SCBWI Oklahoma August Twitter Chat Guest – Frances Gilbert

 

As the Social Media Coordinator for the SCBWI Oklahoma Region, I host a monthly Twitter Chat for our members (and anyone else who’d like to participate) where we talk for an hour with someone from the children’s publishing world, be it agent, editor, author, illustrator, etc. The conversations are always lively and enlightening.

We meet from 7-8pm CST using the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, stop on by! We love meeting new people.

This month’s chat session was Tuesday, August 25th.

CLICK HERE to view our full #okscbwichat 2020 schedule.


It was a delight to talk with  Frances Gilbert, Editor-in-chief of Doubleday Books for Young Readers, during our latest Twitter chat. It was also very enlightening.

She shared a wealth of knowledge in a short amount of time, from what makes a good rhyme to what you should do during a face-to-face critique and much, much more.

Here’s an introduction to Frances:

August 25th – Frances Gilbert – Editor/Author

Frances Gilbert works at Random House where she is the Editor-in Chief at Doubleday Books for Young Readers. She started her career with books in high school when she worked in the children’s department of her town library. After graduating from university with an M.A. in English, her first job in publishing was as a Book Club Editor at Scholastic Canada in Toronto. She moved to New York in 2000 to set up a children’s editorial division at Sterling Publishing.

Frances is also a published author. Her picture book, GO, GIRLS, GO!, a cars and trucks book for girls, that was released last fall.

Her Twitter handle is @GoGirlsGoBooks

We had an outstanding conversation with Frances. She discussed her unorthodox stance on query letters and her new insights she gained about the creative process (and what it takes to market your own books) after writing her own picture books.

She talked about what makes for great rhyme…and what doesn’t. She discussed her editorial style and how she approaches working on a new project. And she shared many thoughts about board books, like how to decide if you should write a board book versus a picture book version of your story. All of which was very enlightening.

As Frances will be one of our faculty members for our online SCBWI OK fall conference this October, she gave us a great idea what to expect from her presentation with fellow Children’s publishing superstar, picture book author extraordinaire and SCBWI OK member, Tammi Sauer. They’ve worked together on several projects. (Tammi stopped by the chat and added a joyful moment to the conversation when they talked about their past collaborations and other things.)

The hour flew by, and honestly we all could have talked with Frances for another hour or two. I’m really looking forward to our conference!

***Interested in the rest of our conversation with Frances?

View the full chat recap HERE.


You can read the recaps for all of our chats, from this year and from those in years past, HERE.

SCBWI Oklahoma March Twitter Chat Guest – Stephanie Stein

 

As the Social Media Coordinator for the SCBWI Oklahoma Region, I host a monthly Twitter Chat for our members (and anyone else who’d like to participate) where we talk for an hour with someone from the children’s publishing world, be it agent, editor, author, illustrator, etc. The conversations are always lively and enlightening.

We meet from 7-8pm CST using the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, stop on by! We love meeting new people.

Our next Twitter chat session is Tuesday, March 24th. I hope you’ll join us!

CLICK HERE to view our full #okscbwichat 2020 schedule.


Stephanie Stein is the last of our guests who will also be a faculty member at this year’s SCBWI Oklahoma spring conference, which has been rescheduled for the fall. Stephanie has confirmed that she will be part of the rescheduled conference. It will now be held on October 2nd-3rd in Oklahoma City. For details on the conference and how to register, stay tuned to the SCBWI OK website. Registration should open this summer.

Here’s an introduction to Stephanie:

MARCH 24th – Stephanie Stein – Editor with HarperCollins Children’s Books

Stephanie Stein is an Editor at HarperCollins Children’s Books, where she acquires middle grade and YA fiction for the Harper and HarperTeen imprints. In her eight years at Harper, she has worked with authors including Anna Bright, Rena Barron, Misa Sugiura, Rin Chupeco, Kiera Cass, Cynthia Hand, and Temre Beltz. She also edits the #1 bestselling Warriors series by Erin Hunter.

Stephanie is always looking for genre-savvy fiction with a fresh premise, a clever sense of humor, or an irresistibly immersive world, and loves books that break your heart–and then put it back together again.

You can learn more about what Stephanie is specifically looking for by visiting her manuscript wishlist HERE.

Her Twitter handle is @stephlystein

This is a great opportunity to get to know the conference speakers before the conference. I hope you’ll join us for our conversation with Stephanie!

***Missed our chat with Stephanie? View the recap HERE.


You can read the recaps for all of our chats, from this year and from those in years past, HERE.

Special Edition SCBWI Twitter Chat Guest – Amy Brewer

 

As the Social Media Coordinator for the SCBWI Oklahoma Region, I host a monthly Twitter Chat for our members (and anyone else who’d like to participate) where we talk for an hour with someone from the children’s publishing world, be it agent, editor, author, illustrator, etc. The conversations are always lively and enlightening.

We meet from 7-8pm CST using the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, stop on by! We love meeting new people.

We are having a Special Twitter chat session this Tuesday, March 3rd with another one of our Spring Conference faculty to get to know them before the conference this April. I hope you’ll join us!

CLICK HERE to view our full #okscbwichat 2020 schedule.


Amy Brewer is the second guest who will also be a faculty member at this year’s SCBWI Oklahoma spring conference April 3rd-4th in Oklahoma City. For details on the conference and how to register CLICK HERE.

Here’s an introduction to Amy:

March 3rd – Amy Brewer – Literary Agent

Amy Brewer  is a Senior Literary Agent with the Metamorphosis Literary Agency based in Oklahoma City. Amy wears many hats everyday, from literary agent to co-author of the Texting Prince Charming series to social media manager to yoga teacher.

She graduated from Culver-Stockton College with a theater degree because drama, romance, and angst are lifelong passions. Her intuitive human understanding can help other writers bridge the communication gap and jump into the publishing world.

For the last few years, she has been learning all she can about social media optimization and platform building in the publishing industry. Amy’s experience in the mental health field and yoga training help her guide and assist clients with stress and anxiety in this highly competitive industry. She pulls all of this together with a multi-tasking, hyper-organized brain, so that at the end of every day, she feels accomplished and grateful.

She is seeking captivating stories of human experience and books that touch her heart.

Learn more about what Amy is specifically looking for by visiting her manuscript wish list here: https://mswishlist.com/agent/42amer

Her Twitter handle is @42amer

This is a great opportunity to get to know the conference speakers before the conference. I hope you’ll join us for our conversation with Amy!

***Missed our chat with Amy? View the recap HERE.


You can read the recaps for all of our chats, from this year and from those in years past, HERE.

SCBWI Oklahoma February Twitter Chat Guest – Megan Beatie

 

As the Social Media Coordinator for the SCBWI Oklahoma Region, I host a monthly Twitter Chat for our members (and anyone else who’d like to participate) where we talk for an hour with someone from the children’s publishing world, be it agent, editor, author, illustrator, etc. The conversations are always lively and enlightening.

We meet from 7-8pm CST using the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, stop on by! We love meeting new people.

Our next Twitter chat session is Tuesday, February 25th. I hope you’ll join us!

CLICK HERE to view our full #okscbwichat 2020 schedule.


Megan Beatie is one of the first guests who will also be a faculty member at this year’s SCBWI Oklahoma spring conference April 3rd-4th in Oklahoma City. For details on the conference and how to register CLICK HERE.

