BLOG PARADE: 2018 SCBWI OK Spring Conference – Striking at the Reader’s Heart

 

I’m happy to be a part of the Blog Parade promoting our 2018 SCBWI Oklahoma Spring Conference this year.

We’re really changing things up!

The event begins this week on Friday evening,  April 6th, and continues through Saturday, April 7th.

As always manuscript critiques, and portfolio critiques will be available in limited numbers. This year there are some fun new additions, too! They include: Friday night sessions, Mingle with the Speakers events, paid face time with industry professionals, off-site critiques, and an autograph party.

Sounds fun!

New to our conference? There’s an orientation first thing Saturday morning, just for you! You also might enjoy reading my post, Tips for Attending a Writing Conference.

For a full conference schedule, and to register for our event, visit the website.

Still, at its core, are the stellar guest speakers we have lined up, so let me give you an introduction to each of them:


Chad W. Beckerman
 – Creative Director for Amulet Books, Abrams Books for Young Readers, and ComicArts.

Chad is an award-winning designer and
creative director at Abrams, where he oversees the design of picture books, novels and graphic novels under the Abrams Appleseed, Abrams Books for Young Readers, Amulet Books, and Abrams ComicArts imprints.

He is the designer behind such successful children series as Diary of a Wimpy Kid, Origami Yoda, NERDS Nathan Hale’s Hazardous Tales,
Frank Einstein and The Terrible Two.

Chad joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2KZzhAb 

Follow Chad on Twitter here. Follow Chad on Facebook here. Follow Chad on Instagram here.

Andrea Hall – Associate Editor with Albert Whitman & Company

Andrea Hall is an Associate Editor at Albert Whitman & Company where she works on picture books through young adult. She is particularly drawn to stories that have layers of meaning and diversity. Andrea started her publishing career at Pearson Education and is a former ARA of the Central and Southern Ohio Chapter of SCBWI.

Andrea answered questions for us in an interview before the conference. View the post here.

Follow Andrea on Twitter here.

Hannah Mann – Junior Agent with Writers House Literary Agency

Hannah started as an intern in the New York office before becoming Steven Malk’s assistant. She’s had the privilege of working closely with a variety of talented bestselling and award-winning authors and illustrators of works ranging from very young picture books to middle grade to young adult.

Now as a Junior Agent, she’s seeking clients from those genres. To learn more about Hannah’s preferences, visit her agency website here.

Hannah joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2wIFQUG

Follow Hannah on Twitter here.

Daniel Nayeri – Publisher at Macmillan Children’s Publishing Group.

Daniel worked as Director of Children’s Publishing at the independent publishing house Workman Publishing before being promoted to Publisher there prior to his move to Macmillan in October of 2017. He is now in the process of developing his own imprint at Macmillian.

He is also an author of a few children’s books himself, including his latest book, STRAW HOUSE, WOOD HOUSE, BRICK HOUSE, BLOW. Daniel and his family immigrated to the United States when he was eight years old and arrived in Oklahoma.

Daniel joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2KVsjMK

Follow Daniel on Twitter here. Learn about Daniel’s writing here.

Allison Remcheck – Associate Agent with Stimola Literary Studio

To Allison, being an agent is a bit like a treasure hunt to find the books that speak to her most easily. Allison is drawn to voices that speak for themselves, stories that only the author can tell, and books that reflect the lives of every child – especially the ones told least often.

Allison joined us for a Twitter Chat before the conference. View the conversation here: http://bit.ly/2wz6Shr

Follow Allison on Twitter here.

Jerry Bennett – SCBWI Oklahoma Illustrator Coordinator and Professional Illustrator

Jerry is a full time illustrator who illustrates comics, storyboards and children’s books whose clients include Stan Lee, Marvel, Lucasfilm, Mattel and Dreamworks. He art directed and led cinematography for the animated short film, Even in Death, which won several film festival awards, and since gone to create trailers for Scholastic Books.

Jerry is currently creating original licensed sketchcards for Upper Deck’s Marvel line, and Topps’ Star Wars and The Walking Dead sets.

Learn more about Jerry’s work here. Follow Jerry on Twitter here. Follow Jerry on Facebook here. Follow Jerry Instagram here.

Emily Heddleson – Senior Manager, Library and Educational Marketing with Scholastic

Emily has over ten years of experience working on campaigns to promote books for ages 0-18, with a focus on retail, library, and educational markets. She will host a Skype breakout session with us entitled, “Marketing Your Published Books”.

Follow Emily on Twitter here.

 

This year, Oklahoma City is the host city for the conference. Mark your calendars for April 6-7th. You won’t want to miss it!

For more information about our conference and to register for this event, CLICK HERE.

I’m the final stop on this blog parade, so if you’ve missed any of the other wonderful bloggers participating, here are their sites. Make sure to check them out!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

See you at the conference!

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Andrea Hall – Editor Interview

I’m so thrilled that Andrea Hall, Associate Editor with Albert Whitman & Company, will be speaking at our 2018 SCBWI OK Spring Conference this April.

Andrea will give a talk entitled, “The Antagonist, a Striking Alternate Reality of Your MC”, about two characters vying for the same external goal and their flaw-revealing, stake-raising journeys. She will also have a break out session entitled, “The First Steps in Creating Award-Worthy Books”, which is aimed at people new to the children/teen publishing world.

About Andrea

Andrea Hall is an Associate Editor at Albert Whitman & Company where she works on picture books through young adult. She is particularly drawn to stories that have layers of meaning and diversity. Andrea started her publishing career at Pearson Education and is a former ARA of the Central and Southern Ohio Chapter of SCBWI.

To help us get to know her even better before the conference, Andrea agreed to answer some questions we received from some of our SCBWI OK members.

 

The Interview

Valerie Lawson: Welcome to the blog, Andrea! Thank you so much for taking the time to answer our members’ questions, today.

Question #1 – If you could tell a writer one thing to help them get published, what would it be?

