Jerry gave us a tour of his artist’s space, talked to us about comic design – explaining the difference between a penciler, inker, and colorist among other things. And what each job brings to the story.
And white space. He said that was very important. Who knew?
Jerry showed us the activities area he had prepared for visitors where they could create their own comic.
We were then included in a special treat as Jerry recorded an “unboxing” video of his new comic, Glamorella’s Daughter. It’s a fantastic story about a young girl with Asperger’s who has a super hero mom.
The event begins this week on Friday evening,April 6th, and continues through Saturday, April 7th.
As always manuscript critiques, and portfolio critiques will be available in limited numbers. This year there are some fun new additions, too! They include: Friday night sessions, Mingle with the Speakers events, paid face time with industry professionals, off-site critiques, and an autograph party.
Chad is an award-winning designer and
creative director at Abrams, where he oversees the design of picture books, novels and graphic novels under the Abrams Appleseed, Abrams Books for Young Readers, Amulet Books, and Abrams ComicArts imprints.
He is the designer behind such successful children series as Diary of a Wimpy Kid, Origami Yoda, NERDS Nathan Hale’s Hazardous Tales,
Frank Einstein and The Terrible Two.
Chad joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2KZzhAb
Follow Chad on Twitter here. Follow Chad on Facebook here. Follow Chad on Instagram here.
Andrea Hall is an Associate Editor at Albert Whitman & Company where she works on picture books through young adult. She is particularly drawn to stories that have layers of meaning and diversity. Andrea started her publishing career at Pearson Education and is a former ARA of the Central and Southern Ohio Chapter of SCBWI.
Hannah started as an intern in the New York office before becoming Steven Malk’s assistant. She’s had the privilege of working closely with a variety of talented bestselling and award-winning authors and illustrators of works ranging from very young picture books to middle grade to young adult.
Now as a Junior Agent, she’s seeking clients from those genres. To learn more about Hannah’s preferences, visit her agency website here.
Hannah joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2wIFQUG
Daniel worked as Director of Children’s Publishing at the independent publishing house Workman Publishing before being promoted to Publisher there prior to his move to Macmillan in October of 2017. He is now in the process of developing his own imprint at Macmillian.
He is also an author of a few children’s books himself, including his latest book, STRAW HOUSE, WOOD HOUSE, BRICK HOUSE, BLOW. Daniel and his family immigrated to the United States when he was eight years old and arrived in Oklahoma.
Daniel joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2KVsjMK
Follow Daniel on Twitter here. Learn about Daniel’s writing here.
To Allison, being an agent is a bit like a treasure hunt to find the books that speak to her most easily. Allison is drawn to voices that speak for themselves, stories that only the author can tell, and books that reflect the lives of every child – especially the ones told least often.
Allison joined us for a Twitter Chat before the conference. View the conversation here:http://bit.ly/2wz6Shr
Jerry Bennett – SCBWI Oklahoma Illustrator Coordinator and Professional Illustrator
Jerry is a full time illustrator who illustrates comics, storyboards and children’s books whose clients include Stan Lee, Marvel, Lucasfilm, Mattel and Dreamworks. He art directed and led cinematography for the animated short film, Even in Death, which won several film festival awards, and since gone to create trailers for Scholastic Books.
Jerry is currently creating original licensed sketchcards for Upper Deck’s Marvel line, and Topps’ Star Wars and The Walking Dead sets.
Learn more about Jerry’s work here. Follow Jerry on Twitter here. Follow Jerry on Facebook here. Follow Jerry Instagram here.
Emily Heddleson – Senior Manager, Library and Educational Marketing with Scholastic
Emily has over ten years of experience working on campaigns to promote books for ages 0-18, with a focus on retail, library, and educational markets. She will host a Skype breakout session with us entitled, “Marketing Your Published Books”.
I met Brenda Maier through our local SCBWI Oklahoma chapter, and I’ve been thrilled to watch her grow as an author. It’s such a pleasure to help her celebrate the debut of her very first picture book.
As a young child, Brenda had a grand total of six books; consequently, she spent her summers walking to the local library to get more. Now she spends her summers driving her own children to the local library, where you may find her in a corner with a stack of picture books. If she’s not there, she’s probably at a bookstore, adding to her much-larger-than-six-books collection.
