SCBWI OK Spring Conference 2016 – Let’s Go the Distance!

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Spring is just around the corner and that means our Oklahoma SCBWI Spring conference will be here before you know it! This year’s theme is  “Go the Distance”, and with the outstanding line up of speakers, I’m sure we’ll all be ready to take our projects to the finish line.

As always manuscript critiques, private pitch sessions, and portfolio critiques will be available in limited numbers, so hurry and register now!

 

Let me introduce our speakers:

Sara SargentSara Sargent – Executive Editor at HarperCollins Children’s Books.

Sara acquires picture books, middle grade, and young adult fiction and nonfiction with a focus on pop culture, social media, and digital platforms. Previously she was an Editor at Simon Pulse, an imprint of Simon & Schuster.

Sara has worked with New York Times bestselling author Abbi Glines, National Book Award finalist Deb Caletti, Jennifer Echols, Julie Cross, Aaron Karo, and Martina Boone, among others. She also received her Master of Science in journalism from Northwestern University.

Learn more about Sara and read her Acquisitions Wish List here.

Follow Sara on Twitter here. Follow Sara on Instagram here.

 

CarterHasegawa-257x300Carter Hasegawa – Associate Editor at Candlewick Press

Carter came to children’s publishing in a roundabout way. After a decade of working in grocery, followed by a two-year stint in textbook publishing, he left everything behind to follow his passion for children’s books, and he went back to school to get his MA in Children’s Literature from Simmons College.

Since 2008, he’s been a children’s bookseller at various independent bookstores in Seattle and in Cambridge, which he still continues to do part-time when not at Candlewick. Some of his favorite non-Candlewick books include: The Notorious Benedict Arnold, Jellicoe Road, Ready Player One, Three Times Lucky, and many, MANY more. Basically anything that has a great voice, is a good story, and is “unputdownable.”

Follow Carter on Twitter here. Follow Carter on Instagram here.

 

KarlJonesKarl Jones – Associate Editor with Grosset & Dunlap/ Penguin Young Readers.

Karl works on a variety of licensed and original middle grade and activity books, as well as some early YA projects. He acquired and edits the Just Jake series from New York Times best-selling kid author, Jake Marcionette and edits a middle grade/YA transition series by established stage and screenwriter, Justin Sayre-the first book in this series, Husky published in September 2015.

He also develops, acquires and writes unique original activity books like Day of the Dead Activity Book and Build A Boyfriend, as well as hiring work-for-hire authors for several licensed book programs for entertainment and gaming properties including Star Trek, Powerpuff Girls, Uncle Grandpa, Regular Show and Shovel Knight.

He is particularly interested in realistic middle grade and YA fiction and format-bending storytelling projects. In his free time, he enjoys comedy and storytelling events, outdoor adventures, and live music. He is a native Oklahoman.

Follow Karl on Twitter here.

 

JodellSadlerJodell Sadler – Literary Agent with Sadler Children’s Literary

Jodell is a pacing geek or guru who earned her MFA in Writing for Children & YA from Hamline University, 2009 and jumped into agenting in 2012. She hosts workshops and presents on pacing, which includes Picture Book Pacing, Editing, and Avoiding Burnout tutorials and Webinars with Writer’s Digest.

She is a member of the Society of Children’s Book Writers & Illustrators (SCBWI) and passionate about helping writers pace their stories well because it allows writers the opportunity to enhance emotional resonance, tension, and find exciting ways to improve story arc with jumps and twists and pauses and stops that garnish editorial attention and help them get published.

Follow Jodell on Twitter here.

 

Victoria SelvaggioVictoria Selvaggio – Associate Agent with The Jennifer De Chiara Literary Agency.

Victoria has a strong background in business ownership, and she worked for over seven years as a volunteer and Regional Advisor for SCBWI: Northern Ohio. Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency in 2013.

Currently, she is excited to read compelling manuscripts that will resonate with her long after she’s done.

Follow Victoria on Twitter here.

 

Jason HenryJason Henry – Senior Designer with Dial Books For Young Readers

Jason is also an illustrator. He designs a wide range of formats including picture books, non-fiction, YA novel jackets and interiors, and has also contributed illustrations to award-winning published titles.

He began at Dutton Design as a design assistant and was subsequently promoted to the position of Senior Designer.

Follow Jason on Tumblr to view his artwork here.

 

This year, Oklahoma City is the host city for the conference. Mark your calendars for April 16th. It’s going to be another fantastic event you won’t want to miss!

To learn more about our conference and to register for this event, CLICK HERE.

I hope to see you there!

Upcoming SCBWI Oklahoma Twitter Chats for 2016

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As the newly appointed Social Media Coordinator for the Oklahoma SCBWI region, I am very excited to announce the first half of this year’s Twitter Chat lineup. Most chats are held on the fourth Tuesday of each month, however, we do have a few special dates running up to our Spring Conference in April, when some of our speakers will be joining us. How amazing, right?

TweetNo matter the date, each Twitter chat session will last one hour, from 7-8pm CST, and we’ll be using the hashtag #okscbwichat.

