Final April #writemotivation check in

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I may have overcommitted myself this month.

Just a wee bit.

We have our annual fundraiser for the Autism Center of Tulsa, the A-Ok Walk for Autism coming up in May, and I’m the Team Captain for the Avengers for Trevor team. We are wearing costumes this year (or some of us are) and I’m tracking down props and gathering team members and donations and yeesh, it’s time consuming.

Then, I’m giving a couple of talks next month for our SCBWI OK group and I had to (over) prepare for them. Like way over prepare. I don’t think I know any other way. I hope it goes well. *fingers crossed*

Finally, my son’s job coach and I decided it was time to start increasing his work day – to stretch his potential in manageble increments – until we got him from half days to full days. We both felt he was ready. One thing I should have factored into my schedule was that he doesn’t deal with change well. He gets anxious and needs more attention – he has periods of acting out, aggression, and even total ugly meltdowns when he feels overwhelmed. We’ve seen all of these in the past few weeks. He’s getting better, but we’ve been living with a rabid six foot wolverine most afternoons. Not. Fun.

So…

Why did I think I could revise two complete novels in one month?

Insanity!

I do believe I may have some hereditary traits leaning toward mental instability on my mother’s side. That could explain soooooo many of my questionable life choices. But I digress. Let’s get on with it and view the damage done.

My #writemotivation goals for this month:

1. Work on suggested revisions for Museum Crashers. Although I have made significant progress, I still have a long way to go. I remain excited about the direction this is going and the revision suggestions are only making this story better. Meeting with my critique group this months was also very instructive. They pulled off the kid gloves and gave my chapter the business. It sorely needed it. The end of the story obviously needs more work than the beginning, and I have some character continuity issues to resolve. Everything is very doable, it’s just going to take longer than expected.

Blech.

I need some more chocolate to get through this revision.

2. Work on suggested revisions for Institutionalized. Nope. I’m going to have to add this as a goal for next month. Maybe. If I get goal #1 accomplished. I need to be a little more patient with myself. (Have I ever mentioned that I’m not a patient person?)

3. Read 6 books. So close! But not really. I did read 4 books. Two were picture books. (Not that I have anything against picture books, I love picture books.) I really got hung up on one book that required a slower read. THE DREAM THIEVES by Maggie Steifvater. It was a sequel to a book that I tore through in a couple of days, so it was frustrating that I couldn’t get into the second book so easily. In the end, I was glad I slowed down and stuck with the story. Some books can’t be rushed.  

4. If complete both 1 and 2, work on first draft of Pretty Vacant. Bah! ha ha ha ha ha! Maybe for June.

5. Yes, you still have to exercise. 4 times a week. One goal accomplished! I win! (I’m taking my positives where I can get them.)

So there’s the ugly truth of this month’s goal non-accomplishmenting. I shall not give up, however. I have already signed up for next month to do this thing all over again. I plan on hitting the revision track even harder. Once my son has adjusted to his new work hours, I will have a lot more free time to write. Very excited about that!

I hope you all did better than I did. Here’s to a productive May!

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My Writing Process Blog Hop

This is a delightful blog hop that’s making the rounds right now, and I was tagged a few times by some lovely people.

Jenny Perinovic, part of my TGNA family, first tagged me in this blog hop and I accepted her challenge,

then my fellow SCBWI Oklahoma friend, Sonia Gensler tagged me and finally,

Jadyn Knight one of my #writemotivation peeps added me to her chosen few.

Thank you all for including me in this fun challenge.

Pic From Unsplash by Sonja Langford
Pic From Unsplash by Sonja Langford

So here we go:

1. What am I working on? I am revising two completed manuscripts at the moment. One is INSTITUTIONALIZED, a YA contemporary novel about a teen who gets admitted to Whispering Sands under false pretenses and must navigate the unfamiliar world of deviants and sociopaths by pretending to be crazy so she can get out in time to save her sister from the real psycho in the family. The other is NIGHT OF THE MUSEUM CRASHERS, a Middle Grade Mystery about a boy who stumbles upon a crime in process – thieves swapping out paintings with fakes. But when the police arrive, there’s no trace of foul play; no one believes him. He decides to solve the crime himself and prove he was right.    