Here’s an introduction to Megan:

FEBRUARY 25th – Megan Beatie – Book Publicity and Marketing Agent

Megan Beatie is a veteran book publicist with more than two decades of experience. She has designed and executed publicity campaigns for a wide range of books, including literary and commercial fiction, mysteries & thrillers, science fiction, fantasy, and graphic novels, as well as nonfiction covering the topics of pop culture, film, entertainment, health, lifestyle, parenting, and relationships.

 

Some of the esteemed writers she has represented over the course of her career include Marcia Clark, Nicholas Meyer, Maria Goodavage, Dr. Nina Shapiro, John Lahr, Barry Eisler, Lee Goldberg, Leslie S. Klinger, Aimee Liu, Tembi Locke, and Attica Locke, among others.  She has a specialty in children’s book publicity and has worked on picture books, middle grade books and young adult books by authors including Becky Albertalli, Adam Silvera, Ibi Zoboi, Elana K. Arnold, Maureen Johnson, Melissa de la Cruz, Amber Smith, and Alexandra Monir.

The fifth generation of a farming family from Southern California’s Ventura County, Megan lives and works in Los Angeles.

Learn more about Megan by visiting her website: www.meganbeatie.com

Her Twitter handle is @MBeatie

This is a great opportunity to get to know the conference speakers before the conference. I hope you’ll join us for our conversation with Megan!

***Missed our chat with Megan? View the recap HERE.


You can read the recaps for all of our chats, from this year and from those in years past, HERE.

2020 SCBWI Oklahoma Twitter Chat Season Begins! January Guest – Traci Sorell

 

As the Social Media Coordinator for the SCBWI Oklahoma Region, I host a monthly Twitter Chat for our members (and anyone else who’d like to participate) where we talk for an hour with someone from the children’s publishing world, be it an agent, editor, author, or illustrator. The conversations are always lively and enlightening.

We meet from 7-8pm CST using the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, stop on by! We love meeting new people.

Our 2020 Twitter chat season starts on Tuesday, January 28th. I hope you’ll join us!

CLICK HERE to view our full #okscbwichat 2020 schedule.


I’ve had the pleasure of meeting our first guest, Oklahoma Children’s author, Traci Sorell, and she is having an amazing debut year!

Her first picture book, WE ARE GRATEFUL: OTSALIHELIGA, is such a delight and has won critical acclaim. She followed that up with a double book launch for two more amazing books and then traveled all over the country promoting her wonderful work. We are truly privileged to have her as our first guest.

Here’s an introduction to Traci:

JANUARY 28th – Traci Sorell – Children’s Author

Traci Sorell grew up immersed in stories. The ones her mother told at bedtime and the accounts of her ancestors’ lives mirrored her Cherokee heritage. Books she brought home from the library and selected during her school’s annual Reading is Fundamental (RIF) Day showed a world beyond her life in rural northeastern Oklahoma.

As an adult, Traci has lived in four U.S. time zones and abroad in Madrid, Spain. Her early writing reflected the Native American history, law, and policy focus of her educational and professional background.

Now she lives back inside the Cherokee Nation with her family. She started writing for young people when she wanted more contemporary fiction and nonfiction children’s books featuring Native Americans to share with her son. Traci’s first nonfiction picture book, WE ARE GRATEFUL: OTSALIHELIGA (Charlesbridge, 2018), features the universal spirit of gratitude as experienced through modern Cherokee culture across the four seasons. Her other works include: AT THE MOUNTAIN’S BASE (Kokila, 2019), INDIAN NO MORE with Charlene Willing McManis (Tu Books, 2019), and POWWOW DAY (Charlesbridge, 2020).

Traci’s debut picture book WE ARE GRATEFUL: Otsaliheliga, was awarded the 2019 Sibert Medal Honor Award, the 2019 Orbis Pictus Honor Award, the 2019 Boston Globe Horn Book Honor Award, and was an Oklahoma Book Award Finalist.

Learn more about Traci by visiting her website: https://www.tracisorell.com

Her Twitter handle is @tracisorell 

This first #okscbwichat of 2020 should be an exciting one! I hope you’ll join us for our conversation with Traci!

***Missed our chat with Traci? View the recap HERE.


You can read the recaps for all of our chats, from this year and from those in years past, HERE.

Highlights from the Middle of the Map Conference SCBWI KS/MO

Last month, I attended the SCBWI Middle of the Map Kansas/Missouri Fall Conference in Overland Park, Kansas, put on by the fantastic SCBWI Kansas/Missouri group.

The conference started on Friday evening with a Mix and Mingle while critiques with speakers were held. On Saturday, the main event began with an all speaker panel and then most of the day was spent in breakout sessions, with a closing keynote and book signing with reception ending the day.

All Speaker Panel

All of the speakers at the conference participated in a panel answering questions from the moderator as well as questions from the audience.

Sarah Jane AbbottAssociate Editor for Paula Wiseman Books and Beach Lane Books at Simon & Schuster. She started her career at S&S as a publicity assistant before joining Paula Wiseman Books and Beach Lane Books as editorial assistant in 2014. She is also on the editorial board of Simon & Schuster’s OfftheShelf.com. She has had the pleasure of working on books such as The Boy, the Boat, and the Beast by Samantha M. Clark and Blue & Bertie by Kristyna Litten. She loves quirky, character driven picture books with a lot of heart; non-fiction picture books, especially about little-known, strong women; and unique, literary middle grade novels. Find her on Twitter at @SarahJaneEyre.

 

Katie HeitEditor for Scholastic. Katie Heit edits nonfiction picture books and chapter books, as well as select fiction picture book titles. She edits books by Sandra Markle, Monica Robinson, and Nick Seluk, among others. She is actively building her list and is interested in books that approach nonfiction in a unique, kid-friendly way. Find her on Twitter at @katieheit.

 

Jim HooverArt Director at Viking Children’s Books. A graduate of Rhode Island School of Design in Illustration, Jim has been in publishing now for twenty years. He speaks regularly at SCBWI and has designed and art directed hundreds of books including: PICTURE BOOKS (Tea Party Rules with K. G. Campbell, Shy with Deborah Freedman, Ella with Marcos Chin, Bus! Stop! with James Yang) NOVELS (Nnedi Okorafor’s Akata Witch books, Max Brallier’s New York Times best-selling series The Last Kids on Earth) NONFICTION (National Book Award Finalist Elizabeth Partridge’s Marching for Freedom, Printz Award-winning John Lennon: All I Want Is the Truth, and the up-coming Boots on the Ground, and the children’s book adaptation of Al Gore’s An Inconvenient Truth) Jim lives in Brooklyn with his wife and son. Find him on Twitter at @JimHoover17.