Brenda lives in Oklahoma with her husband and their five children, who provide endless inspiration for more stories. She also works with gifted children at a large, local school district.
Before the interview, let’s learn more about Brenda’s debut picture book:
In this retelling of THE LITTLE RED HEN, Ruby wants to build a fort, but her big brothers refuse to help her. When the boys see the finished product, they really want to play in it, but it’s too late to do anything about it. Or is it?
Maier’s publisher describes this book as “one of those multi-layered gems” in this YouTube video.
Valerie Lawson: Congratulations on your debut picture book, Brenda! I’m so excited to see this book published.
What inspired the idea for this story?
Brenda Maier: Thanks for inviting me to chat, Valerie.
My children inspired this idea. A few years ago, my youngest son was four, and he was in a The Little Red Hen phase; consequently, that story was on repeat in my mind.
One day I put him down for nap and went to check on the other kids in the back yard. They’d found some boards and lattice. Guess what they’d made? So the classic tale and my own kids’ ingenuity kind of converged that day, and I began thinking about a girl building a fort instead of a hen baking bread.
VL: Isn’t it exciting how our experiences can mesh together like that?
I just love the illustrations by Sonia Sánchez. What was it like seeing your words come to life for the first time? Is that how you had imagined them?
BM: I can’t say enough about Sonia’s beautiful art. Her unique style complements the text beautifully. The details keep me looking for new things. She has such a grasp of the characters, and she brought them to life in such a way that I can’t imagine them ever being anything other than what they are now. It’s like they’re real to me, and her illustrations are a big reason for that.
VL: You work full time as a teacher and have five children at home. Talk about your writing routine. As in, where do you find the time to enjoy a moment’s peace, let alone find time to sit down and write?
BM: Kids will find you no matter where you are, and kids always come first. Therefore, I avoid this situation entirely by escaping for Panera at least a couple of times a month to write.
I write more regularly during the summer, when I can get up early and work for a few hours, but during the school year I have to be content to do the best I can. I might write before everyone wakes up, before I fall asleep at night, or even during my lunch break.
If it’s important to you, you will find a way to do it.
VL: Very true. You have to find that time to write anywhere you can.
As a debut author, what’s the best piece of advice you can pass on to fellow authors working in the pre-published phase?
BM: You should read. Reading helps you internalize so many things about stories—pacing, rhythm, page turns.
VL: What has been your favorite book to read/book you’ve been most excited about over the past year?
BM: I don’t know if I can only pick one. At this moment, I would have to say it’s a tie between two YA novels: Angie Thomas’ The Hate You Give and John Green’s Turtles All the Way Down. As different as they are, I appreciated the perspectives they both made me feel privy to.
You don’t want me to get started on favorite picture books.
VL: I love that you read widely – not just picture books! That’s so important.
What’s next for you? What are you currently working on?
BM: The Little Red Fort comes out in Spanish this June. A second book, Peeping Beauty, will be released next February from Aladdin, a Simon & Schuster imprint.
Peeping Beauty is a tale of chicks who resort to creative problem solving when their sibling won’t come out of the egg. It’s not a retelling, but it does give a subtle nod to the classic Sleeping Beauty.
VL: That sounds like another great story!
Thank you so much for joining us, today, Brenda. It’s been such a pleasure talking with you!
Andrea will give a talk entitled, “The Antagonist, a Striking Alternate Reality of Your MC”, about two characters vying for the same external goal and their flaw-revealing, stake-raising journeys. She will also have a break out session entitled, “The First Steps in Creating Award-Worthy Books”, which is aimed at people new to the children/teen publishing world.
Andrea Hall is an Associate Editor at Albert Whitman & Company where she works on picture books through young adult. She is particularly drawn to stories that have layers of meaning and diversity. Andrea started her publishing career at Pearson Education and is a former ARA of the Central and Southern Ohio Chapter of SCBWI.
To help us get to know her even better before the conference, Andrea agreed to answer some questions we received from some of our SCBWI OK members.
Valerie Lawson: Welcome to the blog, Andrea! Thank you so much for taking the time to answer our members’ questions, today.
Question #1 – If you could tell a writer one thing to help them get published, what would it be?
Andrea Hall: Don’t give up! Keep writing and trying. One never knows which project will be the one that will get published.
VL: Ah! Persistence is so important.
VL: Question #2 – Have you ever found a manuscript at a conference that you went on to publish?
