SCBWI OK Spring Conference Recap Part II – Persistence, Professionalism, and Success in Action

SCBWI OK Banner

 

Welcome to Part II of this conference recap. View Part I here. As anyone who’s ever been to any conference or workshop knows the post-lunch slot is a demanding one. You are fighting afternoon sleepiness. You are fighting full-belly fatigue. Our next speaker was up to the challenge and did not disappoint. 2017-scbwi-spring-conference-flyer

 

SATURDAY AFTERNOON

Ally Carter returned to the podium to give a solo talk that all writers could definitely benefit from hearing.

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever.

Ally gave a fantastic talk entitled, “Dear Ally: A Letter for Baby Author Me”, where she discussed many of the mistakes she made as a beginning author. They were so insightful and encouraging.

Here are a few of my favorites:

Nothing sells backlist like frontlist.

Her first book sold about 5 copies, and yet she spent a LOT of time and money promoting that book. She learned the hard way that the best way to promote your last book is to write your next book. The first book in her Gallager Girls series didn’t hit the NY Times Bestsellers’ List, but the second one did. And once it did, the first one did too.

The type of book and the quality are the only things that authors can control. The rest of marketing that authors do may not effect sales very much.

Some people will tell you that making writer friends is going to be good for your career. They’re wrong. these friends are going to be good for your LIFE.

I have never heard a truer statement. My writer friends are the most important ones I have. They understand what it means to struggle with this creative life we have chosen and they support me through it all.

Twitter lies.

Nobody ever shares the bad news. You can’t judge your career based on the career of other people. You don’t really know how their careers are going and it doesn’t help you to worry about it.

There’s no one way to write a book.

You never learn how to write a book. You just learn how to write the book you’re writing right now. And every book will probably have a month where it gets hard.

She had so many other fantastic pearls of wisdom to share. I just loved her talk.

She closed with this:

What you do matters. If you make a kid feel happy for a little while, that’s a great thing.

Truly fantastic. Thank you, Ally.

Follow Ally on Twitter here. Follow Ally on Instagram here.

 

Our next speaker shared ways to add heart into our writing.

jill-santopoloJill Santopolo – Editorial Director with Philomel Books

Jill received a BA in English literature from Columbia University, an MFA in writing for children from the Vermont College of Fine Arts, and a certificate in intellectual property law from NYU. As the editorial director of Philomel Books, an imprint of Penguin Young Readers group, she has edited many New York Times bestselling and award-winning authors including Atia Abawi, Terry Border, Chelsea Clinton, Andrea Cremer, Lisa Graff, and Alex London. She’s the author of the Sparkle Spa series, the Alec Flint mysteries, the Follow Your Heart books, and the upcoming adult novel The Light We Lost. An adjunct professor in The New School’s MFA program, Jill travels the world to speak about writing and storytelling. She lives in New York City.

Jill inspired us all with her talk entitled, “Getting to the Heart of the Matter”. A talk about emotion. She began by asking the purpose of art. To connect with readers/viewers by creating empathy, understanding, or a cathartic experience. In essence, some kind of connection.

In writing, to get that connection, we use “show don’t tell”.

Why? Because You feel it instead of see it.

Connection.

How? Sound, syntax, and word choice.

Jill gave many examples of how word choices and sentence structure effected a specific passage.

For example, shorter clipped sentences can convey anger or intensity.

Pauses have power.

Linking certain words to specific characters tell us how to feel about each character – ‘buzzy’ and ‘roared’ versus ‘lounged’ and ‘sippy’ give us very different feelings.

Like an artist uses brush strokes and color choices, a writer uses sentence length and word choice to create moods for evoking emotions.

 

Prior to the conference, Jill participated in a Twitter chat with us. You can view the Storify version of our conversation with Jill hereFollow Jill on Twitter here.

 

The next speaker had much to discuss and much wisdom to impart for the pre-published among us.

lindacamachoLinda Camacho – Literary Agent with Prospect Agency

Linda joined Prospect Agency in 2015 after a decade in publishing. After graduating from Cornell University, Linda interned at Simon & Schuster and Writers House literary agency, and worked at Penguin and Random House before making the leap to agenting. She has an MFA in creative writing from the Vermont College of Fine Arts.

 

Linda’s talk entitled, “Your Personal Hero’s Journey – Going from Pre-Published to Successfully Published” was full of fantastic advice. One of the main ideas was you need to get used to rejection.

“I get rejected with my clients.”

She went over some surprising facts about rejection from a Psychology Today article. Here are a few:

  • Rejection runs along the same pathways as physical pain.
  • Tylenol can reduce the pain of rejection.
  • Rejection temporarily lowers IQ.
  • Rejection does not respond to reason.

Fascinating, right?

Linda went on to show several examples of rejections from writers who went on to succeed. She said embrace rejection. It means you’re a real writer.

Today’s common rejection? “It’s not for me.”

This can happen even when there’s nothing wrong with your manuscript. You cannot control rejection.

There are things you CAN control:

  • Dump your excuses – “I don’t have the time”, “I’m not talented enough”, “I’m afraid of failure”, etc.
  • Write the book – Pick a routine, any routine.
  • Hold yourself accountable
  • Learn the business
  • Read. A Lot.
  • Get used to revising!
  • FIND A WRITING COMMUNITY – so key when faced with rejection and cloistered when working. The writerly brain is unique. We need some understanding.

She had so many other fantastic suggestions. Such a great talk!

Visit Linda’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Linda participated in a Twitter chat with us. You can view the Storify version of our conversation with Linda hereFollow Linda on Twitter here.

 

Our final speaker of the day asked us what we were willing to do to succeed.

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

Kristen gave the final talk of the day entitled, “What Will Your Then and Now Story Be?” It was quite inspirational.

She started off with some background on how she started her literary agency by making a business plan and selling her house to fund it. She worked out of her much smaller new house for six months before closing her first deal.

She then asked, in pursuing our dream, “Do you want it badly enough to change?”

  • To allow yourself zero excuses?
  • To get rejected A LOT?
  • To reinvent yourself?
  • To change jobs to have more time to write?
  • To write the fifth novel when four novel didn’t launch your career?

She asked more tough questions and gave examples of authors who’d gone through each of these situations, and then went on to succeed.

Every author faces obstacles. On average, four is the magic number. That’s four manuscripts before you write the one that sells.

Visit Kristen’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Kristen participated in a Twitter chat with us. You can view the Storify version of our conversation with Kristen hereFollow Kristen on Twitter here.

 

BOOK SIGNING

Immediately following the end of the conference, there was a book signing for published authors and our speakers. (Code for time to buy more books!)

 

Great time to get my copy of Jennifer Latham’s new book DREAMLAND BRUNING signed. I attended her book release, but they sold out before I even arrived! (Not a bad problem to have, honestly.) Such a great turn out!

 

This is my fourth signed book by Ally Carter and I adore them all. She’s such a delight. (Even if she is an OSU fan!)

That’s a wrap for another outstanding spring conference. Thanks to everyone who made it possible and to all of our fantastic speakers! You were amazing and so inspiring.

 

 

SCBWI OK Spring Conference Recap Part I – Persistence, Professionalism, and Success in Action

SCBWI OK Banner

 

This year’s SCBWI Oklahoma Spring Conference set a high bar for future conferences. A month later and I’m still processing the wealth of information the speakers imparted. Here’s Part I of the brief recap!2017-scbwi-spring-conference-flyer

FRIDAY

This year’s conference began with something new, a warm up event on Friday evening. With three different options, I chose to attend the Friday Night Panel with Ally Carter, Matt Ringler, and Linda Camacho.

