SCBWI OK Spring Conference Recap Part II – Persistence, Professionalism, and Success in Action

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Welcome to Part II of this conference recap. View Part I here. As anyone who’s ever been to any conference or workshop knows the post-lunch slot is a demanding one. You are fighting afternoon sleepiness. You are fighting full-belly fatigue. Our next speaker was up to the challenge and did not disappoint. 2017-scbwi-spring-conference-flyer

 

SATURDAY AFTERNOON

Ally Carter returned to the podium to give a solo talk that all writers could definitely benefit from hearing.

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever.

Ally gave a fantastic talk entitled, “Dear Ally: A Letter for Baby Author Me”, where she discussed many of the mistakes she made as a beginning author. They were so insightful and encouraging.

Here are a few of my favorites:

Nothing sells backlist like frontlist.

Her first book sold about 5 copies, and yet she spent a LOT of time and money promoting that book. She learned the hard way that the best way to promote your last book is to write your next book. The first book in her Gallager Girls series didn’t hit the NY Times Bestsellers’ List, but the second one did. And once it did, the first one did too.

The type of book and the quality are the only things that authors can control. The rest of marketing that authors do may not effect sales very much.

Some people will tell you that making writer friends is going to be good for your career. They’re wrong. These friends are going to be good for your LIFE.

I have never heard a truer statement. My writer friends are the most important ones I have. They understand what it means to struggle with this creative life we have chosen and they support me through it all.

Twitter lies.

Nobody ever shares the bad news. You can’t judge your career based on the career of other people. You don’t really know how their careers are going and it doesn’t help you to worry about it.

There’s no one way to write a book.

You never learn how to write a book. You just learn how to write the book you’re writing right now. And every book will probably have a month where it gets hard.

She had so many other fantastic pearls of wisdom to share. I just loved her talk.

She closed with this:

What you do matters. If you make a kid feel happy for a little while, that’s a great thing.

Truly fantastic. Thank you, Ally.

Follow Ally on Twitter here. Follow Ally on Instagram here.

 

Our next speaker shared ways to add heart into our writing.

jill-santopoloJill Santopolo – Editorial Director with Philomel Books

Jill received a BA in English literature from Columbia University, an MFA in writing for children from the Vermont College of Fine Arts, and a certificate in intellectual property law from NYU. As the editorial director of Philomel Books, an imprint of Penguin Young Readers group, she has edited many New York Times bestselling and award-winning authors including Atia Abawi, Terry Border, Chelsea Clinton, Andrea Cremer, Lisa Graff, and Alex London. She’s the author of the Sparkle Spa series, the Alec Flint mysteries, the Follow Your Heart books, and the upcoming adult novel The Light We Lost. An adjunct professor in The New School’s MFA program, Jill travels the world to speak about writing and storytelling. She lives in New York City.

Jill inspired us all with her talk entitled, “Getting to the Heart of the Matter”. A talk about emotion. She began by asking the purpose of art. To connect with readers/viewers by creating empathy, understanding, or a cathartic experience. In essence, some kind of connection.

In writing, to get that connection, we use “show don’t tell”.

Why? Because You feel it instead of see it.

Connection.

How? Sound, syntax, and word choice.

Jill gave many examples of how word choices and sentence structure effected a specific passage.

For example, shorter clipped sentences can convey anger or intensity.

Pauses have power.

Linking certain words to specific characters tell us how to feel about each character – ‘buzzy’ and ‘roared’ versus ‘lounged’ and ‘sippy’ give us very different feelings.

Like an artist uses brush strokes and color choices, a writer uses sentence length and word choice to create moods for evoking emotions.

 

Prior to the conference, Jill participated in a Twitter chat with us. You can view the Storify version of our conversation with Jill hereFollow Jill on Twitter here.

 

The next speaker had much to discuss and much wisdom to impart for the pre-published among us.

lindacamachoLinda Camacho – Literary Agent with Prospect Agency

Linda joined Prospect Agency in 2015 after a decade in publishing. After graduating from Cornell University, Linda interned at Simon & Schuster and Writers House literary agency, and worked at Penguin and Random House before making the leap to agenting. She has an MFA in creative writing from the Vermont College of Fine Arts.

 

Linda’s talk entitled, “Your Personal Hero’s Journey – Going from Pre-Published to Successfully Published” was full of fantastic advice. One of the main ideas was you need to get used to rejection.

“I get rejected with my clients.”

She went over some surprising facts about rejection from a Psychology Today article. Here are a few:

  • Rejection runs along the same pathways as physical pain.
  • Tylenol can reduce the pain of rejection.
  • Rejection temporarily lowers IQ.
  • Rejection does not respond to reason.

Fascinating, right?

Linda went on to show several examples of rejections from writers who went on to succeed. She said embrace rejection. It means you’re a real writer.

Today’s common rejection? “It’s not for me.”

This can happen even when there’s nothing wrong with your manuscript. You cannot control rejection.

There are things you CAN control:

  • Dump your excuses – “I don’t have the time”, “I’m not talented enough”, “I’m afraid of failure”, etc.
  • Write the book – Pick a routine, any routine.
  • Hold yourself accountable
  • Learn the business
  • Read. A Lot.
  • Get used to revising!
  • FIND A WRITING COMMUNITY – so key when faced with rejection and cloistered when working. The writerly brain is unique. We need some understanding.

She had so many other fantastic suggestions. Such a great talk!

Visit Linda’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Linda participated in a Twitter chat with us. You can view the Storify version of our conversation with Linda hereFollow Linda on Twitter here.

 

Our final speaker of the day asked us what we were willing to do to succeed.

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

Kristen gave the final talk of the day entitled, “What Will Your Then and Now Story Be?” It was quite inspirational.

She started off with some background on how she started her literary agency by making a business plan and selling her house to fund it. She worked out of her much smaller new house for six months before closing her first deal.

She then asked, in pursuing our dream, “Do you want it badly enough to change?”

  • To allow yourself zero excuses?
  • To get rejected A LOT?
  • To reinvent yourself?
  • To change jobs to have more time to write?
  • To write the fifth novel when four novel didn’t launch your career?

She asked more tough questions and gave examples of authors who’d gone through each of these situations, and then went on to succeed.

Every author faces obstacles. On average, four is the magic number. That’s four manuscripts before you write the one that sells.

Visit Kristen’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Kristen participated in a Twitter chat with us. You can view the Storify version of our conversation with Kristen hereFollow Kristen on Twitter here.