Andrea Hall: Don’t give up! Keep writing and trying. One never knows which project will be the one that will get published.

VL: Ah! Persistence is so important.

VL: Question #2 – Have you ever found a manuscript at a conference that you went on to publish?

AH: Not yet. But I’ve heard stories from other editors.

I did have a published author pitch me the novel of another member of her writing group at a trade show, and I did go on to publish that.

VL: What a nice friend! (Another reason to join a critique group!)

Question #3 – What makes you cringe in a query letter?

AH: Not following directions.

Telling your life story when it doesn’t pertain to the book. Mentioning that family/friends/your kids love your book. Calling the submission the next “best-seller.”

If only we could predict that!

VL: Yes, it’s always important to follow the submission guidelines!

Question #4 – What words would you recommend authors replace in their writing?

AH: This is going to be different for each writer.

For picture books, every word needs to count. Eliminate the words that are unnecessary.

For novels, look at words or phrases that are overused and try to avoid repetition.

VL: Question #5 – Do you prefer picture books written in past or present tense?

AH: I don’t have a preference.

VL: Question #6 – Could you explain what goes on inside an acquisition meeting?

AH: This is where the editor pitches the book to the rest of the group and works to get everyone (hopefully) excited about it. We discuss how the book fits into our list and get feedback from sales and marketing. This determines whether or not the editor gets the green light to acquire the project.

VL: Question #7 – How do you feel about sensitivity readers? Who is expected to obtain the services of sensitivity readers, the author or the publisher?

AH: Sensitivity readers serve the necessary purpose of ensuring authenticity when writing outside one’s own cultural group. I feel it falls to both the author and publisher—the author needs to do their due diligence to make the work as authentic as possible, and the publisher needs to also double-check and verify accuracy.

VL: That makes sense. Double-checking is always a good idea.

Question #8 – In Middle Grade historical fiction, is it a problem if the action of a story begins when the main character is very young? (Knowing kids who read Middle Grade like characters that are a little older than they are, and also wanting to stick to the facts as much as possible without turning off readers.) Any suggestions?

AH: This is tricky without knowing the context of the story. If something significant happened to the MC as a young child, which impacts the overall plot or helped shaped the character, than it makes sense to include. I suggest looking at other historical fiction titles that have done this and then find the best approach for your story.

VL: Question #9 – How many titles that you’ve published have come from un-agented submissions?

AH: Personally, three books I’ve acquired have been un-agented submissions.

VL: Question #10 – What are you NOT seeing from submissions right now that you would like to see?

AH: I’m not seeing enough cultural/diverse/#ownvoices stories. I’m always looking for more of these!

VL: Thank you, Andrea! It’s been a pleasure! We all look forward to hearing you speak at our conference.

And thank you to everyone who submitted a question! 

Learn more about Andrea and her publishing house here.

Follow Andrea on Twitter here.

**While Albert Whitman & Company DOES accept unsolicited manuscripts from unrepresented authors, you MUST follow their submission guidelines.

CLICK HERE for their guidelines on Picture Book, Middle Grade, and Young Adult submissions. 

Want more? You can hear Andrea speak in person at our conference in Oklahoma City this April!

For more details on our 2018 SCBWI OK Spring Conference or to register online, CLICK HERE.

See you there!

2017 SCBWI LA Summer Conference Highlights – Part 3

Welcome to Part 3 of the conference highlights. To catch up on previous posts, you can view Part 1 and Part 2 before continuing.

DAY THREE

The final day always comes too quickly, and yet is still somehow packed with a ton of literary goodness. We started off the day with the Picture Book Panel (which included our very own SCBWI Oklahoma star PB author Tammi Sauer!) and ended with an inspirational send off by the amazing Laurie Halse Anderson followed by the always fun autograph party.

Did I mention that there was dessert with Judy Blume in the middle? Crazy, I know! What a fabulous day!

PICTURE BOOK PANEL

PANEL DISCUSSION WITH RAÚL COLÓN, LEUYEN PHAM, JAVAKA STEPTOE, AND TAMMI SAUER. (MODERATED BY LAURENT LINN)

Laurent Linn led this awesome discussion about picture books. He had each panelist introduce themselves first before the questions began.

Leuyen Pham — She’s worked on about 90 picture books and she said picture books are the closest you can come to whispering in a child’s ear. The search for characters is always a lot of fun for her. She does background and research on the characters before starting. There’s an emotional move from line drawing to art – analytical turns off to the imaginative.

Javaka Steptoe — He said he’s not just trying to create art, but an experience. He’s trying to feel what the character is feeling when he’s creating. He thinks back to when he was a child, when he was drawing, making noises, to create that moment on the paper, the experience.

“I don’t want to just draw a picture.”

When he uses found objects, he’s using things that have had a life. That brings a richness. It’s there, it’s alive. For kids, when they see something they identify – like, wow, I have that in my house – it’s a bridge.

He’s always thinking, “How can I bring you into my world?”

Learn the details of a moment; it’s about the subtleties and how it creates the big picture.

Tammi Sauer — (Tammi may have received a giant shout-out of ‘OOGA!’ from her Oklahoma SCBWI fan club when she was introduced. Maybe.)

 

She then flawlessly went on with her stellar presentation and gave her three favorite writing tips for creating relatable characters readers will care about. Make sure to follow her ARF formula:

A – Active

R- Relatable

F- Flawed

Raúl Colón — For his latest picture book,  his editor told him that the pictures were telling the story. She told him to get rid of the words. That’s how DRAW! become a wordless picture book.

When beginning a new manuscript, he starts with sketches. Vision of pictures have to come to him as he’s reading or he won’t be interested in working on it. He plays music while working, He gets lost in the work, especially while doing the final art.

Question #1: What’s the first step in a new creation?

Tammi Sauer — Come up with a fresh idea. Celebrate the weird. Ideas are everywhere. Your job is to capture them.

Raúl Colón — I agree. I was inspired by an exhibit I came across.