From left to right, our panel included NY Times bestselling author Ally Carter, Senior Editor at Scholastic Matt Ringler, and literary agent Linda Camacho of the Prospect Agency.

This fun and informative panel was asked everything from their views on professionalism to what keeps them reading a manuscript to what other agents and editors would say about them. Needless to say things got interesting!

Agent Linda Camacho addresses the crowd.

The three speakers held the attention of the packed room and started the conference off with great enthusiasm.

One of my favorite stories was from Ally Carter. When answering a question about professionalism, she commented that she was simply doing what her mother taught her when she wrote a thank you note to a very important book seller. She found out later that he actually kept it displayed. It was the only one he’d ever received from an author. A reminder that being thoughtful to everyone in this business can make a difference.

SATURDAY MORNING

Our first speaker of the day showed us the power and beauty of using fewer words to tell our stories.

katrinadamkoehler-2Katrina Damkoehler – Senior Designer with Random House Children’s Publishing

Katrina is currently a Senior Designer for the trade imprints of Random House Children’s Publishing, where she designs and art directs approximately 35 middle grade and picture book titles per year. She was previously Art Director at Amazon Children’s Publishing. Recent projects she art directed include the 2015 Geisel Award-winner “You Are Not Small” (Anna Kang/Christopher Weyant), “Grover Cleveland, Again” (Ken Burns/Gerald Kelley), and “This is My Book” (Mark Pett).

Katrina gave a talk entitled, “(Almost) Wordless Picture Books” where she gave examples of picture books that used few words to tell great stories. The (almost) wordless manuscripts may have as few as 50 words. With a limited word count, it’s helpful to have a road map. That’s why most wordless (or nearly wordless) manuscript submissions include illustration notes.

Here are some examples she shared:

THERE’S NO SUCH THING AS LITTLE by LeUyen Pham

 

 

 

CINDER-EYED CATS by Eric Rohmann

 

 

HELLO HIPPO, GOODBYE BIRD by Kristyn Crow

 

 

She also walked us through the illustration process – from submitted manuscript to finished book – for EAT, SLEEP, POOP by Alexandra Penfold.

Beginning manuscript for EAT, SLEEP, POOP.

Finished product! Cover and first few pages of completed book for EAT, SLEEP, POOP.

One thing she emphasized about nearly wordless picture books is that emotional expressions of the characters need to be extremely clear. After all, the illustrations are doing a lot of heavy-lifting with the story-telling.

 

To learn more about Katrina, follow her on Twitter here.

Prior to the conference, Katrina participated in a Twitter chat with us. You can view the Storify version of our conversation with Katrina here.

 

Next, a true power couple shared tips on how to write authentically for a YA audience.

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever.

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

NY Times best-selling author (and Oklahoma native) Ally Carter joined her agent Kristen Nelson to give a presentation together entitled, “‘So You Want to Write YA…Start by Asking the Right Questions!”.

One of those right questions was instead of asking how to learn teen slang, you should ask if you have a voice that appeals to teens.

Slang comes and goes, and is often regionally specific. Besides dating your manuscript, it can end up alienating readers instead of connecting them with your story.

Another great question was instead of asking if you can just age your characters up or down to ‘make’ your book YA, you should ask yourself if you’re telling a true coming-of-age story that will resonate with teens.

It’s not enough to have characters the same age as your readers. Age doesn’t equal connection. You have to engage your teen readers with a story they can relate to.

And this one was my favorite:

Q:   Should I alter myself when writing for teens?

A:   Ally – “Yes, write smarter.”

Kristen – “I’ve never heard a teen say, ‘I felt obligated to keep reading’.”

Teens expect the writing to be great from page one and will put a book down the minute it stops delivering.

 

To learn more about this dynamic duo:

Follow Ally on Twitter here. Follow Ally on Instagram here.

Visit Kristen’s agency site to view what she’s currently seeking and to observe her submission guidelines.

Prior to the conference, Kristen participated in a Twitter chat with us. You can view the Storify version of our conversation with Kristen hereFollow Kristen on Twitter here.

 

The final speaker of the morning dazzled us with his presentation and his wit.

mattringlerMatt Ringler – Senior Editor with Scholastic

Matt is a senior editor at Scholastic specializing in chapter book, middle grade, and YA fiction. He is the editor of the Goosebumps series by R.L. Stine, the Game Changers series by Mike Lupica, the STAT series by Amar’e Stoudemire, and the Little Rhino series by Ryan Howard. His YA list includes the New York Times Bestseller Kill the Boy Band by Goldy Moldavsky and It’s Not Me, It’s You by Stephanie Kate Strohm.

Matt Ringler imparting his words of wisdom to our SCBWI OK crowd.
Matt took a group picture of us and posted it on Twitter since we would be doing the same to him. Well played. Did I mention he has a great sense of humor?

Matt spoke about “Writing Success at Many Levels”. He started out by giving us some background on himself (started as an intern for the David Levithan – can you say fangirling?) and some mind-blowing Scholastic stats (like Scholastic publishes 1 out of every 3 books, and first experience most kids have buying their own books is through Scholastic Book Fairs).

Matt moved on to talking about writing, and specifically about not fighting your own writing process, even if it changes from one book to the next. You change as your experiences grow – you’re not the same writer you were a few years ago. It’s okay for your process to change. Embrace it.

Matt shared an insight into his selection process. When deciding what projects to take on, Matt said, “To work on a book, it’s a year. It’s committing to a relationship. If it doesn’t feel right for me, I’ll pass on it.”

That’s another reason to not take it personally when your manuscript is rejected because an agent or editor didn’t love it enough. That doesn’t mean your work isn’t good, just that their commitment level wasn’t right for the relationship to work. You want your book to succeed and you want someone to champion your book. That’s going to require a strong commitment to your story.

Matt went on to discuss the different kinds of success:

PERSONAL

FINANCIAL

CRITICAL

LONGEVITY

READERSHIP

PROMOTIONAL

All aspects of success can build on each other. Writing is hard! Don’t forget to celebrate the little steps of success along the way.

 

To learn more about Matt, follow him on Twitter here.

Matt will be our guest for #okscbwichat on Twitter August 22nd from 7-8pm CST! We hope you’ll join us!

 

BREAK

Break time means networking (read “socializing”) and taking selfies with my writing friends!

 

with Catren Lamb
with Brenda Maier
with Regina Garvie

 

 

 

 

 

 

with Gwendolyn Hooks and my thumb
with Tammi Sauer
with THE Jerry Bennett

 

 

 

 

 

 

One of the best parts of writing conferences is connecting with my fellow writers (and the odd illustrator or two, Jerry). I love my tribe!

Stay tuned for Part II of the conference recap!

 

The Relaxed & Groovy Book Club – SALT TO THE SEA

 

Relaxed & Groovy Book Club

Welcome to the first discussion of the Relaxed & Groovy Book Club of this year! We’ll have one each quarter and instead of revisiting a favorite read from the past, I’ll be reading a book for the first time right along with you.

This first book is from an author with the most generous spirit and all the talent to make a reader lose themselves in any world she creates. I’ve been a huge fan ever since I read her debut novel BETWEEN SHADES OF GREY. I was lucky enough to hear her speak in person about her experience researching and then writing this story. It was gut-wrenching. There wasn’t a dry eye in the room. She put all of that into her story, and let me tell you. It’s a book well worth reading.

