knew you were up for it.
Tell us about the creative process of bringing this story to life. How was it different from your previous books.
GH: The creative process was extremely demanding for me. The beautiful phrases in my head did not magically appear on my computer screen. I have a stack of drafts about two feet high. I read other biographies and marveled at how the writing seemed so effortless. I worried what an illustrator would say after reading my manuscript. “Seriously. You expect me to illustrate this?” I doubted every step I took. But I did not give up. I kept reading picture book biographies and read everything I could find about how to write them.
When I write early readers, I always feel I can do it. I can visualize the whole book in my mind. With Tiny Stitches, it was a long time before I could see it. Before I could feel it. But I kept trying. I wanted to succeed. I couldn’t let Anna down. Or myself.
I don’t know what Colin Bootman thought when he first read my manuscript, but I’m so glad he accepted the project. I was excited when my editor told me he would be the illustrator. He’s very talented and his books are gorgeous. Colin won a Coretta Scott King Honor award, so he’s got talent! I think he really brought my words to life.
VL: You didn’t give up. Exactly. And we’re so glad you kept trying. What a beautiful book!
What was the most surprising thing you learned while writing this book?
GH: It took six years from idea to publication. During that time, I learned that I have a patience-gene and a determination-gene. I would finish it and find an agent and an editor who believed in it as much as I did. I had the encouragement of my family, friends, and critique partners.
And I had Vivien Thomas. A few years ago, I traveled to Baltimore and had a chance to see Vivien’s portrait that hangs directly across from Dr. Blalock’s in Johns Hopkins Hospital. I felt his energy. I felt his passion. He urged me to tell his story. And I did.
VL: Ooooh! How inspiring! (That gave me chills.)
You’ve also written a series of Early Readers, the Pet Club series, did you ever have a clubhouse or a secret place of your own when you were a kid?
GH: In 3rd grade, my friends and I attempted to build a fort during recess. The school was next to a wooded area and every day, we added branches and anything else we could find. I don’t think we ever finished it. But one day, I took off my jacket so I could work better. Well, I forgot to put it back on and didn’t remember it until I got on the bus. I was a nervous wreck riding home. I knew my mother’s first words would be, “Where is your jacket?”
Somehow, I got to my bedroom and out the house the next morning before she had time to think about it. I jumped off the bus, ran to our fort, and found my jacket. I never forgot my jacket again. I never built or half-built a fort again either.
VL: Kids always sweat their parents’ reactions, don’t they? My leg could be broken from jumping out of a tree, but I’d be more worried about, “Did I rip my new pants? Mom’s gonna kill me!” I wish I could’ve seen that fort. Sounded pretty cool.
What was the most embarrassing thing you experienced?
GH: I still remember it like it was yesterday. I had to present a math lesson in one of my college education classes. I practiced it until it was perfect. But when I stood in front of the class with all those eyes staring at me, I blanked out. It was as if my brain had disappeared. Evaporated. Vanished. Finally, the instructor suggested I present at our next class. I slunk back to my seat. I have never forgotten that.
VL: Wow. That is truly awful. I think I’ve had nightmares of that happening.
What was the most memorable adventure you had with your family?
GH: My two sisters who are also my best friends and I had a fantastic time on our trip to Belgium. One sister is adamant about luggage. We were restricted to one carry-on bag and she sent instructions on how to pack. No waiting for luggage. No crying over lost bags. Plus you must be able to handle your bag without help. Apparently, my other sister forgot that part. When we arrived in Brussels, we took a train to the car rental agency. The forgetful sister couldn’t get her luggage situated and we had to stay on the train until the next stop. So we decided to walk to the rental agency instead of waiting for another train.
It wasn’t as close as we thought and we were not happy with sister #2. As the luggage obsessed sister was signing the rental papers, she realized she had not specified automatic transmission when she reserved the car and there weren’t any available. There was a little eye-rolling from the luggage challenged sister because the luggage obsessed sister is the only one who could drive a stick shift. I’m the middle sister and peace maker so I volunteered to serve as navigator. Which turned out okay except for a few instances of driving in circles multiple times in circle intersections. It was hard to stop gawking and look at street signs.
We toured buildings that were centuries old. We ate chocolate and more chocolate. Then we took side trips to Bruges and Antwerp. Bruges was a fairy tale city with live chickens for sale in the market square. At a restaurant, I ordered a ham dish that appeared in front of me as a huge ham hock in a soup bowl. It was delicious! In Antwerp we visited the diamond center. I was blinded with all the glitter. Then it was time to drive back to Brussels and fly home. I loved that trip!