 

Alyssa Eisner HenkinLiterary Agent, and Executive Vice President, at Trident Media Group. After earning her Bachelors from the University of Pennsylvania, Alyssa fulfilled a childhood dream that she professed on a home video at the age of six: move to New York and work with books. In 1999, Alyssa began her career in editorial at Simon & Schuster Books for Young Readers. Here she found “kindred spirits” who loved Anne of Green Gables as much as she did and a kids book space that was rapidly growing. In late 2006 Alyssa (and her inner-entrepreneur) headed to Trident to expand the firm’s children’s book business. Over twelve years, hundreds of deals, and numerous bestsellers and award-winners later, Alyssa still delights in nurturing her books at every stage. From editing and idea-honing to collaborating with marketing, foreign, dramatic, merchandising, and audio partners, Alyssa works hard to ensure longevity for her authors’ work. She represents multiple award-winning and bestselling authors, including Julie Berry, Ruth Behar, Jen Bryant, and R.J. Palacio, whose novel Wonder has been on the New York Times Bestseller list since it came out in 2012 and was turned into a feature film by Lionsgate which came out in 2017. Find her on Twitter at @AgentHenkin.

 

Quressa RobinsonLiterary Agent with Nelson Literary. Quressa Robinson joined Nelson Literary Agency in 2017 after working at a previous agency as an editor for five years. She is originally from San Francisco, but has been living in New York City for over a decade. As a New York based agent, she is eager to build her MG, YA, and Adult lists. When not curled on her couch reading, she plays video games, enjoys too much TV-mostly Sailor Moon and Harry Potter (Slytherin!), eats delicious things, drinks champagne, hangs out with her very clever husband, and adds another “dramatic” color to her lipstick collection. Quressa is also a member of the 2017-2019 WNDB Walter Grant Committee and holds an MFA in Creative Writing: Fiction from Columbia University. Find her on Twitter at @qnrisawesome.

 

Alexandra LevickLiterary Agent with Writers House. Alexandra Levick has worked with a wide range of established New York Times bestsellers, national award winners, and debut clients. After graduating from the University of Rochester with a degree in English focused on Creative Writing, Alexandra attended New York University where she received her Masters of Science in Publishing with a specialization in Content Development. Prior to Writers House, she spent time at Sterling Lord Literistic, in publicity at Bloomsbury, and as a bookseller for Barnes and Noble. Today, she is building a broad list and works on everything from picture books to speculative adult fiction. Find her on Twitter @AllieLevick.

 

Giselle Anatol Moderator   Author/Professor – Gisell is a professor of English at the University of Kansas. She has edited three collections of essays on popular literature for children and young adults. She is also the author of THE THINGS THAT FLY IN THE NIGHT: Female Vampires in Literature of the Circus-Caribbean and African Diasapora.

 

First question asked was describe a typical day from your side of the desk.

Most of the speakers said they started by reading up on industry news and checking emails before diving in to their day.

Jim Hoover said, “Ideally I’ll have a cover up.” He likes to look at a piece of artwork first thing.

Katie Heit said that since her work is mostly focused on nonfiction, she hits those type of sites first, like the Smithsonian and National Geographic.

Alexandra Levick and Quressa Robinson agreed that there wasn’t really a typical day in the life of an agent. Alexandra said, “If I try to plan, it’s disastrous.” Quressa said that instead of a daily to-do list, she does weekly lists.

Next question asked about their pet peeves.

Almost all responded that it really got under their skin when they received submissions addressed incorrectly, with their name misspelled, queries addressed ‘Dear Sir or Madam’, or addressed to multiple people. (Although Quressa Robinson said she doesn’t like it when you misspell her name, she won’t hold it against you.)

Katie Heit said she also didn’t like it when authors included more than one manuscript in an email submission.

Sarah Jane Abbott clarified her pet peeve a little further: “When people haven’t done their research and send a query way out of my wheel house.”

Next question delved into what writers/illustrators should ask when choosing agent/editor to work with, specifically regarding chemistry.

Sarah Jane Abbott said you should ask about the vision your editor has for your story. If it doesn’t mesh with yours, this is important to know before you get started.

Alexandra Levick said you should ask about edits. Hopefully the goal is to make the book more your own – stronger. Also ask for references from their clients, who will be more honest about how agents work.

Quressa Robinson said you should definitely ask about their agenting style. “Some people aren’t phone people – like me.”

Last question asked when they would be willing to take a risk on a project.

Most responded with a need to feel passionate about the project as the precursor to championing a project.

Jim Hoover said simply if he sees the potential is there.

Katie Heit asked “Does it have a lot of potential?” Then after conversation with the author, can we craft this together? Does this make me really excited?

Alexandra Levick said she needs a really strong vision on how to edit it. Very solid ideas on how to edit and get to end goals.

Alyssa Henkin said if she feels the voice and feels so certain in her love for the story. The plot can be a mess – the plot is fixable.

Breakout Sessions

Alexandra Levick – How to Find the Right Literary Agent

Alexandra did her first internship at the University of Rochester. She worked for Bloomsbury for two years while pursuing a Masters degree where she fell in love with Children’s literature when she took a class on the subject. She currently works with senior agents Rebecca Sherman and Brianna Johnson at Writers House. She started there as an intern under Merrilee Heifetz, Neil Gaiman’s agent.

Alexandra had many great tips on how to go about the process of submitting, including what questions to ask and what information to include in your query letter.

One of the first things you need to have before you get started is a COMPLETED MANUSCRIPT. That’s right. You shouldn’t be querying unless your manuscript is completed. So, if that’s you, stop right now and get back to to your pages.

Finish.

Write on until you reach ‘The End’.

Then, continue reading. (Yes, I am also talking to myself.)

What you will need if you are querying:

  • Query letter
  • Sample pages
  • Synopsis
  • FULL manuscript (which, if you’ve read this far, you now have)

Every agent’s submission guidelines are almost always different. Make sure to do your research so you know what each one expects with a submission. What is important about following these guidelines is to show that you can follow instructions. (Yes, it is a test.)

Another interesting tip Alexandra gave was about using comp titles. The purpose of comps is to convey mood or a book’s place on the shelf. It’s better to have NO comps than to have ‘meh’ comps. Think of your examples in terms of “plot meets tone”. Give one comp title that has a comparable plot to your novel, and one that has a comparable tone. Using movies and songs as well as book titles are fine as well as any combination of the three. Also make sure your comp titles are RECENT! Published within about two years.

You can read about the submission guidelines for Alexandra Levick at Writers House here.

 

Sue Lowell Gallion – Beginnings, Endings, and That Murky Middle

 

 

 

 

Sue Lowell Gallion is the author of PUG MEETS PIG and PUG & PIG TRICK-OR-TREAT, which both received starred reviews from Publishers Weekly. Her latest books are the TIP AND TUCKER early reading series. Sue is the former SCBWI regional advisor of the KS/MO region.

Sue is no stranger to us here in the Oklahoma region of SCBWI. She has been a guest speaker at some of our SCBWI OK events as well as a guest on our monthly #okscbwichat on Twitter.

Sue gave some excellent advice on keeping your writing focused on its true purpose and how to get it unstuck when in the “murky middle”.

She said in the Beginning, sometimes we shortchange the rest of our manuscript when we agonize over the first sentence, the first page, the first hook.

She suggested READING PICTURE BOOKS WITH CHILDREN: How to Shake Up Storytime and Get Kids Talking About What They See by Megan Dowd Lambert. It will help you think of all the elements as you create your story.

Examples of stories with great beginnings:

  • ALMA AND HOW SHE GOT HER NAME by Juana Martinez-Neal
  • PENGUINAUT by Marcie Colleen, illustrated by Emma Yarlett
  • QUACKERS by Liz Wong
  • THE KING OF KINDERGARTEN by Derrick Barnes, illustrated by Vanessa Brantley-Newton

Sue said the Middle is where her stories begin to wander because she gets tired of it or it’s time for recess.