So is her latest book. I won an advanced copy on Goodreads, which was awesome – free books, yay! (If you had my book habit you’d totally understand.) Even so, I would’ve bought this book myself if I hadn’t won it.

Current Relaxed & Groovy Book Club selection:

 

SALT TO THE SEA by Ruta Sepetys

Published by: Philomel

Release Date: February 2, 2016

Genres: YA, Historical Fiction

indieboundamazon

bn-24h-80

 

Plot Summary:

In 1945, World War II is drawing to a close in East Prussia and thousands of refugees are on a desperate trek toward freedom, almost all of them with something to hide. Among them are Joana, Emilia, and Florian, whose paths converge en route to the ship that promises salvation, the Wilhelm Gustloff. Forced by circumstance to unite, the three find their strength, courage, and trust in each other tested with each step closer toward safety. Just when it seems freedom is within their grasp, tragedy strikes. Not country, nor culture, nor status matter as all ten thousand people aboard must fight for the same thing: survival.
A tribute to the people of Lithuania, Poland, and East Prussia, Ruta Sepetys unearths a shockingly little-known casualty of a gruesome war, and proves that humanity can prevail, even in the darkest of hours. (Plot summary from author’s website.)

Learn more about Ruta Sepetys here.

Follow Ruta on Twitter here.

Follow Ruta on Facebook here.

This is such a fascinating tale that grips you right from the opening pages. Sepetys has a way of finding different angles to shed light on familiar periods of history in enlightening and intriguing ways.

Here’s a look at the first chapter:

joana

      Guilt is a hunter.

My conscience mocked me, picking fights like a petulant

child.

It’s all your fault, the voice whispered.

      I quickened my pace and caught up with our small group. The Germans would march us off the field road if they found us. Roads were reserved for the military. Evacuation orders hadn’t been issued and anyone fleeing East Prussia was branded a deserter. But what did that matter? I became a deserter four years ago, when I fled from Lithuania.

      Lithuania.

      I had left in 1941. What was happening at home? Were the dreadful things whispered in the streets true?

      We approached a mound on the side of the road. The small boy in front of me whimpered and pointed. He had joined us two days prior, just wandered out of the forest alone and quietly began following us.

     “Hello, little one. How old are you?” I had asked.

      “Six,” he replied.

      “Who are you traveling with?”

      He paused and dropped his head. “My Omi.”

      I turned toward the woods to see if his grandmother had emerged. “Where is your Omi now?” I asked.

      The wandering boy looked up at me, his pale eyes wide. “She didn’t wake up.”

      So the little boy traveled with us, often drifting just slightly ahead or behind. And now he stood, pointing to a flap of dark wool beneath a meringue of snow.

      I waved the group onward and when everyone advanced I ran to the snow-covered heap. The wind lifted a layer of icy flakes revealing the dead blue face of a woman, probably in her twenties. Her mouth and eyes were hinged open, fixed in fear. I dug through her iced pockets, but they had already been picked. In the lining of her jacket I found her identification papers. I stuffed them in my coat to pass on to the Red Cross and dragged her body off the road and into the field. She was dead, frozen solid, but the thought of tanks rolling over her was more than I could bear.

      I ran back to the road and our group. The wandering boy stood in the center of the path, snow falling all around him.

      “She didn’t wake up either?” he asked quietly.

      I shook my head and took his mittened hand in mine.

      And then we both heard it in the distance.

      Bang.

Don’t you just love the imagery of “a flap of dark wool beneath a meringue of snow”? There are so many different ways she describes the winter weather, you feel it as you’re walking through the scene with the characters.

With this well-crafted story which not only creates vivid scenes that immerse you right into the bitter cold of Eastern Prussia in 1945, but shows you this world through the lives of four fascinating and complex characters, we not only get caught up in their struggles, but in the mystery that slowly draws them all together.

The Discussion:

The book is told from four points of view, each character with a different reason for fleeing from something. Three of them are crossing the open, dodging the Germans from one direction and the Soviets from another, trying to find safe passage out of the country on a ship, one doomed for tragedy. One is already on the ship, trying to avoid doing much of anything – hiding in plain sight.

Here’s the scene when the three crossing all come together for the first time:

florian

     Others had beaten us there. A teetering collection of weathered horse carts was tucked beyond the brush, a sober portrait of the trek toward freedom. I would have preferred an abandoned site, but knew I couldn’t continue. The Polish girl pulled at my sleeve.

     She stopped in the snow, staring at the possessions outside the barn, evaluating the contents and whom they might belong to. There was no evidence of military.

     “I think okay,” she said. We walked inside.

     A group of fifteen or twenty people sat huddled around a small fire. Their faces turned as I slipped in and stood near the door. Mothers, children, and elderly. All exhausted and broken. The Polish girl went straight to a vacant corner and sat down, wrapping her arms tightly around her chest. A young woman walked over to me.

     “Are you injured? I have medical training.”

     Her German was fluent, but not native. I didn’t answer. I didn’t need to speak to anyone.

     “Do you have any food to share?” she asked.

     What I had was no one’s business.

     “Does she have any food?” she asked, pointing to the Polish girl rocking in the corner. “Her eyes look a bit wild.”

     I spoke without looking at her. “She was in the forest. A Russian cornered her. She followed me here. She has a couple of potatoes. Now, leave me alone,” I said.

     The young woman winced at the mention of the Russian. She left my side and headed quickly toward the girl.

     I found a solitary spot away from the group and sat down. I lodged my pack against the barn wall and carefully reclined on it. It would be warmer if I sat near the fire with the others but I couldn’t risk it. No conversations.

     I ate a small piece of the sausage from the dead Russian and watched the young woman as she tried to speak with the girl from the forest. Others called out to her for help. She must have been a nurse. She looked a few years older than me. Pretty. Naturally pretty, the type that’s still attractive, even more so, when she’s filthy. Everyone in the barn was filthy. The stench of exertion, failed bladders, and most of all fear, stunk worse than any livestock. The nurse girl would have turned my head back in Königsberg.

     I closed my eyes. I didn’t want to look at the pretty girl. I needed to be able to kill her, kill them all, if I had to. My body begged for sleep but my mind warned me not to trust these people. I felt a nudge at my feet and opened my eyes.

     “You didn’t mention she was Polish,” said the nurse. “And the Russian?” she asked.

     “He’s taken care of,” I told her. “I need to sleep.”

     She knelt down beside me. I could barely hear her.

     “What you need is to show me that wound you’re trying to hide.”

Once they all come together on the ill-fated ship, you know their troubles are far from over. Intense and fast-paced, Septeys keeps you turning the pages to the end to find out what each of these characters is hiding and how they will survive, if they will survive. I loved the unique take on such an important period of history, brought to life in a brilliant way. I hope you enjoyed reading it, too.

So…what’s next?

 Next Relaxed & Groovy Book Club selection:

THE GAME OF LOVE AND DEATH by Martha Brockenbrough

Published by: Scholastic

Release Date: April 28, 2015

Genres: YA, Contemporary, Realistic Fiction

indieboundamazonbn-24h-80

 

Plot Summary:

ANTONY AND CLEOPATRA. HELEN OF TROY AND PARIS. ROMEO AND JULIET. AND NOW . . . HENRY AND FLORA.

