Going the Distance with SCBWI OK Spring Conference 2016 – The Recap Part I

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This year’s Oklahoma SCBWI Spring conference “Go The Distance” was held in Oklahoma City where there were enthusiastic authors and illustrators ready to learn, an art room decked out with colorful portfolios ready to be viewed,  dynamic speakers ready to teach about pacing, humor, creativity, failure, and even what it was like to attend a school like Hogwarts.

What more could you ask for?

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Our first speaker of the day was no stranger to this blog as she gave an interview introducing herself prior to our conference. For her talk, she discussed pacing and how writers can improve it in their writing.

 

JodellSadlerJodell Sadler – Literary Agent with Sadler Children’s Literary

Jodell wrote her critical thesis on pacing picture books and earned her MFA in Writing for Children & YA from Hamline University, 2009 and started agenting a few years later, and most recently launched Kidlit College.  She hosts workshops and presents on pacing with Writer’s Digest. At Kidlit College, she brings in editors and agents to present and offers participants direct critiques. The webinars span from picture books (fiction and nonfiction) to MG/YA.

Jodell gave a talk entitled, “Pacing Picture Books & Beyond: Move Yourself to Action to Move Your Reader”. She discussed the 10 P’s of Pacing and gave examples of how carefully considering each one could improve a manuscript.

1.  Plot

2. Place

3. Play

4. Prosody

5. Poetry

6. Performance

7. Punctuate

8. Pause

9. Page Turn

10. Personality

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Jodell Sadler using LAST STOP ON MARKET STREET by Matt de la Peña as an example of unique picture book voice.

She encouraged writers to release their inner spirit onto the page and to use all creative techniques at their disposal.

(This is a topic that she teaches through her Kidlit College for those not able to attend the conference.)

Follow Jodell on Twitter here.

 

Our next speaker was also no stranger to this blog or to our OK SCBWI group as she was our March Twitter chat guest. You can read about her chat here. For her talk, she encouraged all of us to view our manuscripts from the same perspective as agents, editors, and readers.

 

Victoria SelvaggioVictoria Selvaggio – Associate Agent with The Jennifer De Chiara Literary Agency.

Victoria has a strong background in business ownership, and she worked for over seven years as a volunteer and Regional Advisor for SCBWI: Northern Ohio. Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency in 2013.

Victoria’s talk entitled, “Does Your Manuscript Go the Distance?” encouraged writers to become knowledgeable in all aspects of writing and the publishing process. She provided several resources in an excellent, detailed handout.

The first section had a checklist of things to look for to ensure your manuscript was indeed ready to submit.

Things like:

Does it have clarity on intended genre, age group, and word count? And is it appropriate for each?

Does it have a strong opening sentence/paragraph?

Distinct voice of main character and sub-characters? Great dialogue and interactions?

Great pacing, tension, suspense?

Fluent sentence structure? Writing that is rhythmic-almost musical/graceful?

These were just a few of many. We took a closer look at how focusing on these questions could improve our manuscripts.

Victoria made an interesting analogy, comparing writing to road construction. We are the driver of our manuscripts. We want the ride to be smooth for our readers.

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A manuscript still a work-in-progress, in need of more revision.
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A manuscript fully polished, and ready to submit.

 

 

Pacing – “Balance is key.” You never want to take your reader out of the story because the pacing is too slow or to have them stop reading because the pacing is too intense.

Dialogue – All dialogue should advance the story. Make sure the characters are moving/gesturing naturally when they speak, not standing still like robots.

Voice – This is the unique way an author writes. Voice and tone are different. Voice captivates your reader and allows them to connect emotionally. If you struggle with voice, she suggests writing the way you talk.

Plot – Something has to change or happen. She likes to think of the plot as MAGIC = the Main character Always Grows In Conclusion.

Final thought – Mastering the skill to be constructive in your assessment of your own work is important. Have to think like an agent (would I represent this?) and an editor (would I acquire this?) and a reader (would I read this?) when evaluating whether or not your manuscript is ready.

Follow Victoria on Twitter here.

 

Our final speaker of the morning dazzled us with a peek into the world of art and design in picture books.