Being too predictable can get you stuck in the middle. Ask yourself, does every sentence further the story? Does each trial and failure increase the tension? Make sure to stretch the tension out so your readers want to turn the page.

If you’re feeling lost in the middle, try writing the flap copy.

Examples of stories with great middles:

  • JABARI JUMPS by Gaia Cornwall
  • A KITE FOR MOON by Jane Yolen
  • TRUMAN by Jean Reidy, illustrated by Lucy Ruth Cummins

Sue said you’ve got to stick the Ending! Don’t rush it or short-change it. The ending needs to be logical AND completely unexpected.

Most picture books end with hope, even if the story is not happy. And the main character needs to have a hand in the conclusion.

More great examples:

  • A LITTLE CHICKEN by Tammi Sauer, illustrated by Dan Taylor
  • HELLO LIGHTHOUSE by Sophie Blackall
  • BOOT AND SHOE by Marla Frazee
  • BUNNY SLOPES and HUNGRY BUNNY by Claudia Rueda
  • CREEPY CARROTS by Aaron Reynolds, illustrated by Peter Brown

The best compliment for a story after getting to the end, is that request to “Read it again!”.

 

Quressa Robinson – Plotting and Characterization: The Art of Conflict and Personality

Quressa brought her extensive knowledge to the task of teaching us to go deeper into our work on plot and character development. She put us through several writing exercises, which I always find painful under the best circumstances. Useful, maybe, but painful nonetheless.

She said the tension where a reader holds their breath when turning the page is what makes writing truly great.

(GOALS!)

She walked us through several different plotting triangle scenarios and discussed ascending and descending forces. It was very intense.

Quressa said that everyone’s story is different. The stakes in your story don’t have to be actual life and death, however, they do need to be high enough to matter.

If you’re having a problem with your plot, something that’s helpful is to try plotting backwards. Start at the climax of your story and work backwards. (This was actually the focus of one of the writing exercises – one I found very helpful.)

Also think about listing the external and internal stakes for each of your characters. Are their stakes high enough? What can you do to make them higher?

At one point during our discussion of the writing exercises, Quressa said, “Writing is a communal process.”

That is my favorite quote from this conference. Bar none.

“Writing is a communal process.”

And man, do I love my writing community.

I had a great time attending this conference and I hope to attend more outside my state. I love meeting new people and being around other writers.

What about you?

 

2019 SCBWI Oklahoma Twitter Chats

 

 

One of my favorite “jobs” is that of Social Media Coordinator for the SCBWI Oklahoma Region, and one of my favorite things about that position is hosting a monthly Twitter Chat for our members where we talk for an hour with someone from the children’s publishing world, be it an agent, editor, author, or illustrator. The conversations are always lively and enlightening.

 

We meet on the fourth Tuesday of the month from 7-8pm CST using the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, join us! We love meeting new people.

Here are details on the chats we’ve already had so far in 2019, plus those still remaining. You can read the recaps for all of our chats, from this year and from those in years past, HERE.


 

JANUARY 22nd– Jonathan Koelsch

Jonathan Koelsch has been illustrating professionally since graduating with honors from the University of Central Oklahoma in 1996 with a bachelor’s degree in Graphic Design, and attended Kansas City Art Institute’s illustration program for 3 years.

Jonathan frequently incorporates graphic design in his illustration work, and as an illustrator skilled in design is often hired by designers to create icons and logos. He has illustrated and designed comics, covers, posters and graphic novels for several independent publishers, in many art styles, from “American” style, to cartoon, to manga.

Most recently, Jonathan fully illustrated the two-thirds (42 pages) and cover of the Luther graphic novel, for Faith Inkubators, a Lutheran curriculum publisher (lutherstudy.com).

You can learn more about Jonathan on his website.

His Twitter handle is @jkArts 

You can read the chat recap with Jonathan HERE.

 

FEBRUARY 12th– Jennifer March Soloway – SPECIAL CHAT

Jennifer March Soloway is a literary agent who represents authors and illustrators of picture book, middle grade, and young adult stories. She enjoys all genres and categories, such as laugh-out-loud picture books and middle-grade adventures, but her sweet spot is young adult.

A suspense junkie, she adores action-packed thrillers and mysteries. Throw in a dash of romance, and she’s hooked! But as much as she loves a good thriller, she finds her favorite novels are literary stories about ordinary teens focused on family, relationships, sexuality, mental illness, or addiction. Regardless of genre, she is actively seeking fresh new voices and perspectives underrepresented in literature.

Jennifer is actively building her client list and welcomes queries to soloway@andreabrownlit.com.

Find out more about Jennifer and about her full wish list by visiting her agency’s website.

Her Twitter handle is: @marchsoloway

You can read the chat recap with Jennifer HERE.

 

FEBRUARY 26th– Mekisha Telfer

Mekisha Telfer is an associate editor at Roaring Brook Press (Macmillian), where she is building a list of picture books, middle-grade, and young adult novels. She got her start in publishing in 2014 as an editorial assistant with Simon and Schuster BFYR/Salaam reads, and has also worked briefly at Glasstown Entertainment.

Some titles she’s had the privilege of working on include the New York Times bestselling series TO ALL THE BOYS I’VE LOVED BEFORE by Jenny Han, EMERGENCY CONTACT by Mary H. K. Choi, THE GAUNTLET by Karuna Riazi, and Stuart Gibb’s Moon Base Alpha series. Mekisha is committed to supporting unrepresented voices and is always on the hunt for character-driven stories with a mix of humor and heart.

You can learn more about what Mekisha is looking for from her manuscript wish list here.

Her Twitter handle is: @MekishaTelfer

You can read the chat recap with Mekisha HERE.

 

MARCH 26th– Alex Slater

Literary Agent Alex Slater has been with Trident Media Group since 2010. For many years he oversaw the foreign rights sales of all of Trident’s young adult and children’s projects, which includes the work of R.J. Palacio and Louis Sachar.

Now with his own list, he’s kept his focus on YA and middle grade with an eye towards contemporary fiction, light fantasy, narrative nonfiction, and any work in general that expands the ideas of representation in children’s literature. Particularly, his manuscript wish list includes graphic novels, stories that blend genres, and historically underrepresented voices. Some of his clients today include Keah Brown, Jodi Kendall, Adam Perry, and SCBWI’s 2017 Emerging Voices Award Winner Anuradha D. Rajurkar.

You can learn more about what Alex is looking for from his manuscript wishlist here. Or by visiting his agency website here.

His Twitter handle is: @abuckslater

You can read the chat recap with Alex HERE.

 

APRIL 23rd – Jess Rinker

Children’s author Jess Rinker received her MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. She has won many awards for her work including short story, creative nonfiction, and most recently an honorable mention for the Katherine Paterson Prize from Hunger Mountain for her middle grade novel THE YOUNG TRAVELERS CLUB.

In addition to writing, Jess also teaches in the MFA program at Sierra Nevada College and works as a freelance developmental editor.

Jessica Rinker’s debut picture book biography, GLORIA TAKES A STAND, comes out March 12, 2019 from Bloomsbury Children’s Books. Her second biography, SEND A GIRL: The Brenda Berkman Story, comes out March 2020.