For centuries Love and Death have chosen their players. They have set the rules, rolled the dice, and kept close, ready to influence, angling for supremacy. And Death has always won. Always.

Could there ever be one time, one place, one pair whose love would truly tip the balance?

Meet Flora Saudade, an African-American girl who dreams of becoming the next Amelia Earhart by day and sings in the smoky jazz clubs of Seattle by night. Meet Henry Bishop, born a few blocks and a million worlds away, a white boy with his future assured — a wealthy adoptive family in the midst of the Great Depression, a college scholarship, and all the opportunities in the world seemingly available to him.

The players have been chosen. The dice have been rolled. But when human beings make moves of their own, what happens next is anyone’s guess.

Achingly romantic and brilliantly imagined, The Game of Love and Death is a love story you will never forget. (Plot summary from author’s website.)

Learn more about Martha Brockenbrough here.

Follow Martha on Twitter here.

Follow Martha on Facebook here.

Follow Martha on Tumblr here.

 

I met the beguiling Ms. Brockenbrough at the SCBWI LA conference last summer and have been looking forward to reading this book ever since. I can’t wait to discuss it with you all next time!

We’ll reconvene this most relaxed and groovy of book clubs in early summer. (Tie-dyed tees and funky shoes optional, as always!)

Happy reading!

2017 SCBWI OK Spring Conference – Persistence, Professionalism, and Success

SCBWI OK Banner

 

Ah! Spring! My favorite time of year! And not only because I get to hang out with a lovely bunch of children’s literature people for an entire weekend, but also expand my brain at the same time. Our 2017 SCBWI Oklahoma Spring conference has so many excellent speakers attending, I can’t wait to hear them!2017-scbwi-spring-conference-flyer

The event begins Friday evening,  March 24th, and continues through Saturday, March 25th.

As always manuscript critiques, and portfolio critiques will be available in limited numbers, but this year there are also new additions, including Friday night sessions, paid face time with a professional,  off-site critiques, and an autograph party. Sounds fun!

 

Let’s meet our speakers:

0253_allycarterportraits_by_lizligon-150x150Ally Carter – Young Adult Author

Ally Carter writes books about spies, thieves, and teenagers. She is the New York Times bestselling author of the EMBASSY ROW, HEIST SOCIETY, and GALLAGHER GIRLS series, which together have sold more than two-million copies and have been published in more than twenty countries. She lives in Oklahoma, where her life is either very ordinary or the best deep-cover legend ever. She’d tell you more, but…well…you know…

She will give the Keynote address entitled, “Dear Ally: A Letter for Baby Author Me”.

Follow Ally on Twitter here. Follow Ally on Instagram here.

 

2016-kristin-nelson-160x24072dpiKristen Nelson – President and Founding Literary Agent at Nelson Literary Agency

Kristen established the Nelson Literary Agency in 2002 and over the last decade+ of her career has represented over thirty-five New York Times bestselling titles and many USA Today bestsellers. Clients include Ally Carter, Marie Lu, Scott Reintgen, Gail Carriger, Stacey Lee, Marcia Wells, and Simone Elkeles. When she is not busy selling books, Kristin attempts to play golf & tennis. She also enjoys playing Bridge (where she is the youngest person in her club), and can be found hiking in the mountains with her husband and their dog Chutney.

To view what she’s currently seeking and submission guidelines, visit her agency website.

***Get to know Kristen before the conference! She will be a Special Guest during our Twitter chat on February 28th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Kristen here.

Follow Kristen on Twitter here.

 

jill-santopoloJill Santopolo – Editorial Director with Philomel Books

Jill received a BA in English literature from Columbia University, an MFA in writing for children from the Vermont College of Fine Arts, and a certificate in intellectual property law from NYU. As the editorial director of Philomel Books, an imprint of Penguin Young Readers group, she has edited many New York Times bestselling and award-winning authors including Atia Abawi, Terry Border, Chelsea Clinton, Andrea Cremer, Lisa Graff, and Alex London. She’s the author of the Sparkle Spa series, the Alec Flint mysteries, the Follow Your Heart books, and the upcoming adult novel The Light We Lost. An adjunct professor in The New School’s MFA program, Jill travels the world to speak about writing and storytelling. She lives in New York City.

***Get to know Jill before the conference! She will be a Special Guest during our Twitter chat on March 7th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Jill here.

Follow Jill on Twitter here.

 

lindacamachoLinda Camacho – Literary Agent with Prospect Agency

Linda joined Prospect Agency in 2015 after a decade in publishing. After graduating from Cornell University, Linda interned at Simon & Schuster and Writers House literary agency, and worked at Penguin and Random House before making the leap to agenting. She has an MFA in creative writing from the Vermont College of Fine Arts.

To view what she’s currently seeking and submission guidelines, visit her agency website.

***Get to know Linda before the conference! She will be a Special Guest during our Twitter chat on March 14th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Linda here.

Follow Linda on Twitter here.

 

katrinadamkoehler-2Katrina Damkoehler – Senior Designer with Random House Children’s Publishing

Katrina is currently a Senior Designer for the trade imprints of Random House Children’s Publishing, where she designs and art directs approximately 35 middle grade and picture book titles per year. She was previously Art Director at Amazon Children’s Publishing. Recent projects she art directed include the 2015 Geisel Award-winner “You Are Not Small” (Anna Kang/Christopher Weyant), “Grover Cleveland, Again” (Ken Burns/Gerald Kelley), and “This is My Book” (Mark Pett).

***Get to know Katrina before the conference! She will be a Special Guest during our Twitter chat on March 20th, from 7-8pm CST. We use the hashtag #okscbwichat.

Missed the chat? You can view the Storify version of the conversation with Katrina here.

Follow Katrina on Twitter here.

mattringlerMatt Ringler – Senior Editor with Scholastic

Matt is a senior editor at Scholastic specializing in chapter book, middle grade, and YA fiction. He is the editor of the Goosebumps series by R.L. Stine, the Game Changers series by Mike Lupica, the STAT series by Amar’e Stoudemire, and the Little Rhino series by Ryan Howard. His YA list includes the New York Times Bestseller Kill the Boy Band by Goldy Moldavsky and It’s Not Me, It’s You by Stephanie Kate Strohm.

Follow Matt on Twitter here.

 

This year, Tulsa is the host city for the conference. Mark your calendars for March 24-25th. You won’t want to miss it!

For more information about our conference and to register for this event, CLICK HERE.

I hope to see you there!

The Relaxed & Groovy Book Club – BEAUTY QUEENS

 

Relaxed & Groovy Book Club

Welcome to the fourth discussion of the Relaxed & Groovy Book Club!

Returning to this right now is just what my creative spirit needs. Let’s talk books! And what better book than this one, the uplifting tale of beauty queens surviving on a deserted island, left to fend for themselves and discover what they’re really made of.

Current Relaxed & Groovy Book Club selection:

 

beauty queensBEAUTY QUEENS by Libba Bray

Published by: Scholastic Press

Release Date: May 24, 2011

Genres: YA, Contemporary, LGBT

amazon

bn-24h-80indiebound

 

Plot Summary:

Teen beauty queens. A desert island. Mysteries and dangers. No access to e-mail. And the spirit of fierce, feral competition that lives underground in girls, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! Only funnier. With evening gowns. And a body count. (Plot summary from author’s website.)

Learn more about Libba Bray here.

Follow Libba on Twitter here.