2. How does my work differ from others of its genre? With the contemporary YA story, the twist is that the main character isn’t mentally ill, or at least she doesn’t think she has any reason to be locked up. In my Middle Grade story, my character is afraid of everything in the beginning – not exactly the dashing adventurous type that relishes the idea of solving mysteries. He’s thought of as mentally unbalanced – fragile, even, by the adults. That’s kind of an anti-hero for mystery stories. I do seem to be fascinated with the inner workings of my characters’ lives and I do like them damaged; they all seem to need therapy. Read into that what you will.

3. Why do I write what I do? Books meant everything to me as a kid. While some let my imagination soar, some helped me navigate the awkward world of puberty without always having to ask my single dad embarrassing questions. (I know I’m not the only one who owes a heap of gratitude to the amazing Judy Blume.) Writing stories that shed light on difficult issues and let someone else not feel so weird about themselves, like they could be the hero of their own story or even help someone else understand what a different way of life may be like – I don’t know, I just like exploring ideas that spark conversation. 

4. How does my writing process work? I’ve discovered this fabulous new word recently – “planster”. I’m not quite and pantser or a planner, but a planster. And a binge planster at that. I don’t write every day, but even on the days I’m not writing, I do spend a good chunk of time mulling over my stories or thinking about my characters. I spend a lot of time in my own head. Once I do sit down to write, everything else falls away. Distractions like food, people, time all get filtered out. Before I know it, I’ve been writing for hours on end, the sun has disappeared, and my family has written me off as lost for the day. I find myself surrounded by discarded drinks and food items scattered about as offerings to the enthralled author-who-could-not-be-disturbed. This is one of the many ways they love me and my crazy writerly self.

As far as the actual writing of the story process, for me, the situation and the character always come first. An idea pops into my head while having a discussion with a friend or while reading an article or listening to an interview on the radio. I may jot it down so I don’t forget it, or I may just mull it over in my head for a few days. If it sticks in my brain and I can’t stop thinking about it, I begin to play around with it, with the character, and see if this could be something worth pursuing. I start writing some pages. And more pages. Once I get into the story and realize it has teeth, I may sketch out a bell curve outline of major plot points or scenes I want to include. That’s probably as much outlining as I’ll do, with the exception of the mystery story. I did have to outline more to keep track of clues and red herrings, there. For that story, I did a chapter by chapter outline after I knew the story would work and where the story was going.

I try not to revise while writing the first draft, but I do start a page or two back from where I started the day before and I may tinker a bit with things before moving forward. I’m trying to allow myself to write those messy first drafts and wait for revising until I get to the end of the first draft. I do love revising. I know my work only gets better the more I do it. Sometimes it’s hard to know when to stop revising. Probably when the next exciting idea calls to me.

I haven’t tagged anybody for this blog hop as most of the people I would tag have already been tagged, so if you’d like to share your writing process feel free to join in the fun. I have enjoyed reading about everyone’s process. One thing I have gleaned from all of the different stories is that there is no right or wrong way to write, only that you do it.

So here’s to all of you, trudging through your revisions and first drafts, battling your demons of self-doubt. Remember that perseverance is key.

Keep writing!

 

Book Review – Oklahoma Poems…and Their Poets

The Academy of American Poets have declared April National Poetry Month, so I’m here to share my latest poetry read with you. Also, a reminder that April 24th is  Poem in Your Pocket Day where poetry fans throughout the United States select a poem, carry it with them, and share it. Join it the fun by tweeting about your poem of choice on Twitter this year at #pocketpoem.

OKLAHOMA POEMS… AND THEIR POETS
edited by Nathan Brown

I met Nathan Brown, the current Oklahoma Poet Laureate, and editor of this anthology, during a summer course I took from the University of Oklahoma that was held in Santa Fe, New Mexico, a few years ago. I actually wrote about meeting him here. Nathan put together this fantastic book of poems about Oklahoma by some well-known poets from Oklahoma to give readers a taste of what Oklahoma is like, in all its many subtle forms. And what an amazing job he did.