​Jess also writes middle grade and her debut novel THE DARE SISTERS comes out Fall 2020 and Fall 2021 from Imprint/Macmillan.

​Currently she lives in New Jersey in a tiny town along the Delaware River with her husband, Joe McGee, who is also a children’s author.

You can learn more about her by visiting her website.

Her Twitter handle is: @jm_rinker 

You can read the chat recap with Jess HERE.

 

MAY 28th– Lisa Papademetriou

Lisa Papademetriou is the author of A TALE OF HIGHLY UNUSUAL MAGIC (a South Asia Book Award Highly Commended Title), the New York Times-bestselling novel MIDDLE SCHOOL: MY BROTHER IS A BIG, FAT LIAR and HOMEROOM DIARIES (both with James Patterson), the CONFECTIONATELY YOURS series (over 750,000 books in print), and many other novels for middle grade and young adult readers.

Her books have appeared on many prestigious lists, including Bank Street Best Books of the Year, the NYPL Books for the Teen Age, the Texas Lone Star Reading List, andtranslated into French, German, Spanish, Polish, Italian, Portuguese, & Japanese. Her latest book, APARTMENT 1986, was a School Library Journal Popular Pick.

She has written for the Washington Post, authors the StART Up Studio column for Innovate413, and serves on the faculty of the MFA program at Sierra Nevada College. A former editor, she is the founder of the humorous grammar website, IvanaCorrectya.com.

Lisa evinces her passion for community and education by serving on the board of the Northampton Education FoundationClick Workspace, and Athena Girls, and by giving workshops locally and across the United States on the subjects of writing, grammar, and creative courage.

You can learn more about her by visiting her website.

Her Twitter handle is: @axyfabulous 

You can read the chat recap with Lisa HERE.

 

JUNE 25th– Joe McGee

Children’s author Joe McGee writes funny, quirky, offbeat stories for kids (and adults who still hold a piece of the magic). He has two picture books published, PEANUT BUTTER & BRAINS (Abrams) his debut PB which came out in 2015, and the sequel, ALIENS & JELLY (2017). A third book in the series, PEANUT BUTTER & SANTA CLAUS is scheduled for release in 2019.

Joe also has two series of Chapter Books coming out with Simon & Shuster (Aladdin) with the first book in the CREATURE CAMPERS series coming out this January 2019, and the first book in the JUNIOR MONSTER SCOUTS series scheduled for release in Fall 2019.

Joe is also on the faculty of Sierra Nevada College, Writing for Children & Young Adults low-residency MFA program, and is on the faculty of Rowan University, Writing Arts department.

You can learn more about him by visiting his website.

His Twitter handle is: @mcgeejp

You can read the chat recap with Joe HERE.

 

JULY 23rd– Sharon Martin

Sharon Edge Martin has been a writer since she wrote her first poems at the age of eight.  She has worked as a waitress, an artist’s model, a musician, a bookkeeper, a jewelry designer, a newspaper editor, and a teacher, but no matter what other job she is doing, Martin is always a writer.

 Martin’s fiction stories have appeared in adult and juvenile magazines, including Alfred Hitchcock Mystery Magazine. Her poetry for children and adults has been published in Amelia, BylineEllery Queen Mystery Magazine, and dozens of small press and literary magazines and anthologies, including Elegant Rage, Dragon Poet Review, Malpais Review, Poets’ Market from Writers’ Digest Books, and in Michael Bugeja’s The Art and Craft of Poetry.  Her poetry chapbook, No Sanctuary, was published by Amelia Press in 1997.  In 2017,  Froggy Bottom Blues, a picture book illustrated by Timothy Lange, was published by Doodle and Peck. She won the OWFI Best Book of Poetry for her book, Not a Prodigal, and was a finalist for the Oklahoma Book Award for the same book in 2019.

Martin is an active member of SCBWI Oklahoma and is past president of Oklahoma Writers’ Federation.  In addition to her writing for children and young adults, she pens a weekly column on education and politics.  The essays appear regularly in The Oklahoma Observer.  She is active in the spoken poetry scene in Oklahoma and hosts a monthly reading in the historic Tidal School.  The building, now owned by Tidewater Winery, was commissioned by John D. Rockefeller to serve the children of his oil company employees.

Sharon and her husband, artist Dale Martin, live on a farm in Oklahoma. When she isn’t writing, you can find her tending chickens or working in her garden.

You can learn more about Sharon by visiting her website.

Her Twitter handle is @sharonedge.

You can read the chat recap with Sharon HERE.

 

SEPTEMBER 24th– Rachel Murray

Associate editor Rachel Murray started at Henry Holt Books for Young Readers in 2014. She has experience with picture books, chapter books, middle grade fiction, and young adult novels in a variety of genres. She has had the pleasure of working on projects such as Stegothesaurus by Bridget Heos, illustrated by T. L. McBeth; First & Then and subsequent books by Emma Mills; and the NYT-bestselling Remnant Chronicles by Mary E. Pearson.

Rachel has begun building her own list with picture books and is looking to expand into the middle grade and young adult space. She has particular interest in horror/ghost stories/anything that gives her chills, contemporary romance, and magical realism. She welcomes characters with diverse backgrounds and perspectives.

You can learn more about Rachel by visiting her publishing house website.

Her Twitter handle is @rachelrmurray

You can read the chat recap with Rachel HERE.

 

OCTOBER 22nd– Gwendolyn Hooks

 Gwendolyn Hooks is the author of the NAACP IMAGE AWARD winning picture book biography, Tiny Stitches-The Life of Medical Pioneer Vivien Thomas and Block Party, a Junior Library Guild Selection. Her newest books are The Garden and If You Were A Kid During the Civil Rights Movement. Gwen’s next book, Ona Judge Outwits the Washingtons: An Enslaved Woman Fights for Freedom,is scheduled to release on October 1stof this year.

Other books include the popular Pet Club and Confetti Kids series. She writes both fiction and nonfiction, early readers, and chapter books from her home Oklahoma. An advocate of diverse books, Gwendolyn shares their beauty by encouraging young readers to explore the world through them.

You can learn more about Gwen by visiting her website.

Her Twitter handle is @GwentheGweat


We take a break in November and December due to the holidays. We’ll return again in January 2020 with a brand new Twitter chat schedule! It’s filling up fast, but if you have a suggestion for a guest, feel free to let me know. I’m happy to hear your ideas.

Andrea Hall – Editor Interview

I’m so thrilled that Andrea Hall, Associate Editor with Albert Whitman & Company, will be speaking at our 2018 SCBWI OK Spring Conference this April.

Andrea will give a talk entitled, “The Antagonist, a Striking Alternate Reality of Your MC”, about two characters vying for the same external goal and their flaw-revealing, stake-raising journeys. She will also have a break out session entitled, “The First Steps in Creating Award-Worthy Books”, which is aimed at people new to the children/teen publishing world.

About Andrea

Andrea Hall is an Associate Editor at Albert Whitman & Company where she works on picture books through young adult. She is particularly drawn to stories that have layers of meaning and diversity. Andrea started her publishing career at Pearson Education and is a former ARA of the Central and Southern Ohio Chapter of SCBWI.

To help us get to know her even better before the conference, Andrea agreed to answer some questions we received from some of our SCBWI OK members.