AH: Not yet. But I’ve heard stories from other editors.
I did have a published author pitch me the novel of another member of her writing group at a trade show, and I did go on to publish that.
VL: What a nice friend! (Another reason to join a critique group!)
Question #3 – What makes you cringe in a query letter?
AH: Not following directions.
Telling your life story when it doesn’t pertain to the book. Mentioning that family/friends/your kids love your book. Calling the submission the next “best-seller.”
If only we could predict that!
VL: Yes, it’s always important to follow the submission guidelines!
Question #4 – What words would you recommend authors replace in their writing?
AH: This is going to be different for each writer.
For picture books, every word needs to count. Eliminate the words that are unnecessary.
For novels, look at words or phrases that are overused and try to avoid repetition.
VL: Question #5 – Do you prefer picture books written in past or present tense?
AH: I don’t have a preference.
VL: Question #6 – Could you explain what goes on inside an acquisition meeting?
AH: This is where the editor pitches the book to the rest of the group and works to get everyone (hopefully) excited about it. We discuss how the book fits into our list and get feedback from sales and marketing. This determines whether or not the editor gets the green light to acquire the project.
VL: Question #7 – How do you feel about sensitivity readers? Who is expected to obtain the services of sensitivity readers, the author or the publisher?
AH: Sensitivity readers serve the necessary purpose of ensuring authenticity when writing outside one’s own cultural group. I feel it falls to both the author and publisher—the author needs to do their due diligence to make the work as authentic as possible, and the publisher needs to also double-check and verify accuracy.
VL: That makes sense. Double-checking is always a good idea.
Question #8 – In Middle Grade historical fiction, is it a problem if the action of a story begins when the main character is very young? (Knowing kids who read Middle Grade like characters that are a little older than they are, and also wanting to stick to the facts as much as possible without turning off readers.) Any suggestions?
AH: This is tricky without knowing the context of the story. If something significant happened to the MC as a young child, which impacts the overall plot or helped shaped the character, than it makes sense to include. I suggest looking at other historical fiction titles that have done this and then find the best approach for your story.
VL: Question #9 – How many titles that you’ve published have come from un-agented submissions?
AH: Personally, three books I’ve acquired have been un-agented submissions.
VL: Question #10 – What are you NOT seeing from submissions right now that you would like to see?
AH: I’m not seeing enough cultural/diverse/#ownvoices stories. I’m always looking for more of these!
VL: Thank you, Andrea! It’s been a pleasure! We all look forward to hearing you speak at our conference.
And thank you to everyone who submitted a question!
Learn more about Andrea and her publishing house here.
For those who don’t already know, I’m the Social Media Coordinator for the SCBWI Oklahoma Region, and I host a Twitter Chat once a month for our members, although anyone is welcome to join in the conversation. We meet on the fourth Tuesday of the month (and sometimes on additional special dates, too) from 7-8pm CST and we use the hashtag #okscbwichat. If you’ve ever been curious about a Twitter Chat, come check ours out! They are always interesting. And we love meeting new people.
I’m so excited to announce the schedule for our FOURTH season of #okscbwichat! I can hardly believe we already have three years under our belt. Wow!
(If you’re feeling nostalgic, you can go back and view any of our previous chats here.)
We had a lovely topic chat in January all about mentor texts and how they can help you be a better writer. You can view that conversation here.
In February, we start our guest chats. We have a nice line up of guests this year. Let me introduce them to you:
February 6th – Allison Remcheck – SPECIAL CHAT DATE
Literary Agent Allison Remcheck is an Associate Agent with the Stimola Literary Studio. She is drawn to voices that speak for themselves, stories that only the author can tell, and books that reflect the lives of every child – especially the ones told least often. Allison will also be speaking at our spring conference in April.
Daniel Nayeri is a Publisher at Macmillian. He is also an author of a few children’s books himself, including his latest book, STRAW HOUSE, WOOD HOUSE, BRICK HOUSE, BLOW. Daniel and his family immigrated to the United States when he was eight years old and arrived in Oklahoma. Daniel will also be speaking at our spring conference in April.
Hannah Mann is a Junior Agent with Writers House Literary Agency. Hannah started as an intern in the New York office before becoming Steven Malk’s assistant. She’s had the privilege of working closely with a variety of talented bestselling and award-winning authors and illustrators of works ranging from very young picture books to middle grade to young adult. Now as a Junior Agent, she’s seeking clients from those genres. Hannah will also be speaking at our spring conference in April.