Follow Libba on Tumblr here.

Follow Libba on Facebook here.

I love the voice of this book! Libba Bray is hilarious and so talented at taking the absurd and making it funny while at the same time forcing us to look at an issue closer, with discernment.

Let’s peek at the opening and first chapter:

(It starts with a disclaimer, er, a word from your sponsor):

     This book begins with a plane crash. We do not want you to worry about this. According to the U.S. Department of Unnecessary Statistics, your chances of dying in a plane crash are one in half a million. Whereas your chances of losing your bathing suit bottoms to a strong tide are two to one. So, all in all, it’s safer to fly than to go to the beach. As we said, this book begins with a plane crash. But there are survivors. You see? Already it’s a happy tale. They are all beauty queen contestants. You do not need to know their names here. But you will get to know them. They are all such nice girls. Yes, they are nice, happy, shining, patriotic girls who happen to have interests in baton twirling, sign language, AIDS prevention in the animal population, the ancient preparation of popadam, feminine firearms, interpretive dance, and sequins. Such a happy story. And shiny, too.

     This story is brought to you by The Corporation: Because Your Life Can Always Be Better™. We at The Corporation would like you to enjoy this story, but please be vigilant while reading. If you should happen to notice anything suspicious in the coming pages, do alert the proper authorities. Remember, it could be anything at all – a subversive phrase, an improper thought or feeling let out of its genie bottle of repression, an idea that challenges the status quo, the suggestion that life may not be what it appears to be and that all you’ve taken for granted (malls, shopping, the relentless pursuit of an elusive happiness, prescription drug ads, those annoying perfume samples in magazines that make your eyes water, the way anchorman and women shift easily from the jovial laughter of a story about a dog that hula-hoops to a grave report on a bus crash that has left five teenagers dead) may be no more consequential than the tattered hem of a dream, leaving you with a bottomless, free-fall feeling.

     This is the sort of thing we are warning you about.

     But let’s not worry, shall we? There’s nothing to worry about. Though there is the threat of a war, it happens in the background, in snippets on the nightly news between ads for sinus medicines. It’s none of our concern. This is a happy story…

Chapter One

 “Are you all right?”

The voice was tinny in Adina’s ears. Her head ached, and she was wet. She remembered the plane pitching and falling, the smoke and screams, the panic, and then nothing.

“Am I dead?” she asked the face looming over hers. The face had apple cheeks and was framed by a halo of glossy black curls.

“No.”

“Are you dead?” Adina asked warily.

The face above her shook from side to side, and then burst into tears. Adina relaxed, reasoning that she had to be alive, unless the afterlife was a lot more bipolar than she’d been led to believe. She pulled herself to a sitting position and waited for the wooziness to subside. A gash on her knee was caked in dried blood. Another on her arm still seeped. Her dress was ripped and slightly scorched and she wore only one shoe. It was one half of her best pair, and in her state of shock, finding the other became important. “Can you help me find my shoe?”

“Sure. I saw some in the water. I hope they’re not leather,” the other girl said in an accent flat as a just-plowed field. She had huge, blue, anime-worthy eyes. “I’m Miss Nebraska, Mary Lou Novak.”

“Adina Greenburg. Miss New Hampshire.” Adina cupped her hands over her eyes, looking out toward the sea. “I don’t see it.”

“That’s a shame. It’s a real nice shoe.”

“Roland Me’sognie,” Adina said, and she honestly couldn’t figure out why. She didn’t care about the stupid brand. That was her mother’s influence. Shock. It had to be the shock.

“If I can find my suitcase, I’ve got an extra pair of sneakers in there. I’m a size eight.”

“Thanks.”

“You’re welcome. I like to be helpful. It’s sort of a Nebraska thing. My pageant sponsor says I’ve got a real good chance at Miss Congeniality this year.”

“Miss Congeniality represents the true heart of the pageant,” Adina found herself repeating from the Miss Teen Dream manual. She vaguely remembered that she used to make a gagging motion at that, but she was too dazed for snarkiness just now. Dazed because, yes, when she’d been looking for her shoe, she’d seen dead bodies in the water. Lifeless bodies.

This may appear to be your average story about a bunch of  beauty queens whose plane crashes leaving the survivors stranded on a deserted island with no plug-ins in sight, but as with all of Bray’s books, there is so much more depth and discovery underneath it all. A commentary on girl culture at its very core and a must-read for every young woman (and every young man! Insight is always wise to pursue. Besides, the male perspective is explored).

The Discussion:

The book is told from several points of view, each of the beauty queens gets to tell their tale, along with some interspersed commentary from The Corporation. When a new POV is introduced, we first get to review the character’s Miss Teen Dream Fun Facts Page. It’s fascinating to watch how each young woman’s view of herself changes – or the way she thought she should present herself to the world changes – as the experience on the island changes each of them.

Take this example:

Name: Adina Greenburg

State: New Hampshire

Age: 17

Height: I resent this question

Weight: I really resent this question.

Hair: Brown. Obviously.

Eyes: Also brown. Also obviously.

Best Feature: My intellect

Fun Facts About Me:

*I hate high heels. Walking in high heels for eight hours a day should be forbidden by the Geneva Convention.

*I am applying to Brown, Yale, Harvard, and Columbia.

*I was voted Most Likely to Figure Out Who Really Killed JFK.

* My mom is married to Alan, aka, Stepfather #5. He is a complete tool. No, you have no idea.

* My favorite Corporation TV show is the news. If you can call it that.

*My platform is Identifying Misogyny in American Culture. It’s all about helping girls ID the objectification of women when they see it. You know, like when girls are asked to parade around in bathing suits and heels and get scored on that.

*The thing that scares me most is falling in love with some jerkwad and ending up without an identity at all, just like my mom.

*I intend to bring this pageant down.

*You will never see this.

Adina only entered the contest to bring it down, so when she finds herself stranded on the island with her fellow contestants, she’s living in a nightmare scenario. She is such a hardcore, girl-power feminist in the beginning, yet as she gets to know the other girls beyond their platforms, she comes to embrace her softer side, and realizes that this doesn’t make you weak.

What’s also fascinating is watching how the young women use their pageant talents to help them survive. Of course, in the beginning some of them still have their sights set on winning the contest…

“For as long as we’re here, we need to survive. You know, build some shelter, find reliable food and drinking water. We need to organize.”

Taylor’s hand shot up, “Taylor Rene Hawkins of the great state of Texas! Permission to speak!”

“What fresh hell is this?” Adina muttered. “Granted.”

Taylor took back the baton. “Miss New Hampshire is right.”

“You’re agreeing with me?” Adina blurted out. “What are the other signs of the apocalypse?”

“You’re out of order, Miss New Hampshire. I’ll issue a warning. Next time it’s a penalty.” Taylor stood and paced with the baton cradled in her arms like a winner’s bouquet. “You know what I’m thinkin’,  Miss Teen Dreamers?”

“What?” Mary Lou asked.

“That was rhetorical, Miss Nebraska. I’m thinkin’ that when we do finally get rescued, we want them to find us at our best. And what could be better and more in line with the Miss Teen Dream mission statement than having them find that we have tamed and beautified this island? It’s like extra credit. And you know how the judges love extra credit.”

The island soon shows itself to be hostile and not so easily tamed. The young women who’ve broken up into two groups – the Lost Girls and the Sparkle Ponies (no, YOU’RE seeing parallels to LORD OF THE FLIES) – fight for survival harder than ever, even holding contests for best personal arsenal design.