Leuyen Pham — My first step is hard. Every book is a reinvention of myself. I freak out. I have to leave my studio. Take a sketchbook and just start sketching. While actually working, I can’t look at others’ work.

Javaka Steptoe — I agree with what everyone just said. You have to find some idea that sustains you. Ideas can come from anywhere. From life. You shouldn’t force a story. It should be fluid. I think about the background materials – asphalt for Swan Lake, wood for Jimi Hendrix.

It looks effortless, but it takes lots and lots of work to get there.

Question #2: Picture books can seem simple. When you have something to say, how do you balance this?

Raúl Colón — In the book ALWAYS MY DAD (by Sharon Dennis Wyeth) a story about divorce, it could’ve been tricky, but we made it as joyful as possible by showing all the things they could do together – focused on hope.

Leuyen Pham — I tend to stay away from stories like that. My approach tends to be more subtle. I’ll find a way to work them into the pictures. For example, two lesbian mothers pictured that are not mentioned in the story.

Her favorite writers are those generous enough to let some words go.

Tammi Sauer — I try to keep the 4 year-old version of my son in mind. Something kids connect with, something with humor. He would either give two thumbs up or say, ‘Wow, that’s a dud’.

Keep it subtle – don’t beat people over the head with a message.

Javaka Steptoe — The story is the most important thing. If it’s not a page-turner, take it out. The writer can show you the road, the illustrator can show you the beauty of the road.

Question #3: What is your purpose?

Tammi Sauer — Something kids can connect with – humor and heart.

Raúl Colón — Something they don’t see every day.

Leuyen Pham — Making another one of me. Feeling an intimacy with a book that will touch that kid.

Javaka Steptoe — I just want to talk with people. Write children’s books like a letter we send back out into the world and we keep going.

 

STEPHANIE GARBER SHARES SAGE ADVICE

 

 

 

 

 

Stephanie Garber, who already gave an outstanding breakout session, now dazzled the entire conference with her keynote address. She shared some sage advice she’s learned along her journey as a writer thus far.

 

The story of her overnight success took seven year. Seven years and five novels. Yes, it wasn’t until the fifth complete novel she wrote that she started to see positive responses to her writing from queries. That fifth book is the one that landed her the agent. And the sixth book was the one that finally sold – CARAVAL.

There was a lot of doubt and questioning of life choices before that book sold, so what helped her keep going and get through that sixth book?

Stephanie said these things were key to her success:

  • Write the book you’re brutally obsessed with — After all, your readers won’t feel something you don’t. (Please don’t write a book that’s safe.)
  • Deal with the things you’re afraid of — (She wanted to get an agent, but she didn’t want to go to a conference to get one – she was terrified of conferences.) There’s something very powerful about confronting fears and it’s better to do it before you’re published. Make your mistakes now. Besides, once you publish, things don’t get easier.
  • Let Go — Great things come from letting go. A manuscript can be salvaged, and it can be good to persevere. But it can also be a good thing to let go of ideas. It’s dangerous to latch on to the idea that you know everything. There’s always something to learn, especially about craft or the industry.
  • Read Widely –Don’t just read, read deeply. Make a personal list of what inspires you. What books do you want to emulate? (Your Cannon) Write the kind of books you want to read.

 

GOLDEN KITE LUNCHEON

The Golden Kite Luncheon and Awards Presentation was beset by a wee bit of a crisis this year when by some twist of fate, the kitchen only prepared place settings (and meals) for half the number needed. Our group was lucky enough to acquire a table, and reparations were made to those who didn’t, but they sadly missed out on a fabulous conversation between Lin Oliver and Judy Blume that took place during dessert.

Stephanie, part of our Oklahoma group, at our table at the luncheon.
Yes, that is a salad on my plate, but my eyes are already on that dessert…
Lin and Judy in conversation.

For most of the conversation, I sat there mesmerized. Judy cast us all under her spell, as she is prone to do. I do remember that Judy talked about how writing saved her life, literally. And how it changed her life. Lin asked her if she’s retired from writing. Judy said that she’s written everything she’s wanted to say, “But there’s this one little thing…”

That got the whole room very excited!

Now that she’s (semi) retired from writing, she’s still surrounded by books at Books and Books, the independent bookstore in Key West she and her husband George have opened. She also invited everyone to come visit – but maybe not all at once.

She also talked about how much an organization like SCBWI would have meant to her when she was a young writer, which is why she is such a big supporter of it now, and why she’s on the board.

One quote I came away with was when she was talking about determination – “You can have all the talent in the world, and if you’re not determined, you’re going to let something stop you from doing it.”

*Sigh*

How much do we love Judy Blume?

 

BREAKOUT SESSION – KWAME ALEXANDER AND ARIELLE ECKSTUT TALK ABOUT THE BUSINESS SIDE OF THINGS

Kwame Alexander and his agent, Arielle Eckstut, gave a fascinating talk discussing business tips.

Kwame and Arielle were wonderful and shared so many fantastic ideas. My absolute favorite thing that Kwame said was that a big part of his success was starting local. Embracing local bookstores and developing relationships with local owners long before you’re published should be a priority.

He was also very creative when it came to marketing. He once had 50 friends call a bookstore and ask for his book before he called them himself to ask if they’d like for him do a signing there. SMART!

He also called anybody he knew connected with morning radio shows and read poems on the air. (And I can only guess how effective that must have been, because when you hear him read his poetry, it is really something.)

Always have a plan that has reach – stretch goals. Constantly create opportunities.

Remember, you are the main driver of your book’s publicity.

So many great things, I could have listened to them spout off ideas for another hour or two.

 

CLOSING TIME – FINAL KEYNOTE LAURIE HALSE ANDERSON

 

 

 

 

 

 

Laurie Halse Anderson greeted us and gave a special shout out to any introverts who were present (no small task!). She acknowledged how difficult it was to carry the bubble of love, the place of acceptance and understanding, we’d created in our conference back home with us after the conference ends.