Chad Beckerman is Creative Director for Amulet Books, Abrams Books for Young Readers and ComicArts. Chad oversees the design of picture books, novels, and graphic novels.
He is the designer behind such successful children series as DIARY OF A WIMPY KID, ORIGAMI YODA, Nathan Hale’s HAZARDOUS TALES, FRANK EINSTEIN, THE TERRIBLE TWO, and Bill Nye’s JACK AND THE GENIUSES. He has also designed several bestselling picture books including ROSIE REVERE, ENGINEER, TROMBONE SHORTY, VEGETABLES IN UNDERWEAR, and Jillian Tamaki’s upcoming THEY SAY BLUE.
He has had the honor of working with many amazing illustrators including Jeff Kinney, Jillian Tamaki, Dan Santat, Victo Ngai, Sophie Blackall, David Roberts, Art Spiegelman, Jules Feiffer, and John Hendrix most recently on his DRAWING IS MAGIC. Chad will also be a speaker at our spring conference in April.
April 29th 1:00PM – Zoe Waring – SPECIAL CHAT DAY AND TIME!!!
UK Illustrator Zoe Waring joins us on a special day and time – Sunday April 29th 1:00-2:00pm CST. Author and illustrator of NO HUGS FOR PORCUPINE, illustrator of TRUCK, TRUCK, GOOSE (with Oklahoma author Tammi Sauer), CAT AND DOG, and the upcoming PEEPING BEAUTY (with Oklahoma author Brenda Maier).
Zoe Waring has always loved the warmth and humour found in children’s picture books, and is a little obsessed with cute animals… just a little bit. She also loves drawing, has a rather silly sense of humour and a vivid imagination. You can begin to understand why she believes she has THE best job in the world!
Heather is the Managing Director of Pitch Madness, Pitch Wars, and #PitMad – contests that help match writers with agents. Previously an Editor/Ambassador for Cornerstones Literary Consultancy US, Heather now freelance edits full time. She’s been an agent intern for over a year. She’ll be answering all of our questions about pitch contests. You can learn more about these contests at pitchwars.org.
Pablo Cartaya is the author of the acclaimed middle-grade novel, The Epic Fail of Arturo Zamora (Viking, 2017); Marcus Vega Doesn’t Speak Spanish (Viking, 2018); and two forthcoming titles in 2019 and 2020 also to be published by Viking. He is a Publisher’s Weekly “Flying Start” and has received starred reviews from Kirkus, Booklist, and Publisher’s Weekly.
He is the co-author of the picture book, Tina Cocolina: Queen of the Cupcakes (Random House, 2010), a contributor to the literary magazine, Miami Rail; the Spanish language editorial, Suburbano Ediciones; and a translator for the poetry chapbook, Cinco Poemas/Five Poems based on the work of poet Hyam Plutzik. Pablo visits schools and universities throughout the US and currently serves as faculty at Sierra Nevada College’s MFA in Creative Writing.
(We have some surprises planned for the summer chats that we’ll be announcing later in the year. Stay tuned!)
September 25th – Ashley Nixon
Ashley Nixon-Amador is the author of the YA fantasy CUTLASS series. She graduated from the university of Oklahoma and has a Masters in Library Sciences and Information Studies. She is a Gates Millennium Scholar Alumni. She loves pugs, libraries, and eyeliner. Ashley lives in Oklahoma with her husband.
Sue Lowell Gallion, former Kansas SCBWI RA and PB author of the PUG MEETS PIG and PUG & PIG TRICK-OR-TREAT books, which both received starred reviews, writes for children because she is passionate about children, reading, and any combination of the two. Sue’s debut picture book,
PUG MEETS PIG, illustrated by Joyce Wan (Beach Lane Books/Simon & Schuster) is now in its second printing.
We are definitely saving the best for last, here. Sue spoke at our Tulsa SCBWI Anniversary Dinner last year and she was just a delight. Her picture books are so adorable and she’s incredibly knowledgeable about so many things and she is generous with that knowledge with her fellow SCBWI people. You will love chatting with her!