(Not to play favorites, but our own Anna Myers has a talented son who writes poetry. Ben Myers contributes a poem entitled “Deep Fork”. Ben is a phenomenal poet whose work I’ve reviewed right here on this blog and if you haven’t read his books you must go out a procure them now or you’ll regret it deep in your soul forever. Okay, maybe playing a little favorites.)

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An anthology edited by Nathan Brown, the 2013 – 2014 Poet Laureate of Oklahoma. It includes poems “about” Oklahoma that are written by natives, ex-pats, and visitors alike. These poems are an honest, and sometimes raw, look at the state’s past and present by way of three chapters titled: People, Places, and Odds & Ends. Among the poets represented are Pulitzer winners Stephen Dunn and N. Scott Momaday, as well as Naomi Shihab Nye, Joy Harjo, George Bilgere, Ron Padgett, and many others.(Plot summary from Goodreads.)

As someone who has always felt like an outsider, one who could not easily identify with a particular group comfortably, I’ve struggled to place myself somewhere – to understand where I come from.

What are my roots? Who are my people?

I’ve always thought of myself as some homogenized American mutt, with no special culture to speak of – a slice of white bread in a world of whole grain artisan loaves.

Void of nutritional value.

Tasteless.

Boring.

Strangely, this poetry collection helped me see glimpses of my childhood, reminding me of things I’d forgotten through its portrayals of rural life, the deep connection to the land and weather, the sense of community when tragedy strikes, and even the naked bigotry and oppression portrayed in some poems. These are some of the forces that molded me. This is where I come from. I am pieces of all of them, in some ways – the good and the bad. These are my people.

Here is an example of one the poems that sparked a sense of nostalgia for me. A short, but brilliant poem by Joey Brown

 

MERIDIAN, OKLAHOMA

Three boys wake up in a town that’s not really

a town, weighted down by the early morning

summer, and breathe sour sulphur from the refinery

that clanks and churns or whatever refineries do

to make someone some little bit of money.

It’s not them, not their house, so what do they care

but for the nagging smell.

Three boys pump their bicycles on the highway

past the yard of rusted-up drill bits. You’d be afraid

for them were this a highway anywhere else. In the

convenience store they take two Cokes and an

orange Fanta from the lay-down cooler. They like the

pop & sigh the bottle opener makes. When the door

opens again, the air conditioner pleads.

Three boys wait in the parking lot but don’t know

they’re waiting. Sit astride the bikes, bottles clinking

here and there, don’t speak. They stare at the white

day reflecting off the school across the road,

blistering their eyes. You just know they don’t

imagine the size of it all. They can’t. One of them

keeps firecrackers leftover in his pocket.

 

Just a simple summer afternoon in a small town, but holy cow, did this light up my brain with a flood of memories and sensory images!

How had I forgotten that we used to live two doors down from a small fire station? In the summer time, we would always go over there and bug the crap out of hang out with the firefighters. Not really for very long, just to say ‘hi’ and snag a super frosty Coke or orange Crush from their lay-down cooler, just like in this poem. It only cost a quarter and it was so cool to get pop in a bottle.

And we would ride our bikes everywhere. All over town, on busy streets, from sun up to sun down. On the best days, we’d end up at Champlain Pool. We’d swim all day – jumping off the high dive and dreading adult swim. Ah! Some of my best summer memories. All uncorked by a simple poem.

And there is a fantastic poem by George Bilgere entitled “Cordell”, that I truly love, and not just because the title has a familial connection for me. It’s all about a first solo road trip on a grasshopper green motorcycle. It’s a little long to share the whole thing here, but I encourage you to find it and read it. Well worth the search.

Here’s just a few lines to give you a taste:

For the first time

I pondered the venous skin

of a map and chartered a route from Burns Flat

to Cordell, a little town

on the Oklahoma plains. The day

was sparkling and unrehearsed, the air

cool in the morning, and for the first time

I went out on the public roads alone,

despite having no license, the world

for the first time passing by in a rush

at the tips of my handlebars,

a pick-up passing now and then,

the farmer inside raising the index finger

of his left hand precisely

one inch above the wheel, a man

greeting me as a man

for the first time,

 

It goes on and on and I could just drink it up like a cool glass of iced tea.