She gave us a few secrets to help carry this feeling home:

  • “You are the boss of your brain, and your brain is the boss of your emotional state.” She’s done the research. She then suggested we take a cue from the country of Denmark and embrace the idea of “hygge”. A warm, pleasant, and comfortable atmosphere. Void of annoyance or distraction, at total ease.  
  • Get Started! You have to give yourself permission to suck. Revision is about clarifying. If you can just get started with your suckage, doing your art makes you feel better! 
  • Creating books for children is a tremendous privilege and responsibility. We create for the luckiest audience who will ever live.

Choose to make messy art whenever you can.

It was a wonderful way to send us off. What a fantastic conference!

 

AUTOGRAPH PARTY 

I may have gone a little overboard with buying books, but I actually showed some restraint and stopped myself way before I had to buy a second suitcase. I may not enjoy the mad dash and waiting in long lines takes to get all of these treasures signed – honestly, it’s the closet thing I come to experiencing Black Friday, and I barely survived it – but dinner with friends is at the end. And along the way, I do get to meet and thank these authors who have written books I enjoy. Worth the suffering of crowds and long lines? I think so.

The books I bought at the conference, and then lugged around the ballroom to get signed.

 

The dynamic Vanessa Brantley Newton, who also illustrated our own Tammi Sauer’s book, MARY HAD A LITTLE GLAM – I forgot to bring my copy with me (and it was sold out at the book store).
Our darling Tammi Sauer was so busy with her faculty duties that we barely saw her! I did meet up with her a time or two. Once in passing here…
…and once when I had her FINALLY sign my copy of her book CARING FOR YOUR LION. I had to bring it all the way from Oklahoma with me because we kept missing each other (or I’d forget to bring it with me when I’d see her). Mission Accomplished!

 

 

 

 

 

 

 

Kwame Alexander was just as charming as could be. I absolutely loved THE CROSSOVER as I knew I would.

 

The wonderful and ever-so-sparkly Alex Gino signed books earlier in the conference. I was so happy I was able to meet Alex and get my copy of GEORGE signed. What a fabulous book!

INTENSIVES

For the first time ever, I was able to attend the Intensive workshops following the conference on Monday – so worth it!

Morning Intensive was SCENE: THE BUILDING-BLOCK OF FICTION with Linda Sue Park where we explored working in scenes rather than chapters. It was fascinating and very helpful.
The Scene Intensives Class! Don’t we look inspired?

 

Afternoon Intensive was TIP SHEETS with Arianne Lewin. I learned how much I didn’t know about this invaluable marketing tool and then I  learned how to use it.

 

FINAL GOODBYES

After all the workshops were over, our group had our final meal together and the staggering flights back home began. Before we knew it, it was time to say goodbye to LA…until next year!

Eating the best Greek food. What a great way to end the weekend.

 

Catren and Brenda taking in the sights.

 

Heading home! Bye LA!

Hope you’ve enjoyed the highlights of the summer conference! I thoroughly enjoyed attending!

2017 SCBWI LA Summer Conference Highlights – Part 2

Welcome to Part 2 of the conference highlights. View Part 1 here.

 

DAY TWO

There were so many wonderful speakers and panels on Saturday that heads would explode if I covered everything. I’m skipping ahead to my favorite breakout session of the day.

 

STEPHANIE GARBER SHARES SECRETS TO ENDINGS

 

Stephanie Garber, author of CARAVAL, the phenomenon of a debut novel that has everyone talking, ran a fabulous breakout session entitled “Five Steps on How to Write Five Star Endings”.

 

She began by sharing a list of six classic story endings:

  • Happy Ending – Disney ending. Hero versus Villain with hero triumphant. The Happy Ever After
  • Tragic Ending – Hero gets what he wants, but loses something in the process
  • Unhappy Ending – Romeo and Juliet (works because reader is told from the very beginning this is a tale of woe)
  • Bittersweet Ending – Main Character makes sacrifice for the better good, i.e., Batman in The Dark Knight lets people believe he’s a villain because it’s what the city needs.
  • Vague Ending – open to interpretation, makes people question.
  • Series Ending – Cliffhanger or Hero gets what he wants, but Villain gets away.

While twists and surprises are awesome, you don’t want to spring an ending on readers that is unexpected; not in line with their expectations.

The tone of the ending should align with the tone of the book.

Think of the Harry Potter books, which were progressively darker with progressively darker endings. All deaths were earned and endings expected.

Think about whether or not the price for your story ending has been paid. Has the success been earned by the hero or villain? Think about endings not just for your main character, but for all of your characters. Make them all earn their endings. Dolores Umbridge in Harry Potter earned her ending.

One of my favorite tips she gave was about villains. She said you should makes sure to give them screen time. Put them in the path of your main character. A face-off with the villain is a great opportunity to show character development.

Have a kick the cat moment versus a save the cat moment.

Don’t just say they are the villain; show it. Show the villain arc.

She ended with stating you should leave readers with a sense of hope, even if your story is a tragedy.

Think about this: What is the final message you want to leave readers with?

 

LUNCH BREAK

There were so many fantastic places to eat near the hotel. Some of us had lunch at Katsuya. Great sushi and a lovely atmosphere, including a most fascinating bathroom. Everyone took turns checking out the unconventional sinks. (Yes, just like tourists.)

 

Yum!

 

“The ‘there is no sink’ aesthetic .”

 

At some point one afternoon, we had a gathering of all SCBWI Oklahoma members and tried to pose for a group photo. After three attempts, we succeeded in capturing 13 out of 14 of us. So close! Here’s the collective result.

This photo was blatantly stolen from Jerry Bennet’s Instagram feed. Don’t worry, he won’t even notice. 🙂

 

CONVERSATION WITH KWAME ALEXANDER AND SONYA SONES

Two phenomenal poets having a conversation about poetry. Wow! Was this amazing! I can’t share the live poetry that flew back and forth – beginning with Sonya’s awesome intro – or the chemistry they had, or the humor that filled the room. Just imagine that this experience was unforgettable.