 

Here is our Twitter Chat Line-Up:

JANUARY- Sonia Gensler

sonia-gensler-225Sonia Gensler is the award-winning author of Ghostlight, a contemporary middle grade novel, as well as The Dark Between and The Revenant, both young adult historical novels. She is obsessed with Gothic horror and loves to write ghostly mysteries.

Sonia grew up in a small Tennessee town and ran with a dangerous pack of band and drama geeks. As an adult she experimented with a variety of impractical professions—museum interpreter, historic home director, bookseller, and perpetual graduate student—before finally deciding to share her passion for stories through teaching. She taught literature and writing to young adults for ten years and still thinks fondly of her days in the classroom. Sonia currently lives in Oklahoma with her husband and cat.

Sonia will be our guest on January 26th, from 7-8pm CST. Her Twitter username is @soniagensler. To participate in the chat, please use the hashtag #okscbwichat.

 

 

February – Gwendolyn Hooks

G._Hooks_PhotoGwendolyn Hooks is the author of twenty published books, including her popular Pet Club series. Two of her Scholastic early readers, The Mystery of the Missing Dog and Three’s A Crowd, sold over 100,000 copies each. She’s also written nonfiction picture books, including Arctic Appetizers: Studying Food Webs in the Arctic.

Her latest book, Leona Mitchell: Opera Star, was released this past fall as part of the I AM OKLAHOMA series. In 2016, Lee & Low will publish her picture book biography, Tiny Stitches – The Life of Medical Pioneer Vivien Thomas. 

Gwendolyn blogs on The Brown Bookshelf to push awareness of the myriad of African American voices writing and illustrating for young readers. The American Library Association selected The Brown Bookshelf as a Great Website for Kids.

Gwendolyn will be our guest on February 23rd, from 7-8pm CST. Her Twitter username is @GwenTheGweat. To participate in the chat, please use the hashtag #okscbwichat.

 

 

March – Victoria Selvaggio

Victoria SelvaggioVictoria Selvaggio is an Associate Agent with The Jennifer De Chiara Literary Agency. She has a strong background in business ownership, and she worked for over seven years as a volunteer and Regional Advisor for SCBWI: Northern Ohio. Drawn to the publishing scene first as an author writing all genres, with her most recent publication in the 2015 Children’s Writer’s and Illustrator’s Market, Vicki’s passion for honing the craft carried over into reading manuscripts for the agency in 2013.

Currently, she is excited to read compelling manuscripts that will resonate with her long after she’s done.

Victoria will be one of our fantastic speakers presenting at our OK SCBWI Spring Conference in April. To learn more about our conference and to register for this event, CLICK HERE.

Her current wishlist:

“I am currently looking for all genres (lyrical picture books, middle grade and young adult fiction, new adult, mysteries, suspense, thrillers, paranormal, fantasy, narrative nonfiction, adult fiction), but find I’m particularly drawn to middle grade and young adult. I especially love thrillers and all elements of weird, creepy stuff. If it’s out of the box, and it will make me think and think, long after I’m done reading, send it to me. On the flip side, I yearn for books that make me laugh, cry and wonder about the world.” (From agent’s website.)

Victoria will be our guest on March 29th, from 7-8pm CST. Her Twitter username is @vselvaggio1To participate in the chat, please use the hashtag #okscbwichat.

 

 

April – Karl Jones

KarlJonesKarl Jones is an Associate Editor with Grosset & Dunlap/ Penguin Young Readers. Karl works on a variety of licensed and original middle grade and activity books, as well as some early YA projects. He acquired and edits the Just Jake series from New York Times best-selling kid author, Jake Marcionette and edits a middle grade/YA transition series by established stage and screenwriter, Justin Sayre-the first book in this series, Husky published in September 2015.

He also develops, acquires and writes unique original activity books like Day of the Dead Activity Book and Build A Boyfriend, as well as hiring work-for-hire authors for several licensed book programs for entertainment and gaming properties including Star Trek, Powerpuff Girls, Uncle Grandpa, Regular Show and Shovel Knight.

He is particularly interested in realistic middle grade and YA fiction and format-bending storytelling projects. In his free time, he enjoys comedy and storytelling events, outdoor adventures, and live music. He is a native Oklahoman.

Karl will be one of our fantastic speakers presenting at our OK SCBWI Spring Conference in April. To learn more about our conference and to register for this event, CLICK HERE.

Karl will be our guest on April 5th, from 7-8pm CST. His Twitter username is @karljones. To participate in the chat, please use the hashtag #okscbwichat.

 

 

May – Timothy Lange

Tim LangeTimothy Lange has been a graphic designer, illustrator and fine art painter for over 30 years. He graduated from the Colorado Institute of Art in 1982 and studied at the Art Students League of Denver (off and on) from 1989 to 2003.

He is an active member of the Oklahoma Chapter of the Society of Children’s Book Writers and Illustrators (SCBWI). He was was transplanted to Broken Arrow, Oklahoma in 2003. Aside from the bugs and humidity, he says its not a bad place to call home.