How that poem brought me back to the day I got my driver’s license and the freedom that was now mine. And all the crazy adventures I had with my friends out on the open road. When you’re from a small town, sometimes there’s nothing to do but pile into your car with your friends and drive. Sometimes you end up at the lake, sometimes you end up at a keg party in a wheat field, and sometimes you just end up in trouble.

Best not tell about that last one.

There are several poems that talk of the land and weather where you can almost smell rain in the air right before a good thunderstorm.

Here’s beautiful one by N. Scott Momaday.

 

 THE LAND

The first people to enter upon it

Must have given it a name, wind-borne

      and elemental,

Like summer rain.

The name must have given spirit to the land,

For so it is with names.

Before the first people there must have been

The profound isolation of night and day,

The blazing shield of the sun,

The darkness winnowed from the stars –

The holy havoc of myth and origin,

True and prophetic, and inexorable,

Like summer rain.

What was to become of the land?

What was the land to become?

What was there in the land to define

The falling of the rain and the turning of the seasons,

The far and forever silence of the universe?

A voice, a name,

Words echoing the whir of wings

Swelled among the clouds

And sounded on the red earth in the wake

      of creation.

A voice. A name.

Oklahoma.

 

Just gorgeous imagery.

I always learn so much from reading poetry. This book brought me closer to home than I realized I needed to go. It’s a well-chosen collection, diverse in topic and voice and all very, truly Oklahoma. I hope you’ll take the time to read it yourself.

One more great thing about this book is that the proceeds benefit the Oklahoma Humanities Council.

Learn more about Nathan Brown here.

Follow Nathan on Facebook here.

April #writemotivation check in

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Many of the people I follow are participating in the A to Z challenge this month, so I expect they are plenty busy with this insanity right about now. (I say this with the utmost respect of one who could never in a million years be organized enough to post daily for an entire month, let alone have a theme involved tying all said fictional posts together – I am not that person.) I think they are all rock stars or mentally imbalanced, like people who purposely run marathons. Seriously, how do you do it?

Goals for this month:

1. Work on suggested revisions for Museum Crashers. I am deep into this goal at the moment and really enjoying it. The suggestions made during my conference critique have me on the right track. YAY!! I also meet with my critique group this week and they will add to the helpfulness, as they always do.

I may have neglected to mention this before, but two other members of my critique group, Barbara Lowell (who has her first book coming out this June!) and Sharon Martin (writer of the most kick-ass novel in verse I’ve read since Ellen Hopkins), both were chosen as top picks by the speakers. Man, do I have a fantastic critique group or what!

2. Work on suggested revisions for Institutionalized. This will be next after I’m done with Museum Crashers.

3. Read 6 books. I’ve just finished one book of poetry that I’m going to write a review on later this week and I’m in the middle of another, a sequel I’ve been really looking forward to reading – THE DREAM THIEVES by Maggie Stiefvater. I’m going a little slow on this one right now. It’s not clipping along with the same fantastic pace as the first one. Part of it may be that it’s been so long since I read the first book that I have trouble remembering everything that happened in the last book and I get a little lost.

4. If complete both 1 and 2, work on first draft of Pretty Vacant. Not ready for this, yet.

5. Yes, you still have to exercise. 4 times a week. Goal accomplished and my body hates it. Every day I wake up wondering why there is pain already. “Oh yeah. The exercise.” We’re not even up to pre-deathly ill month of February levels of exercise yet and my body is already whining. Too bad, chica, cause we’re not stopping. Slap on the icy hot and walk (limp) on.

 

Besides this, I’ve also been busy preparing for a talk I’m doing next month for our local SCBWI schmooze entitled “Intro to Twitter”. As part of this prep, I’ve been creating some lists on my Twitter account to share. Wow, was that time-consuming! I’m glad I’ve finally finished! One is called “Writers of fabulous blogs” and includes all the people I follow who also write really good blogs. Feel free hop on over and subscribe to it.

And how are you all doing with your goals?

I hope to get around to reading at least a sampling of the thousands of A to Z challenge posts out there; they are daunting in their numbers. I am interested in reading through all of Rebekah’s world-building series for sure. Talk about detail. Get on with your bad self!  Are there any A to Z challenges you’ve found fascinating?