After a long day of working hard on their creative survival skills, the young women open up around the campfire.

Miss Montana stared into the fire. “Sometimes I just want to go in a room and break things and scream. Like, it’s so much pressure all the time and if you get upset or angry, people say, ‘Are you on the rag or something?’ And it’s like I want to say, ‘No, I’m pissed off right now. Can’t I just be pissed off? How come that’s not okay for me?’ Like my dad will say, ‘I can’t talk to you when you’re hysterical.’ And I’m totally not being hysterical! I’m just mad. And he’s the one losing it. But then I feel embarrassed anyway. So I slap on that smile and pretend everything’s okay even though it’s not. Anyway.” Miss Montana pasted on an embarrassed half smile. “Sorry for the rant.”

“Why do you have to be sorry?” Nicole asked.

“Well…I don’t know.”

“Why do girls always feel like they have to apologize for giving an opinion or taking up space in the world? Have you ever noticed that?” Nicole asked. “You go on websites and some girl leaves a post and if it’s longer than three sentences or she’s expressing her thoughts about some topic, she usually ends with, “Sorry for the rant’ or ‘That may be dumb, but that’s what I think.'”

“I say sorry all the time. The other day, this lady bumped into me with her grocery cart, and I said I was sorry,” Mary Lou said, shaking her head.

Shanti raised her hand. “I move we officially ban the word sorry from our vocabularies while we’re here.”

“I second that, if that’s okay,” Petra said, grinning. “If not, sorry.”

“I third it. Sorry.”

“I just scratched my nose. Sorry.”

“I just scratched my ass. Sorry.

“I’m getting up to stretch my legs. Sorry.

“Sometimes I just want to burn down all the rules and start over,” Mary Lou said. Everyone waited for the punch line of “sorry,” but it never came.

The young women continue thrive while learning how to survive. They discover they are stronger than they thought.

The girls had lost track of how long they had been on the island. During the daylight hours, they dove into the surf with abandon, emerging tanned and sure-footed, as if they were selkies who had let their timidity float out on the tide like a false skin. Only Taylor remained vigilant in her pageant work, getting up every morning, rain or shine, to go through the paces of her routine, from first entrance to talent to final interview.

“When we get rescued, I guess I’m the only one who’ll be in fighting form,” she’d say while circle-turning and practicing a stiff wave.

“I’ve been thinking about the boys who crashed on the island,” Mary Lou said to Adina one afternoon as they rested on their elbows taking bites from the same papaya.

Lord of the Flies. What about it?”

“You know how you said it wasn’t a true measure of humanity because there were no girls and you wondered how it would be different if  there had been girls?”

“Yeah?”

Mary Lou wiped fruit juice from her mouth with the back of her hand. “Maybe girls need an island to find themselves. Maybe they need a place where no one’s watching them so they can be who they really are.”

Adina gazed out at the expanse of unknowable ocean. “Maybe.”

There was something about the island that made the girls forget who they had been. All those rules and shalt nots. They were no longer waiting for some arbitrary grade. They were no longer performing. Waiting. Hoping.

They were becoming.

They were.

The girls are thrown a curveball when a boatful of reality TV teenaged pirates show up and test their newfound girl power. If you thought it was interesting before the guys showed up, whew! You ain’t seen nothing!

Such an entertaining way to delve into the complex issue of gender roles and society influences. This book really makes you think. And I love a book that makes me think. I looooove Libba Bray. Once you read any of her books, I’m sure you will, too.

So…what’s next?

Relaxed & Groovy Book Club selection:

saveyou_bgI WILL SAVE YOU by Matt de la Peña

Published by: Delacorte Press

Release Date: October 12, 2010

Genres: YA, Contemporary, Realistic Fiction

 

bn-24h-80

amazonindiebound

 

Plot Summary:

Kidd is running from his past and his future. No mom, no dad, and there’s nothing for him at the group home but therapy. He doesn’t belong at the beach where he works either, unless he finds a reason to stay.

Olivia is blond hair, blue eyes, rich dad. The prettiest girl in Cardiff. She’s hiding something from Kidd—but could they ever be together anyway?

Devon is mean, mysterious, and driven by a death wish. A best friend and worst enemy. He followed Kidd all the way to the beach and he’s not leaving until he teaches him a few lessons about life. And Olivia. (Plot summary from author’s website.)

Learn more about Matt de la Peña here.

Follow Matt on Twitter here.

Follow Matt on Facebook here.

This book wrecked me and, yet I’m coming back for seconds. If you’ve never read a book from this author, he’s one to get to know. Not only is he a fantastic guy in person, he does fantastic things for his readers. He’s not only heavily involved in the We Need Diverse Books project, his first picture book LAST STOP ON MARKET STREET won the 2016 Newbery Medal. Trust me, this is one author to follow.

As the end of the year will be pretty busy for me, I suggest this one as reading on your own. We’ll reconvene this most relaxed and groovy of book clubs next year with a new theme and fantastic new books. (Tie-dyed tees and funky shoes optional, as always!)

Happy reading!

Year End #okscbwichat Round Up

SCBWI OK Banner

 

We had some fantastic #okscbwichats during my blog hiatus – a poet laureate, a literary agent, and an independent book store owner all stopped by our Twitter hashtag for a chat. We ended the 2016 #okscbwichat season at the end of last month with quite a bang.

Here’s the round up of the final chats and a link to each discussion.

Benjamin Myers

Ben MyersBenjamin Myers is a professor of literature at Oklahoma Baptist University and is the current Oklahoma Poet Laureate. He is the author of two books of poetry LAPSE AMERICANA and ELEGY FOR TRAINS, which won the Oklahoma Book Award for Poetry.

His poems may be read in numerous literary journals including The New York QuarterlyTar River Poetry, BorderlandsSalamander, Nimrod, and the Chiron Review, as well as online in Devil’s LakeDMQ ReviewThe Pedestal MagazineElimaePoetrybay, and elsewhere. He lives in Chandler, Oklahoma. You can follow Ben on Twitter.

Ben was our guest in September. During our Twitter chat, Ben talked about what inspired him to become a poet, how the study of poetry can help authors with their writing by calling very careful attention to language, and he explained how a poet uses a poem to convey a reader into an experience like Dr. Who uses his TARDIS. Fascinating!

*If you missed the chat, you can view the Storify version of the entire conversation here.

 

Adriana Domínguez

Adriana-DominguezAdriana Domínguez is a literary agent with Full Circle Literary with 20 years of experience in publishing. She will also be one of our off-site critiquers for our SCBWI OK Fall Workshop in November.

Her author client list includes award winners and best sellers such as Michaela and Elaine DePrince, Reyna Grande, Katheryn Russell-Brown and Angela Cervantes. Adriana is interested in picture books that are funny or endearing, with an element of the unexpected; voice-driven contemporary and historical middle grade and young adult novels, and narrative nonfiction, including biographies, and memoirs written by authors with strong platforms. Twists, strong concepts, and diverse points of view are all on her general wish list; works that are at once timely and timeless will always get her attention.

Adriana also represents artists with distinctive styles, and not-so-secretly yearns to bring more diverse illustrators into the market. You can visit her agency website to view her full bio and complete manuscript wishlist. You can also follow her on Twitter

Adriana was our guest for a special edition of #okscbwichat in early October. Adriana discussed diversity and who has the “right” to tell a story, she talked about how her experience as an editor influences her style as an agent, and she also told us one thing she wished new authors and illustrators knew about the publishing business.