Tim will be our guest on May 24th, from 7-8pm CST. His Twitter username is @TJ_Lange. To participate in the chat, please use the hashtag #okscbwichat.

 

June – TBA

 

July – Brenda Drake

Brenda-Drake-Author-Photo2Brenda Drake, the youngest of three children, grew up an Air Force brat and the continual new kid at school until her family settled in Albuquerque, New Mexico. Brenda’s fondest memories growing up are of her eccentric, Irish grandmother’s animated tales, which gave her a strong love for storytelling. So it was only fitting that she would choose to write young adult and middle grade novels with a bend toward the fantastical. When Brenda’s not writing or doing the social media thing, she’s haunting libraries, bookstores, and coffee shops or reading someplace quiet and not at all exotic (much to her disappointment).

Brenda is the host of the ever-popular Pitch Wars, Pitch Madness, and the Twitter pitch of all pitches, #pitmad. Brenda will be discussing what it’s like to host these mind-boggling contests, and how in the world she still makes time to write! Her debut novel, THIEF OF LIES: A Library Jumpers Novel, experienced a very successful release this month.

Brenda will be our guest on June 28th, from 7-8pm CST. Her Twitter username is @brendadrake. To participate in the chat, please use the hashtag #okscbwichat.

What an outstanding lineup!

The chats really are a lot of fun. Don’t worry if you can’t make it to every event; I’ll post a link to the Storify version of each chat after every event has concluded.

We have a few more surprises we’re working on. Once we can announce them, I’ll update this page.

I hope you’ll join us!

 

 

Fan That Spark OK SCBWI Fall Retreat – The Recap Part II

LindaUrban

 

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Day One of Our Fall Retreat for Oklahoma SCBWI last month had something for everyone, with specific tracks for novel, illustration, and picture book that allowed you to focus on your area of interest. Day Two found us in the capable hands of Linda Urban, children’s book author and mad genius when it comes to dissecting what makes a book work.

 

LindaUrbanLinda Urban – Linda writes picture books and middle grade novels from subjects as varied as an angry mouse expressing emotion (MOUSE WAS MAD), a red-headed boy searching for independence (LITTLE RED HENRY), a girl who dreams of playing pianos only to end up with a wheezy organ (A CROOKED KIND OF PERFECT), and a girl who tries to fix a horrible mistake with a birthday wish (THE CENTER OF EVERYTHING). Urban’s characters are written with so much heart, yours will burst while reading about them.

The focus of her revision intensive for the day was on voice and point of view.   Of course, what is it that agents and editors always say they want in a story, and the one thing that everyone says is all but unteachable?

Voice!

Linda showed us how making the right choice with point of view can affect the voice of your story. Some POV choices bring readers in closer, while some give more distance and offer more flexibility.

Not all YA books have to be in 1st person, and not all Middle Grades have to be in 3rd person. Surprising, I know. Making a more thoughtful choice for your story is essential to giving it the greatest impact.

One specific example Linda gave to show how these two ideas work together is to consider if your character changes the way they express themselves in a moment of crisis. If so, how does POV shape this expression?

Interesting question, right?

Linda teaching us about voice and POV.
Linda at our Fall Retreat teaching us all the good stuff.

Linda also talked about using mentor texts – examples of good writing to be studied and imitated – to help you learn rhythm and sentence structure. You can tear apart these stories and study them; figure out how they work. (Another reason to be reading!)

Here are some great examples she used:

1st Person POV

clementine_book1CLEMENTINE by Sara Pennypacker

In this first book of the series, Clementine tries to help out her friend Margaret, but ends up in a lot of trouble for it. Things get worse each day of the week, until finally she’s worried that Margaret is right: Clementine’s parents might consider her “the hard one” in the family. They’re up to something mysterious…are they thinking they’d be better off if they only had her little vegetable-named brother…”the easy one”?

 

 

book thiefTHE BOOK THIEF by Markus Zusak

It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist-fighter, and quite a lot of thievery. . . .

Set during World War II in Germany, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a foster girl living outside of Munich. Liesel scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement before he is marched to Dachau.

 

 

vera with printzPLEASE IGNORE VERA DIETZ by A.S King 

Eighteen-year-old Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.

So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, or even the police. But will she emerge and clear his name? Does she even want to?

 

2nd Person POV

blink and cautionBLINK & CAUTION by Tim Wynne-Jones

Boy, did you get off on the wrong floor, Blink. All you wanted was to steal some breakfast for your empty belly, but instead you stumbled on a fake kidnapping and a cell phone dropped by an “abducted” CEO, giving you a link to his perfect blonde daughter. Now you’re on the run, but it’s OK as long as you are smart enough to stay in the game and keep Captain Panic locked in his hold.

Enter a girl named Caution. As in “Caution: Toxic.” As in “Caution: Watch Your Step.” She’s also on the run from a skeezy drug-dealer boyfriend and from a night- mare in her past that won’t let her go. When she spies Blink at the bus station, Caution can see he’s an easy mark. But there’s something about this naive, skinny street punk, whom she only wanted to rob, that tugs at her heart, a heart she thought deserved not to feel.