 

BOOK SIGNING

Immediately following the end of the conference, there was a book signing for published authors and our speakers. (Code for time to buy more books!)

 

Great time to get my copy of Jennifer Latham’s new book DREAMLAND BRUNING signed. I attended her book release, but they sold out before I even arrived! (Not a bad problem to have, honestly.) Such a great turn out!

 

This is my fourth signed book by Ally Carter and I adore them all. She’s such a delight. (Even if she is an OSU fan!)

That’s a wrap for another outstanding spring conference. Thanks to everyone who made it possible and to all of our fantastic speakers! You were amazing and so inspiring.

 

 

SCBWI OK Spring Conference Recap Part I – Persistence, Professionalism, and Success in Action

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This year’s SCBWI Oklahoma Spring Conference set a high bar for future conferences. A month later and I’m still processing the wealth of information the speakers imparted. Here’s Part I of the brief recap!2017-scbwi-spring-conference-flyer

FRIDAY

This year’s conference began with something new, a warm up event on Friday evening. With three different options, I chose to attend the Friday Night Panel with Ally Carter, Matt Ringler, and Linda Camacho.

From left to right, our panel included NY Times bestselling author Ally Carter, Senior Editor at Scholastic Matt Ringler, and literary agent Linda Camacho of the Prospect Agency.

This fun and informative panel was asked everything from their views on professionalism to what keeps them reading a manuscript to what other agents and editors would say about them. Needless to say things got interesting!

Agent Linda Camacho addresses the crowd.

The three speakers held the attention of the packed room and started the conference off with great enthusiasm.

One of my favorite stories was from Ally Carter. When answering a question about professionalism, she commented that she was simply doing what her mother taught her when she wrote a thank you note to a very important book seller. She found out later that he actually kept it displayed. It was the only one he’d ever received from an author. A reminder that being thoughtful to everyone in this business can make a difference.

SATURDAY MORNING

Our first speaker of the day showed us the power and beauty of using fewer words to tell our stories.

katrinadamkoehler-2Katrina Damkoehler – Senior Designer with Random House Children’s Publishing

Katrina is currently a Senior Designer for the trade imprints of Random House Children’s Publishing, where she designs and art directs approximately 35 middle grade and picture book titles per year. She was previously Art Director at Amazon Children’s Publishing. Recent projects she art directed include the 2015 Geisel Award-winner “You Are Not Small” (Anna Kang/Christopher Weyant), “Grover Cleveland, Again” (Ken Burns/Gerald Kelley), and “This is My Book” (Mark Pett).

Katrina gave a talk entitled, “(Almost) Wordless Picture Books” where she gave examples of picture books that used few words to tell great stories. The (almost) wordless manuscripts may have as few as 50 words. With a limited word count, it’s helpful to have a road map. That’s why most wordless (or nearly wordless) manuscript submissions include illustration notes.

Here are some examples she shared:

THERE’S NO SUCH THING AS LITTLE by LeUyen Pham

 

 

 

CINDER-EYED CATS by Eric Rohmann

 

 

HELLO HIPPO, GOODBYE BIRD by Kristyn Crow

 

 

She also walked us through the illustration process – from submitted manuscript to finished book – for EAT, SLEEP, POOP by Alexandra Penfold.

Beginning manuscript for EAT, SLEEP, POOP.

Finished product! Cover and first few pages of completed book for EAT, SLEEP, POOP.

One thing she emphasized about nearly wordless picture books is that emotional expressions of the characters need to be extremely clear. After all, the illustrations are doing a lot of heavy-lifting with the story-telling.

 

To learn more about Katrina, follow her on Twitter here.

Prior to the conference, Katrina participated in a Twitter chat with us. You can view the Storify version of our conversation with Katrina here.

 

Next, a true power couple shared tips on how to write authentically for a YA audience.

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever.

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

NY Times best-selling author (and Oklahoma native) Ally Carter joined her agent Kristen Nelson to give a presentation together entitled, “‘So You Want to Write YA…Start by Asking the Right Questions!”.

One of those right questions was instead of asking how to learn teen slang, you should ask if you have a voice that appeals to teens.

Slang comes and goes, and is often regionally specific. Besides dating your manuscript, it can end up alienating readers instead of connecting them with your story.

Another great question was instead of asking if you can just age your characters up or down to ‘make’ your book YA, you should ask yourself if you’re telling a true coming-of-age story that will resonate with teens.

It’s not enough to have characters the same age as your readers. Age doesn’t equal connection. You have to engage your teen readers with a story they can relate to.

And this one was my favorite:

Q:   Should I alter myself when writing for teens?

A:   Ally – “Yes, write smarter.”

Kristen – “I’ve never heard a teen say, ‘I felt obligated to keep reading’.”

Teens expect the writing to be great from page one and will put a book down the minute it stops delivering.

 

To learn more about this dynamic duo:

Follow Ally on Twitter here. Follow Ally on Instagram here.

Visit Kristen’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Kristen participated in a Twitter chat with us. You can view the Storify version of our conversation with Kristen hereFollow Kristen on Twitter here.

 

The final speaker of the morning dazzled us with his presentation and his wit.

mattringlerMatt Ringler – Senior Editor with Scholastic

Matt is a senior editor at Scholastic specializing in chapter book, middle grade, and YA fiction. He is the editor of the Goosebumps series by R.L. Stine, the Game Changers series by Mike Lupica, the STAT series by Amar’e Stoudemire, and the Little Rhino series by Ryan Howard. His YA list includes the New York Times Bestseller Kill the Boy Band by Goldy Moldavsky and It’s Not Me, It’s You by Stephanie Kate Strohm.

Matt Ringler imparting his words of wisdom to our SCBWI OK crowd.
Matt took a group picture of us and posted it on Twitter since we would be doing the same to him. Well played. Did I mention he has a great sense of humor?

Matt spoke about “Writing Success at Many Levels”. He started out by giving us some background on himself (started as an intern for the David Levithan – can you say fangirling?) and some mind-blowing Scholastic stats (like Scholastic publishes 1 out of every 3 books, and first experience most kids have buying their own books is through Scholastic Book Fairs).

Matt moved on to talking about writing, and specifically about not fighting your own writing process, even if it changes from one book to the next. You change as your experiences grow – you’re not the same writer you were a few years ago. It’s okay for your process to change. Embrace it.