As always, we take November and December off for the holidays. Looks like it’s going to be a great year for chats! (And I’m already starting on next year’s schedule – can you believe it?) Don’t forget, if you have anyone YOU want to see as a guest, let me know and we’ll be sure to invite them if we can.
Our next chat is coming up soon. Hope to see you there!
Welcome to Part 3 of the conference highlights. To catch up on previous posts, you can view Part 1 and Part 2 before continuing.
The final day always comes too quickly, and yet is still somehow packed with a ton of literary goodness. We started off the day with the Picture Book Panel (which included our very own SCBWI Oklahoma star PB author Tammi Sauer!) and ended with an inspirational send off by the amazing Laurie Halse Anderson followed by the always fun autograph party.
Did I mention that there was dessert with Judy Blume in the middle? Crazy, I know! What a fabulous day!
Laurent Linn led this awesome discussion about picture books. He had each panelist introduce themselves first before the questions began.
Leuyen Pham — She’s worked on about 90 picture books and she said picture books are the closest you can come to whispering in a child’s ear. The search for characters is always a lot of fun for her. She does background and research on the characters before starting. There’s an emotional move from line drawing to art – analytical turns off to the imaginative.
Javaka Steptoe — He said he’s not just trying to create art, but an experience. He’s trying to feel what the character is feeling when he’s creating. He thinks back to when he was a child, when he was drawing, making noises, to create that moment on the paper, the experience.
“I don’t want to just draw a picture.”
When he uses found objects, he’s using things that have had a life. That brings a richness. It’s there, it’s alive. For kids, when they see something they identify – like, wow, I have that in my house – it’s a bridge.
He’s always thinking, “How can I bring you into my world?”
Learn the details of a moment; it’s about the subtleties and how it creates the big picture.
Tammi Sauer — (Tammi may have received a giant shout-out of ‘OOGA!’ from her Oklahoma SCBWI fan club when she was introduced. Maybe.)
She then flawlessly went on with her stellar presentation and gave her three favorite writing tips for creating relatable characters readers will care about. Make sure to follow her ARF formula:
A – Active
Raúl Colón — For his latest picture book, his editor told him that the pictures were telling the story. She told him to get rid of the words. That’s how DRAW! become a wordless picture book.
When beginning a new manuscript, he starts with sketches. Vision of pictures have to come to him as he’s reading or he won’t be interested in working on it. He plays music while working, He gets lost in the work, especially while doing the final art.
Question #1: What’s the first step in a new creation?
Tammi Sauer — Come up with a fresh idea. Celebrate the weird. Ideas are everywhere. Your job is to capture them.
Raúl Colón — I agree. I was inspired by an exhibit I came across.
Leuyen Pham — My first step is hard. Every book is a reinvention of myself. I freak out. I have to leave my studio. Take a sketchbook and just start sketching. While actually working, I can’t look at others’ work.
Javaka Steptoe — I agree with what everyone just said. You have to find some idea that sustains you. Ideas can come from anywhere. From life. You shouldn’t force a story. It should be fluid. I think about the background materials – asphalt for Swan Lake, wood for Jimi Hendrix.
It looks effortless, but it takes lots and lots of work to get there.
Question #2: Picture books can seem simple. When you have something to say, how do you balance this?
Raúl Colón — In the book ALWAYS MY DAD (by Sharon Dennis Wyeth) a story about divorce, it could’ve been tricky, but we made it as joyful as possible by showing all the things they could do together – focused on hope.
Leuyen Pham — I tend to stay away from stories like that. My approach tends to be more subtle. I’ll find a way to work them into the pictures. For example, two lesbian mothers pictured that are not mentioned in the story.
Her favorite writers are those generous enough to let some words go.
Tammi Sauer — I try to keep the 4 year-old version of my son in mind. Something kids connect with, something with humor. He would either give two thumbs up or say, ‘Wow, that’s a dud’.
Keep it subtle – don’t beat people over the head with a message.
Javaka Steptoe — The story is the most important thing. If it’s not a page-turner, take it out. The writer can show you the road, the illustrator can show you the beauty of the road.
Question #3: What is your purpose?
Tammi Sauer — Something kids can connect with – humor and heart.
Raúl Colón — Something they don’t see every day.
Leuyen Pham — Making another one of me. Feeling an intimacy with a book that will touch that kid.
Javaka Steptoe — I just want to talk with people. Write children’s books like a letter we send back out into the world and we keep going.