 

book-whenyoureachme_f2WHEN YOU REACH ME by Rebecca Stead

3rd Person POV

Mouse MotorcycleTHE MOUSE AND THE MOTORCYCLE by Beverly Cleary

In this imaginative adventure from Newbery Medal-winning author Beverly Cleary, a young mouse named Ralph is thrown into a world of excitement when a boy and his shiny toy motorcycle check into the Mountain View Inn.

When the ever-curious Ralph spots Keith’s red toy motorcycle, he vows to ride it. So when Keith leaves the bike unattended in his room one day, Ralph makes his move. But with all this freedom (and speed!) come a lot of obstacles. Whether dodging a rowdy terrier or keeping his nosy cousins away from his new wheels, Ralph has a lot going on! With a pal like Keith always looking out for him, there’s nothing this little mouse can’t handle.

 

KeeperKEEPER by Kathi Appelt

Keeper was born in the ocean, and she believes she is part mermaid. So as a ten-year-old she goes out looking for her mother—an unpredictable and uncommonly gorgeous woman who swam away when Keeper was three—and heads right for the ocean, right for the sandbar where mermaids are known to gather. But her boat is too small for the surf—and much too small for the storm that is brewing on the horizon.

 

harry-potter-and-the-philosophers-stoneThe Harry Potter Series by J.K. Rowling

 

Harry Potter thinks he is an ordinary boy. He lives with his Uncle Vernon, Aunt Petunia and cousin Dudley, who are mean to him and make him sleep in a cupboard under the stairs. (Dudley, however, has two bedrooms, one to sleep in and one for all his toys and games.) Then Harry starts receiving mysterious letters and his life is changed forever. He is whisked away by a beetle-eyed giant of a man and enrolled at Hogwarts School of Witchcraft and Wizardry. The reason: Harry Potter is a wizard! The first book in the “Harry Potter” series makes the perfect introduction to the world of Hogwarts.

 

Omniscient POV

ManiacMagee500MANIAC MAGEE by Jerry Spinelli

Jeffrey Lionel “Maniac” Magee might have lived a normal life if a freak accident hadn’t made him an orphan. After living with his unhappy and uptight aunt and uncle for eight years, he decides to run–and not just run away, but run. This is where the myth of Maniac Magee begins, as he changes the lives of a racially divided small town with his amazing and legendary feats.

 

bk_realboyTHE REAL BOY by Anne Ursu

On an island on the edge of an immense sea there is a city, a forest, and a boy. The city is called Asteri, a perfect city that was saved by the magic woven into its walls from a devastating plague that swept through the world over a hundred years before. The forest is called the Barrow, a vast wood of ancient trees that encircles the city and feeds the earth with magic. And the boy is called Oscar, a shop boy for the most powerful magician in the Barrow. Oscar spends his days in a small room in the dark cellar of his master’s shop grinding herbs and dreaming of the wizards who once lived on the island generations ago. Oscar’s world is small, but he likes it that way. The real world is vast, strange, and unpredictable. And Oscar does not quite fit in it.

 

Feeling overwhelmed by all the choices? Here’s one final thing to consider:

“Part of deciding point-of-view is knowing the experience level of your readers.” – Linda Urban

I’ve barely brushed the surface of everything we learned. It was enlightening and educational, to say the least. If you get an opportunity to take in a workshop taught by Linda Urban, I highly recommend it.

Learn more about Linda by visiting her website: lindaurbanbooks.com

Follow Linda on Twitter @lindaurbanbooks.

 

 

 

Fan That Spark OK SCBWI Fall Retreat – The Recap Part I

 

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Our Fall Retreat for Oklahoma SCBWI last month had something for everyone, with specific tracks for novel, illustration, and picture book that allowed you to focus on your area of interest. The theme “Fan the Spark” encouraged all to turn those beginning creative sparks into fully developed stories.

I attended the Novel Track.

(I heard rave reviews from everyone I spoke with who attended both the Picture Book Track taught by Janee Trasler, and the Illustrator Track taught by Tim Jessell.)

The first speaker had a background in theatre arts and showed us how writers could learn from actors when developing their characters. She also stopped by this blog prior to the retreat to introduce herself. Click on this link to get a more detailed view into her background..

Ginny SainGinny Sain – with more than 20 years experience as a working director, choreographer, playwright, theatrical designer, performer , and theatre arts teacher, she has worked as an artist in residence teaching theatre arts workshops in Arkansas and Oklahoma schools as well as teaching and directing all classes, workshops, and productions for over 18 years with the very successful Stages Theatre for Youth program.

“Generality is the enemy of all art.” – Stanislavski

When creating your characters, you want to move from the general to the specific.

How?

By paying attention to the inner lives and motivations of your characters in every scene. And this should be done FOR EVERY CHARACTER.

When an actor prepares for a new role, they get to know their character intimately – what motivates them, how they move about in space, what they like and don’t like – they slip into their character’s skin to portray them in a believable manner. The actor inhabits every inch of that character’s psyche. And they do this before they even step foot onto the stage.