Sonya Sones asked the questions and this was her first one:

SS: Tell me about the moment of your conception.

KA: 1967. Harlem, New York. A dormitory at Columbia University.

(I mean, honestly! They had us rolling.)

SS: When did you first know you were wonderful?

KA: At 12 years old. When I wrote a Mother’s Day poem.

Dear Mommy.

I hate Mother’s Day

In my heart

Every day is

Mother’s Day.

That’s when I first knew words were powerful.

SS: How does the study of poetry help children?

KA: Poetry is a rhythmic, concise, emotional way of sharing view of the world. If a child gets through it and understands, they can crossover and it’s profound.

SS: What’s the first book you ever wrote?

KA: A book of love poems inspired by a woman. I wrote her a poem a day for a year – and it worked. (He married her.)

There was so much more. I wish I could share it all. It was a fantastic conversation.

PORTFOLIO TIME

One of my favorite events is the Portfolio Showcase. I love looking over all the artwork of so many talented illustrators. This year, I had the pleasure of running into our very own Illustrator Coordinator, Jerry Bennett, while I was perusing the portfolios. Always a treat to get an artist’s take. And he’s somewhat amusing company as well. 🙂

Hanging out with some tough Illustrator Coordinators, Jerry Bennett and Karen Windness.

 

Wall to wall people for this popular event.

 

SILVER LININGS GALA

Saturday night means party time!

This group knows how to let loose! (All videos I recorded have been deleted to protect your, um, signature dance moves, let’s say – and you’re welcome.)

 

Hope you enjoyed the Day Two highlights. Stay tuned for Part 3 coming soon!

 

2017 SCBWI LA Summer Conference Highlights – Part 1

I was very honored this year to be a winner of the SCBWI Tribute Fund. (Even if it meant I had to stand up in front of over 1500 people!) A brief moment of awkward public embarrassment was well worth what I received in return. I honestly can’t thank the entire staff of SCBWI enough. From Stephen and Lin for providing this grant and selecting me, to everyone in the main office I interacted with regarding all the details – they were all just so lovely.

And of course, a huge thank you to Helen, my Regional Advisor, who nominated me. (Who also took this awkward picture of me waving awkwardly to a crowd of 1500 people. AWKWARD!)

Now I would like to share with you my favorite parts of the SCBWI LA summer conference that I was able to attend this past July as a winner of this wonderful grant.

DAY ONE

One of my favorite things about attending these conferences is how energizing they are, how they recharge my creative battery, and remind me that what I do is important. Especially in these uncertain times, it was such a reassuring thing to hear Lin welcome us into our own “Bubble of Love” (complete with actual bubbles).

Lin Oliver welcoming us to the beginning of another wonderful SCBWI Summer conference.

 

Bubble Love photo credit: The Official SCBWI Conference Blog

It was also nice that our region got a shout-out for having such a large group in attendance, along with a handful of other states, but you know ours was the LOUDEST!!! We got a few more shout-outs, just so everyone could hear us make some more noise – something we were not shy about doing! (This happened several times during the conference, which was fun.)

Most of our SCBWI OK group on Day One. Such a large group was hard to corral into one place at any given time.

VANESSA BRANTLEY NEWTON – SPREADING SUNSHINE

Vanessa Brantley Newton, illustrator of THE YOUNGEST MARCHER and MARY HAD A LITTLE GLAM (written by our own Tammi Sauer! OKLAHOMA SCBWI in the house!), opened the conference by making us get up out of our seats and dance.

In her keynote entitled, “Diversity Designed by Adversity”, Vanessa said we could let adversity ruin us, make us sad, or lean into it, wrap our arms around it, shake it off, and pack it under.

To illustrate her point, she told a story of a farmer who had a goat that fell down a well. Bemoaning the loss of the goat, he threw dirt down the well to bury it, but the goat just shook it off, and packed it under. Soon, it had a pile tall enough to climb out of the well.

“That’s been my life.”

She was born with dyslexia, synesthesia, and she also struggled with stuttering. Her dyslexia caused her to to go inward, to draw pictures. The synesthesia influenced the use of bright colors in her art. Her parents were both singers and helped her deal with her stuttering. “I sing in my head” the words she wants to say out loud. All these things didn’t stop her, they influenced her work.

Vanessa talked at length about the need for diverse books. She told the story of wanting to be a Breck shampoo girl when she was younger. She thought to have blonde hair, she just needed the shampoo.

She didn’t see herself reflected.

Then came Ezra Jack Keats and THE SNOWY DAY. She didn’t remember the words, but the pictures were powerful.

Little Vanessa and her teacher who read her the story.

She told us how Ezra Jack Keats said, “I drew Peter because he should have been there all along”.

Vanessa called on us as artists, as writers to embrace our own challenges.

“You’re built for adversity.”

Some of the best stuff is raised out of adversity. You gotta be willing to put in the hard work.

 

You need to dream so big that it scares the hell out of you.

 

She ended by singing to us, and I don’t know if there was a dry eye in the room when she was done.

Honestly I couldn’t see…

 

 

TRANSFORMING LIFE INTO ART

photo credit: The Official SCBWI Conference Blog

PANEL DISCUSSION WITH ALEX GINO, AISHA SAEED, RUTA SEPETYS, AND KIM TURRISI (MODERATED BY EMMA DRYDEN)

Emma Dryden led a thoughtful discussion with this fantastic panel of authors.

Question #1: What led you to express the experience in your own life in novel form?

Alex Gino – Middle Grade is a big part of my heart. The only time I experienced any instance of transgender as an adult was as a joke. “I knew GEORGE was the book I wanted and needed to write.” It took 10 years.

Aisha Saeed – She never saw herself in books with the exception of the role of the bad guy until she went to college. She knew she had to tell her story. She wrote her debut novel about forced marriage because she had many friends who were going through this experience. If they said no, their parents would disown them. She writes to make sense of the world. She wanted to understand why parents who loved their kids would do this.