VL: That certainly was memorable! How fantastic!
What’s been your favorite book to read/book you’ve been most excited about over the past year?
GH: I can’t just pick one.
I met Christina Gonzalez at the Nevada Reading Week conference in Reno. She gave me a copy of her The Red Umbrella, so of course I had to read it. It’s a great book set in Cuba. I love reading about other cultures and countries.
Recently, I read Thunder Boy by Sherman Alexie and illustrated by Yuyi Morales. It’s a beautiful picture book with a fun, but powerful message about the importance of a name.
The other day, I complained to a friend that I wanted to do a better job with setting. She suggested I read The Chicken Chasing Queen of Lamar County written by Janice N. Harrington and illustrated by Shelley Jackson. Janice does a fabulous job of showing setting through her language. I will probably read it 10 more times before I return it to the library.
I read two adult nonfiction books over the last year that I really enjoyed for different reasons.
The Superhuman Mind: Free the Genius in Your Brain by Berit Brogaard and Kristian Marlow. Who doesn’t want to free their genius!
The Warmth of Other Suns: The Epic Story of America’s Great Migration by Isabel Wilkerson. Not only was it an epic story, the book was epic at 622 pages! But I love history and I learned so much about the migration of African Americans from the deep south to the north and west. I also liked Wilkerson’s narrative nonfiction style.
To-Be-Read: Grit: The Power of Passion and Perseverance by Angela Duckworth. She feels that exceptional achievement is a result of passion and persistence and not genius or talent. That means I can achieve something exceptional because I’m passionate about books and writing and I can be persistent when I set my mind on it.
VL: Ha! You’re so like me! I can never pick just one book EVER! And my nightstand has about ten books covering it right now. Thanks for some excellent reading suggestions.
What would your dream assignment be? What would you most like to write about?
GH: I’d love to have an all-expense paid assignment with a six-figure advance that required traveling to another country for research. One of my favorite television shows is Mysteries at the Museum. One Saturday, while eating breakfast, I watched an episode about Sir William Henry Perkins. He was an English chemist who accidently discovered a purple dye in 1856. Up until that time only royalty and the rich could afford purple clothes. Soon all the ladies were strutting around town in purple frocks. And since I love purple, it only makes sense for me to visit England and work on that project.
VL: Now that’s an excellent dream assignment! And of course you’ll need a co-writer to help you…carry your luggage. I’m volunteering now.
Tell us what’s coming up next for you. What are you currently working on?
GH: I wrote two early readers for Lee & Low’s Confetti Kids series. Block Party and Music Time are scheduled for 2017. Pearson Educational UK is publishing a chapter book next year. And I’m writing another early reader that I can’t talk about yet-top secret. I will say, it’s something I’ve always been interested in, but I see a challenge ahead making it young-kid-friendly.
VL: How exciting! And I love top secret projects. We know you’ll be up for the challenge 🙂
Thank you so much for sharing your time with us, Gwen. Always a pleasure.
**As an added bonus for those in the local area, Gwen will be hosting a book release party on June 9th, in Oklahoma City. The event will be from 6-9pm at the Chi Gallery.
Please come! It will be a fun event!
Gwen is giving away a SIGNED COPY of her new book TINY STITCHES to one lucky reader of this blog!
L.S. Mooney is the second TGNA alumni member I’m interviewing here on the blog. (Jenny Adams Perinovic was the first – and one day, I shall have them all!) I first met L.S. Mooney while working together on the TGNA group blog, The Great Noveling Adventure. I’ve enjoyed being a part of that group so much! We’ve all grown in our writing and been through so much together, and we continue to support each other through our creative journeys. Such a fantastic group of ladies!
L.S. is a binge reader, ballet dancer, and crazy cat lover. And she sometimes writes contemporary YA about quirky girls, the friends who love them, and the boys they don’t really need. She is a big fan of roadtrips and exploring new places, but she is a Midwest girl at heart and an enthusiastic alumna of The Ohio State University.
She is also the Social Media Manager for the Bookish Group Press, an indie publishing collective dedicated to producing Young Adult and New Adult books of all genres. Through this entity, she has her first novel, THOROUGHLY MODERN MIRELLA.
First, let’s learn a little bit about her debut novel:
In a small town like Paradise, everyone has a role.