 

The Interview

Valerie Lawson: Welcome to the blog, Andrea! Thank you so much for taking the time to answer our members’ questions, today.

Question #1 – If you could tell a writer one thing to help them get published, what would it be?

Andrea Hall: Don’t give up! Keep writing and trying. One never knows which project will be the one that will get published.

VL: Ah! Persistence is so important.

VL: Question #2 – Have you ever found a manuscript at a conference that you went on to publish?

AH: Not yet. But I’ve heard stories from other editors.

I did have a published author pitch me the novel of another member of her writing group at a trade show, and I did go on to publish that.

VL: What a nice friend! (Another reason to join a critique group!)

Question #3 – What makes you cringe in a query letter?

AH: Not following directions.

Telling your life story when it doesn’t pertain to the book. Mentioning that family/friends/your kids love your book. Calling the submission the next “best-seller.”

If only we could predict that!

VL: Yes, it’s always important to follow the submission guidelines!

Question #4 – What words would you recommend authors replace in their writing?

AH: This is going to be different for each writer.

For picture books, every word needs to count. Eliminate the words that are unnecessary.

For novels, look at words or phrases that are overused and try to avoid repetition.

VL: Question #5 – Do you prefer picture books written in past or present tense?

AH: I don’t have a preference.

VL: Question #6 – Could you explain what goes on inside an acquisition meeting?

AH: This is where the editor pitches the book to the rest of the group and works to get everyone (hopefully) excited about it. We discuss how the book fits into our list and get feedback from sales and marketing. This determines whether or not the editor gets the green light to acquire the project.

VL: Question #7 – How do you feel about sensitivity readers? Who is expected to obtain the services of sensitivity readers, the author or the publisher?

AH: Sensitivity readers serve the necessary purpose of ensuring authenticity when writing outside one’s own cultural group. I feel it falls to both the author and publisher—the author needs to do their due diligence to make the work as authentic as possible, and the publisher needs to also double-check and verify accuracy.

VL: That makes sense. Double-checking is always a good idea.

Question #8 – In Middle Grade historical fiction, is it a problem if the action of a story begins when the main character is very young? (Knowing kids who read Middle Grade like characters that are a little older than they are, and also wanting to stick to the facts as much as possible without turning off readers.) Any suggestions?

AH: This is tricky without knowing the context of the story. If something significant happened to the MC as a young child, which impacts the overall plot or helped shaped the character, than it makes sense to include. I suggest looking at other historical fiction titles that have done this and then find the best approach for your story.

VL: Question #9 – How many titles that you’ve published have come from un-agented submissions?

AH: Personally, three books I’ve acquired have been un-agented submissions.

VL: Question #10 – What are you NOT seeing from submissions right now that you would like to see?

AH: I’m not seeing enough cultural/diverse/#ownvoices stories. I’m always looking for more of these!

VL: Thank you, Andrea! It’s been a pleasure! We all look forward to hearing you speak at our conference.

And thank you to everyone who submitted a question! 

Learn more about Andrea and her publishing house here.

Follow Andrea on Twitter here.

**While Albert Whitman & Company DOES accept unsolicited manuscripts from unrepresented authors, you MUST follow their submission guidelines.

CLICK HERE for their guidelines on Picture Book, Middle Grade, and Young Adult submissions. 

Want more? You can hear Andrea speak in person at our conference in Oklahoma City this April!

For more details on our 2018 SCBWI OK Spring Conference or to register online, CLICK HERE.

See you there!

2018 SCBWI Oklahoma Twitter Chat Schedule

 

For those who don’t already know, I’m the Social Media Coordinator for the SCBWI Oklahoma Region, and I host a Twitter Chat once a month for our members, although anyone is welcome to join in the conversation. We meet on the fourth Tuesday of the month (and sometimes on additional special dates, too) from 7-8pm CST and we use the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, come check ours out! They are always interesting. And we love meeting new people.

I’m so excited to announce the schedule for our FOURTH season of #okscbwichat! I can hardly believe we already have three years under our belt. Wow!

(If you’re feeling nostalgic, you can go back and view any of our previous chats here.)

We had a lovely topic chat in January all about mentor texts and how they can help you be a better writer. You can view that conversation here.

In February, we start our guest chats. We have a nice line up of guests this year. Let me introduce them to you:

 

February 6th – Allison RemcheckSPECIAL CHAT DATE

Literary Agent Allison Remcheck is an Associate Agent with the Stimola Literary Studio. She is drawn to voices that speak for themselves, stories that only the author can tell, and books that reflect the lives of every child – especially the ones told least often. Allison will also be speaking at our spring conference in April.

Her Twitter handle is @allisonremcheck

 

February 27th – Daniel Nayeri

Daniel Nayeri is a Publisher at Macmillian. He is also an author of a few children’s books himself, including his latest book, STRAW HOUSE, WOOD HOUSE, BRICK HOUSE, BLOW. Daniel and his family immigrated to the United States when he was eight years old and arrived in Oklahoma. Daniel will also be speaking at our spring conference in April.

His Twitter handle is @DanielNayeri

 

March 6th – Hannah Mann – SPECIAL CHAT DATE

Hannah Mann is a Junior Agent with Writers House Literary Agency. Hannah started as an intern in the New York office before becoming Steven Malk’s assistant. She’s had the privilege of working closely with a variety of talented bestselling and award-winning authors and illustrators of works ranging from very young picture books to middle grade to young adult. Now as a Junior Agent, she’s seeking clients from those genres. Hannah will also be speaking at our spring conference in April.

Her Twitter handle is @hannahmann

 

March 27th – Chad Beckerman

Chad Beckerman is Creative Director for Amulet Books, Abrams Books for Young Readers and ComicArts. Chad oversees the design of picture books, novels, and graphic novels.

He is the designer behind such successful children series as DIARY OF A WIMPY KID, ORIGAMI YODA, Nathan Hale’s HAZARDOUS TALES, FRANK EINSTEIN, THE TERRIBLE TWO, and Bill Nye’s JACK AND THE GENIUSES. He has also designed several bestselling picture books including ROSIE REVERE, ENGINEER, TROMBONE SHORTY, VEGETABLES IN UNDERWEAR, and Jillian Tamaki’s upcoming THEY SAY BLUE.

He has had the honor of working with many amazing illustrators including Jeff Kinney, Jillian Tamaki, Dan Santat, Victo Ngai, Sophie Blackall, David Roberts, Art Spiegelman, Jules Feiffer, and John Hendrix most recently on his DRAWING IS MAGIC. Chad will also be a speaker at our spring conference in April.

His Twitter handle is @chadwbecks

 

April 29th 1:00PM – Zoe WaringSPECIAL CHAT DAY AND TIME!!!

UK Illustrator Zoe Waring joins us on a special day and time – Sunday April 29th 1:00-2:00pm CST. Author and illustrator of NO HUGS FOR PORCUPINE, illustrator of TRUCK, TRUCK, GOOSE (with Oklahoma author Tammi Sauer), CAT AND DOG, and the upcoming PEEPING BEAUTY (with Oklahoma author Brenda Maier).

Zoe Waring has always loved the warmth and humour found in children’s picture books, and is a little obsessed with cute animals… just a little bit. She also loves drawing, has a rather silly sense of humour and a vivid imagination. You can begin to understand why she believes she has THE best job in the world!