Matt shared an insight into his selection process. When deciding what projects to take on, Matt said, “To work on a book, it’s a year. It’s committing to a relationship. If it doesn’t feel right for me, I’ll pass on it.”

That’s another reason to not take it personally when your manuscript is rejected because an agent or editor didn’t love it enough. That doesn’t mean your work isn’t good, just that their commitment level wasn’t right for the relationship to work. You want your book to succeed and you want someone to champion your book. That’s going to require a strong commitment to your story.

Matt went on to discuss the different kinds of success:

PERSONAL

FINANCIAL

CRITICAL

LONGEVITY

READERSHIP

PROMOTIONAL

All aspects of success can build on each other. Writing is hard! Don’t forget to celebrate the little steps of success along the way.

 

To learn more about Matt, follow him on Twitter here.

Matt will be our guest for #okscbwichat on Twitter August 22nd from 7-8pm CST! We hope you’ll join us!

 

BREAK

Break time means networking (read “socializing”) and taking selfies with my writing friends!

 

with Catren Lamb
with Brenda Maier
with Regina Garvie

 

 

 

 

 

 

with Gwendolyn Hooks and my thumb
with Tammi Sauer
with THE Jerry Bennett

 

 

 

 

 

 

One of the best parts of writing conferences is connecting with my fellow writers (and the odd illustrator or two, Jerry). I love my tribe!

Stay tuned for Part II of the conference recap!

 

2017 SCBWI OK Spring Conference – Persistence, Professionalism, and Success

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Ah! Spring! My favorite time of year! And not only because I get to hang out with a lovely bunch of children’s literature people for an entire weekend, but also expand my brain at the same time. Our 2017 SCBWI Oklahoma Spring conference has so many excellent speakers attending, I can’t wait to hear them!2017-scbwi-spring-conference-flyer

The event begins Friday evening,  March 24th, and continues through Saturday, March 25th.

As always manuscript critiques, and portfolio critiques will be available in limited numbers, but this year there are also new additions, including Friday night sessions, paid face time with a professional,  off-site critiques, and an autograph party. Sounds fun!

 

Let’s meet our speakers:

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever. She’d tell you more, but…well…you know…

She will give the Keynote address entitled, “Dear Ally: A Letter for Baby Author Me”.

Follow Ally on Twitter here. Follow Ally on Instagram here.

 

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

To view what she’s currently seeking and submission guidelines, visit her agency website.

***Get to know Kristen before the conference! She will be a Special Guest during our Twitter chat on February 28th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Kristen here.

Follow Kristen on Twitter here.

 

jill-santopoloJill Santopolo – Editorial Director with Philomel Books

Jill received a BA in English literature from Columbia University, an MFA in writing for children from the Vermont College of Fine Arts, and a certificate in intellectual property law from NYU. As the editorial director of Philomel Books, an imprint of Penguin Young Readers group, she has edited many New York Times bestselling and award-winning authors including Atia Abawi, Terry Border, Chelsea Clinton, Andrea Cremer, Lisa Graff, and Alex London. She’s the author of the Sparkle Spa series, the Alec Flint mysteries, the Follow Your Heart books, and the upcoming adult novel The Light We Lost. An adjunct professor in The New School’s MFA program, Jill travels the world to speak about writing and storytelling. She lives in New York City.

***Get to know Jill before the conference! She will be a Special Guest during our Twitter chat on March 7th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Jill here.

Follow Jill on Twitter here.

 

lindacamachoLinda Camacho – Literary Agent with Prospect Agency

Linda joined Prospect Agency in 2015 after a decade in publishing. After graduating from Cornell University, Linda interned at Simon & Schuster and Writers House literary agency, and worked at Penguin and Random House before making the leap to agenting. She has an MFA in creative writing from the Vermont College of Fine Arts.

To view what she’s currently seeking and submission guidelines, visit her agency website.

***Get to know Linda before the conference! She will be a Special Guest during our Twitter chat on March 14th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Linda here.

Follow Linda on Twitter here.

 

katrinadamkoehler-2Katrina Damkoehler – Senior Designer with Random House Children’s Publishing

Katrina is currently a Senior Designer for the trade imprints of Random House Children’s Publishing, where she designs and art directs approximately 35 middle grade and picture book titles per year. She was previously Art Director at Amazon Children’s Publishing. Recent projects she art directed include the 2015 Geisel Award-winner “You Are Not Small” (Anna Kang/Christopher Weyant), “Grover Cleveland, Again” (Ken Burns/Gerald Kelley), and “This is My Book” (Mark Pett).

***Get to know Katrina before the conference! She will be a Special Guest during our Twitter chat on March 20th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Katrina here.

Follow Katrina on Twitter here.

mattringlerMatt Ringler – Senior Editor with Scholastic

Matt is a senior editor at Scholastic specializing in chapter book, middle grade, and YA fiction. He is the editor of the Goosebumps series by R.L. Stine, the Game Changers series by Mike Lupica, the STAT series by Amar’e Stoudemire, and the Little Rhino series by Ryan Howard. His YA list includes the New York Times Bestseller Kill the Boy Band by Goldy Moldavsky and It’s Not Me, It’s You by Stephanie Kate Strohm.

Follow Matt on Twitter here.

 

This year, Tulsa is the host city for the conference. Mark your calendars for March 24-25th. You won’t want to miss it!

For more information about our conference and to register for this event, CLICK HERE.

I hope to see you there!

Going the Distance with SCBWI OK Spring Conference 2016 – The Recap Part II

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We began the second half of the Oklahoma SCBWI Spring conference after a lunch filled with engaging conversation and good food – did you see the dessert? To die for! I always enjoy that our conference provides more intimate interaction with real industry professionals at each table.

2016-Spring-Conference-Flyer

The speaker in the challenging position after lunch was more than ready to keep us awake and attentive with his talk on creativity. A native Oklahoman, he introduced himself to our OK SCBWI group earlier this month when he was our guest for a special edition of our #okscbwichat. You can read about his Twitter chat here.

KarlJonesKarl Jones – Associate Editor with Grosset & Dunlap/ Penguin Young Readers.

Karl works on a variety of licensed and original middle grade and activity books, as well as some early YA projects. He acquired and edits the Just Jake series from New York Times best-selling kid author, Jake Marcionette and edits a middle grade/YA transition series by established stage and screenwriter, Justin Sayre-the first book in this series, Husky published in September 2015.

Karl gave a talk entitled, “Go the Distance by Cultivating Your Creativity” where he asked us all to define this big question:

“What does creativity mean to you?”