SCBWI OK Spring Conference Recap – Part Two

Let’s dive right into Part Two, shall we?

Melissa Manlove2Following lunch, the dynamic Melissa Manlove, Editor at Chronicle Books stepped up to the stage and treated us to a talk about reading first pages like a pro. In the first page, editors can see how effective your use of language is. To read like an editor, she emphasized the importance of close reading, which is very different than reading for pleasure. When you close read something, you break down to elements and look at the construction of a story; you see what really makes it work.

For example, in the first page of Kate Messner’s OVER AND UNDER THE SNOW, the word choices not only dictate the cadence of the story, they evoke the mood of winter. See here in the very first lines:

Over the snow I glide. Into the woods, frosted fresh and white.

Over the snow, a flash of fur – a red squirrel disappears down a crack.

The end of the first line becomes a bit of a tongue twister, which slows you down as you read. The images of frosted and fresh and white evoke the wintery mood. Melissa mentioned that Messner also purposely chose words that together would mimic the feel of skis moving along the snow. THAT is paying attention to what works on more than one level in your story. And that is all just in the first line!

When discussing a good use of rhyme, Melissa gave the example of Liz Garton Scanlon’s book ALL THE WORLD. There is a great deal of cadence and structure, which is repeated. The author is showing she knows what she’s doing with structure in these first stanzas and it shows.

Rock, stone, pebble, sand,

Body, shoulder, arm, hand,

A moat to dig, a shell to keep –

All the world is large and deep.

 

Hive, bee, wings, hum,

Husk, cob, corn, yum,

Tomato blossom, fruit so red –

All the world’s a garden bed.

This is a goodnight book and in these type of stories, you want structure with a calming flow. Melissa went on to say that one of the reasons that many editors beg off rhyming manuscripts at the behest of their therapists is because most manuscripts they see only bother with rhyming the very last words in a line. While syntax is importance, it’s tough to make it sound natural if you don’t make it work in context with the entire story and take the overall RHYTHM of the story into account as well.

Melissa also said that mastering these skills, like all other skills, takes practice. Hoping to get it write like a bolt out of the blue isn’t the greatest plan. Writers may have to come up with a thousand mediocre ideas before they find that one great story. Then she said something that struck a chord with everyone:

Your brain is a machine made for generating ideas. Inspiration can feel electric, but lightning doesn’t strike the person laying in a sunny field, it strikes the person habitually cranking at the generator.

(Thank you to Gayleen Rabakukk for helping with the accuracy of that quote.)

There were so many other things she shared that were fantastic, I could blather on all day her talk alone. I suggest doing some close reading and practice writing of your own.

Melissa’s book recommendations: OVER AND UNDER THE SNOW by Kate Messner, CARNIVORES  by Aaron Reynolds, ALL THE WORLD by Liz Garton Scanlon, SKIPPYJON JONES by Judy Schachner, IT’S A TIGER by David LaRochelle, GOODNIGHT GOODNIGHT CONSTRUCTION SITE by Sherri Duskey Rinker, ON A BEAM OF LIGHT by Jennifer Berne,  and SWAN by Laurel Snyder (Fall release 2014)

Follow Melissa on Twitter.

 

Next up was the vivacious Kristin Miller-Vincent, Associate Agent, D4EO Literary Agency who talked about how to keep it fresh, get it fresh, and deliver it fresh. (Sounds like a pizza delivery commercial Kristin Miller Vincentwhen I say like that. She was much more eloquent.)

Fresh is hard to define. “We don’t know what it is, but we know it when we see it.”

So how can you bring fresh ideas to your stories?

  • Engage with the world and find truths that would make great fiction – find inspiration in the unusual things you come across that fascinate you. She gave an example of a strange statistic about the number of people hospitalized each year while taking down their Christmas trees in the nude.
  • Figure out what ISN’T actually out there – in pitch for the book,  THE EIGHTH DAY, it was described as there is a secret eighth day of the week, sandwiched between Wednesday and Thursday, with roots tracing back to Aurthrian legend.
  • Put a new spin on an old tale – reimagine a fairy tale or tell an old story from a different point of view. CINDER is a cyborg Cinderella story set in outerspace.