STEPHANIE GARBER SHARES SAGE ADVICE
Stephanie Garber, who already gave an outstanding breakout session, now dazzled the entire conference with her keynote address. She shared some sage advice she’s learned along her journey as a writer thus far.
The story of her overnight success took seven year. Seven years and five novels. Yes, it wasn’t until the fifth complete novel she wrote that she started to see positive responses to her writing from queries. That fifth book is the one that landed her the agent. And the sixth book was the one that finally sold – CARAVAL.
There was a lot of doubt and questioning of life choices before that book sold, so what helped her keep going and get through that sixth book?
Stephanie said these things were key to her success:
Write the book you’re brutally obsessed with — After all, your readers won’t feel something you don’t. (Please don’t write a book that’s safe.)
Deal with the things you’re afraid of — (She wanted to get an agent, but she didn’t want to go to a conference to get one – she was terrified of conferences.) There’s something very powerful about confronting fears and it’s better to do it before you’re published. Make your mistakes now. Besides, once you publish, things don’t get easier.
Let Go — Great things come from letting go. A manuscript can be salvaged, and it can be good to persevere. But it can also be a good thing to let go of ideas. It’s dangerous to latch on to the idea that you know everything. There’s always something to learn, especially about craft or the industry.
Read Widely –Don’t just read, read deeply. Make a personal list of what inspires you. What books do you want to emulate? (Your Cannon) Write the kind of books you want to read.
GOLDEN KITE LUNCHEON
The Golden Kite Luncheon and Awards Presentation was beset by a wee bit of a crisis this year when by some twist of fate, the kitchen only prepared place settings (and meals) for half the number needed. Our group was lucky enough to acquire a table, and reparations were made to those who didn’t, but they sadly missed out on a fabulous conversation between Lin Oliver and Judy Blume that took place during dessert.
For most of the conversation, I sat there mesmerized. Judy cast us all under her spell, as she is prone to do. I do remember that Judy talked about how writing saved her life, literally. And how it changed her life. Lin asked her if she’s retired from writing. Judy said that she’s written everything she’s wanted to say, “But there’s this one little thing…”
That got the whole room very excited!
Now that she’s (semi) retired from writing, she’s still surrounded by books at Books and Books, the independent bookstore in Key West she and her husband George have opened. She also invited everyone to come visit – but maybe not all at once.
She also talked about how much an organization like SCBWI would have meant to her when she was a young writer, which is why she is such a big supporter of it now, and why she’s on the board.
One quote I came away with was when she was talking about determination – “You can have all the talent in the world, and if you’re not determined, you’re going to let something stop you from doing it.”
How much do we love Judy Blume?
BREAKOUT SESSION – KWAME ALEXANDER AND ARIELLE ECKSTUT TALK ABOUT THE BUSINESS SIDE OF THINGS
Kwame and Arielle were wonderful and shared so many fantastic ideas. My absolute favorite thing that Kwame said was that a big part of his success was starting local. Embracing local bookstores and developing relationships with local owners long before you’re published should be a priority.
He was also very creative when it came to marketing. He once had 50 friends call a bookstore and ask for his book before he called them himself to ask if they’d like for him do a signing there. SMART!
He also called anybody he knew connected with morning radio shows and read poems on the air. (And I can only guess how effective that must have been, because when you hear him read his poetry, it is really something.)
Always have a plan that has reach – stretch goals. Constantly create opportunities.
Remember, you are the main driver of your book’s publicity.
So many great things, I could have listened to them spout off ideas for another hour or two.
CLOSING TIME – FINAL KEYNOTE LAURIE HALSE ANDERSON
Laurie Halse Anderson greeted us and gave a special shout out to any introverts who were present (no small task!). She acknowledged how difficult it was to carry the bubble of love, the place of acceptance and understanding, we’d created in our conference back home with us after the conference ends.
She gave us a few secrets to help carry this feeling home:
“You are the boss of your brain, and your brain is the boss of your emotional state.” She’s done the research. She then suggested we take a cue from the country of Denmark and embrace the idea of “hygge”. A warm, pleasant, and comfortable atmosphere. Void of annoyance or distraction, at total ease.
Get Started! You have to give yourself permission to suck. Revision is about clarifying. If you can just get started with your suckage, doing your art makes you feel better!