Her Twitter handle is @zoemop

 

May 22nd – Heather Cashman

Heather is the Managing Director of Pitch Madness, Pitch Wars, and #PitMad – contests that help match writers with agents. Previously an Editor/Ambassador for Cornerstones Literary Consultancy US, Heather now freelance edits full time. She’s been an agent intern for over a year. She’ll be answering all of our questions about pitch contests. You can learn more about these contests at pitchwars.org.

Her Twitter handle is @HeatherCashman

 

June 26th –Pablo Cartaya

Pablo Cartaya is the author of the acclaimed middle-grade novel, The Epic Fail of Arturo Zamora (Viking, 2017); Marcus Vega Doesn’t Speak Spanish (Viking, 2018); and two forthcoming titles in 2019 and 2020 also to be published by VikingHe is a Publisher’s Weekly “Flying Start” and has received starred reviews from Kirkus, Booklist, and Publisher’s Weekly.

He is the co-author of the picture book, Tina Cocolina: Queen of the Cupcakes (Random House, 2010), a contributor to the literary magazine, Miami Rail; the Spanish language editorial, Suburbano Ediciones; and a translator for the poetry chapbook, Cinco Poemas/Five Poems based on the work of poet Hyam Plutzik. Pablo visits schools and universities throughout the US and currently serves as faculty at Sierra Nevada College’s MFA in Creative Writing.

His Twitter handle is @phcartaya

 

(We have some surprises planned for the summer chats that we’ll be announcing later in the year. Stay tuned!)

 

September 25th – Ashley Nixon

Ashley Nixon-Amador is the author of the YA fantasy CUTLASS series. She graduated from the university of Oklahoma and has a Masters in Library Sciences and Information Studies. She is a Gates Millennium Scholar Alumni. She loves pugs, libraries, and eyeliner. Ashley lives in Oklahoma with her husband.

Her Twitter handle is @AshleymNixon.

 

October 23rd – Sue Lowell Gallion

Sue Lowell Gallion, former Kansas SCBWI RA and PB author of the PUG MEETS PIG and PUG & PIG TRICK-OR-TREAT books, which both received starred reviews, writes for children because she is passionate about children, reading, and any combination of the two. Sue’s debut picture book,

PUG MEETS PIG, illustrated by Joyce Wan (Beach Lane Books/Simon & Schuster) is now in its second printing.

We are definitely saving the best for last, here. Sue spoke at our Tulsa SCBWI Anniversary Dinner last year and she was just a delight. Her picture books are so adorable and she’s incredibly knowledgeable about so many things and she is generous with that knowledge with her fellow SCBWI people. You will love chatting with her!

Sue’s Twitter handle is @SueLGallion 

 

As always, we take November and December off for the holidays. Looks like it’s going to be a great year for chats! (And I’m already starting on next year’s schedule – can you believe it?) Don’t forget, if you have anyone YOU want to see as a guest, let me know and we’ll be sure to invite them if we can.

Our next chat is coming up soon. Hope to see you  there!

2017 SCBWI LA Summer Conference Highlights – Part 3

Welcome to Part 3 of the conference highlights. To catch up on previous posts, you can view Part 1 and Part 2 before continuing.

DAY THREE

The final day always comes too quickly, and yet is still somehow packed with a ton of literary goodness. We started off the day with the Picture Book Panel (which included our very own SCBWI Oklahoma star PB author Tammi Sauer!) and ended with an inspirational send off by the amazing Laurie Halse Anderson followed by the always fun autograph party.

Did I mention that there was dessert with Judy Blume in the middle? Crazy, I know! What a fabulous day!

PICTURE BOOK PANEL

PANEL DISCUSSION WITH RAÚL COLÓN, LEUYEN PHAM, JAVAKA STEPTOE, AND TAMMI SAUER. (MODERATED BY LAURENT LINN)

Laurent Linn led this awesome discussion about picture books. He had each panelist introduce themselves first before the questions began.

Leuyen Pham — She’s worked on about 90 picture books and she said picture books are the closest you can come to whispering in a child’s ear. The search for characters is always a lot of fun for her. She does background and research on the characters before starting. There’s an emotional move from line drawing to art – analytical turns off to the imaginative.

Javaka Steptoe — He said he’s not just trying to create art, but an experience. He’s trying to feel what the character is feeling when he’s creating. He thinks back to when he was a child, when he was drawing, making noises, to create that moment on the paper, the experience.

“I don’t want to just draw a picture.”

When he uses found objects, he’s using things that have had a life. That brings a richness. It’s there, it’s alive. For kids, when they see something they identify – like, wow, I have that in my house – it’s a bridge.

He’s always thinking, “How can I bring you into my world?”

Learn the details of a moment; it’s about the subtleties and how it creates the big picture.

Tammi Sauer — (Tammi may have received a giant shout-out of ‘OOGA!’ from her Oklahoma SCBWI fan club when she was introduced. Maybe.)

 

She then flawlessly went on with her stellar presentation and gave her three favorite writing tips for creating relatable characters readers will care about. Make sure to follow her ARF formula:

A – Active

R- Relatable

F- Flawed

Raúl Colón — For his latest picture book,  his editor told him that the pictures were telling the story. She told him to get rid of the words. That’s how DRAW! become a wordless picture book.

When beginning a new manuscript, he starts with sketches. Vision of pictures have to come to him as he’s reading or he won’t be interested in working on it. He plays music while working, He gets lost in the work, especially while doing the final art.

Question #1: What’s the first step in a new creation?

Tammi Sauer — Come up with a fresh idea. Celebrate the weird. Ideas are everywhere. Your job is to capture them.

Raúl Colón — I agree. I was inspired by an exhibit I came across.

Leuyen Pham — My first step is hard. Every book is a reinvention of myself. I freak out. I have to leave my studio. Take a sketchbook and just start sketching. While actually working, I can’t look at others’ work.

Javaka Steptoe — I agree with what everyone just said. You have to find some idea that sustains you. Ideas can come from anywhere. From life. You shouldn’t force a story. It should be fluid. I think about the background materials – asphalt for Swan Lake, wood for Jimi Hendrix.

It looks effortless, but it takes lots and lots of work to get there.

Question #2: Picture books can seem simple. When you have something to say, how do you balance this?

Raúl Colón — In the book ALWAYS MY DAD (by Sharon Dennis Wyeth) a story about divorce, it could’ve been tricky, but we made it as joyful as possible by showing all the things they could do together – focused on hope.

Leuyen Pham — I tend to stay away from stories like that. My approach tends to be more subtle. I’ll find a way to work them into the pictures. For example, two lesbian mothers pictured that are not mentioned in the story.

Her favorite writers are those generous enough to let some words go.

Tammi Sauer — I try to keep the 4 year-old version of my son in mind. Something kids connect with, something with humor. He would either give two thumbs up or say, ‘Wow, that’s a dud’.

Keep it subtle – don’t beat people over the head with a message.

Javaka Steptoe — The story is the most important thing. If it’s not a page-turner, take it out. The writer can show you the road, the illustrator can show you the beauty of the road.

Question #3: What is your purpose?

Tammi Sauer — Something kids can connect with – humor and heart.

Raúl Colón — Something they don’t see every day.