Karl talked about his educational history here in Oklahoma, and teased about his school resembling Hogwarts aesthetically, although much of the learning relied heavily on rote memorization. It wasn’t until college that he began to think critically. He also encountered his first major writing influence there, THE COURAGE TO CREATE by Rollo May.

Within its pages, he came to understand that being creative takes courage, in fact creativity demands courage. According to May, creativity defies social order; it makes other people uneasy.

 

OK SCBWI Spring conference pic 7
Cheers to an inspiring session on creativity by editor Karl Jones!

Knowing these things, how do we begin to cultivate creativity?

Failure is one way, and the way most of us learn.

Exposure to new experiences is another.

Karl encouraged us to say ‘yes’ to new experiences and to collect everything we create – to keep dream journals, idea hampers, or whatever it takes. The more you cultivate your work the faster your ideas will come. The important thing is to keep track of your ideas.

Once you’ve collected your ideas, you need to synthesize them. Part of this is making time to work. Another part is getting feedback from others – critique. The final step, as always, is revision.

Karl ended with a great quote:

“Recall how often in human history the saint and the rebel have been the same person.” – Rollo May

Follow Karl on Twitter here.

 

Our next speaker was also no stranger to this blog. She gave an outstanding interview to introduce herself prior to the conference. Her talk discussed the different types of humor and how they could be applied to a manuscript.

Sara SargentSara Sargent – Executive Editor at HarperCollins Children’s Books.

Sara acquires picture books, middle grade, and young adult fiction and nonfiction with a focus on pop culture, social media, and digital platforms. Previously she was an Editor at Simon Pulse, an imprint of Simon & Schuster.

Sara has worked with New York Times bestselling author Abbi Glines, National Book Award finalist Deb Caletti, Jennifer Echols, Julie Cross, Aaron Karo, and Martina Boone, among others. She also received her Master of Science in journalism from Northwestern University.

Sara’s talk entitled, “You’re Funnier Than You Think You Are”, showed how humor can vary from the overtly funny to something more subtle to a recurring joke spread throughout the entire novel.

“The involuntary laugh is such a strong response; I feel like you get me.” You make a connection with your reader when you accomplish this.

OK SCBWI Spring conference 8
Sara was so thrilled she made the local paper in an article about the conference that she requested additional copies from audience members.

One place you can add humor is in pitches or query letters. Sara said if a writer uses an engaging title or uses humor, it will stand out from the rest.

Another place one doesn’t see a lot of humor is in Girl YA books. She gave some examples of different types of humor from GALGORITHM by author Aaron Karo.

Things like:

Misdirection – Making someone think one thing, then going the other way.  She was feeling many things, “happy, sad, bored, and umami”.

Quirky Character Traits – Take this to its craziest conclusion. “He looked like a 1950s football star with knuckles that needed constant cracking.”

Specificity – Express the sharpest image in your mind. “Her nail polish is pink and her ring finger also sports a yellow smiley face. I hate the fact that I know this is called an ‘accent nail’.”

Sara also suggested going through your manuscript and highlighting the punchlines. You may find your comedy isn’t evenly dispersed, and you may need to revise. She suggests that you start with your best/funniest stuff at the beginning of your manuscript.

Learn more about Sara and read her Acquisitions Wish List here.

Follow Sara on Twitter here. Follow Sara on Instagram here.

 

Our final speaker of the day came to us via Skype from Australia, and he was well worth it. His talk about failure was strangely inspiring.

CarterHasegawa-257x300Carter Hasegawa – Associate Editor at Candlewick Press

Carter came to children’s publishing in a roundabout way. After a decade of working in grocery, followed by a two-year stint in textbook publishing, he left everything behind to follow his passion for children’s books, and he went back to school to get his MA in Children’s Literature from Simmons College.

Since 2008, he’s been a children’s bookseller at various independent bookstores in Seattle and in Cambridge, which he still continues to do part-time when not at Candlewick. Some of his favorite non-Candlewick books include: The Notorious Benedict Arnold, Jellicoe Road, Ready Player One, Three Times Lucky, and many, MANY more. Basically anything that has a great voice, is a good story, and is “unputdownable.”

Carter’s talk entitled, “You’re Gonna Lose. And That’s Okay” addressed the humungous elephant in the room – failure is a big part of writing.

OK SCBWI Spring conference 9
Carter speaking to us from Australia at 6am his time via Skype.

He started off by showing us a clip from the original Rocky movie where Rocky is expressing doubt about beating Apollo Creed. He adjusts his idea of success then. “All that matters is that I go the distance,” he says. (Ties in nicely to our conference theme, right?) He decides this because no one else has ever done it before. His idea of success is his own.

Carter applied this to writing and said, “The only barometer of failure to follow is your own.”

The only rule to follow with running is to show up. The same can be said of writing. “Sometimes just turning on the computer is a victory in itself.”

One perceived failure is that everything we write is crap. Chances are our first attempts will be abysmal.

“Writing is an exercise, a process.”

When we’re so used to consuming our entertainment as fast as we can, we expect everything to come that easy. Part of the rush is the need for validation. First drafts are rubbish. Maybe a character or a sentence are worth keeping, but the rest must go. Sometimes we’re not willing to do the work.

Another type of failure is cherry-picking critiques. When we do this, we hear only what we want to hear, then our writing doesn’t get any better.

Carter stated, “Some of you may not get published. Is this another type of failure?”

If the point of writing is to get published, you will fail.

What gets in the way of strong, honest writing, is focusing on getting published. You’ll suck the soul out of your story if this is your goal. Carter suggested adjusting your motivation slightly – write for yourself.

If writing is a process, then so is failure. Look at what went wrong, how you can learn from it, and correct it.

Understand how and why you are failing so you can make the best choices for your career.

Follow Carter on Twitter here.

Follow Carter on Instagram here.

 

We ended the day with a nice Q & A panel…

OK SCBWI Spring conference 10

…and then a festive dinner at a local restaurant.

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Again, I’ve blatantly stolen a pic from THE Jerry Bennett. He won’t even notice. What a nice looking group, am I right?

Great conference, great company, great information. Loved every minute of it! See you all next year!

 

 

 

 

Going the Distance with SCBWI OK Spring Conference 2016 – The Recap Part I

SCBWI OK Banner

 

This year’s Oklahoma SCBWI Spring conference “Go The Distance” was held in Oklahoma City where there were enthusiastic authors and illustrators ready to learn, an art room decked out with colorful portfolios ready to be viewed,  dynamic speakers ready to teach about pacing, humor, creativity, failure, and even what it was like to attend a school like Hogwarts.