*If you missed the chat, you can view the Storify version of the entire conversation here.

 

Joe Hight (BOB at Best of Books)

Joe HightJoe Hight is not only the president of Best of Books, an independent bookstore in Edmond, Oklahoma, he’s behind the online persona, BOB, and the delightful tweets of the store’s Twitter account @bestofbooksok.

Best of Books is a family-owned bookstore celebrating its 30th anniversary as an Edmond institution. Joe and his family took over ownership a few years ago after they moved back from Colorado Springs, Colorado, where Joe was the editor of The Gazette. While working there, his paper won the Pulitzer Prize. Prior to the move to Colorado, Joe worked for The Oklahoman. He was inducted into the Oklahoma Journalism Hall of Fame in 2013. You can follow Joe on Twitter.

Joe was our final #okscbwichat guest of the year. He chatted with us at the end of October. Joe shared many insights, including the one thing he wished local authors knew about their local bookstores – always seek to build relationships! He talked about the advantages an independent book store can offer an author over a chain book store as well. Joe discussed the mistakes authors can make when approaching them for events, he also shared some ideas that can help authors have more successful events. Very enlightening discussion.

*If you missed the chat, you can view the Storify version of the entire conversation here.

 

I really enjoyed all the conversations with our guests throughout this year. My Social Media Committee and I are already planning some exciting new things for next year! If you have any suggestions for a guest you’d like to see – author, illustrator, or industry professional – feel free to leave a comment. I’d love to hear from you!

See you back for our first #okscbwichat of 2017 in January!

#okscbwichat

 

 

 

SCBWI LA Summer Conference Impressions

Artwork by Liz Wong
Artwork by Liz Wong

 

Yes, I’m back! I took some much needed time off from the blog to recharge my creative battery, which was getting frightfully low.

Part of that recharge included attending the 45th Annual SCBWI Summer Conference in Los Angeles with my tribe. I never feel more at home anywhere in the world than when I’m surrounded by these people. I always come away feeling fulfilled and motivated.

 

Biltmore Hotel Gallery Bar

We started out in a new venue this year, the (extremely haunted) Millennium Biltmore Hotel, which boasts many specters, one of the most famous being Elizabeth Short, known as the Black Dahlia, who was last seen in the bar before her death back in 1947.

Throughout the conference there were reports of doors and cabinets that refused to stay closed and bathtubs that filled up all on their own. Still, the spookiest thing that happened was when one of our own group from Oklahoma snapped a selfie all alone in the hallway of the infamous eighth floor. But it wasn’t quite a selfie – something was in the background behind her. It freaked everyone out who looked at it, I’m telling you. (If you’re really curious, just ask Ginny to show you sometime…at your own peril.)

DAY ONE

friends-first-day-of-conference
Our Oklahoma SCBWI gang is ready for the conference to start!

Day One began with a marvelous welcome by the incomparable Lin Oliver and the always entertaining faculty parade. Then it was on to the first keynote.

Drew Daywalt Embraces His Inner Voice

drew-daywalt-2

Drew Daywalt launched the conference with his keynote entitled “Does This Keynote Make My Butt Look Big?” And yes, it was just as funny as you would imagine. But it was also touching and inspiring as well. His first two picture books, THE DAY THE CRAYONS QUIT and the sequel, THE DAY THE CRAYONS CAME HOME have both been very successful. This is not something he was expecting. “I come from a long line of failed picture book writers.” crayonsquit

After growing up one of six kids in a house that was most likely haunted (sensing a theme for the weekend?) he started his adulthood writing screenplays in Hollywood, but found that world very unsatisfying and a little too cutthroat. He kept coming back to something author Jack Gantos once told him, that he had a voice for kids’ books. Yet, he kept put off writing for kids.

Then one day, he saw a box of crayons and thought about how they always had crayons but he never remembered buying them. He gave it a shot and wrote his first children’s book. Ten long years later – it took his agent four years to sell the book – it was published.

After his first school visit, a kid “broke through security” to give him a hug and kissed his cheek. He talked about how that experience changed him.

“Hollywood knocked me down, and a million tiny little hands caught me.”

(Yes, there was a collective “Awww” heard round the conference room at that.)

His picture books express a unique voice, a unique vision. When addressing the concept of voice, he said, “it is absolutely your fingerprint.”

Every story has been told, so it’s been said, but none in YOUR voice. You have to be willing to be vulnerable, too.

Writing a story and asking someone what they think about it is like standing there butt naked and saying, “Hey, do you like it?”

It’s about honesty.

You have to be honest to your own voice, and then you’ll be fine.

Fantastic way to open the conference!

 

Arthur Levine Gets Personal

arthur-levine

Moving into the workshop portion of the morning, the fabulous Arthur Levine, (Scholastic’s imprint Arthur A. Levine  – Harry Potter’s American publisher, that Arthur Levine) gave a talk entitled, “When It’s Personal: Translating Life into Fiction”. He’s also an author and has written several stories that have been inspired from his own life.

“Arguably, all good fiction is drawn from the personal.”  

How do we do this well? We take a story we care about that already has setting, emotions, and characters.

Blindspots are the problem.

When we’re telling personal stories to friends, we don’t have to be as careful about timelines, backgrounds, and setting. There’s a history built in with the audience.

When we try to translate these stories, we forget what’s visible. Interpersonal dynamics aren’t always clear. We don’t know how well this is showing up on the page. We still have all the work of creating characters that live on the page. It’s not visible unless we make it visible.

Sometimes memories aren’t complete. You may only have snippets of  memories from one event that don’t give you a cohesive story.  Diligent research can fill in for memory lapses.

Readers don’t know that you’re mixing and matching as long as it works and there’s fidelity.

Your stories and anecdotes are tools.

What are you trying to say? Does this plot support that? If not, you need to change it. The more changes you make, the more distance and objectivity it gives you.

“Feelings are clothing that other characters can wear – have to tailor to fit.”

Many great ideas for future stories came out of this session!

 

LUNCH!!!

The great thing about our new location is that we were smack in the middle of downtown LA and there was so much going on around us and so much waiting to be explored. After dreading the long line at the hotel café, I saw a tweet mentioning food trucks across the street. Not only food trucks, but live music, and a beyond fascinating moving art sculpture canopy. Lunch time was saved!

la-scbwi-2016-long-line-at-the-cafe
Never-ending line for the café. Blerg.

 

la-scbwi-2016-food-trucks-for-lunch
Food trucks to saved the day!

 

 

 

 

la-scbwi-2016-floating-reflective-art-sculpture
Me squinting in the ever-so-bright California sunshine while trying to capture the constantly moving reflective sculpture/canopy thingy behind me. (NOT a professional photographer.)

 

la-scbwi-2016-floaty-sculpture-overhead-shot
Over head shot of the full floaty art sculpture canopy. Looks like a school of shiny minnows. You can peek through it and see the high rise buildings above.

 

la-scbwi-2016-more-floating-art-sculpture
More floaty sculpture and lunch date, my daughter. Notice the enormous shadows this thing casts on the ground.

 

Sara Sargent Cuts to the Edge of YA Fiction

img_2172
Sara Sargent speaking in the very intimidating Crystal Ballroom
img_2170
The room was packed and I felt way under-dressed for the décor.