 

Jason HenryJason Henry – Senior Designer with Dial Books For Young Readers

Jason is also an illustrator. He designs a wide range of formats including picture books, non-fiction, YA novel jackets and interiors, and has also contributed illustrations to award-winning published titles.

He began at Dutton Design as a design assistant and was subsequently promoted to the position of Senior Designer.

Jason spoke on the topic, “The Marathon and Teamwork of Creating Picture Nice Work Franklin coverBooks”. For those who were new to the process of how a few, well-crafted words of a picture book manuscript turn into a finished, physical book, this was very enlightening. It is truly a labor of love.

For the rest of us, it was a pleasure to look at some amazing artwork, and watch how another great book came to life.

As one of his examples, Jason used NICE WORK, FRANKLIN!  written by Suzanne Tripp Jurmain, illustrated by Larry Day.

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Jason Henry details the steps of the design process for NICE WORK, FRANKLIN! to an enraptured audience. (Picture blatantly stolen from my buddy THE Jerry Bennett because mine was a little fuzzy and he loves me and will forgive me.)

I always learn so much from listening to the art directors and designers, don’t you?

Follow Jason on Tumblr to view his artwork here.

 

After Jason’s wonderful presentation, we took a break for lunch, so this is a great place to break for part I.

Stay tuned for part II, coming soon! It’s better than dessert. 🙂

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Dessert at lunch. Oh yeah, I ate them both. Soooo good!

 

Jodell Sadler – Agent Interview

 

JodellSadlerI’m excited to welcome another one of our conference speakers to the blog. Jodell Sadler with Sadler Children’s Literary and Kidtlit College will be part of our faculty for 2016 SCBWI OK Spring Conference on April 16th in Oklahoma City.

Jodell will be discussing the topic of pacing in picture books. The title of her talk is Pacing Picture Books (& Beyond) to WOW. “Attendees will walk away with oodles of editing options and a renewed excitement for just how fun crafting a story can be.”

About Jodell

Jodell wrote her critical thesis on pacing picture books and earned her MFA in Writing for Children & YA from Hamline University, 2009 and started agenting a few years later, and most recently launched Kidlit College.  She hosts workshops and presents on pacing with Writer’s Digest. At Kidlit College, she brings in editors and agents to present and offers participants direct critiques. The webinars span from picture books (fiction and nonfiction) to MG/YA.

She is a member of the Society of Children’s Book Writers & Illustrators (SCBWI) and is passionate about helping writers pace their stories well because it allows writers the opportunity to enhance emotional resonance, tension, and find exciting ways to improve story arc with jumps and twists and pauses and stops that garnish editorial attention and help them get published.

 

The Interview

Valerie Lawson: Jodell, thank you for doing this interview. It’s a pleasure to speak with you, today.

Your agency is considered a boutique literary agency. Can you tell us more about what that means and why an author or illustrator would benefit from choosing it?

Jodell Sadler: My focus has been on craft, and, particularly, Pacing Picture Books (& Beyond) to WOW. I’ve taught and shared this material in libraries with young learners, in middle school classes, and from secondary education to graduate classes in picture books and publishing.  I come from a marketing/design background where deadlines were tight and I juggled multiple projects a week. I’ve worked with thousands of writers and students and have been sharing my pacing study since 2008.

As I started the agency, I wasn’t in a position to move, and really wanted to stay where I lived, so I also taught full time as an AP/Dual Credit English teacher as well.  Like writers, agents are not much different in that we do whatever it takes to achieve our goals. I started KidLit College for this same reason. I wanted to give back, celebrate editors and agents, and help them share their expertise, while also providing a great option for writers and illustrators looking for an agent or who would benefit from an editor’s webinar and critique.

VL: You come with a lot of teaching experience. That is excellent. We should all keep learning our craft.

What makes you stop reading a query?

JS:  Writers really do need to know that if they submit out a solid query and simply follows submission guidelines, that’s half the battle. So often I receive submissions for projects I do not take on, and they are addressed in a generic fashion: Dear Sir, Dear Agent, etc, and I no longer read these.

The ideal submission is one that focuses on the manuscript. It’s short and direct and gives me a glimpse at the author’s personality. Like most agents, I look for a short query that shares that connection and answered the question: why me? A pitch for that top-quality manuscript that’s been through a number of editors and has received favorable feedback from a critique group. And the ideal bio is simple and focused and screams you are serious about your writing and actively participating in conferences.