Ruta Sepetys – “Much of my identity is wrapped up in being an immigrant’s kid.” Not a lot has been told about Stalin and what happened in Siberia. She wanted to bring this story to young readers because YA readers are deep feelers and deep thinkers. Books we read as kids have the potential to make a profound effect.

Kim Turrisi – When she was 15, her sister committed suicide. Her story is about the aftermath of suicide. She didn’t see herself in any books like this back then. She wrote about the experience to help.

Question #2 – Glimpse into choices you had to make to stray away from the truth to serve the story.

Ruta Sepetys – She was interviewing human beings condemned to death who then survived. “There’s a tension between history and memory.” She will interview 100 people and interweave the stories to create a single one – very different from nonfiction. This will hopefully be more representative.

Kim Turrisi – She used notes from 25 different people to cobble together the backgrounds of the secondary characters.

Alex Gino – Many people assume that my book is autobiographical. The way my character is transgender is not the same way that I am. My main character isn’t much like me, but the way people respond is.

Question #3 – Talk about the process of going deep into the story.

Kim Turrisi – I had the suicide letter. I put it on the wall to challenge me. My editor challenged me by saying some things that actually happened may not feel authentic. Give more. It was tough.

Ruta Sepetys – As writers, we should go there. Emotionally we need to get in the trenches. If I feel loss, I have loved. If I feel it, hopefully my readers will too. Amplify the hope in the hardship. Someone has to make it out.

Aisha Saeed – She did the emotional digging. What would it be like to go through this? Why would she run away? Her editor helped her bring out the nuances.

Alex Gino – You have to have a balance between optimism and realism. My responsibility was to provide a mirror for kids who are Trans. We get to have nice stories, too. Then my editor had to remind me that bad things have to happen, so we feel better when there’s redemption.

 

NOVA REN SUMA – QUEEN OF THE UNRELIABLE NARRATOR

Break Out Session, “The Power and Possibility of the Unreliable Narrator”

POV is one of the most exciting tools you have as a writer. Make good use of it.

What is an “unreliable” narrator?

  1. Withholds information from the reader
  2. Breaks your trust (We expect to trust the narrator)
  3. Drives the plot

Should be unreliable for a reason – an important mechanism for the plot.

Unreliable Narrator often has a surprising, unexpected secret.

WHY is your narrator not telling the whole truth?

WHY is the big mystery.

You as the author need to know the answer.

Favorite example: Mary Katherine Blackwood from WE HAVE ALWAYS LIVED IN THE CASTLE by Shirley Jackson

More Unreliable Narrator examples:

Mica from LIAR by Justine Larbalestier

Julie from CODE NAME VERITY by Elizabeth Wein

Mary from Allegedly by Tiffany D Jackson

Whim from CHARM & STRANGE by Stephanie Kuehn

Caden from CHALLENGER DEEP by Neal Shusterman

Nova went on to explain how using craft choices can help you show your unreliable narrator to your readers and ways to create an unreliable character.

This was such a helpful session! Nova really is a fantastic teacher.

 

DINNER

After a full day of amazing keynotes and breakout sessions, our SCBWI OK gang met up for dinner with a former member who recently relocated to LA. She may have moved to California, but she’ll always be a part of us, too!

(Almost) our entire SCBWI OK gang after the first day of the conference.

 

Jerry and Britt (our wayward member) doing their best Oh My Disney! pose – Aren’t they just too adorable for words?

 

Hope you enjoyed the first part of my conference experience highlights. Stay tuned for Part II coming soon!

 

SCBWI OK Spring Conference Recap Part II – Persistence, Professionalism, and Success in Action

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Welcome to Part II of this conference recap. View Part I here. As anyone who’s ever been to any conference or workshop knows the post-lunch slot is a demanding one. You are fighting afternoon sleepiness. You are fighting full-belly fatigue. Our next speaker was up to the challenge and did not disappoint. 2017-scbwi-spring-conference-flyer

 

SATURDAY AFTERNOON

Ally Carter returned to the podium to give a solo talk that all writers could definitely benefit from hearing.

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever.

Ally gave a fantastic talk entitled, “Dear Ally: A Letter for Baby Author Me”, where she discussed many of the mistakes she made as a beginning author. They were so insightful and encouraging.

Here are a few of my favorites:

Nothing sells backlist like frontlist.

Her first book sold about 5 copies, and yet she spent a LOT of time and money promoting that book. She learned the hard way that the best way to promote your last book is to write your next book. The first book in her Gallager Girls series didn’t hit the NY Times Bestsellers’ List, but the second one did. And once it did, the first one did too.

The type of book and the quality are the only things that authors can control. The rest of marketing that authors do may not effect sales very much.

Some people will tell you that making writer friends is going to be good for your career. They’re wrong. These friends are going to be good for your LIFE.

I have never heard a truer statement. My writer friends are the most important ones I have. They understand what it means to struggle with this creative life we have chosen and they support me through it all.

Twitter lies.

Nobody ever shares the bad news. You can’t judge your career based on the career of other people. You don’t really know how their careers are going and it doesn’t help you to worry about it.

There’s no one way to write a book.

You never learn how to write a book. You just learn how to write the book you’re writing right now. And every book will probably have a month where it gets hard.

She had so many other fantastic pearls of wisdom to share. I just loved her talk.

She closed with this:

What you do matters. If you make a kid feel happy for a little while, that’s a great thing.

Truly fantastic. Thank you, Ally.

Follow Ally on Twitter here. Follow Ally on Instagram here.