What more could you ask for?

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Our first speaker of the day was no stranger to this blog as she gave an interview introducing herself prior to our conference. For her talk, she discussed pacing and how writers can improve it in their writing.

 

JodellSadlerJodell Sadler – Literary Agent with Sadler Children’s Literary

Jodell wrote her critical thesis on pacing picture books and earned her MFA in Writing for Children & YA from Hamline University, 2009 and started agenting a few years later, and most recently launched Kidlit College.  She hosts workshops and presents on pacing with Writer’s Digest. At Kidlit College, she brings in editors and agents to present and offers participants direct critiques. The webinars span from picture books (fiction and nonfiction) to MG/YA.

Jodell gave a talk entitled, “Pacing Picture Books & Beyond: Move Yourself to Action to Move Your Reader”. She discussed the 10 P’s of Pacing and gave examples of how carefully considering each one could improve a manuscript.

1.  Plot

2. Place

3. Play

4. Prosody

5. Poetry

6. Performance

7. Punctuate

8. Pause

9. Page Turn

10. Personality

OK SCBWI Spring Conference 1
Jodell Sadler using LAST STOP ON MARKET STREET by Matt de la Peña as an example of unique picture book voice.

She encouraged writers to release their inner spirit onto the page and to use all creative techniques at their disposal.

(This is a topic that she teaches through her Kidlit College for those not able to attend the conference.)

Follow Jodell on Twitter here.

 

Our next speaker was also no stranger to this blog or to our OK SCBWI group as she was our March Twitter chat guest. You can read about her chat here. For her talk, she encouraged all of us to view our manuscripts from the same perspective as agents, editors, and readers.

 

Victoria SelvaggioVictoria Selvaggio – Associate Agent with The Jennifer De Chiara Literary Agency.

Victoria has a strong background in business ownership, and she worked for over seven years as a volunteer and Regional Advisor for SCBWI: Northern Ohio. Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency in 2013.

Victoria’s talk entitled, “Does Your Manuscript Go the Distance?” encouraged writers to become knowledgeable in all aspects of writing and the publishing process. She provided several resources in an excellent, detailed handout.

The first section had a checklist of things to look for to ensure your manuscript was indeed ready to submit.

Things like:

Does it have clarity on intended genre, age group, and word count? And is it appropriate for each?

Does it have a strong opening sentence/paragraph?

Distinct voice of main character and sub-characters? Great dialogue and interactions?

Great pacing, tension, suspense?

Fluent sentence structure? Writing that is rhythmic-almost musical/graceful?

These were just a few of many. We took a closer look at how focusing on these questions could improve our manuscripts.

Victoria made an interesting analogy, comparing writing to road construction. We are the driver of our manuscripts. We want the ride to be smooth for our readers.

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A manuscript still a work-in-progress, in need of more revision.
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A manuscript fully polished, and ready to submit.

 

 

Pacing – “Balance is key.” You never want to take your reader out of the story because the pacing is too slow or to have them stop reading because the pacing is too intense.

Dialogue – All dialogue should advance the story. Make sure the characters are moving/gesturing naturally when they speak, not standing still like robots.

Voice – This is the unique way an author writes. Voice and tone are different. Voice captivates your reader and allows them to connect emotionally. If you struggle with voice, she suggests writing the way you talk.

Plot – Something has to change or happen. She likes to think of the plot as MAGIC = the Main character Always Grows In Conclusion.

Final thought – Mastering the skill to be constructive in your assessment of your own work is important. Have to think like an agent (would I represent this?) and an editor (would I acquire this?) and a reader (would I read this?) when evaluating whether or not your manuscript is ready.

Follow Victoria on Twitter here.

 

Our final speaker of the morning dazzled us with a peek into the world of art and design in picture books.

 

Jason HenryJason Henry – Senior Designer with Dial Books For Young Readers

Jason is also an illustrator. He designs a wide range of formats including picture books, non-fiction, YA novel jackets and interiors, and has also contributed illustrations to award-winning published titles.

He began at Dutton Design as a design assistant and was subsequently promoted to the position of Senior Designer.

Jason spoke on the topic, “The Marathon and Teamwork of Creating Picture Nice Work Franklin coverBooks”. For those who were new to the process of how a few, well-crafted words of a picture book manuscript turn into a finished, physical book, this was very enlightening. It is truly a labor of love.

For the rest of us, it was a pleasure to look at some amazing artwork, and watch how another great book came to life.

As one of his examples, Jason used NICE WORK, FRANKLIN!  written by Suzanne Tripp Jurmain, illustrated by Larry Day.

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Jason Henry details the steps of the design process for NICE WORK, FRANKLIN! to an enraptured audience. (Picture blatantly stolen from my buddy THE Jerry Bennett because mine was a little fuzzy and he loves me and will forgive me.)

I always learn so much from listening to the art directors and designers, don’t you?

Follow Jason on Tumblr to view his artwork here.

 

After Jason’s wonderful presentation, we took a break for lunch, so this is a great place to break for part I.

Stay tuned for part II, coming soon! It’s better than dessert. 🙂

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Dessert at lunch. Oh yeah, I ate them both. Soooo good!

 

2016 Reading Challenges Update – 1st Quarter Results

 

Reading Challenges Rock2

With the lofty reading goal of 80 books this year – more than I’ve ever read before – I’m hoping the three reading challenges I’m participating in will help spur me on to victory.

I’m on target so far with another 12 books under my belt, making my total for the year at a respectable 23 books read. I may just make that crazy goal, yet.

Let’s take a closer look at some of the new books I’ve read, shall we? Maybe you’ll find something that sparks your interest to add to your reading list.

 

ROCK-1#RockMyTBR 2016 Reading Challenge

New books I’ve managed to clear off my TBR pile:

GLORY (The Dust Chronicles #3) by Maureen McGowan

Mcgowan-Glory-CV-Front_031814-264x400This is the final book in the series that I started late last year. (I won signed copies of the first two books while participating in the YA Scavenger Hunt a few years ago – sweet!) Nice to finally finish the series and see the ending of Glory’s journey. She was a fun character.

Good read. Really enjoyed the series.

Glory is a Deviant. That is what she was always taught, growing up in the domed city of Haven. She has the power to kill with her gaze, but she’s learned to control this power and use it only against the monstrous Shredders who survive on the asteroid dust that mutated their DNA.