VL: Short, direct, and with a glimpse of personality. Got it. 

What hooks you when reading a manuscript? What doesn’t?

JS: Voice, direction, great pacing, and freshness: This gets the attention of most agents.

Some manuscripts I read, I love but cannot take on because I rep something similar, and there are manuscripts I love but I just feel I cannot sell well. I also steer clear of holiday books and much prefer the true story and narrative nonfiction book: PB or older.

VL: What manuscripts are on your wishlist?

JS: Nonfiction, narrative nonfiction picture books as well as author-illustrators top my wishlist right now. I am closed to submissions except through conferences and events like this one.

VL: Yes, conference attendees will be permitted to submit to our speakers, SO EVERYONE SHOULD COME TO THE CONFERENCE!!!

Besides being an agent, you also teach webinars about writing. Tell us more about this.

JS:  I teach. I teach. And I teach. I’ve been teaching since I completed my MFA in 2008, and I actually taught full time in order to jump into agenting, to even be able to afford that time to grow the agency. KidLit College is really a dream community I thought about creating back in 2010 when I started my doctoral studies.

I really wanted to make a difference, make connections, and create that way to share craft learning fun with other writers and industry professionals. We all have so much to share. I invite everyone to join us on our closed Facebook page  and visit our KidLit College website and just see what we have going on, including a writing retreat and cruise!

VL: Sounds like a wonderful resource. 

Speaking of teaching, I was fascinated by a discussion you had about the difference between using rhyme versus poetry in picture books, could you address this? 

JS: A quality rhyming picture book is one is 100% committed to quality rhymes. It often focuses on end rhymes and shares poetic forms in creative ways, but for me, poetry is a huge gift to picture book writing, and it’s one of the 20 tools I talk about in my Pacing Picture Books to WOW class.

Poetry lifts our writing through the power of enjambment, prosody, page turns, poetic devices, and it shifts the language to this contagious level. There’s nothing like that quality picture book that provides that beautiful poetic or comedic pause that suspends the emotion and lifts a piece to this loftier universal level. Nothing like it. When we write, we must write to mind, heart, and ear, and poetry is a big part of that. I will be discussing this more in my presentation and here’s a little overview of what I will share.

VL: Write to heart, mind, and ear. I love that. I think we could all learn to be better writers by studying more poetry.

Tell us what happens after an author or illustrator signs with you. What’s the next step?

JS: It differs and depends on a number of factors, but the first thing we do is meet online to really determine focus, discuss manuscripts, and plan next steps.  The clients I work best with are those driven to move their work out into the world, who are actively participating at conferences, and constantly providing me with updates and new work. That’s just such a gift.

Recent sales include Brunhilda’s Backwards Day by Shawna J.C. Tenney (Sky Pony Press, 2017)  Mr. McGinty’s Monarchs (Sleeping Bear Press, 2016) by Linda Vander Heyden, Snow Beast Want Play and Untitled (Roaring Brook Press, 2017) as well as the Friday Barnes MG illustration series project (Roaring Brook Press, 2016) by Phil Gosier, a picture book/board book (Farrar, Straus and Giroux/Macmillan) by Ann Whitford Paul, as well as 5 NF MG projects, including my own (Rowman & Littlefield) and Medical Mavens (Chicago Review Press) by Susan Latta.

Thank you for sharing your thoughts with us, today, Jodell. I look forward to hearing your talk at our conference! 

Learn more about Jodell and her agency here.

Learn more about Kidlit College here or on Facebook.

Follow Jodell on Twitter here.

**Jodell does not accept unsolicited manuscripts, however conference attendees will be permitted to submit to her for a limited time.

This is an excellent reason to come see her and our other fantastic faculty members speak at our conference in Oklahoma City on April 16th!

 

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To register for our 2016 SCBWI OK Spring Conference CLICK HERE.

I hope to see you there!

 

 

SCBWI OK Spring Conference 2016 – Let’s Go the Distance!

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Spring is just around the corner and that means our Oklahoma SCBWI Spring conference will be here before you know it! This year’s theme is  “Go the Distance”, and with the outstanding line up of speakers, I’m sure we’ll all be ready to take our projects to the finish line.