This can feel like a daunting task. Impossible even.

So how do they do it?

They break down the play into moments – or beats – and figure out what’s driving their character’s behavior from moment to moment. Beats are manageable chunks even smaller than scenes. Some obvious beats include when a character enters or exits a scene or when there’s a shift in conversation, or when new information has been revealed. Once the beats are identified, the actors then decide what the character’s objective, obstacle, and action is for each beat.

Objective – What your character wants. Each character has one main “superobjective” that spans the entire work and many smaller objectives that lead toward the “superobjective”. The path a character takes as they move through these smaller objectives is called the “through line”. Each character should have an objective for every beat they are on stage. The objective should be active and directed toward the other characters.  Objectives seek to change things.

Example: “I want to get away from him and leave this room.”

Obstacle – What is keeping your character from getting what they want. Obstacles can be internal or external. Or both. This struggle is what makes the story interesting.

Example: “I can’t leave because he locked the door.”

Action – What your character does to overcome his or her obstacle. There are usually three possible outcomes: the character will give up, overcome the obstacle, or plow through and ignore it. How they react to obstacles shows what characters are made of – reactions reveal a lot about character.

Example: “I jump out the window.”

Focusing on what each character wants as you write each moment – which may be completely opposite/opposing things – can make for much more interesting writing.

Learn more about Ginny by visiting her website: HeARTsong Creative Center.

 

The next speaker was no stranger to our OK SCBWI group or to the previous speaker (being her mother). She gave a talk about how to write emotion into your story without crossing the line into sentimentality.

AnnaMyersphotoCAnna Myers – This award-winning Oklahoma author has published 20 books to much critical acclaim. She has won the Oklahoma Book Award four times for SPY!ASSASSINGRAVEYARD GIRL, and RED DIRT JESSIE. She was also awarded their lifetime achievement, the Arrell Gibson Award, in 2012. She writes historical and contemporary fiction for young readers. She also had her first picture book, TUMBLEWEED BABY, published in 2014. Most importantly, she was our Oklahoma SCBWI Regional Advisor and fearless leader for 14 years.

Anna’s talk focused on helping us see the difference between emotion and schmaltz, the Yiddish word for sentimentality or literally, chicken fat.

“Novels aren’t real life. They need to be sharper.”

Emotion needs to be stronger.

Yet, this doesn’t mean readers want to see characters spill their guts out when grieving. Crying is too easy.

SCHMALTZ! Cut it!

It’s the struggle that’s most interesting. Readers want to see how characters deal with problems – this is where the emotional connection lies.

So, what can you do to show this?

Think of an action to show the emotion.

Anna gave the example of John F. Kennedy’s assassination. This was a devastating time for the entire country. And yet, the most moving image wasn’t of a widow grieving, it was of his young son saluting his casket.

Photo credit: Stan Stearns/UPI
Photo credit: Stan Stearns/UPI

 

This would not have been as touching if he’d been crying. This is utterly heart-breaking. We feel the loss so much stronger. (While researching, I also learned that this picture was taken on John Jr.’s birthday. Seriously. Where’s the kleenex?)

Of course, tears do have their place, but don’t rely on them, or any other bodily expression, as a crutch for showing your character’s emotion. Focus more on that action that expresses their sorrow.

Learn more about Anna by visiting her website: www.annamyers.info

 

The next speaker lead us through a visualization exercise to help us overcome blocks in our creative process.

Pati Hailey PicPati Hailey – Over her career, Pati has written state legislation, online training for large corporations, lesson plans for teachers, and literature for children and adults. She is a frequent speaker at conferences and schools. Pati’s articles have appeared in newspapers and magazines, including Cricket and Hopscotch. Her contribution to this series, TE ATA: Oklahoma Cultural Treasure, is her first published children’s book.

I always find these visualization exercises helpful and I always learn something surprising about my manuscript or my character. Pati walks us through a simple relaxation before taking us through the visualization exercise. During the visualization, we are to focus on a part of our manuscript that is giving us trouble and look at it from a different perspective, paying attention to surroundings in more detail, and thinking about our characters in different ways, even asking them specific questions.

These visualizations allow your brain to relax enough to use your subconscious and solve story problems. You can try these on your own, too. While writing, think about getting up every 30 minutes or so to give your subconscious time to work on any story problems you might have.

Follow Pati on Twitter @PatiHailey

Follow Pati on Facebook here.

 

After lunch, we had a First Pages Critique Panel

 

 

The wise Panel Members: Anna Myers, Tammi Sauer, and Sonia Gensler share their insights.
The wise Panel Members Anna Myers, Tammi Sauer, and Sonia Gensler share their insights. (Photo credit: Regina Garvie)

 

a Speaker Autograph Party

Autograph Party 1
Some of our fantastic speakers signing their books. (Photo credit: Regina Garvie)

 

and then dinner…

We took over the Rock Café in Stroud. (Photo credit: THE Jerry Bennet)
Many of our group took over the Rock Café in Stroud. (Photo credit: THE Jerry Bennet.)