 

 

 

 

 

 

 

 

 

After a fascinating lunch time diversion, and a few more interesting talks,  came a brilliant workshop by HarperCollins Executive Editor Sara Sargent. I just love her – and not because she remembered me from our Spring 2016 SCBWI OK conference and gave me a hug while we were in a crowded elevator together. I’ve never had an editor do that!

Sara’s talk was entitled, “Cutting Edge YA Fiction”. She started at HarperCollins about a year ago to develop books that teens really want to read. She studied these teens in-depth. She thought we should get to know these readers, understand them, “and dare say, even love them”.

What a radical concept!

Here’s some marketing data on this Gen Z:

  • They are the 1st generation to be majority non-white
  • Have an average attention span of 8 seconds
  • Use an average of 5 devices – smart phone, laptop, desktop, tablet, TV
  • More tolerant of gender diversity than previous generations

Their experience at school is totally different than what your was.

**One of the main reasons Sara rejects a manuscript is because it seems like the author is writing to the teen they were instead of to who teens are today.

Excellent point.

Who are you telling the story for? Do you know today’s teen audience?

Sara then gave many ideas on how an author could immerse themselves in teen culture to see what teens today are interested in.

So what does ‘cutting edge’ mean? It plays with expectation and form. To Sara, it’s pushing boundaries and trying new things – “Making me think in new ways.”

Here are some brainstorming ideas to get you started:

  •  Using Adult Novels for Brainstorming – What exciting things are your favorite adult authors doing that you’re not seeing in YA? Same goes for TV shows, movies, webisodes, and Youtube.
  • Backward/Parallel Universe – Think BEFORE I FALL by Lauren Oliver or Sliding Doors movie
  • Using Video Game as a Framework – Like Ready Player One.
  • Complete Opposite – Instead of something to escape FROM, give characters something to escape INTO.
  • Think about a world that has one element our world doesn’t have – one element. Take it away or add it. Think Pleasantville and color.
  • At the Plot -level – Think about character dynamics. Does the football player always need to be popular?
  • Period of time – Play with the limit of time your story takes place – 24 hours, a couple of hours. How would this change/affect a story?

There were so many great ideas. You can rethink storylines and come up with something innovative. The one point she made at the end was that you can be cutting edge while staying true to your own story.

DINNER!!!

Only way to top the first day of great speakers was with dessert…

img_2177
Chocolate with chocolate sauce and more chocolate inside? Heaven!
img_2178
Me and one of my writer friends from our Oklahoma group, Ginny. (Yes, of the infamous spooky photo.)

 

 

 

 

 

 

 

 

And more relaxing time with my writer friends at the Golden Kite Awards Dinner.

My artistic soul on the mend at the end of Day One.

DAY TWO

I always enjoy listening to illustrators when they give keynotes. (Maybe because they have great visuals in their presentations.) Even though I’m not an artist, per se, I love learning about their stories and their creative process. There is always something to learn and you can always find inspiration in another’s journey. Jon Klassen’s keynote was a great way to start day two.

Jon Klassen Thinks Outside of Himself

la-scbwi-16-jon-klassen

Jon Klassen opened Day Two with his keynote entitled “Finding Yourself in the Work”, which was all about how we go about the process of creating or rather how we don’t. “Your job is to take care of what creates your style, not to try to define it or try to think about it.” When it’s time to do the work, think outside of yourself.

Pretty heady stuff for a children’s book illustrator, yes?

Klassen gave the example of David Bowie creating music as Ziggy Stardust. He had to create this character to begin to create the music for the album. He had to get outside of himself before he could start the project.

Joseph Albert, known for solid color square paintings, would give his art students an assignment to paint a blue square. They would all be different. “All of you have your own style, even with the most basic instruction.” la-scbwi-16-jon-klassen-quote

Start with what you can do. “I was a horrible animator.”  He did like drawing big animals who didn’t look like they wanted to be there. Bears, especially. “Bears have a lot of potential for violence.”  A bear in your studio with a hat could go very badly. He didn’t know how to start with dialogue. Then he started thinking in terms of plays and his characters acting out and using their own lines, not his; it started to work.The idea for the book I WANT MY HAT BACK came about through this process.

He said at one point your process may even drift away from its starting point. You have to be okay that your process will wander in unexpected ways. At one point, it’s not yours anymore, it belongs to itself.

Marie Lu Gets Creative

la-scbwi-16-marie-lu-breakout-session

I loved racing through Marie Lu‘s LEGEND series. More than anything, I loved the characters. So I didn’t hesitate when choosing my next breakout session to hear her speak on the subject, “Character is King: Bringing Imaginary People to Life”. This was immediately following her keynote, which was also fantastic.

Although she considers herself a panster versus a plotter, she does take a lot of time developing her characters before she starts writing.

“I always plan out my characters. They are very real people to me.”

She then decides how to build a world to suit them.

One idea she expressed that I loved was that when building characters, there should be some opposition to each other. Create tension before you even put them into a room together.

And that was another great suggestion, she plays around with her characters before getting down to writing her story. She will put two of her characters into a room together and write some dialogue just to see what happens.

She discussed many character building tricks she uses. My favorite one was flip it, where you write a scene where a character is forced to act opposite to their strengths and core beliefs until you discover the point that they become weak, selfish, etc. Or the opposite for a villain.

It helps to know what you want from the story and who you want to tell it before you begin.

Truly an enlightening talk.

Later I had the pleasure of getting one of her books signed. She was such a la-scbwi-16-me-and-marie-ludelight! (And I can’t wait to start reading this next series!)

LUNCH!!!

As Saturday was my daughter’s birthday, I treated her to lunch at a fancy schmancy place of her choosing within walking distance of the hotel. Delicious.

la-scbwi-16-lunch-at-spear

Neal Shusterman Struggles with Chaos

la-scbwi-16-neal-shusterman-kn

I feel like I live at the corner of chaos and procrastination, so the title of Neal Shusterman’s keynote, “Making Meaning: The Writer’s Struggle to Find Order in the Chaos, and Stories Worth Telling”, was just what I needed to hear. He discussed the ever-so-slow journey to publishing success with its many failures and missteps and with surprising discoveries along the way.

He even shared some fallacies he discovered about the writing profession, like “never ask for feedback from someone you feed”. Friends may just want to make you happy and parents always have an agenda, he says, but kids will be honest. (Even the ones you feed.) He says the best feedback you can get is from other writers.

At the end, he asked, so why do we write?

How do we find the stories worth telling?

It’s about the reader.

Deep down we have a belief that we have something to say. We need to dig in to our own passions, wrestle with our own demons. If we’re doing it right, we always struggle with whether or not we’re doing it wrong.

I had the privilege of meeting him later to have him sign a copy if his outstanding book CHALLENGER DEEP. He was so nice.me-and-neal-shusterman

BIRTHDAY TREAT AT LOUIE!!!

I couldn’t exactly bake my youngling a cake, but stopping in for a treat at this divine bakery was a fine substitute.

la-scbwi-16-birthday-treat-at-louie

OFF TO THE BALL!!!

Saturday night means party time!

la-scbwi-16-the-entire-dance-floor

la-scbwi-16-helen-and-anna-at-the-ball

la-scbwi-16-sophie-and-i-at-the-ball

la-scbwi-16-more-dance-floor

la-scbwi-16-sophie-dancing

(And even though the youngling commented on the goofiness of the old people music and dance moves, she had a great time.)

I had such a wonderful time at the conference this year!