 

Our next speaker shared ways to add heart into our writing.

jill-santopoloJill Santopolo – Editorial Director with Philomel Books

Jill received a BA in English literature from Columbia University, an MFA in writing for children from the Vermont College of Fine Arts, and a certificate in intellectual property law from NYU. As the editorial director of Philomel Books, an imprint of Penguin Young Readers group, she has edited many New York Times bestselling and award-winning authors including Atia Abawi, Terry Border, Chelsea Clinton, Andrea Cremer, Lisa Graff, and Alex London. She’s the author of the Sparkle Spa series, the Alec Flint mysteries, the Follow Your Heart books, and the upcoming adult novel The Light We Lost. An adjunct professor in The New School’s MFA program, Jill travels the world to speak about writing and storytelling. She lives in New York City.

Jill inspired us all with her talk entitled, “Getting to the Heart of the Matter”. A talk about emotion. She began by asking the purpose of art. To connect with readers/viewers by creating empathy, understanding, or a cathartic experience. In essence, some kind of connection.

In writing, to get that connection, we use “show don’t tell”.

Why? Because You feel it instead of see it.

Connection.

How? Sound, syntax, and word choice.

Jill gave many examples of how word choices and sentence structure effected a specific passage.

For example, shorter clipped sentences can convey anger or intensity.

Pauses have power.

Linking certain words to specific characters tell us how to feel about each character – ‘buzzy’ and ‘roared’ versus ‘lounged’ and ‘sippy’ give us very different feelings.

Like an artist uses brush strokes and color choices, a writer uses sentence length and word choice to create moods for evoking emotions.

 

Prior to the conference, Jill participated in a Twitter chat with us. You can view the Storify version of our conversation with Jill hereFollow Jill on Twitter here.

 

The next speaker had much to discuss and much wisdom to impart for the pre-published among us.

lindacamachoLinda Camacho – Literary Agent with Prospect Agency

Linda joined Prospect Agency in 2015 after a decade in publishing. After graduating from Cornell University, Linda interned at Simon & Schuster and Writers House literary agency, and worked at Penguin and Random House before making the leap to agenting. She has an MFA in creative writing from the Vermont College of Fine Arts.

 

Linda’s talk entitled, “Your Personal Hero’s Journey – Going from Pre-Published to Successfully Published” was full of fantastic advice. One of the main ideas was you need to get used to rejection.

“I get rejected with my clients.”

She went over some surprising facts about rejection from a Psychology Today article. Here are a few:

  • Rejection runs along the same pathways as physical pain.
  • Tylenol can reduce the pain of rejection.
  • Rejection temporarily lowers IQ.
  • Rejection does not respond to reason.

Fascinating, right?

Linda went on to show several examples of rejections from writers who went on to succeed. She said embrace rejection. It means you’re a real writer.

Today’s common rejection? “It’s not for me.”

This can happen even when there’s nothing wrong with your manuscript. You cannot control rejection.

There are things you CAN control:

  • Dump your excuses – “I don’t have the time”, “I’m not talented enough”, “I’m afraid of failure”, etc.
  • Write the book – Pick a routine, any routine.
  • Hold yourself accountable
  • Learn the business
  • Read. A Lot.
  • Get used to revising!
  • FIND A WRITING COMMUNITY – so key when faced with rejection and cloistered when working. The writerly brain is unique. We need some understanding.

She had so many other fantastic suggestions. Such a great talk!

Visit Linda’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Linda participated in a Twitter chat with us. You can view the Storify version of our conversation with Linda hereFollow Linda on Twitter here.

 

Our final speaker of the day asked us what we were willing to do to succeed.

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

Kristen gave the final talk of the day entitled, “What Will Your Then and Now Story Be?” It was quite inspirational.

She started off with some background on how she started her literary agency by making a business plan and selling her house to fund it. She worked out of her much smaller new house for six months before closing her first deal.

She then asked, in pursuing our dream, “Do you want it badly enough to change?”

  • To allow yourself zero excuses?
  • To get rejected A LOT?
  • To reinvent yourself?
  • To change jobs to have more time to write?
  • To write the fifth novel when four novel didn’t launch your career?

She asked more tough questions and gave examples of authors who’d gone through each of these situations, and then went on to succeed.

Every author faces obstacles. On average, four is the magic number. That’s four manuscripts before you write the one that sells.

Visit Kristen’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Kristen participated in a Twitter chat with us. You can view the Storify version of our conversation with Kristen hereFollow Kristen on Twitter here.

 

BOOK SIGNING

Immediately following the end of the conference, there was a book signing for published authors and our speakers. (Code for time to buy more books!)

 

Great time to get my copy of Jennifer Latham’s new book DREAMLAND BRUNING signed. I attended her book release, but they sold out before I even arrived! (Not a bad problem to have, honestly.) Such a great turn out!

 

This is my fourth signed book by Ally Carter and I adore them all. She’s such a delight. (Even if she is an OSU fan!)

That’s a wrap for another outstanding spring conference. Thanks to everyone who made it possible and to all of our fantastic speakers! You were amazing and so inspiring.

 

 

SCBWI OK Spring Conference Recap Part I – Persistence, Professionalism, and Success in Action

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This year’s SCBWI Oklahoma Spring Conference set a high bar for future conferences. A month later and I’m still processing the wealth of information the speakers imparted. Here’s Part I of the brief recap!2017-scbwi-spring-conference-flyer

FRIDAY

This year’s conference began with something new, a warm up event on Friday evening. With three different options, I chose to attend the Friday Night Panel with Ally Carter, Matt Ringler, and Linda Camacho.

From left to right, our panel included NY Times bestselling author Ally Carter, Senior Editor at Scholastic Matt Ringler, and literary agent Linda Camacho of the Prospect Agency.

This fun and informative panel was asked everything from their views on professionalism to what keeps them reading a manuscript to what other agents and editors would say about them. Needless to say things got interesting!

Agent Linda Camacho addresses the crowd.

The three speakers held the attention of the packed room and started the conference off with great enthusiasm.

One of my favorite stories was from Ally Carter. When answering a question about professionalism, she commented that she was simply doing what her mother taught her when she wrote a thank you note to a very important book seller. She found out later that he actually kept it displayed. It was the only one he’d ever received from an author. A reminder that being thoughtful to everyone in this business can make a difference.