 

…before the final event of the day.

The Inspirational Keynote from LINDA URBAN! YAY!!!

LindaUrbanLinda Urban – Linda writes picture books and middle grade novels from subjects as varied as an angry mouse expressing emotion (MOUSE WAS MAD), a red-headed boy searching for independence (LITTLE RED HENRY), a girl who dreams of playing pianos only to end up with a wheezy organ (A CROOKED KIND OF PERFECT), and a girl who tries to fix a horrible mistake with a birthday wish (THE CENTER OF EVERYTHING). Urban’s characters are written with so much heart, yours will burst while reading about them.

Linda encouraged us to be open to inspiration and new ideas throughout the weekend.

She told us the story about when she first felt that spark, that joy from writing. She put her heart on the page and loved that feeling. Then one day the good feeling stopped. A boy called her writing weird, and said she was weird. She felt horrible and stopped writing for a long time.

When she came back to writing, it was a slow, painful process. Once she let herself find that spark again, that feeling of joy, she needed to define the “spine” of her work. “Why do I do it?”

For her, she wants to write about small things that matter to kids in a big way.

“All I need to be successful is to be true to my spine.”

What is YOUR spine?

Inspiration in spades!

Learn more about Linda by visiting her website: lindaurbanbooks.com

 

Stay tuned for The Recap PART II to read all about what Linda Urban had to teach us during the revision intensive on Day Two!

 

Interview with Ginny Sain – Actor, Writer, Celebrator of Boundless Imagination

Ginny Sain

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We’ve been getting to know some of the faculty for our upcoming 2015 OK SCBWI “Fan the Spark” Fall Retreat through a series of Twitter Chats and now, right here on this blog.

Today, Ginny Sain stops by for an interview. As a faculty member of the Novel Track for the Fall Retreat, Ginny will share drama techniques to help writers with character development. Below, she’ll enlighten us on how acting and writing are more alike than one might think.

About Ginny

Ginny graduated summa cum laude from the University of the Ozarks in Clarksville, Arkansas, in 1995 with a degree in theatre.  She has worked as an artist in residence teaching theatre arts workshops in Arkansas and Oklahoma schools as well as teaching and directing all classes, workshops, and productions for over 18 years with the very successful Stages Theatre for Youth program, an intensive actor training program for serious and dedicated young theatre artists in grades K-12, which she founded at the University of the Ozarks, where she also worked with college theatre students.

With more than 20 years of experience as a working director, choreographer, playwright, theatrical designer, performer, and theatre arts teacher, Ginny is thrilled to be back in Oklahoma as one of the founders of HeARTsong Creative Center, a creative and performing arts organization dedicated to providing professional quality arts programs and events that will encourage people of all ages to explore the depths of their souls, stretch the limits of their possibilities, celebrate the boundlessness of their own imaginations, and recognize the value of hard work paired with creativity.

 

The Interview

Ginny SainValerie Lawson: You grew up in a very literary household, and yet you chose the theatre. What about that medium called to you?

Ginny Sain: Oscar Wilde said, “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.”

I’ve always believe that. I’ve always been drawn to the immediacy and intimacy of communication that you get in the theatre – both with your fellow artistic collaborators, and especially with the audience.

VL: I love that – thinking of your audience as part of the art.

In the realm of theatre arts, you have been a teacher, director, choreographer, actor, playwright, etc., what aspect of the field do you enjoy the most?

GS: I love to act, but what I am most passionate about is teaching and directing young people who are serious about developing as theatre artists. I spent 20 years working with one amazing group of kids, taking many of them literally from kindergarten through high school graduation, and watching them grow and develop as artists, and as people from year to year.

The kind of theatre we were able to do together because of that, and the kind of community they built with each other – that was such a huge thing to be a part of, for them and for me. So many of them are out there doing amazing things now. No matter what else I do with my life I will always consider those students to be the most special thing I have ever been a part of, my greatest contribution to the world.

VL: That kind of continuity is rare, I would imagine. So fantastic!

How would you say that acting and writing are related? What can a writer learn from the theatre arts?

GS: For writers and actors, it’s all about developing real, honest, believable characters and bringing them to life for an audience. Both art forms are about creating something so real that, just for a little bit, people forget that those characters don’t exist.

In the theatre, we do a lot of character analysis work that I think would be very beneficial to writers. We learn to think about the whole life of the character, not just the aspects that figure directly into the story. We build a whole world and we spend time living there. For an actor, the key is asking questions and then, instead of deciding on an answer ourselves, letting the character answer those questions for us. And I think actors tend to ask those questions in a slightly different way than writers do. It’s a really interesting process that actors have.

VL: Yes! Let the character answer the questions. Wonderful.

For the Oklahoma SCBWI Fall Retreat this October, you are co-hosting the Novel Track with your mother, author Anna Myers, how will you be contributing to the workshop?

GS: I’ll be talking specifically about the character developement process we use in the theatre, and how writers can adapt that for their own work. I’m really excited about that. Hopefully, it will cause people to view their characters from a slightly different perspective.