As always manuscript critiques, private pitch sessions, and portfolio critiques will be available in limited numbers, so hurry and register now!

 

Let me introduce our speakers:

Sara SargentSara Sargent – Executive Editor at HarperCollins Children’s Books.

Sara acquires picture books, middle grade, and young adult fiction and nonfiction with a focus on pop culture, social media, and digital platforms. Previously she was an Editor at Simon Pulse, an imprint of Simon & Schuster.

Sara has worked with New York Times bestselling author Abbi Glines, National Book Award finalist Deb Caletti, Jennifer Echols, Julie Cross, Aaron Karo, and Martina Boone, among others. She also received her Master of Science in journalism from Northwestern University.

Learn more about Sara and read her Acquisitions Wish List here.

Follow Sara on Twitter here. Follow Sara on Instagram here.

 

CarterHasegawa-257x300Carter Hasegawa – Associate Editor at Candlewick Press

Carter came to children’s publishing in a roundabout way. After a decade of working in grocery, followed by a two-year stint in textbook publishing, he left everything behind to follow his passion for children’s books, and he went back to school to get his MA in Children’s Literature from Simmons College.

Since 2008, he’s been a children’s bookseller at various independent bookstores in Seattle and in Cambridge, which he still continues to do part-time when not at Candlewick. Some of his favorite non-Candlewick books include: The Notorious Benedict Arnold, Jellicoe Road, Ready Player One, Three Times Lucky, and many, MANY more. Basically anything that has a great voice, is a good story, and is “unputdownable.”

Follow Carter on Twitter here. Follow Carter on Instagram here.

 

KarlJonesKarl Jones – Associate Editor with Grosset & Dunlap/ Penguin Young Readers.

Karl works on a variety of licensed and original middle grade and activity books, as well as some early YA projects. He acquired and edits the Just Jake series from New York Times best-selling kid author, Jake Marcionette and edits a middle grade/YA transition series by established stage and screenwriter, Justin Sayre-the first book in this series, Husky published in September 2015.

He also develops, acquires and writes unique original activity books like Day of the Dead Activity Book and Build A Boyfriend, as well as hiring work-for-hire authors for several licensed book programs for entertainment and gaming properties including Star Trek, Powerpuff Girls, Uncle Grandpa, Regular Show and Shovel Knight.

He is particularly interested in realistic middle grade and YA fiction and format-bending storytelling projects. In his free time, he enjoys comedy and storytelling events, outdoor adventures, and live music. He is a native Oklahoman.

Follow Karl on Twitter here.

 

JodellSadlerJodell Sadler – Literary Agent with Sadler Children’s Literary

Jodell is a pacing geek or guru who earned her MFA in Writing for Children & YA from Hamline University, 2009 and jumped into agenting in 2012. She hosts workshops and presents on pacing, which includes Picture Book Pacing, Editing, and Avoiding Burnout tutorials and Webinars with Writer’s Digest.

She is a member of the Society of Children’s Book Writers & Illustrators (SCBWI) and passionate about helping writers pace their stories well because it allows writers the opportunity to enhance emotional resonance, tension, and find exciting ways to improve story arc with jumps and twists and pauses and stops that garnish editorial attention and help them get published.

Follow Jodell on Twitter here.

 

Victoria SelvaggioVictoria Selvaggio – Associate Agent with The Jennifer De Chiara Literary Agency.

Victoria has a strong background in business ownership, and she worked for over seven years as a volunteer and Regional Advisor for SCBWI: Northern Ohio. Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency in 2013.

Currently, she is excited to read compelling manuscripts that will resonate with her long after she’s done.

Follow Victoria on Twitter here.

 

Jason HenryJason Henry – Senior Designer with Dial Books For Young Readers

Jason is also an illustrator. He designs a wide range of formats including picture books, non-fiction, YA novel jackets and interiors, and has also contributed illustrations to award-winning published titles.

He began at Dutton Design as a design assistant and was subsequently promoted to the position of Senior Designer.

Follow Jason on Tumblr to view his artwork here.

 

This year, Oklahoma City is the host city for the conference. Mark your calendars for April 16th. It’s going to be another fantastic event you won’t want to miss!

To learn more about our conference and to register for this event, CLICK HERE.

I hope to see you there!