SATURDAY MORNING

Our first speaker of the day showed us the power and beauty of using fewer words to tell our stories.

katrinadamkoehler-2Katrina Damkoehler – Senior Designer with Random House Children’s Publishing

Katrina is currently a Senior Designer for the trade imprints of Random House Children’s Publishing, where she designs and art directs approximately 35 middle grade and picture book titles per year. She was previously Art Director at Amazon Children’s Publishing. Recent projects she art directed include the 2015 Geisel Award-winner “You Are Not Small” (Anna Kang/Christopher Weyant), “Grover Cleveland, Again” (Ken Burns/Gerald Kelley), and “This is My Book” (Mark Pett).

Katrina gave a talk entitled, “(Almost) Wordless Picture Books” where she gave examples of picture books that used few words to tell great stories. The (almost) wordless manuscripts may have as few as 50 words. With a limited word count, it’s helpful to have a road map. That’s why most wordless (or nearly wordless) manuscript submissions include illustration notes.

Here are some examples she shared:

THERE’S NO SUCH THING AS LITTLE by LeUyen Pham

 

 

 

CINDER-EYED CATS by Eric Rohmann

 

 

HELLO HIPPO, GOODBYE BIRD by Kristyn Crow

 

 

She also walked us through the illustration process – from submitted manuscript to finished book – for EAT, SLEEP, POOP by Alexandra Penfold.

Beginning manuscript for EAT, SLEEP, POOP.

Finished product! Cover and first few pages of completed book for EAT, SLEEP, POOP.

One thing she emphasized about nearly wordless picture books is that emotional expressions of the characters need to be extremely clear. After all, the illustrations are doing a lot of heavy-lifting with the story-telling.

 

To learn more about Katrina, follow her on Twitter here.

Prior to the conference, Katrina participated in a Twitter chat with us. You can view the Storify version of our conversation with Katrina here.

 

Next, a true power couple shared tips on how to write authentically for a YA audience.

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever.

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

NY Times best-selling author (and Oklahoma native) Ally Carter joined her agent Kristen Nelson to give a presentation together entitled, “‘So You Want to Write YA…Start by Asking the Right Questions!”.

One of those right questions was instead of asking how to learn teen slang, you should ask if you have a voice that appeals to teens.

Slang comes and goes, and is often regionally specific. Besides dating your manuscript, it can end up alienating readers instead of connecting them with your story.

Another great question was instead of asking if you can just age your characters up or down to ‘make’ your book YA, you should ask yourself if you’re telling a true coming-of-age story that will resonate with teens.

It’s not enough to have characters the same age as your readers. Age doesn’t equal connection. You have to engage your teen readers with a story they can relate to.

And this one was my favorite:

Q:   Should I alter myself when writing for teens?

A:   Ally – “Yes, write smarter.”

Kristen – “I’ve never heard a teen say, ‘I felt obligated to keep reading’.”

Teens expect the writing to be great from page one and will put a book down the minute it stops delivering.

 

To learn more about this dynamic duo:

Follow Ally on Twitter here. Follow Ally on Instagram here.

Visit Kristen’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Kristen participated in a Twitter chat with us. You can view the Storify version of our conversation with Kristen hereFollow Kristen on Twitter here.

 

The final speaker of the morning dazzled us with his presentation and his wit.

mattringlerMatt Ringler – Senior Editor with Scholastic

Matt is a senior editor at Scholastic specializing in chapter book, middle grade, and YA fiction. He is the editor of the Goosebumps series by R.L. Stine, the Game Changers series by Mike Lupica, the STAT series by Amar’e Stoudemire, and the Little Rhino series by Ryan Howard. His YA list includes the New York Times Bestseller Kill the Boy Band by Goldy Moldavsky and It’s Not Me, It’s You by Stephanie Kate Strohm.

Matt Ringler imparting his words of wisdom to our SCBWI OK crowd.
Matt took a group picture of us and posted it on Twitter since we would be doing the same to him. Well played. Did I mention he has a great sense of humor?

Matt spoke about “Writing Success at Many Levels”. He started out by giving us some background on himself (started as an intern for the David Levithan – can you say fangirling?) and some mind-blowing Scholastic stats (like Scholastic publishes 1 out of every 3 books, and first experience most kids have buying their own books is through Scholastic Book Fairs).

Matt moved on to talking about writing, and specifically about not fighting your own writing process, even if it changes from one book to the next. You change as your experiences grow – you’re not the same writer you were a few years ago. It’s okay for your process to change. Embrace it.

Matt shared an insight into his selection process. When deciding what projects to take on, Matt said, “To work on a book, it’s a year. It’s committing to a relationship. If it doesn’t feel right for me, I’ll pass on it.”

That’s another reason to not take it personally when your manuscript is rejected because an agent or editor didn’t love it enough. That doesn’t mean your work isn’t good, just that their commitment level wasn’t right for the relationship to work. You want your book to succeed and you want someone to champion your book. That’s going to require a strong commitment to your story.

Matt went on to discuss the different kinds of success:

PERSONAL

FINANCIAL

CRITICAL

LONGEVITY

READERSHIP

PROMOTIONAL

All aspects of success can build on each other. Writing is hard! Don’t forget to celebrate the little steps of success along the way.

 

To learn more about Matt, follow him on Twitter here.

Matt will be our guest for #okscbwichat on Twitter August 22nd from 7-8pm CST! We hope you’ll join us!

 

BREAK

Break time means networking (read “socializing”) and taking selfies with my writing friends!

 

with Catren Lamb
with Brenda Maier
with Regina Garvie

 

 

 

 

 

 

with Gwendolyn Hooks and my thumb
with Tammi Sauer
with THE Jerry Bennett

 

 

 

 

 

 

One of the best parts of writing conferences is connecting with my fellow writers (and the odd illustrator or two, Jerry). I love my tribe!

Stay tuned for Part II of the conference recap!