High school senior Mirella Danville is a proud “theatre nerd.” That is, until she makes a scene at the Halloween party she shouldn’t have even gone to, flirts with the football captain, and reunites with an old friend who ditched her for the popular crew.
It’s a dream come true when Mirella lands the lead in the musical Thoroughly Modern Millie, and it should put her firmly back in her usual role. Instead, it only fuels her desire to change up her boring existence so that her first kiss won’t be onstage with a gorilla-handed junior. The line between Mirella and her character blurs as she dives head first into a world of fruity flavored cigarillos, sweet and sour schnapps, and college boys.
But when her antics–and the expectations of her hot college boyfriend–start to cause drama off the stage, Mirella questions her decision to be more “Millie” than “Mirella.” With her friendships, family, and performance on the verge of crumbling, Mirella has to get back into character…or risk losing herself.
Valerie Lawson: Tell us about the inspiration for this story.
L.S. Mooney: Thoroughly Modern Millie was my senior show in high school and it was an incredibly fun show to be a part of. Now, before you run off thinking Mirella’s story is mine, I assure you I was not Millie even if my experience in the show was the first spark. Except, it really wasn’t. Not really. I started writing this book 7 years later after choreographing my first high school show and full of pride for my wonderful students.
VL: Ah! I have fond memories from my teen theatre life, too! Great source of inspiration.
I love the title of you book – the play on words and the plot summary all add up to the promise of a really fun read. What else can you tell us about this story?
LSM: Ah! I’m blushing!
I have such a hard time knowing what to say about this story without it feeling like it’s a spoiler. But fundamentally, TMM is about friendship, boys, small town life, and musicals. There is also definitely a vintage Firebird involved. Just saying.
VL: I love how you injected your love of theatre into your book. Tell us more about your background working in theatre and how it influenced Mirella’s story.
LSM: I’ve been in a lot of shows and worked on even more. And it has really shaped me as a person. My ideas of hard work, commitment, fairness, dealing with disappointment, and staying humble, etc. They all come from my experiences in the arts (both theatre & ballet). And some of my BEST memories also come from those long hours spent in the auditoriums, studios, dressing rooms, and everywhere in between.
My book is dedicated to my musical families, past and present, and I sincerely mean that. I was a weird kid in high school – still am actually – and my high school musical helped me find my family and realize weird was fabulous. However, it was coming back as an adult to the program I had been a student participant in that really made me want to write this story. I had the incredible experience of working as choreographer on 14 elementary school musicals then stage manager & choreographer on three high school shows with phenomenal groups of students that have forever changed my life.
There are pieces of those lessons, those families, and those experiences throughout Mirella’s story.
VL: That’s fantastic! The theatre is definitely a welcoming place for the weird (aka TALENTED and CREATIVE) to find a home, and to flourish.
Who were your heroes/role models growing up? What drew you to them?
LSM: This is going to sound weird, but we’ve established that I am weird. Buffy the Vampire Slayer was absolutely my role model. I loved that she was kickass and feminine. That she could slay in her halter top and boots and was still stronger than Riley in more ways than one. That she could go on a date and save the world in one night. I realize as I’m typing this that it explains A LOT about my allergy to free time and severe penchant for over-committing myself. I watched Buffy slay hell hounds and still make it to prom, why can’t I stage manage a show, perform in one myself, and write a book all while in grad school?
VL: I love Buffy. She kicks ass. And I heard Stephen Chbosky (of PERKS OF A BEING A WALLFLOWER fame) say at a conference once that he learned a lot about the page turn from watching Buffy. Excellent endorsement right there.
Who was your childhood best friend?
LSM: I am so fortunate to say that I met my childhood best friend Megan in dance class when we were five. We were in the musical together in junior high and high school and, although we now live several states apart, she is still one of my best friends. And she flew nearly 1000 miles for my book launch party.
My other best friend, Ashley, and I met freshman year of high school. She was never a huge fan of the time I spent at the musical but we were doubles partners on the tennis team, and there were definitely a few lesbian rumors. Though our lives are in very different places, we are still incredibly. She helps me be my most me.
VL: What’s the worst job you ever had while going to high school?
LSM: In high school I worked the dunk tank at my town festival (I lived in a town a lot like Paradise) for three summers. It was …intense. I wasn’t properly dry for four days, we recited Shakespeare to annoy people, and literally everyone I knew threw balls at me.
But actually, it wasn’t that horrible; it’s hilarious looking back on. Way worse was the summer in college that I spent making phone calls to alumni asking for donations. That was pure torture.