Those are just a few ideas as far as the plot are concerned, but what about voice?

Fresh voices are created are when authors know their characters well enough that they can let go of their own egos and let their characters use them as a vessel to tell the story.

Don’t get in the way of your narrative voice.

(Another speaker suggestion for delving deep into your characters – I’m sensing a theme.)

Kristin ended with discussing the critical mindset. You should welcome criticism and also be critical of your own work. Continue to question and wonder about ideas and the world around you.

There’s no room for complacency in publishing! You can do it!

Kristin’s book recommendations: PETE THE CAT by Eric Litwin, THIS IS NOT MY HAT by Jon Klassen, THE GIRL OF FIRE AND THORNS by Rae Carson, THE EIGHTH DAY by Diane K Salerni, CINDER by Marissa Meyer, SCARLET by A.C. Gaughen.

Follow Kristin on Twitter.

 

Liza KaplanOur final speaker of the day was Liza Kaplan, Editor with Philomel Books, Penguin Group and she talked to us about tension.

A novel thrives on tension and drama, but the thing that makes a novel un-put-downable is the TENSION.

There are different types of tension:

DRAMATIC – those filled with situational difficulties, the most general tensions, romantical “will they or won’t they?” tensions

ENVIRONMENTAL – throughout the story the reader wonders if the character will survive. ex: BETWEEN SHADES OF GREY

WORLD-BUILDING – use of a forcible task or inescapable danger, very literally life and death situations. ex: HUNGER GAMES

THEMATIC – universal issues like love, freedom, free will, life and death, fighting for love at the cost of life. ex: 13 REASONS WHY

You should vary your use of the types of tension within your story. Remember that two opposing forces prolong uncertainty and delay resolution to keep up the tension. The faster we get to a resolution of a problem, the more comfort we feel. Make your readers wait for the resolution.

But tension isn’t the only thing needed for a great story. The stakes have to matter; the main character has to risk something big. And the higher, more demanding the stakes, the more tension you create.

Your novel should be like an emotional roller coaster. Your job is to be an emotional manipulator to your readers.

What helps create a visceral reading experience is making the reader care. If your character has stakes where s/she is personally invested, so will your reader.

Liza’s book recommendations: THE FIFTH WAVE by Rick Yancey, ELEANOR & PARK by Rainbow Rowell, BEAUTY QUEENS by Libba Bray, WONDER by R. J. Palacio, THE BOOK THIEF by Markus Zusak, AMELIA ANN IS DEAD AND GONE by Kat Rosenfield, 13 REASONS WHY by Jay Asher, HUNGER GAMES by Suzanne Collins, BETWEEN SHADES OF GREY by Ruta Sepetys

Follow Liza on Twitter.

After our brains were full to bursting with information, we wrapped things up with an informal dinner at a local barbecue place where everyone could unwind and mingle. Here are a few pictures from the end of the day. It was such a fantastic conference. I can’t wait for the next one.

SCBWI Group 2014

SCBWI OK Spring Conference Recap – Part One

Last weekend there was a convergence of the sublime in Oklahoma City as the SCBWI Oklahoma chapter held its annual Spring conference. Great company, great speakers, great weather. Ah! I had so much fun and my brain was crammed with so many good ideas, it took me all week to process everything. And as two of my manuscripts were chosen for top speaker picks at the very beginning of the day, I did have to struggle at times to stay focused on being present, to listen and take notes, instead of sprinting down the revision tunnel express.

First speaker of the day was the lovely Tricia Lawrence, an associate agent with the Erin Murphy Literary Agency.

Tricia LawrenceI do apologize for missing out on most of Tricia’s talk as my face-to-face critiques were scheduled during this time. I did get to speak with Tricia during the weekend and I gleaned information about her talk from those who were able to hear her talk. First of all, I loved Tricia right from the start as we both share Pacific Northwest roots. I spent some of my formative years in her neck of the woods and I still hold a special place in my heart for that part of the country. (A friend of mine swears this is why I don’t sound like I’m from around here, even though I’ve lived in Oklahoma almost without interruption since I was about four.) Tricia talked at length about how her career path was guided by the need to stay on the West Coast. She spent years working as a freelance editor among other things before breaking into the agenting side of the business. Lucky for us, her stars aligned at the right moment when she came to the Erin Murphy Literary Agency.