Now, living in a settlement Outside, Glory has the chance to embrace her “Gift” and reunite her remaining family. But she can’t hide from the threat of Shredder attacks or the knowledge of what Management is doing to the employees of Haven.

Can she face losing everything she has left to bring freedom to Haven? Will she choose the familiar safety of Cal’s love or risk Burn’s dangerous passion? Ultimately, Glory must decide how far she is willing to go to keep her family safe, and what it really means to be a monster. (Plot summary from author’s website.)

Learn more about Maureen McGowan here.

Follow Maureen on Twitter here.

Follow Maureen on Facebook here.

 

KIKI AND JAQUES by Susan Ross

Kiki and JacquesI received a copy of this book from the publisher from their fall catalog. This was a debut novel that had an intriguing premise, although it mostly fell flat for me. I reviewed this book in detail on the blog.

All in all, it wasn’t a great read for me, just an okay read.

Twelve-year-old Jacques’s mother has passed away, his father is jobless and drinking again and his grandmother’s bridal store is on the verge of going out of business. Plus he’s under pressure from an older boy to join in some illegal activities. At least Jacques can look forward to the soccer season. After all, he’s a shoe-in for captain.

But the arrival of Somali refugees shakes up nearly everything in Jacques’s Maine town, including the soccer team. So Jacques is surprised to find himself becoming friends with Kiki, a cheerful and strong-minded Somali immigrant. Despite their many differences they are able to help one another triumph over problems with friends, family and growing up. (Plot summary from author’s website.)

Learn more about Susan Ross here.

Follow Susan on Twitter here.

Follow Susan on Facebook here.

 

REQUIEM (Delirium #3) by Lauren Oliver

bookcover_home_requiemI read the first two books in this series about three years ago and then I somehow missed the last book until now. (I think I was waiting for it to come out in paperback.) Great series. I especially loved exploring the concept of love being a disease that made you insane. That whole argument about are we better off with our emotions or without them?

So glad I finally got to find out what happened to Lena.

Now an active member of the resistance, Lena has transformed. The nascent rebellion that was underway in Pandemonium has ignited into an all-out revolution in Requiem, and Lena is at the center of the fight.

After rescuing Julian from a death sentence, Lena and her friends fled to the Wilds. But the Wilds are no longer a safe haven. Pockets of rebellion have opened throughout the country, and the government cannot deny the existence of Invalids. Regulators infiltrate the borderlands to stamp out the rebels.

As Lena navigates the increasingly dangerous terrain of the Wilds, her best friend, Hana, lives a safe, loveless life in Portland as the fiancée of the young mayor. Requiem is told from both Lena and Hana’s points of view. (Plot summary from author’s website.)

Learn more about Lauren Oliver here.

Follow Lauren on Twitter here.

Follow Lauren on Tumblr here.

What books are waiting to be read on your TBR pile? Have you taken any books down from your TBR pile, lately?

 

2016 Book Riot Read Harder Challenge – There are some crossovers from list to list, so I’m choosing which ones count here.

There are always wonderful ideas given in the discussions of the Book Riot’s Goodreads Read Harder Group. I love looking through the conversations here – so many great reading suggestions for each category! (You can also follow the Twitter hashtag #ReadHarder, if you’re curious.)

 

Read HArder 1st Qtr

New books I’ve read for this challenge:

 

ANNA DRESSED IN BLOOD by Kendare Blake
(Read a horror book)

Anna Dressed in Blood coverAn agent who read the beginning of one of my WIPs suggested this book to me as a comp title. I have to say, it was enlightening, and it did help give me some great ideas for my own story. I don’t read too many horror novels, so it was nice to branch out and read a good book in a different genre.

The cover had a quote from a famous YA author I like, touting this book as, “spellbinding and romantic”. While I did really enjoy it, I didn’t exactly find it romantic.

Not one bit.

It was still definitely well worth the read…just maybe keep the lights on. ALL the lights. (Did I mention I don’t read may horror novels?) This book would count as definitely branching out of my comfort zone. Funny, since I’m now writing my first paranormal story. Probably need to read a LOT more like this. *shivers*

Cas Lowood has inherited an unusual vocation: He kills the dead.

So did his father before him, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father’s mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.

Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he’s never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.

Yet she spares Cas’s life. (Plot summary from author’s website.)

Learn more about Kendare Blake here.

Follow Kendare on Twitter here.

Follow Kendare on Facebook here.

 

REQUIEM (Delirium #3) by Lauren Oliver
(Read a dystopian or post-apocalyptic novel)

bookcover_home_requiem(See the description details above in the TBR challenge.)

Yes, I’m counting this book in two separate challenges.

Why? Because I can. 🙂

And because it seems like every dystopian book I’ve been reading lately has also been coming from my TBR pile. Go figure.

 

LADY MIDNIGHT by Cassandra Clare
(Read a book over 500 pages long)

Lady Midnight coverI absolutely love the Shadowhunters world and each series set there that Clare has written. I’ll read these books over and over and never tire of them. Says something right there about Clare’s storytelling ability, doesn’t it?

I’m especially excited about finally getting to read more about Emma and Julian, best friends with that extra parabatai bond. *swoon*

Did someone say chemistry? Clare has that in spades with her characters as well.

Fantastic story, which I devoured only too soon. I will be in agony until the next book in this new series arrives.

And that cover? Too die for!

In a secret world where half-angel warriors are sworn to fight demons, parabatai is a sacred word.

parabatai is your partner in battle. A parabatai is your best friend. Parabatai can be everything to each other — but they can never fall in love.

Emma Carstairs is a Shadowhunter, one in a long line of Shadowhunters tasked with protecting the world from demons. With her parabatai Julian Blackthorn, she patrols the streets of an secret Los Angeles where vampires party on the Sunset Strip, and faeries teeter on the edge of open war with Shadowhunters. When the bodies of humans and faeries start turning up murdered in the same way Emma’s parents were murdered years ago, an uneasy alliance is formed. This is Emma’s chance for revenge — and Julian’s chance to get back his half-faerie brother, Mark, who was kidnapped five years ago. All Emma, Mark and Julian have to do  is solve the murders within two weeks . . . before the murderer targets them.

Their search takes Emma from sea caves full of sorcery to a dark lottery where death is dispensed. As she uncovers the past, she begins to peel away the secrets of the present: What has Julian been hiding from her all these years? Why does Shadowhunter law forbid parabatai to fall in love? Who really killed her parents — and can she bear to know the truth?