VL: I’m so curious about this different perspective; I can’t wait to discover this new way of looking at my characters.

Tell us a little about your teen years growing up. What was the most embarrassing thing you experienced? What was the most memorable adventure you had with your friends?

GS: Well, you know my mother is going to read this, so……my friends and I spent most of our time just sitting around reading poetry and behaving ourselves.  Lol.  Honestly, my friends were theatre kids and show choir kids. And I grew up in a very small town. Our idea of adventure was, I’m sure by most standards, pretty tame. We were in rehearsal for one thing or another a lot of the time, and those were the best times I remember.

VL: Ha! Well, it was worth a shot. Actually, my daughter might read this, so…yes! That’s all good theatre kids should do – rehearse and read poetry.

What has been your favorite book to read/book you’ve been most excited about over the past year?

GS: I’ve been reading a lot of young adult books this last year.  I really enjoyed John Green’s “Looking for Alaska.” Like I said earlier, I’ve spent almost half my life working with teenagers, and I love them. And the voices in that particular book rang as so authentic to me.

VL: I have heard that you yourself are working on writing a novel, tell us about your experience. What have you learned about writing? About yourself as an artist?

GS: I am working on a book – a young adult novel set in the world of the theatre. Since that’s the world I know best, that seemed like a good place to start. I guess the main thing I’ve learned is that I really enjoy writing. I’ve been told my whole life that I had some ability as a writer, but I never really thought it was something that I enjoyed particularly. Theatre is such a collaborative art form. Writing always seemed to me to be such a solitary process, and that just never really appealed to me. But, I’m beginning to understand that isn’t really true.

VL: Ha! Yes, it may take one writer to draft a novel, but it takes a village to raise it.

You and your sister started your own creative arts center a few years ago, what can you tell us about that project

GS: I’ve always been a director and teacher, and my sister is a licensed teacher. She’s taught in schools in Oklahoma, Texas, and in Malta. So, when I was looking for a change, it just seemed kind of natural that we should combine those things into one joint creative venture. We offer theatre and other creative classes for students of all ages. Most of our work is done in after-school programs at local schools. It’s something we both enjoy and it gives us a lot of flexibility in the projects we work on, which is something that was important to both of us, since we are also raising children and pursuing other interests. It’s been a hard process getting it off the ground, but we’re finally making some good progress.

VL: You have an excellent program. I know my daughter enjoyed taking acting lessons from you. She learned more about her personal strengths and weaknesses as an actor – and how to improve – from you than her own drama teacher. I wish you well in that venture!

Thank you so much for sharing your time with us, Ginny. I look forward to your presentation at the retreat next month!

There are still a few spots available for our Fall Retreat. If you would like to hear Ginny speak, along with our other faculty members, sign up, today! This is an event you won’t want to miss!

SCBWIFTS

Visit the scbwiok.org website for more details and to register online.

TweetAnd don’t miss the next Twitter Chat on September 22nd, from 7-8pm CST, when we chat with picture book author Janee Trasler. Use the hashtag #okscbwichat. Hope to see you there!

SCBWI Oklahoma Twitter Chats

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Fall is just around the corner and so is our SCBWI Oklahoma Fall Retreat. To get everyone in the mood for the retreat, and to help us get to know some of our retreat faculty, we are hosting several Twitter chats over the next month, beginning this Tuesday, August 25th.

TweetEach Twitter chat will be from 7-8pm CST, using the hashtag #okscbwichat.

 

Here is our Twitter Chat Line-Up:

Christa HeschkeAugust 25  from 7:00 PM – 8:00 PM CST 

Christa Heschke – Agent with McIntosh & Otis, Inc. and Off-Site Critiquer for Fall Retreat.  Her Twitter username is @ChristaHeschke. Use the hashtag #okscbwichat.

Christa has been at McIntosh and Otis, Inc. in the Children’s Literature Department since 2009 where she is actively looking for picture books, middle grade, and young adult projects. She is a fan of young adult novels with a romantic angle, and strong, quirky protagonists. Within YA, Christa is especially interested in contemporary fiction, horror and thrillers/mysteries. As for middle grade, Christa enjoys contemporary, humor, adventure, mystery and magical realism. For picture books, she’s drawn to cute, funny, character driven stories within fiction and is open to non-fiction with a unique hook.

UPDATE 8/28/15: If you missed this chat, you can view the Storify version here: bit.ly/1NHGlhE

Emily FeinbergSeptember 1  from 7:00 PM – 8:00 PM CST

Emily Feinberg – Assistant Editor with Roaring Brook Press, and Off-Site Critiquer for Fall Retreat. Her Twitter username is @EmilyFeinberg. Use the hashtag #okscbwichat.

After graduating from college, Emily joined the editorial team at Roaring Brook Press where she has had the opportunity to work with artists and writers such as Laura Vaccaro Seeger, Jason Chin, Bagram Ibatoulline, Nick Bruel and Yuyi Morales, among others. Emily works mostly with picture book, middle grade and nonfiction titles. While she is always looking for solid, voice-driven picture books and middle grade, she also particularly loves nonfiction for young readers of all ages. Emily is not an editor of fantasy.