VL: Ugh! That would be way worse. Drown me, please.
You took on the daunting process of self-publishing for the book. Tell us about that decision and why it was right for you, for this project. Did you have that goal in mind when you started out or did this evolve throughout your writing process?
LSM: I definitely did not originally think I wanted to self-publish. We all have that big book deal dream, right? So I did a few pitch contests on Twitter and did two small rounds of querying. However, after watching Jenny Adams Perinovic rock the socks off self-publishing with her debut, I realized I didn’t even want to sell this book anymore because it was too close to my heart to let anyone else control it.
So, yes it was an evolution, but a short one. And after release I’m still positive it was the right choice for me but I couldn’t have made that choice without Jenny and Sarah at Bookish Group Press. They are literally the best.
VL: They do put out some beautiful work! If you’re going to self-publish, I say, do it right and get a great team behind you. That seems to make all the difference.
What surprised you most about the process of writing this first book and publishing it yourself? What wisdom would you impart to fellow writers thinking about going through the same thing?
LSM: Oh, geez. I’m not an expert, and I asked Jenny Adams Perinovic SO MANY QUESTIONS about everything. But I think my best advice would be to find a community, find critique partners, find people who love your characters as much as you do.
I horded my writing for a long time and realized that you can’t get any better if you’re the only one reading it. Also, I recommend following you gut. Whatever that means to you!
VL: Excellent advice! My critique group is my creative lifeline. They keep me going when I want to give up, and they know how to push me farther than I thought possible. I’m a much better writer because of them.
What has been your favorite book to read over the past year?
LSM: I am incapable of choosing just one. I read too many phenomenal books this year. I will say that Jenny Bravo’s THESE ARE THE MOMENTS ripped my heart apart in the best way and Sarah Rees Brennan’s conclusion of THE LYNBURN LEGACY was perfection. Also SIMON VS THE HOMO SAPIENS AGENDA and FIRST FROST by Sarah Addison Allen.
VL: LOVED loved loved SIMON VS THE HOMO SAPIENS! And thanks for some more interesting titles to look into.
What’s next for you? What are you currently working on?
LSM: Technically I’m currently writing my Masters thesis but I’m pretty sure that isn’t what you meant…
Fiction wise, I’m not doing a ton but I’ve got a bunch of things started. I’ve got a NA retelling of the ballet Giselle that I’m kind of obsessed with but it’s incredibly hard to write so it’s slow. I’m also tentatively drafting a companion novel to TMM set 7 years later. It might never see the light of day, but it’s fun to play with my teenage characters as 25 year-olds!
VL: All sounds intriguing – and the thesis is a fairly big deal! Can’t wait to read more from you! Thanks so much for stopping by and speaking with us, L.S. It’s been a pleasure! Good luck with your book!
Jodell will be discussing the topic of pacing in picture books. The title of her talk is Pacing Picture Books (& Beyond) to WOW. “Attendees will walk away with oodles of editing options and a renewed excitement for just how fun crafting a story can be.”
Jodell wrote her critical thesis on pacing picture books and earned her MFA in Writing for Children & YA from Hamline University, 2009 and started agenting a few years later, and most recently launched Kidlit College. She hosts workshops and presents on pacing with Writer’s Digest. At Kidlit College, she brings in editors and agents to present and offers participants direct critiques. The webinars span from picture books (fiction and nonfiction) to MG/YA.
She is a member of the Society of Children’s Book Writers & Illustrators (SCBWI) and is passionate about helping writers pace their stories well because it allows writers the opportunity to enhance emotional resonance, tension, and find exciting ways to improve story arc with jumps and twists and pauses and stops that garnish editorial attention and help them get published.
Valerie Lawson: Jodell, thank you for doing this interview. It’s a pleasure to speak with you, today.
Your agency is considered a boutique literary agency. Can you tell us more about what that means and why an author or illustrator would benefit from choosing it?
Jodell Sadler: My focus has been on craft, and, particularly, Pacing Picture Books (& Beyond) to WOW. I’ve taught and shared this material in libraries with young learners, in middle school classes, and from secondary education to graduate classes in picture books and publishing. I come from a marketing/design background where deadlines were tight and I juggled multiple projects a week. I’ve worked with thousands of writers and students and have been sharing my pacing study since 2008.