The magic and adventure of the Shadowhunter Chronicles have captured the imaginations of millions of readers across the globe. Fall in love with Emma and her friends in this pulse-pounding, heart-rending new volume sure to delight new readers and longtime fans. (Plot summary from author’s website.)

Learn more about Cassandra Clare here.

Follow Cassandra on Twitter here.

Follow Cassandra on Tumblr here.

 

HOLES by Louis Sachar
(Read a book that was adapted into a movie, then watch the movie. Debate which is better.)

Holes CoverJust about every one of my writing friends could not believe it when I said I’d never read this book. “I’ve seen the movie” was not good enough. I promptly agreed to read this book as soon as possible. I’m glad I did. It’s a fantastic story and well told by Sachar. (And of course it’s better than the movie – which was pretty darn good.)

I watched the movie, again, after reading the book, and even though the acting was outstanding – how had I forgotten that Henry Winkler was in it? (I just met him at a book signing, so weird.) and I love Sigourney Weaver in anything she does – the book just delivers a stronger sense of emotional impact. It’s a little heavier, more realistic. You get a better sense of the relationships between the boys in the book and you feel how they suffer day to day at the camp. No Disney gloss-over. So my vote is a resounding, “the book was better”.

Stanley Yelnats is under a curse. A curse that began with his no-good-dirty-rotten-pig-stealing-great-great-grandfather and has since followed generations of Yelnatses. Now Stanley has been unjustly sent to a boys’ detention center, Camp Green Lake, where the boys build character by spending all day, every day digging holes exactly five feet wide and five feet deep. There is no lake at Camp Green Lake. But there are an awful lot of holes.

It doesn’t take long for Stanley to realize there’s more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. But what could be buried under a dried-up lake? Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption. (Plot summary from author’s website.)

Learn more about Louis Sachar here.

Follow Louis on Facebook here.

 

What books have taken you out of your normal reading pattern this year?

 

Bookish Cassie’s Reading Bingo Challenge – Cassie is the dynamic gal with a head of fantastic curls, always at the ready with great book recommendations. She writes the glorious blog Books and Bowel Movements that I just love. Cassie is doing this reading challenge on her Instagram account, which makes it fun and really easy.

If you’re on Instagram, feel free to join in with the hashtag #readingbingo2016. It’s that simple. You can find me on Instagram at litbeing. You can find Cassie there at bookishcassie.

Reading Bingo 1st Qtr

New books I’ve read for this challenge:

 

THE MIRROR KING (The Orphan Queen #2) by Jodi Meadows
(Book with more than 500 pages)

 

MirrorKing-HC-198x300I read Jodi Meadows’s debut novel INCARNATE a few years ago and I’ve been hooked ever since. I loved the whole Incarnate series, and I know going forward I won’t be disappointed when I reach for one of her books. I did torture myself by waiting to read this series until the second book was coming out because I know how she likes a good cliff-hanger.

I was so right! She loves torturing her readers!

Right after I closed THE ORPHAN QUEEN, (Arg! That ending was golden!) I immediately purchased THE MIRROR KING, the sequel and the conclusion to this duology. (I have to admit I haven’t read many of these!) That is the sign of great writing in my book – when you want to find out what happens next. Without delay.

Wilhelmina has a hundred enemies.

Her friends have turned. After her identity is revealed during the Inundation, Princess Wilhelmina is kept prisoner by the Indigo Kingdom, with the Ospreys lost somewhere in the devastated city. When the Ospreys’ leader emerges at the worst possible moment, leaving Wil’s biggest ally on his deathbed, she must become Black Knife to set things right.

Her magic is uncontrollable. Wil’s power is to animate, not to give true life, but in the wraithland she commanded a cloud of wraith mist to save herself, and later ordered it solid. Now there is a living boy made of wraith—destructive and deadly, and willing to do anything for her.

Her heart is torn. Though she’s ready for her crown, declaring herself queen means war. Caught between what she wants and what is right, Wilhelmina realizes the throne might not even matter. Everyone thought the wraith was years off, but already it’s destroying Indigo Kingdom villages. If she can’t protect both kingdoms, soon there won’t be a land to rule. (Plot summary from author’s website.)

Learn more about Jodi Meadows here.

Follow Jodi on Twitter here.

Follow Jodi on Facebook here.

Follow Jodi on Instagram here.

Follow Jodi on Tumblr here.

 

THE FIVE RED HERRINGS by Dorothy L. Sayers
(A book with a mystery)

Five Red HerringsI enjoy a good old fashioned murder as much as the next person. And I thoroughly enjoyed reading my first Dorothy L.  Sayers novel last year, STRONG POISON. This one, I’m sorry to say, fell a little flat for me. Missing not only the fantastic chemistry between Lord Peter and Harriett (whom I hope returns very soon!) but also missing was some clarity.

In understandable dialect for one thing! The Scottish vernacular was so thickly shown that I had difficulty discerning what was being said much of the time – NOT ideal in a mystery novel! And the plot was a little lackluster as well. Still, I did adored the scenes with Lord Peter in them, especially when he was full of enthusiasm for a good murder. I hold out hope that the next book in the series will show this one to be a mere stumble.

During a painting retreat, a killer takes a creative approach to the ancient art of murder

The majestic landscape of the Scottish coast has attracted artists and fishermen for centuries. In the idyllic village of Kirkcudbright, every resident and visitor has two things in common: They either fish or paint (or do both), and they all hate Sandy Campbell. Though a fair painter, he is a rotten human being, and cannot enter a pub without raising the blood pressure of everybody there. No one weeps when he dies. Campbell’s body is found at the bottom of a steep hill, and his easel stands at the top, suggesting that he took a tumble while painting. But something about the death doesn’t sit right with gentleman sleuth Lord Peter Wimsey. No one in Kirkcudbright liked Campbell, and six hated him enough to become suspects. Five are innocent, and the other is the perpetrator of one of the most ingenious murders Lord Peter has ever encountered. (Plot summary from Goodreads.)

Learn more about Dorothy L. Sayers here.

 

PLEASE IGNORE VERA DIETZ by A.S. King
(An award winner)

askbooks_35_739671589King has become one of my must-read authors, and I am knocked out by each new novel she publishes. She is a master at using magical realism with astounding impact. This book is where it all began, and it won her a Michael L. Printz honor in 2011.