During her talk, Tricia discussed how important it was to really get to know your characters before you start writing, to sit down and have therapy sessions with them. Put them on the couch and get them to spill their guts. She said they may not want to open up at first, they may much rather run outside and ride bikes or go play video games, so you have to keep digging. Ask them about their biggest fears, their most hidden secrets, what they want more than anything. Keep asking until they crack; until you know your characters inside and out. Hey, therapy isn’t easy, folks.

It was a very stimulating talk that got several writers thinking of ideas all weekend. At least, I’ve never heard so many people eager to go into therapy. As a big proponent of self-exploration, I love this idea. I plan on putting my main character through some serious couch time starting this week.

Tricia, like all of the speakers, mentioned some books that showed great examples of the ideas she wished to convey. All of the speakers mentioned how important reading was to the craft of being a writer. I know I say it all the time, but it never hurts to remind you guys that the professionals say it as well. You gotta READ!!!

Tricia’s book recommendations: THE FAULT IN OUR STARS by John Green, GRAVE MERCY by Robin LaFevers

Follow Tricia on Twitter.

Next to present was the spunky and adorable Colleen AF Venable, Art and Design Editor at MacMillan’s First Second Books and author in her own right with her fabulous GUINEA PIG, PET SHOP Colleen AF VenablePRIVATE EYE graphic novel series. When she made the conscious decision to have her main character – a female guinea pig named Sasspants – NOT be drawn with over exaggerated eyelashes or a big bow to show her gender, “Because guinea pigs don’t have giant eye lashes or wear bows in nature”, I wanted to bow down at her feet or jump up and scream, “YES!” (I’m a huge believer in realistic role models for girls, obviously.)

Colleen took us all to school on graphic novels and taught us about what they were and were not. Simply put, graphic novels are defined thusly:

Visual story-telling using sequential images.

Well, gee, that could be anything, you might say. I mean, I’ve seen some picture books that might even qualify by that definition. And you would be correct. Still, they are NOT all about tightly-clad radiated people with superpowers. (Not that there is anything wrong with those kinds of graphic novels.) Here are some examples of graphics novels that may surprise you:

 

Monster EndPigeon

flotsam

The Arrival

 

 

 

 

 


Friends with Boys

RapunzelLaikaTo DanceLone Wolf

 

 

 

 

 

 

bk_floraLewis and clarkSmileGiants BewareHereville

 

 

 

 

 

It was such an enlightening talk and I must say, it made converts out of many of the participants. What struck me most was how many non-artists have written graphic novels: Shannon Hale, Neil Gaiman, Kate DiCamillo, Jane Yolen, Cecil Castellucci, Holly Black, and don’t forget Stan Lee, (totally not an artist!). Rainbow Rowell, author of ELEANOR & PARK, has a graphic novel series in the works with First Second Books right now. How exciting is that?

Colleen discussed how you can add an extra layers of depth to your story with the visuals in graphic novels. Even by just manipulating the layout of the panels and how you use the spacing between the panels – the gutters – you can create completely different pacing styles to the story, similar to how traditional writers use sentence and paragraph structure. Fascinating. She suggested that if you were interested getting started in graphics novels, as a writer, you should read lots of plays and comics to help you get the flow of graphic novels. Script writing especially can aid in learning to think more visually about how you tell your story.

Colleen gave us a comprehensive reading list hand out (another perk of coming to such a fabulous conference), broken down by age groups, so I won’t list all of her recommendations here. Some of them are pictured above. I will list others she mentioned by name.

Colleen’s book recommendations: AMERICAN BORN CHINESE by Gene Luen Yang, BENNY AND PENNY by Geoffrey Hayes, SMILE by Raina Telgemeier, SCOTT PILGRIM VS THE WORLD by Bryan Lee O’Malley, THE PLAIN JANES by Cecil Castellucci, OWLY by Andy Runton, BABY MOUSE by Jennifer Holm and Matthew Holm, ROBOT DREAMS by Sara Varon, ZITA THE SPACEGIRL by Ben Hatke

Learn more about Colleen here.