Creating books for children is a tremendous privilege and responsibility. We create for the luckiest audience who will ever live.
Choose to make messy art whenever you can.
It was a wonderful way to send us off. What a fantastic conference!
I may have gone a little overboard with buying books, but I actually showed some restraint and stopped myself way before I had to buy a second suitcase. I may not enjoy the mad dash and waiting in long lines takes to get all of these treasures signed – honestly, it’s the closet thing I come to experiencing Black Friday, and I barely survived it – but dinner with friends is at the end. And along the way, I do get to meet and thank these authors who have written books I enjoy. Worth the suffering of crowds and long lines? I think so.
For the first time ever, I was able to attend the Intensive workshops following the conference on Monday – so worth it!
After all the workshops were over, our group had our final meal together and the staggering flights back home began. Before we knew it, it was time to say goodbye to LA…until next year!
Hope you’ve enjoyed the highlights of the summer conference! I thoroughly enjoyed attending!
Gaye Sanders is one of the local talents from our SCBWI OK group whose debut picture book, THE SURVIVOR TREE, is coming out this week. I’m delighted she’s stopped by to talk with us about it.
Gaye has been teaching elementary children for over 30 years and is currently a fourth-grade teacher in Mustang, Oklahoma, a suburb of Oklahoma City.
She is an active member of the Oklahoma Region of SCBWI and will assume the monumental role of Assistant Regional Advisor this coming December. We’re excited to have you on board!
Gaye was in Oklahoma City on April 19, 1995, when the Alfred P. Murrah Federal Building was bombed, killing 168 people, 19 of whom were children under the age of six. Every year she makes sure to share the historic story of the Oklahoma City bombing with her students.
Before the interview, let’s take a closer look at Gaye’s book:
*A portion of all books sales will go to the Oklahoma City National Memorial and Museum in downtown Oklahoma City.
A family plants an American elm on the Oklahoma prairie just as the city is taking root—and the little tree grows as Oklahoma City grows until 9:02 a.m. on April 19, 1995, the day America fell silent at the hands of one of its own.
As rubble from the Alfred P. Murrah Building in Oklahoma City, Oklahoma, is cleared, the charred tree—its branches tattered and filled with evidence—faces calls that it be cut down. The only obstacle: a few people who marvel that, like them, it is still there at all.
The next spring when the first new leaf appears proving the tree is alive, word spreads like a prairie wildfire through the city and the world. And the tree, now a beacon of hope and strength, is given a new name: The Survivor Tree. (Plot summary from author’s website.)
Valerie Lawson: What was the inspiration for this book?
Gaye Sanders: When you are a writer, you rotate between writing, editing, and revising. But you are also, at all times, thinking about what your next story will be.
Many times, we choose the story we are writing. We may get a spark of an idea, and work to develop it into a full story. But sometimes, in those rare moments, a story finds us.
Almost four years ago, on a visit to New York City, my sister and I got to experience the 9-11 Memorial. During our visit to the gift shop, I discovered a book about the 9-11 Survivor Tree. Until that moment, I had not realized they had a survivor tree.
Their tree has a much different story than ours. It was recovered from some of the rubble and replanted, nursed back to health and transplanted to the grounds when the memorial was finished.
I decided to buy that book, and then find the book about our Survivor Tree. I came home and began to look for one, and that was when I discovered there wasn’t one.
There needed to be. That idea sat on my heart for a couple of years. The seed of the idea planted itself there, and wouldn’t go away. And, I knew that a story had found me. A story that needed to be told.
VL: How fascinating! From one survivor tree to another. Love it!
This is a very emotional story still for many Oklahomans, did you find this a difficult thing to translate into a picture book format?
GS: I think that turning it into a picture book softened the subject matter. There were a lot of hard details that have been omitted, because they simply aren’t appropriate for the age group. But through the entire story of the tree, the bombing, and the healing afterwards, the theme is love conquers hate and hope can bring you through even the darkest times. Along with the promise that we will never forget.
VL: You tell this story from the perspective of the Survivor Tree at the Oklahoma City National Memorial, located on the site of the Murrah Federal Building bombing, what were the benefits/challenges to using a tree as your main character?
GS: Writing a book about this subject for children presented its own set of challenges. The story needs to be told, but in a more delicate manner, so as not to scare them about our world. I wrote my first version in third person, but it didn’t have the heart I wanted it to.