As I started the agency, I wasn’t in a position to move, and really wanted to stay where I lived, so I also taught full time as an AP/Dual Credit English teacher as well. Like writers, agents are not much different in that we do whatever it takes to achieve our goals. I started KidLit College for this same reason. I wanted to give back, celebrate editors and agents, and help them share their expertise, while also providing a great option for writers and illustrators looking for an agent or who would benefit from an editor’s webinar and critique.
VL: You come with a lot of teaching experience. That is excellent. We should all keep learning our craft.
What makes you stop reading a query?
JS: Writers really do need to know that if they submit out a solid query and simply follows submission guidelines, that’s half the battle. So often I receive submissions for projects I do not take on, and they are addressed in a generic fashion: Dear Sir, Dear Agent, etc, and I no longer read these.
The ideal submission is one that focuses on the manuscript. It’s short and direct and gives me a glimpse at the author’s personality. Like most agents, I look for a short query that shares that connection and answered the question: why me? A pitch for that top-quality manuscript that’s been through a number of editors and has received favorable feedback from a critique group. And the ideal bio is simple and focused and screams you are serious about your writing and actively participating in conferences.
VL: Short, direct, and with a glimpse of personality. Got it.
What hooks you when reading a manuscript? What doesn’t?
JS: Voice, direction, great pacing, and freshness: This gets the attention of most agents.
Some manuscripts I read, I love but cannot take on because I rep something similar, and there are manuscripts I love but I just feel I cannot sell well. I also steer clear of holiday books and much prefer the true story and narrative nonfiction book: PB or older.
VL: What manuscripts are on your wishlist?
JS: Nonfiction, narrative nonfiction picture books as well as author-illustrators top my wishlist right now. I am closed to submissions except through conferences and events like this one.
VL: Yes, conference attendees will be permitted to submit to our speakers, SO EVERYONE SHOULD COME TO THE CONFERENCE!!!
Besides being an agent, you also teach webinars about writing. Tell us more about this.
JS: I teach. I teach. And I teach. I’ve been teaching since I completed my MFA in 2008, and I actually taught full time in order to jump into agenting, to even be able to afford that time to grow the agency. KidLit College is really a dream community I thought about creating back in 2010 when I started my doctoral studies.
I really wanted to make a difference, make connections, and create that way to share craft learning fun with other writers and industry professionals. We all have so much to share. I invite everyone to join us on our closed Facebook page and visit our KidLit College website and just see what we have going on, including a writing retreat and cruise!
VL: Sounds like a wonderful resource.
Speaking of teaching, I was fascinated by a discussion you had about the difference between using rhyme versus poetry in picture books, could you address this?
JS: A quality rhyming picture book is one is 100% committed to quality rhymes. It often focuses on end rhymes and shares poetic forms in creative ways, but for me, poetry is a huge gift to picture book writing, and it’s one of the 20 tools I talk about in my Pacing Picture Books to WOW class.
Poetry lifts our writing through the power of enjambment, prosody, page turns, poetic devices, and it shifts the language to this contagious level. There’s nothing like that quality picture book that provides that beautiful poetic or comedic pause that suspends the emotion and lifts a piece to this loftier universal level. Nothing like it. When we write, we must write to mind, heart, and ear, and poetry is a big part of that. I will be discussing this more in my presentation and here’s a little overview of what I will share.
VL: Write to heart, mind, and ear. I love that. I think we could all learn to be better writers by studying more poetry.
Tell us what happens after an author or illustrator signs with you. What’s the next step?
JS: It differs and depends on a number of factors, but the first thing we do is meet online to really determine focus, discuss manuscripts, and plan next steps. The clients I work best with are those driven to move their work out into the world, who are actively participating at conferences, and constantly providing me with updates and new work. That’s just such a gift.
Recent sales include Brunhilda’s Backwards Dayby Shawna J.C. Tenney (Sky Pony Press, 2017) Mr. McGinty’s Monarchs (Sleeping Bear Press, 2016) by Linda Vander Heyden, Snow Beast Want Play and Untitled (Roaring Brook Press, 2017) as well as the Friday BarnesMG illustration series project (Roaring Brook Press, 2016) by Phil Gosier, a picture book/board book (Farrar, Straus and Giroux/Macmillan) by Ann Whitford Paul, as well as 5 NF MG projects, including my own (Rowman & Littlefield) and Medical Mavens (Chicago Review Press) by Susan Latta.
Thank you for sharing your thoughts with us, today, Jodell. I look forward to hearing your talk at our conference!