I chose this book for my February Relaxed & Groovy Book Club pic. Find the full blog discussion about the book here.

Eighteen-year-old Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.

So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, or even the police. But will she emerge and clear his name? Does she even want to?

An edgy, gripping story, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising. (Plot summary from author’s website.)

Learn more about A.S. King here.

Follow A.S. King on Twitter here.

 

SUNSETS AND HAIKU by Una Belle Townsend
(Collection of poems)

Sunsets and Haiku coverI received a copy of SUNSETS AND HAIKU from Una Belle herself, when she read about my participation in this reading challenge. So thoughtful!

Una Belle is one of the many generous and talented authors that belong to our local SCBWI Oklahoma chapter. I just adore her. I also wrote a review of her book on the blog. Find the full discussion here.

Ever-changing. Exotic. Thought-provoking.
In this exquisite photography collection, Una Belle Townsend, author and photographer, captures nature at its most elusive–when the sun, earth, clouds and atmosphere collide to create stunning tableaus from firecracker red prairies to picture-perfect pastel skies.  Famous worldwide, Oklahoma sunsets explode in a kaleidoscope of colors as the sun disappears beyond the horizon. Paired with her stunning photos is a Japanese poetry form, haiku, which traditionally calls to mind nature and its seasons. (Plot summary from publisher’s website.)

Learn more about Una Belle Townsend here.

Follow Una Belle on Facebook here.

 

So what have you been reading, lately? What are you looking forward to reading next?

 

 

Sara Sargent – Editor Interview

Sara Sargent headshot

I’m delighted that Sara Sargent, Executive Editor from HarperCollins Children’s Books, will be speaking at our 2016 SCBWI OK Spring Conference this April.

Sara will be discussing the topic of humor in writing. “Humor draws in and hooks readers, and it keeps them engaged!” In her talk, she will discuss different types of humor and how you can apply them to your own manuscripts.

About Sara

In her work as Executive Editor at HarperCollins Children’s Books, Sara focuses on fiction and nonfiction in the picture book, middle grade, and young adult categories.

Previously she was an Editor at Simon Pulse, an imprint of Simon & Schuster. Sara has worked with New York Times bestselling author Abbi Glines, National Book Award finalist Deb Caletti, Jennifer Echols, Julie Cross, Aaron Karo, and Martina Boone, among others. She also received her Master of Science in journalism from Northwestern University. You can sometimes find Sara eating takeout and reading on the couch. You can always find her online at www.sarasargent.wordpress.com and on Twitter and Instagram @Sara_Sargent. Sara lives in Brooklyn.

 

The Interview

Valerie Lawson: Sara, thank you so much for doing this interview. It’s a pleasure to speak with you, today.

What makes a story an evergreen? What gives it staying power?

Sara Sargent: I’ve always wanted to edit books for the same reason I want to read them: for escapism. I love getting lost in a story, getting wrapped up in characters and their struggles. So, to me, a story with emotional heft and amazing characters will be perennial. It’s important to allow the reader to see the human experience reflected back at them from the pages of your book, to let them get entangled in the emotions and the drama.

We’ve all had that experience where a  book “doesn’t hold up,” where we re-read a novel we loved as kids and are no longer sure what we loved about it. Sometimes we grow up or move on or mature, and a story doesn’t have the staying power it used to. But, to me, all that matters is whether we connected with it emotionally at one point in time. For a book to be successful, it needs to find its mark and connect. Regardless of whether that happens when we’re 5 or 50, and whether it remains true always.

VL: Emotional connection with amazing characters – yes, that describes all my favorite stories. I must say, the idea of connections changing as we age is very intriguing. Our life experiences change, why shouldn’t our experience of a story change?

What hooks you when you’re reading a manuscript? What doesn’t?

SS:  I like to tell writers that, no matter what genre they’re writing, they are all mystery writers. Because you have to think like a mystery writer to plot an interesting book. For me, that advice comes from a personal place of loving twists and turns and surprises. What hooks me—and keeps me reading—is not knowing what’s coming next, whether that’s in the actual plot or for character development or with a romance.

VL: Fascinating idea! I love a good mystery.

You’ve mentioned that lack of character development is one major reason you might reject a project. What are some others?

SS: Weak world-building, especially in fantasy, is a tough sell for me. I am happy to edit fantasy projects and work with authors to improve their world-building and to help them transfer the wonderful images in their heads to the page. But, if the logic of the world doesn’t hang together, and there are strange twists or turns that feel aimless—I am likely to pass.

Also, when it comes to realistic contemporary novels, I love evergreen tropes that resonate time and time again. But I do not like stories that feel too similar to others I’ve read or edited. With the realistic genre, I need fresh and new and different for me to want to buy it.

VL: With your focus on social media and digital platforms, what can you tell authors and illustrators about the importance of online time?

SS: Pick one platform—Facebook, Twitter, Instagram, Vine, Tumblr, blogging—and really commit to it. There is no point in spreading yourself thin and trying to be active on every social network known to humankind. Develop an authentic and genuine presence for one profile, and then  focus your energy there. Getting people to connect strongly with you in one space is amazing, even if it feels limited. That’s how you start building your brand.

VL: NOT spreading yourself thin? I’m so on board. It’s so easy to overdo it and leave no time for real writing.

We often hear the advice to research before you submit your work, what’s the most important thing writers and illustrators need to know before they submit to you?

SS: It’s important to know what an editor likes, and it’s important to know what she’s acquired. But what’s even better is to recognize what she likes and what she’s acquired, and get to the next level of thinking. Which is to say: send me something with the essence of what I love and have already edited, but with a new twist or take—that’s the best way to go.

Sending me a manuscript and saying “I’m sending this to you because you acquired a book just like it, so I know you will love it!” is not the way to go. Show me that you recognize why your book is a fit for me, because you know I love the genre but also because I’ve never acquired anything like it before.

VL: Excellent advice. Well said.

Thank you for sharing your thoughts with us, today, Sara. They have been very enlightening. I look forward to hearing your talk at our conference!

 

Learn more about Sara and read her Acquisitions Wish List here.

Follow Sara on Twitter here. Follow Sara on Instagram here.

**Sara does not accept unsolicited manuscripts, however conference attendees will be permitted to submit to her for a limited time.

This is an excellent reason to come see her speak at our conference in Oklahoma City on April 16th!

 

SCBWI OK Banner

For more details on our 2016 SCBWI OK Spring Conference or to register online, CLICK HERE.

I hope to see you there!