Leuyen Pham — Making another one of me. Feeling an intimacy with a book that will touch that kid.

Javaka Steptoe — I just want to talk with people. Write children’s books like a letter we send back out into the world and we keep going.

 

STEPHANIE GARBER SHARES SAGE ADVICE

 

 

 

 

 

Stephanie Garber, who already gave an outstanding breakout session, now dazzled the entire conference with her keynote address. She shared some sage advice she’s learned along her journey as a writer thus far.

 

The story of her overnight success took seven year. Seven years and five novels. Yes, it wasn’t until the fifth complete novel she wrote that she started to see positive responses to her writing from queries. That fifth book is the one that landed her the agent. And the sixth book was the one that finally sold – CARAVAL.

There was a lot of doubt and questioning of life choices before that book sold, so what helped her keep going and get through that sixth book?

Stephanie said these things were key to her success:

  • Write the book you’re brutally obsessed with — After all, your readers won’t feel something you don’t. (Please don’t write a book that’s safe.)
  • Deal with the things you’re afraid of — (She wanted to get an agent, but she didn’t want to go to a conference to get one – she was terrified of conferences.) There’s something very powerful about confronting fears and it’s better to do it before you’re published. Make your mistakes now. Besides, once you publish, things don’t get easier.
  • Let Go — Great things come from letting go. A manuscript can be salvaged, and it can be good to persevere. But it can also be a good thing to let go of ideas. It’s dangerous to latch on to the idea that you know everything. There’s always something to learn, especially about craft or the industry.
  • Read Widely –Don’t just read, read deeply. Make a personal list of what inspires you. What books do you want to emulate? (Your Cannon) Write the kind of books you want to read.

 

GOLDEN KITE LUNCHEON

The Golden Kite Luncheon and Awards Presentation was beset by a wee bit of a crisis this year when by some twist of fate, the kitchen only prepared place settings (and meals) for half the number needed. Our group was lucky enough to acquire a table, and reparations were made to those who didn’t, but they sadly missed out on a fabulous conversation between Lin Oliver and Judy Blume that took place during dessert.

Stephanie, part of our Oklahoma group, at our table at the luncheon.
Yes, that is a salad on my plate, but my eyes are already on that dessert…
Lin and Judy in conversation.

For most of the conversation, I sat there mesmerized. Judy cast us all under her spell, as she is prone to do. I do remember that Judy talked about how writing saved her life, literally. And how it changed her life. Lin asked her if she’s retired from writing. Judy said that she’s written everything she’s wanted to say, “But there’s this one little thing…”

That got the whole room very excited!

Now that she’s (semi) retired from writing, she’s still surrounded by books at Books and Books, the independent bookstore in Key West she and her husband George have opened. She also invited everyone to come visit – but maybe not all at once.

She also talked about how much an organization like SCBWI would have meant to her when she was a young writer, which is why she is such a big supporter of it now, and why she’s on the board.

One quote I came away with was when she was talking about determination – “You can have all the talent in the world, and if you’re not determined, you’re going to let something stop you from doing it.”

*Sigh*

How much do we love Judy Blume?

 

BREAKOUT SESSION – KWAME ALEXANDER AND ARIELLE ECKSTUT TALK ABOUT THE BUSINESS SIDE OF THINGS

Kwame Alexander and his agent, Arielle Eckstut, gave a fascinating talk discussing business tips.

Kwame and Arielle were wonderful and shared so many fantastic ideas. My absolute favorite thing that Kwame said was that a big part of his success was starting local. Embracing local bookstores and developing relationships with local owners long before you’re published should be a priority.

He was also very creative when it came to marketing. He once had 50 friends call a bookstore and ask for his book before he called them himself to ask if they’d like for him do a signing there. SMART!

He also called anybody he knew connected with morning radio shows and read poems on the air. (And I can only guess how effective that must have been, because when you hear him read his poetry, it is really something.)

Always have a plan that has reach – stretch goals. Constantly create opportunities.

Remember, you are the main driver of your book’s publicity.

So many great things, I could have listened to them spout off ideas for another hour or two.

 

CLOSING TIME – FINAL KEYNOTE LAURIE HALSE ANDERSON

 

 

 

 

 

 

Laurie Halse Anderson greeted us and gave a special shout out to any introverts who were present (no small task!). She acknowledged how difficult it was to carry the bubble of love, the place of acceptance and understanding, we’d created in our conference back home with us after the conference ends.

She gave us a few secrets to help carry this feeling home:

  • “You are the boss of your brain, and your brain is the boss of your emotional state.” She’s done the research. She then suggested we take a cue from the country of Denmark and embrace the idea of “hygge”. A warm, pleasant, and comfortable atmosphere. Void of annoyance or distraction, at total ease.  
  • Get Started! You have to give yourself permission to suck. Revision is about clarifying. If you can just get started with your suckage, doing your art makes you feel better! 
  • Creating books for children is a tremendous privilege and responsibility. We create for the luckiest audience who will ever live.

Choose to make messy art whenever you can.

It was a wonderful way to send us off. What a fantastic conference!

 

AUTOGRAPH PARTY 

I may have gone a little overboard with buying books, but I actually showed some restraint and stopped myself way before I had to buy a second suitcase. I may not enjoy the mad dash and waiting in long lines takes to get all of these treasures signed – honestly, it’s the closet thing I come to experiencing Black Friday, and I barely survived it – but dinner with friends is at the end. And along the way, I do get to meet and thank these authors who have written books I enjoy. Worth the suffering of crowds and long lines? I think so.

The books I bought at the conference, and then lugged around the ballroom to get signed.

 

The dynamic Vanessa Brantley Newton, who also illustrated our own Tammi Sauer’s book, MARY HAD A LITTLE GLAM – I forgot to bring my copy with me (and it was sold out at the book store).
Our darling Tammi Sauer was so busy with her faculty duties that we barely saw her! I did meet up with her a time or two. Once in passing here…
…and once when I had her FINALLY sign my copy of her book CARING FOR YOUR LION. I had to bring it all the way from Oklahoma with me because we kept missing each other (or I’d forget to bring it with me when I’d see her). Mission Accomplished!

 

 

 

 

 

 

 

Kwame Alexander was just as charming as could be. I absolutely loved THE CROSSOVER as I knew I would.

 

The wonderful and ever-so-sparkly Alex Gino signed books earlier in the conference. I was so happy I was able to meet Alex and get my copy of GEORGE signed. What a fabulous book!

INTENSIVES

For the first time ever, I was able to attend the Intensive workshops following the conference on Monday – so worth it!

Morning Intensive was SCENE: THE BUILDING-BLOCK OF FICTION with Linda Sue Park where we explored working in scenes rather than chapters. It was fascinating and very helpful.
The Scene Intensives Class! Don’t we look inspired?

 

Afternoon Intensive was TIP SHEETS with Arianne Lewin. I learned how much I didn’t know about this invaluable marketing tool and then I  learned how to use it.

 

FINAL GOODBYES

After all the workshops were over, our group had our final meal together and the staggering flights back home began. Before we knew it, it was time to say goodbye to LA…until next year!

Eating the best Greek food. What a great way to end the weekend.

 

Catren and Brenda taking in the sights.

 

Heading home! Bye LA!

Hope you’ve enjoyed the highlights of the summer conference! I thoroughly enjoyed attending!