As writers, we often gain inspiration for our works from other books or pieces of literature. I reread The Giving Tree by Shel Silverstein. And even though that book is set in third person, that’s when it hit me. The tree needed to tell this story.
When I changed the point of view, I knew it was the right thing to do.
VL: Ah! THE GIVING TREE! Another tree giving your story inspiration. Let’s hear it for the trees!
You were able to visit the Memorial archives for your research, what was that experience like?
GS: The Oklahoma City National Memorial was more than helpful in allowing my research. I was honored to spend an entire day in the archives, going through photos, evidence lists, FBI notes, and more. It was a crucial part of the research. But, you can’t research something like this without feeling it from the very depths of your soul.
I lived here when this awful travesty occurred, I knew people who lost family members, and I knew others who survived. So, needless to say, I have shed more than my share of tears through this journey.
VL: Tell us about your writing journey. How did you begin to write books for children?
GS: I began thinking about writing for children over ten years ago. Having been around children’s literature basically my entire life, I thought I knew all I needed to know to write my own books.
I knew absolutely nothing about what I was doing, or how the publishing industry works.
It wasn’t until I joined SCBWI that I learned enough to really begin writing. It has been such a great journey, and I would not be where I am today without this amazing organization. And tribe. I have made lifelong friends, and I feel like the luckiest girl in the world.
VL: Woohoo! Yay, SCBWI! Best thing I ever did for my writing, too.
Tell us something about your childhood. As a young kid, what was the worst trouble you ever got into?
GS: I was one of those kids who really didn’t get in trouble much. Probably the biggest trouble was staying out too long on my bicycle.
Until I was a Senior in High School. I got my first “licks” with two months of high school left to go, because two of my friends and I told our bookkeeping teacher we were going to the library, when all along we were planning to go get cinnamon rolls in the cafeteria.
Yep. Got caught and got paddled.
VL: Oh, no! First time out and caught!
What was the scariest thing that you ever experienced as a kid?
GS: I grew up in a small, sheltered town. Probably the scariest thing was when my older sister, a friend of mine, and I were all at home alone one night, and heard a tap on the window. It was a peeping Tom! In Fritch, America!
The scariest moment in my childhood was probably the assassination of President Kennedy. I’ll never forget the moment they broke in on “As the World Turns” (I wasn’t in school yet) and Walter Cronkite announced that the President had been shot. The world stopped. And even though I was only five, I knew that our world had changed overnight.
VL: Wow. That was life-changing. Even at five.
What has been your favorite book to read/book you’ve been most excited about over the past year?
GS: That’s such a hard question, and there’s no way I can narrow it down to one. So, here are my top three of the year:
And, believe it or not, I had never read The Outsiders by S.E. Hinton before this year.
Every one of these touched me deeply, and were un-put-downable.
VL: Absolutely loved THE CROSSOVER. So, so good! Of course, I blazed through THE OUTSIDERS when I read it a long time ago. Wouldn’t mind reading it again. The 50th anniversary edition just came out! I’m just now starting to read Jen Latham’s book. I’ve been so looking forward to it!
What’s next for you? What are you currently working on?
GS: I am currently in the trenches of Pitch Wars. For those of you who don’t know what that is, go to www.pitchwars.org. It’s a fabulous process, where you submit to be matched with a mentor. You work with them for two months to get your manuscript ready for the agent round. My current WIP is called HURRICANE HARPER. It’s a contemporary fiction, middle grade set in coastal Mississippi.
In the editing lulls for Pitch Wars, I’ve started outlining my next one. It has a title right now of “1972”. It’s historical fiction with an alternate set of events, set in Washington D.C. Let’s just say it has something to do with a certain wiretapping activity that occurred that year.
And, I have a couple of ideas for picture books to follow up The Survivor Tree. They both have a connection to things that are tied to the Oklahoma City National Memorial.
VL: That all sounds fascinating! And good luck with Pitch Wars, Gaye! We’ll be routing for you!
Thanks so much for joining us. It’s been a pleasure talking with you.
For those who are interested and who live within traveling distance, Gaye is having a book launch for THE SURVIVOR TREE on Saturday, November 4th, from 1-3pm at the Oklahoma City National Memorial and Museum. The event will be held under the Survivor Tree, weather permitting. The book launch will move inside the foyer of the museum store in the event of inclement weather.