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Andrew HarwellAndrew Harwell, Editor with HarperCollins came back to Oklahoma for a second time after doing such an amazing job for us at our Novel Revision Retreat back in 2012, and was christened an honorary Oklahoman. (That’s just how it goes, if you come back, we claim you as one of our own. Our list of these lucky conference alumni is steadily growing – Laurent Linn, Krista Moreno, Alexandra Penfold, all honorary Oklahomans.)

Andrew wanted to talk about something new this go around, so he delved into how the family dynamics in Middle Grade and Young Adult writing help to create richer characters. Strong central families are common in all the stories he is drawn to. He said that when he gives an elevator pitch for a book, he realized that he always begins by discussing the relationships first. No matter what kind of story you’re writing, whether it’s a fantasy, mystery, paranormal or whatever, you have to get the reader to care about the characters first, right? In order to do that that we have to get to know the character, and what better way to do that than by using the family. After all, Andrew asked us to think about this:

You are most yourself around your family.

Who else sees us at our most vulnerable? When we are exhausted, pushed to the limits, cramped in a minivan for hours on a road trip to Aunt Bonnies’s with nothing to do but listen to each other breathe and your brothers won’t stop farting or touching your side of the seat? Oh yeah. You really get to know a person in those circumstances.

There are all kinds of families. You have to ask yourself what your character’s family history is before you begin your story. This is your character’s beginning, after all. No matter how much of this history you decide to show, YOU as the writer need to know it. Knowing whether or not your MC is friends with everyone in his family (or not) or whether your MC is supported or misunderstood at home will determine how s/he interacts with the world at large. It will also add more emotional depth to your story.

Andrew showed examples from many different books to highlight the different ways that family dynamics can create amazing stories. Whether you use these dynamics to create empathy, as in THE HUNGER GAMES (whose heart didn’t break when Katniss volunteered to go into the death match in her sister’s place?) or to create conflict as in FANGIRL (what does it mean when your twin sister doesn’t want to be your roommate?) or to create a villain in the family as in THE GOLDEN COMPASS (Does Lyra’s mother love her or is she evil through and through?) bringing family dynamics into play can be the best thing for your character and your story.

Andrew’s book recommendations: PLEASE IGNORE VERA DIETZ by A.S. King, THE HUNGER GAMES by Suzanne Collins, PANIC by Lauren Oliver, IF I STAY by Gayle Foreman, CASE FILE 13 by J. Scott Savage, WONDER by R.J. Palacio, SEA OF SHADOWS by Kelley Armstrong, ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE by Benjamin Alire Saenz, FANGIRL by Rainbow Rowell, THE JUPITER PIRATES HUNT FOR THE HYDRA by Jason Fry, REALITY BOY by A.S. King, THE GOLDEN COMPASS by Philip Pullman, ASYLUM by Madeleine Roux, ALMOST SUPER by Marion Jensen, UNDER THE NEVER SKY by Veronica Rossi, THE HARRY POTTER SERIES by J.K. Rowling, MOCKINGBIRD by Kathryne Erskine, THE FAULT IN OUR STARS by John Green, I CAPTURE THE CASTLE by Dodie Smith, TENDER MORSELS by Margo Lanagan, ELEANOR & PARK by Rainbow Rowell, PENNY DREADFUL by Laurel Snyder, ONE CRAZY SUMMER by Rita Williams-Garcia

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Can you believe how much sage wisdom was imparted in this morning session alone?

It knocked my socks off.

After an entertaining lunch where I hosted a table with Tricia Lawrence, who was ever so gracious with her precious time and insights. I met some new writers, one was attending her very first SCBWI conference and was so enthusiastic about everything, it was delightful to see. There were so many writers there with teaching backgrounds at my table; I may have been the only one without a teaching degree. After lunch, and a brief (and humorous) commercial for our Fall Retreat, we returned for our remaining three speakers.

Stay tuned for PART TWO to hear what they had to bestow on our eager minds…