UPDATE 9/4/15: If you missed this chat, you can view the Storify version here: bit.ly/1EB4tB5

 

Janee TraslerSeptember 22nd  from 7:00 PM – 8:00 PM CST

Janee Trasler – Picture Book Author and Picture Book Track speaker at our Fall Retreat. Her Twitter username is @janeetrasler. Use the hashtag #okscbwichat.

Janee writes and illustrates clever  and funny picture books like the Chickies series, MIMI AND BEAR IN THE SNOW, CAVEMAN A.B.C. STORY, and BENNY’S CHOCOLATE BUNNY. She’s also been known to sing silly songs and play with puppets.

Learn more about Janee by visiting her website: www.trasler.com

UPDATE 9/22/15: If you missed this chat, you can view the Storify version here: bit.ly/1V8Bk7n

 

stacks_image_43September 29  from 7:00 PM – 8:00 PM CST

Tim Jessell – Illustrator and Fall Retreat Illustrator Track Instructor. His Twitter username is @timjessell. Use the hashtag #okscbwichat.

Tim illustrates the best seller series Secrets Of DroonDog DiariesAmare Stoudemire’s STAT, Stan Lee of Marvel Comics first children’s picture book, and covers for reissue of Zilpha Keatley Snyder’s Newbery Honor Books. He is also the author/illustrator of two picture books, Amorak and FALCON.

Learn more about Tim by visiting his website: www.timjessell.com

UPDATE 9/29/15: If you missed this chat, you can view the Storify version here: bit.ly/1j02FI8

 

And for those interested in attending our retreat, sign up now! There are fewer than 30 spots remaining for our fall retreat.

This two-day event, from Friday, October 9th through Saturday, October 10th, has specially designed tracks for illustrators, picture book writers, and novel writers built in to the programming. There will also be a first pages panel & discussion, and an entire day devoted to editing. (For full details, and to register for this event, visit the OK SCBWI website.)

TweetSee you on Twitter!

#okscbwichat

SCBWI OK FALL RETREAT 2015 – Fan That Spark

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During the fantastic SCBWI OK Spring Conference this past March, we all got our Spark Ignited.

The next step?

We gotta fan that spark!

Come to our unbelievable Fall Retreat. You won’t want to miss it!

SCBWIFTS

This two-day event, from Friday, October 9th through Saturday, October 10th, will have specially designed tracks for illustrators, picture book writers, and novel writers built in to the programming. There will also be a first pages panel & discussion, and an entire day devoted to editing. Manuscript critiques will also be available. (For full details, visit the OK SCBWI website.)

Meet our speakers:

stacks_image_43Tim Jessell – Tim illustrates the best seller series Secrets Of DroonDog DiariesAmare Stoudemire’s STAT, Stan Lee of Marvel Comics first children’s picture book, and covers for the reissue of Zilpha Keatley Snyder’s Newbery Honor Books. Jessell is also the author and illustrator of two picture books, Amorak and FALCON.

 

Learn more about Tim by visiting his website: www.timjessell.com

 

trasler - photo with puppet-crop-u483Janee Trasler – Janee writes and illustrates clever  and funny picture books like the Chickies series, MIMI AND BEAR IN THE SNOW, CAVEMAN A.B.C. STORY, and BENNY’S CHOCOLATE BUNNY. She’s also been known to sing silly songs and play with puppets.

Learn more about Janee by visiting her website: www.trasler.com

 

AnnaMyersphotoCAnna Myers – This award-winning Oklahoma author has published 20 books to much critical acclaim. She has won the Oklahoma Book Award four times for SPY!, ASSASSIN, GRAVEYARD GIRL, and RED DIRT JESSIE. She was also awarded their lifetime achievement, the Arrell Gibson Award, in 2012. She writes historical and contemporary fiction for young readers. She also had her first picture book, TUMBLEWEED BABY, published in 2014. Most importantly, she was our Oklahoma SCBWI Regional Advisor and fearless leader for 14 years.

Learn more about Anna by visiting her website: www.annamyers.info

 

LindaUrbanLinda Urban – Linda writes picture books and middle grade novels from subjects as varied as an angry mouse expressing emotion (MOUSE WAS MAD), a red-headed boy searching for independence (LITTLE RED HENRY), a girl who dreams of playing pianos only to end up with a wheezy organ (A CROOKED KIND OF PERFECT), and a girl who tries to fix a horrible mistake with a birthday wish (THE CENTER OF EVERYTHING). Urban’s characters are written with so much heart, yours will burst while reading about them.

Learn more about Linda by visiting her website: lindaurbanbooks.com

For full details on the retreat and how to register, visit the OK SCBWI website here: oklahoma.scbwi.org/fall-conference-2015/

Hope to see you there!

TweetSome of our speakers and manuscript critiquers may be making guest appearances on upcoming sessions of #okscbwichat on Twitter prior to the retreat, so stay tuned!